There was a telegram that morning from Gertrude.
"Halsey conscious and improving. Probably home in day or so. GERTRUDE."
With Halsey found and improving in health, and with at last something to work on, I began that day, Thursday, with fresh courage. As Mr. Jamieson had said, the lines were closing up. That I was to be caught and almost finished in the closing was happily unknown to us all.
It was late when I got up. I lay in my bed, looking around the four walls of the room, and trying to imagine behind what one of them a secret chamber might lie. Certainly, in daylight, Sunnyside deserved its name: never was a house more cheery and open, less sinister in general appearance. There was not a corner apparently that was not open and above-board, and yet, somewhere behind its handsomely papered walls I believed firmly that there lay a hidden room, with all the possibilities it would involve.
I made a mental note to have the house measured during the day, to discover any discrepancy between the outer and inner walls, and I tried to recall again the exact wording of the paper Jamieson had found.
The slip had said "chimney." It was the only clue, and a house as large as Sunnyside was full of them. There was an open fireplace in my dressing-room, but none in the bedroom, and as I lay there, looking around, I thought of something that made me sit up suddenly. The trunk-room, just over my head, had an open fireplace and a brick chimney, and yet, there was nothing of the kind in my room. I got out of bed and examined the opposite wall closely. There was apparently no flue, and I knew there was none in the hall just beneath. The house was heated by steam, as I have said before. In the living-room was a huge open fireplace, but it was on the other side.
Why did the trunk-room have both a radiator and an open fireplace? Architects were not usually erratic! It was not fifteen minutes before I was up-stairs, armed with a tape-measure in lieu of a foot-rule, eager to justify Mr. Jamieson's opinion of my intelligence, and firmly resolved not to tell him of my suspicion until I had more than theory to go on. The hole in the trunk-room wall still yawned there, between the chimney and the outer wall. I examined it again, with no new result. The space between the brick wall and the plaster and lath one, however, had a new significance. The hole showed only one side of the chimney, and I determined to investigate what lay in the space on the other side of the mantel.
I worked feverishly. Liddy had gone to the village to market, it being her firm belief that the store people sent short measure unless she watched the scales, and that, since the failure of the Traders' Bank, we must watch the corners; and I knew that what I wanted to do must be done before she came back. I had no tools, but after rummaging around I found a pair of garden scissors and a hatchet, and thus armed, I set to work. The plaster came out easily: the lathing was more obstinate. It gave under the blows, only to spring back into place again, and the necessity for caution made it doubly hard.
I had a blister on my palm when at last the hatchet went through and fell with what sounded like the report of a gun to my overstrained nerves. I sat on a trunk, waiting to hear Liddy fly up the stairs, with the household behind her, like the tail of a comet. But nothing happened, and with a growing feeling of uncanniness I set to work enlarging the opening.
The result was absolutely nil. When I could hold a lighted candle in the opening, I saw precisely what I had seen on the other side of the chimney--a space between the true wall and the false one, possibly seven feet long and about three feet wide. It was in no sense of the word a secret chamber, and it was evident it had not been disturbed since the house was built. It was a supreme disappointment.
It had been Mr. Jamieson's idea that the hidden room, if there was one, would be found somewhere near the circular staircase. In fact, I knew that he had once investigated the entire length of the clothes chute, hanging to a rope, with this in view. I was reluctantly about to concede that he had been right, when my eyes fell on the mantel and fireplace. The latter had evidently never been used: it was closed with a metal fire front, and only when the front refused to move, and investigation showed that it was not intended to be moved, did my spirits revive.
I hurried into the next room. Yes, sure enough, there was a similar mantel and fireplace there, similarly closed. In both rooms the chimney flue extended well out from the wall. I measured with the tape-line, my hands trembling so that I could scarcely hold it. They extended two feet and a half into each room, which, with the three feet of space between the two partitions, made eight feet to be accounted for. Eight feet in one direction and almost seven in the other--what a chimney it was!
But I had only located the hidden room. I was not in it, and no amount of pressing on the carving of the wooden mantels, no search of the floors for loose boards, none of the customary methods availed at all. That there was a means of entrance, and probably a simple one, I could be certain. But what? What would I find if I did get in? Was the detective right, and were the bonds and money from the Traders' Bank there? Or was our whole theory wrong? Would not Paul Armstrong have taken his booty with him? If he had not, and if Doctor Walker was in the secret, he would have known how to enter the chimney room. Then--who had dug the other hole in the false partition?
CHAPTER XXXII
ANNE WATSON'S STORY
Liddy discovered the fresh break in the trunk-room wall while we were at luncheon, and ran shrieking down the stairs. She maintained that, as she entered, unseen hands had been digging at the plaster; that they had stopped when she went in, and she had felt a gust of cold damp air. In support of her story she carried in my wet and muddy boots, that I had unluckily forgotten to hide, and held them out to the detective and myself.
"What did I tell you?" she said dramatically. "Look at 'em. They're yours, Miss Rachel--and covered with mud and soaked to the tops. I tell you, you can scoff all you like; something has been wearing your shoes. As sure as you sit there, there's the smell of the graveyard on them. How do we know they weren't tramping through the Casanova churchyard last night, and sitting on the graves!"
Mr. Jamieson almost choked to death. "I wouldn't be at all surprised if they were doing that very thing, Liddy," he said, when he got his breath. "They certainly look like it."
I think the detective had a plan, on which he was working, and which was meant to be a coup. But things went so fast there was no time to carry it into effect. The first thing that occurred was a message from the Charity Hospital that Mrs. Watson was dying, and had asked for me. I did not care much about going. There is a sort of melancholy pleasure to be had out of a funeral, with its pomp and ceremony, but I shrank from a death- bed. However, Liddy got out the black things and the crape veil I keep for such occasions, and I went. I left Mr. Jamieson and the day detective going over every inch of the circular staircase, pounding, probing and measuring. I was inwardly elated to think of the surprise I was going to give them that night; as it turned out, I DID surprise them almost into spasms.
I drove from the train to the Charity Hospital, and was at once taken to a ward. There, in a gray-walled room in a high iron bed, lay Mrs. Watson. She was very weak, and she only opened her eyes and looked at me when I sat down beside her. I was conscience-stricken. We had been so engrossed that I had left this poor creature to die without even a word of sympathy.
The nurse gave her a stimulant, and in a little while she was able to talk. So broken and half-coherent, however, was her story that I shall tell it in my own way. In an hour from the time I entered the Charity Hospital, I had heard a sad and pitiful narrative, and had seen a woman slip into the unconsciousness that is only a step from death.
Briefly, then, the housekeeper's story was this:
She was almost forty years old, and had been the sister-mother of a large family of children. One by one they had died, and been buried beside their parents in a little town in the Middle West. There was only one sister left, the baby, Lucy. On her the older girl had lavished all the love of an impulsive and emotional nature. When Anne, the elder, was thirty-two and Lucy
was nineteen, a young man had come to the town. He was going east, after spending the summer at a celebrated ranch in Wyoming--one of those places where wealthy men send worthless and dissipated sons, for a season of temperance, fresh air and hunting. The sisters, of course, knew nothing of this, and the young man's ardor rather carried them away. In a word, seven years before, Lucy Haswell had married a young man whose name was given as Aubrey Wallace.
Anne Haswell had married a carpenter in her native town, and was a widow. For three months everything went fairly well. Aubrey took his bride to Chicago, where they lived at a hotel. Perhaps the very unsophistication that had charmed him in Valley Mill jarred on him in the city. He had been far from a model husband, even for the three months, and when he disappeared Anne was almost thankful. It was different with the young wife, however. She drooped and fretted, and on the birth of her baby boy, she had died. Anne took the child, and named him Lucien.
Anne had had no children of her own, and on Lucien she had lavished all her aborted maternal instinct. On one thing she was determined, however: that was that Aubrey Wallace should educate his boy. It was a part of her devotion to the child that she should be ambitious for him: he must have every opportunity. And so she came east. She drifted around, doing plain sewing and keeping a home somewhere always for the boy. Finally, however, she realized that her only training had been domestic, and she put the boy in an Episcopalian home, and secured the position of housekeeper to the Armstrongs. There she found Lucien's father, this time under his own name. It was Arnold Armstrong.
I gathered that there was no particular enmity at that time in Anne's mind. She told him of the boy, and threatened exposure if he did not provide for him. Indeed, for a time, he did so. Then he realized that Lucien was the ruling passion in this lonely woman's life. He found out where the child was hidden, and threatened to take him away. Anne was frantic. The positions became reversed. Where Arnold had given money for Lucien's support, as the years went on he forced money from Anne Watson instead until she was always penniless. The lower Arnold sank in the scale, the heavier his demands became. With the rupture between him and his family, things were worse. Anne took the child from the home and hid him in a farmhouse near Casanova, on the Claysburg road. There she went sometimes to see the boy, and there he had taken fever. The people were Germans, and he called the farmer's wife Grossmutter. He had grown into a beautiful boy, and he was all Anne had to live for.
The Armstrongs left for California, and Arnold's persecutions began anew. He was furious over the child's disappearance and she was afraid he would do her some hurt. She left the big house and went down to the lodge. When I had rented Sunnyside, however, she had thought the persecutions would stop. She had applied for the position of housekeeper, and secured it.
That had been on Saturday. That night Louise arrived unexpectedly. Thomas sent for Mrs. Watson and then went for Arnold Armstrong at the Greenwood Club. Anne had been fond of Louise--she reminded her of Lucy. She did not know what the trouble was, but Louise had been in a state of terrible excitement. Mrs. Watson tried to hide from Arnold, but he was ugly. He left the lodge and went up to the house about two- thirty, was admitted at the east entrance and came out again very soon. Something had occurred, she didn't know what; but very soon Mr. Innes and another gentleman left, using the car.
Thomas and she had got Louise quiet, and a little before three, Mrs. Watson started up to the house. Thomas had a key to the east entry, and gave it to her.
On the way across the lawn she was confronted by Arnold, who for some reason was determined to get into the house. He had a golf-stick in his hand, that he had picked up somewhere, and on her refusal he had struck her with it. One hand had been badly cut, and it was that, poisoning having set in, which was killing her. She broke away in a frenzy of rage and fear, and got into the house while Gertrude and Jack Bailey were at the front door. She went up-stairs, hardly knowing what she was doing. Gertrude's door was open, and Halsey's revolver lay there on the bed. She picked it up and turning, ran part way down the circular staircase. She could hear Arnold fumbling at the lock outside. She slipped down quietly and opened the door: he was inside before she had got back to the stairs. It was quite dark, but she could see his white shirt-bosom. From the fourth step she fired. As he fell, somebody in the billiard-room screamed and ran. When the alarm was raised, she had had no time to get up-stairs: she hid in the west wing until every one was down on the lower floor. Then she slipped upstairs, and threw the revolver out of an upper window, going down again in time to admit the men from the Greenwood Club.
If Thomas had suspected, he had never told. When she found the hand Arnold had injured was growing worse, she gave the address of Lucien at Richfield to the old man, and almost a hundred dollars. The money was for Lucien's board until she recovered. She had sent for me to ask me if I would try to interest the Armstrongs in the child. When she found herself growing worse, she had written to Mrs. Armstrong, telling her nothing but that Arnold's legitimate child was at Richfield, and imploring her to recognize him. She was dying: the boy was an Armstrong, and entitled to his father's share of the estate. The papers were in her trunk at Sunnyside, with letters from the dead man that would prove what she said. She was going; she would not be judged by earthly laws; and somewhere else perhaps Lucy would plead for her. It was she who had crept down the circular staircase, drawn by a magnet, that night Mr. Jamieson had heard some one there. Pursued, she had fled madly, anywhere--through the first door she came to. She had fallen down the clothes chute, and been saved by the basket beneath. I could have cried with relief; then it had not been Gertrude, after all!
That was the story. Sad and tragic though it was, the very telling of it seemed to relieve the dying woman. She did not know that Thomas was dead, and I did not tell her. I promised to look after little Lucien, and sat with her until the intervals of consciousness grew shorter and finally ceased altogether. She died that night.
CHAPTER XXXIII
AT THE FOOT OF THE STAIRS
As I drove rapidly up to the house from Casanova Station in the hack, I saw the detective Burns loitering across the street from the Walker place. So Jamieson was putting the screws on--lightly now, but ready to give them a twist or two, I felt certain, very soon.
The house was quiet. Two steps of the circular staircase had been pried off, without result, and beyond a second message from Gertrude, that Halsey insisted on coming home and they would arrive that night, there was nothing new. Mr. Jamieson, having failed to locate the secret room, had gone to the village. I learned afterwards that he called at Doctor Walker's, under pretense of an attack of acute indigestion, and before he left, had inquired about the evening trains to the city. He said he had wasted a lot of time on the case, and a good bit of the mystery was in my imagination! The doctor was under the impression that the house was guarded day and night. Well, give a place a reputation like that, and you don't need a guard at all,--thus Jamieson. And sure enough, late in the afternoon, the two private detectives, accompanied by Mr. Jamieson, walked down the main street of Casanova and took a city-bound train.
That they got off at the next station and walked back again to Sunnyside at dusk, was not known at the time. Personally, I knew nothing of either move; I had other things to absorb me at that time.
Liddy brought me some tea while I rested after my trip, and on the tray was a small book from the Casanova library. It was called The Unseen World and had a cheerful cover on which a half-dozen sheeted figures linked hands around a headstone.
At this point in my story, Halsey always says: "Trust a woman to add two and two together, and make six." To which I retort that if two and two plus X make six, then to discover the unknown quantity is the simplest thing in the world. That a houseful of detectives missed it entirely was because they were busy trying to prove that two and two make four.
The depression due to my visit to the hospital left me at the prospect of seeing Halsey again that night. It was about five
o'clock when Liddy left me for a nap before dinner, having put me into a gray silk dressing-gown and a pair of slippers. I listened to her retreating footsteps, and as soon as she was safely below stairs, I went up to the trunk-room. The place had not been disturbed, and I proceeded at once to try to discover the entrance to the hidden room. The openings on either side, as I have said, showed nothing but perhaps three feet of brick wall.
There was no sign of an entrance--no levers, no hinges, to give a hint. Either the mantel or the roof, I decided, and after a half-hour at the mantel, productive of absolutely no result, I decided to try the roof.
I am not fond of a height. The few occasions on which I have climbed a step-ladder have always left me dizzy and weak in the knees. The top of the Washington monument is as impossible to me as the elevation of the presidential chair. And yet--I climbed out on to the Sunnyside roof without a second's hesitation. Like a dog on a scent, like my bearskin progenitor, with his spear and his wild boar, to me now there was the lust of the chase, the frenzy of pursuit, the dust of battle. I got quite a little of the latter on me as I climbed from the unfinished ball-room out through a window to the roof of the east wing of the building, which was only two stories in height.
Once out there, access to the top of the main building was rendered easy--at least it looked easy--by a small vertical iron ladder, fastened to the wall outside of the ball-room, and perhaps twelve feet high. The twelve feet looked short from below, but they were difficult to climb. I gathered my silk gown around me, and succeeded finally in making the top of the ladder.
Once there, however, I was completely out of breath. I sat down, my feet on the top rung, and put my hair pins in more securely, while the wind bellowed my dressing-gown out like a sail. I had torn a great strip of the silk loose, and now I ruthlessly finished the destruction of my gown by jerking it free and tying it around my head.
From far below the smallest sounds came up with peculiar distinctness. I could hear the paper boy whistling down the drive, and I heard something else. I heard the thud of a stone, and a spit, followed by a long and startled meiou from Beulah. I forgot my fear of a height, and advanced boldly almost to the edge of the roof.
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