Praise for Michael Connelly
‘His methods of killing and eluding detection are infernally ingenious, adding an intellectual charge to the visceral kick of the hunt’
New York Times
‘Connelly is a crime-writing genius. His Harry Bosch stories are genuine modern classics ... Unmissable’
Independent on Sunday
‘Connelly has great skills. One is the creation of characters who live and breathe, so that we care about them far more than we do for the cardboard figures stamped out by most thriller writers. His second skill is mastery of pace. His books are page-turners, and the author is in sublime control of the speed at which we turn those pages’
Mail on Sunday
‘While the themes of Connelly’s LA crime novels are familiar (power, envy, corruption), his plotting is anything but’
Esquire
‘A superb legal thriller that manages three final twists ... The first line of The Brass Verdict is “everybody lies”, so there are plenty of surprises. And, of course, as a writer of fiction, Connelly proves to be a brilliant liar’
Evening Standard
‘A clever plot, full of twists, to make a first-rate legal thriller’
Sunday Telegraph
‘Intensely clever, entirely credible ... thrilling, suspenseful and securely anchored in procedure and purpose. Not a false note; deeply satisfying stuff’
Literary Review
’No one writes a better modern thriller than Connelly. Guaranteed to keep you riveted until the very last page’
Time Out
‘The best writer of tough detective fiction at the moment is Michael Connelly ... For those who like a bit of contrariness and astringency in their heroes, Bosch has to come head of the list’
Irish Times
Angels Flight
MICHAEL CONNELLY
www.michaelconnelly.com.au
ALSO BY MICHAEL CONNELLY
Fiction
The Black Echo
The Black Ice
The Concrete Blonde
The Last Coyote
The Poet
Trunk Music
Blood Work
Angels Flight
Void Moon
A Darkness More than Night
City of Bones
Chasing the Dime
Lost Light
The Narrows
The Closers
The Lincoln Lawyer
Echo Park
The Overlook
The Brass Verdict
The Scarecrow
Nine Dragons
The Reversal
Fifth Witness
The Drop
Nonfiction
Crime Beat
This edition first published in Australia and New Zealand by Allen & Unwin in 2009.
This edition first published in the United States in 1999 by Orion Books, a division of Orion Publishing Group
Copyright © Hieronymous, Inc 1999
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act.
Allen & Unwin
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Crows Nest NSW 2065
Australia
Phone: (61 2) 8425 0100
Fax: (61 2) 9906 2218
Email: [email protected]
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Cataloguing-in-Publication details are available
from the National Library of Australia
www.trove.nla.gov.au
Ebook ISBN 978 1 74269 8106
A former police reporter for the Los Angeles Times, Michael Connelly is the author of more than a dozen acclaimed Harry Bosch thrillers and several courtroom dramas featuring Mickey Haller, as well as stand-alone bestsellers such as The Poet. Michael Connelly is a former President of the Mystery Writers of America. His novels have won an Edgar Award, the Nero Wolfe prize and the Anthony Award. He lives with his family in Tampa, Florida. Visit his website at www.michaelconnelly.com.au
Table of Contents
Praise for Michael Connelly
Title Page
Also by Michael Connelly
Copyright Page
Author biography
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Teaser chapter
This is for
McCaleb Jane Connelly
1
The word sounded alien in his mouth, as if spoken by someone else. There was an urgency in his own voice that Bosch didn’t recognize. The simple hello he had whispered into the telephone was full of hope, almost desperation. But the voice that came back to him was not the one he needed to hear.
‘Detective Bosch?’
For a moment Bosch felt foolish. He wondered if the caller had recognized the faltering of his voice.
‘This is Lieutenant Michael Tulin. Is this Bosch?’
The name meant nothing to Bosch and his momentary concern about how he sounded was ripped away as an awful dread entered his mind.
‘This is Bosch. What is it? What’s wrong?’
‘Hold please for Deputy Chief Irving.’
‘What is — ’
The caller clicked off and there was only silence. Bosch now remembered who Tulin was — Irving’s adjutant. Bosch stood still and waited. He looked around the kitchen; only the dim oven light was on. With one hand he held the phone hard against his ear, the other he instinctively brought up to his stomach, where fear and dread were twisting together. He looked at the glowing numbers on the stove clock. It was almost two, five minutes past the last time he had looked at it. This isn’t right, he thought as he waited. They don’t do this by phone. They come to your door. They tell you this face-to-face.
Finally, Irving picked up on the other end of the line.
‘Detective Bosch?’
‘Where is she? What happened?’
Another moment of excruciating silence went by as Bosch waited. His eyes were closed now.
‘Excuse me?’
‘Just tell me, what happened to her? I mean ... is she alive?’
‘Detective, I’m not sure what it is you are talking about. I’m calling because I need to muster your team as soon as
possible. I need you for a special assignment.’
Bosch opened his eyes. He looked through the kitchen window into the dark canyon below his house. His eyes followed the slope of the hill down toward the freeway and then up again to the slash of Hollywood lights he could see through the cut of the Cahuenga Pass. He wondered if each light meant someone awake and waiting for someone who wasn’t going to come. Bosch saw his own reflection in the window. He looked weary. He could make out the deep circles etched beneath his eyes, even in the dark glass.
‘I have an assignment, Detective,’ Irving repeated impatiently. ‘Are you able to work or are you — ’
‘I can work. I just was mixed up there for a moment.’
‘Well, I’m sorry if I woke you. But you should be used to it.’
‘Yes. It’s no problem.’
Bosch didn’t tell him that he hadn’t been awakened by the call. That he had been roaming around in his dark house waiting.
‘Then get it going, Detective. We’ll have coffee down here at the scene.’
‘What scene?’
‘We’ll talk about it when you get here. I don’t want to delay this any further. Call your team. Have them come to Grand Street between Third and Fourth. The top of Angels Flight. Do you know where I’m talking about?’
‘Bunker Hill? I don’t — ’
‘It will be explained when you get here. Seek me out when you are here. If I am at the bottom come down to me before you speak with anyone.’
‘What about Lieutenant Billets? She should — ’
‘She will be informed about what is happening. We’re wasting time. This is not a request. It is a command. Get your people together and get down here. Am I making myself clear to you?’
‘You’re clear.’
‘Then I will be expecting you.’
Irving hung up without waiting for a reply. Bosch stood with the phone still at his ear for a few moments, wondering what was going on. Angels Flight was the short inclined railroad that carried people up Bunker Hill in downtown — far outside the boundaries of the Hollywood Division homicide table. If Irving had a body down there at Angels Flight the investigation would fall under the jurisdiction of Central Division. If Central detectives couldn’t handle it because of case-load or personnel problems, or if the case was deemed too important or media sensitive for them, then it would be bumped to the bulls, the Robbery-Homicide Division. The fact that a deputy chief of police was involved in the case before dawn on a Saturday suggested the latter possibility. The fact that he was calling Bosch and his team in instead of the RHD bulls was the puzzle. Whatever it was that Irving had working at Angels Flight didn’t make sense.
Bosch glanced once more down into the dark canyon, pulled the phone away from his ear and clicked it off. He wished he had a cigarette but he had made it this far through the night without one. He wouldn’t break now.
He turned his back and leaned on the counter. He looked down at the phone in his hand, turned it back on and hit the speed dial button that would connect him with Kizmin Rider’s apartment. He would call Jerry Edgar after he talked to her. Bosch felt a sense of relief come over him that he was reluctant to acknowledge.
He might not yet know what awaited him at Angels Flight, but it would certainly take his thoughts away from Eleanor Wish.
Rider’s alert voice answered after two rings.
‘Kiz, it’s Harry,’ he said. ‘We’ve got work.’
2
Bosch agreed to meet his two partners at the Hollywood Division station to pick up cars before they headed downtown to Angels Flight. On the way down the hill to the station he had punched in KFWB on his Jeep’s radio and picked up a breaking news report on a homicide investigation under way at the site of the historical inclined railroad. The newsman on the scene reported that two bodies had been found inside one of the train cars and that several members of the Robbery-Homicide squad were on the scene. But that was the extent of the reporter’s information, as he also noted that the police had placed an unusually wide cordon of yellow tape around the crime scene, prohibiting him from getting a closer look. At the station Bosch communicated this thin bit of information to Edgar and Rider while they signed three slickbacks out of the motor pool.
‘So it looks like we’re gonna be playing sloppy seconds to RHD,’ Edgar concluded, showing his annoyance at being rousted from sleep to spend probably the whole weekend doing gofer work for the RHD bulls. ‘Our guts, their glory. And we aren’t even on call this weekend. Why didn’t Irving call out Rice’s got-damned team if he needed a Hollywood team?’
Edgar had a point. Team One — Bosch, Edgar and Rider — wasn’t even up on call rotation this weekend. If Irving had followed proper call-out procedure he would have called Terry Rice, who headed up Team Three, which was currently on top of the rotation. But Bosch had already figured that Irving wasn’t following any procedures, not if the deputy chief had called him directly before checking with his supervisor, Lieutenant Grace Billets.
‘Well, Jerry,’ Bosch said, more than used to his partner’s whining, ‘you’ll get the chance to ask the deputy chief personally in a little while.’
‘Yeah, right, I do that and I’ll find my ass down in Harbor the next ten years. Fuck that.’
‘Hey, Harbor Division’s an easy gig,’ Rider said, just to rag Edgar a bit. She knew Edgar lived in the Valley and that a transfer to Harbor Division would mean a miserable ninety-minute commute each way — the pure definition of freeway therapy, the brass’s method of unofficially punishing malcontents and problem cops. ‘They only pull six, seven homicides a year down there.’
‘That’s nice but count me the fuck out.’
‘Okay, okay,’ Bosch said. ‘Let’s just get going and we’ll worry about all of that stuff later. Don’t get lost.’
Bosch took Hollywood Boulevard to the 101 and coasted down the freeway in minimal traffic to downtown. Halfway there he checked the mirror and saw his partners cruising in the lanes behind him. Even in the dark and with other traffic he could pick them out. He hated the new detective cars. They were painted black and white and looked exactly like patrol cruisers with the exception that they did not carry emergency lights across the roof. It had been the former chiefs idea to replace unmarked detective cars with the so-called slickbacks. The whole thing had been a scam perpetrated to fulfill his promises to put more cops on the street. By changing unmarked cars into clearly marked cars, he was giving the public the erroneous impression that there were more cops patrolling the streets. He also counted the detectives using slickbacks when he addressed community groups and proudly reported that he had increased the number of cops on the street by hundreds.
Meantime, detectives trying to do their jobs drove around like targets. More than once Bosch and his team had sought to serve an arrest warrant or had attempted to come into a neighborhood quietly in the course of an investigation only to have their presence signaled by their own cars. It was stupid and dangerous but it was the chiefs edict and it was carried out throughout the department’s divisional detective bureaus, even after the chief was not asked back for a second five-year term. Bosch, like many of the department’s detectives, hoped the new chief would soon order the detective cars back to normal. Meanwhile, he no longer drove the car assigned to him home from work. It had been a nice detective supervisor’s perk having a take-home car but he didn’t want the marked car sitting in front of his house. Not in L.A. You never knew what menace that could bring to your door.
They got to Grand Street by two forty-five. As Bosch pulled to a stop he saw an unusually large number of police-related vehicles parked along the curb at California Plaza. He noted the crime scene and coroner’s vans, several patrol cars and several more detective sedans — not the slickbacks, but the unmarked cars still used by the RHD bulls. While he waited for Rider and Edgar to pull up he opened his briefcase, took out the cellular phone and called his home. After five rings the machine picked up the call and he heard his own voi
ce telling him to leave a message. He was about to click off but decided to leave a message.
‘Eleanor, it’s me. I’ve got a call out ... but page me or call me on the cell phone when you get in so I know you’re okay ... Um, okay, that’s it. Bye — oh, it’s about two forty-five right now. Saturday morning. Bye.’
Edgar and Rider had walked up to his door. He put the phone away and got out with his briefcase. Edgar, the tallest, held up the yellow crime scene tape and they crossed under, gave their names and badge numbers to a uniform officer with the crime scene attendance list, and then walked across California Plaza.
The plaza was the centerpiece of Bunker Hill, a stone courtyard formed by the conjoining of two marble office towers, a high-rise apartment building and the Museum of Modem Art. There was a huge fountain and reflecting pool at its center, though the pumps and lights were off at this hour, leaving the water still and black.
Past the fountain was the beaux arts revival-styled station and wheelhouse at the top of Angels Flight. It was next to this small structure that most of the investigators and patrol officers milled about as if waiting for something. Bosch looked for the gleaming shaven skull that belonged to Deputy Chief Irvin Irving but didn’t see it. He and his partners stepped into the crowd and moved toward the lone rail car sitting at the top of the tracks. Along the way he recognized many faces of Robbery-Homicide detectives. They were men he had worked with years earlier when he had been part of the elite squad. A few of them nodded to him or called him by name. Bosch saw Francis Sheehan, his former partner, standing off by himself smoking a cigarette. Bosch broke from his partners and stepped over.
‘Frankie,’ he said. ‘What’s going on?’
‘Harry, what are you doing here?’
‘Got called out. Irving called us out.’
‘Shit. Sorry, partner, I wouldn’t wish this one on my enemy.’
Angels Flight Page 1