The Best of Mary Roberts Rinehart

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The Best of Mary Roberts Rinehart Page 88

by Mary Roberts Rinehart


  "Please," she assented.

  "Then, first of all, my name. I'm getting that over early, because it isn't much, as names go. Peter Byrne it is. Don't shudder."

  "Certainly I'm not shuddering."

  "I have another name, put in by my Irish father to conciliate a German uncle of my mother's. Augustus! It's rather a mess. What shall I put on my professional brassplate? If I put P. Augustus Byrne nobody's fooled. They know my wretched first name is Peter."

  "Or Patrick."

  "I rather like Patrick—if I thought it might pass as Patrick! Patrick has possibilities. The diminutive is Pat, and that's not bad. But Peter!"

  "Do you know," Harmony confessed half shyly, "I like Peter as a name."

  "Peter it shall be, then. I go down to posterity and fame as Peter Byrne. The rest doesn't amount to much, but I want you to know it, since you have been good enough to accept me on faith. I'm here alone, from a little town in eastern Ohio; worked my way through a coeducational college in the West and escaped unmarried; did two years in a drygoods store until, by saving and working in my vacations, I got through medical college and tried general practice. Didn't like it—always wanted to do surgery. A little legacy from the German uncle, trying to atone for the 'Augustus,' gave me enough money to come here. I've got a chance with the Days—surgeons, you know—when I go back, if I can hang on long enough. That's all. Here's a traveler's check with my name on it, to vouch for the truth of this thrilling narrative. Gaze on it with awe; there are only a few of them left!"

  Harmony was as delicately strung, as vibratingly responsive as the strings of her own violin, and under the even lightness of his tone she felt many things that met a response in her—loneliness and struggle, and the ever-present anxiety about money, grim determination, hope and fear, and even occasional despair. He was still young, but there were lines in his face and a hint of gray in his hair. Even had he been less frank, she would have known soon enough—the dingy little pension, the shabby clothes—

  She held out her hand.

  "Thank you for telling me," she said simply. "I think I understand very well because—it's music with me: violin. And my friends have gone, so I am alone, too."

  He leaned his elbows on the table and looked out over the crowd without seeing it.

  "It's curious, isn't it?" he said. "Here we are, you and I, meeting in the center of Europe, both lonely as the mischief, both working our heads off for an idea that may never pan out! Why aren't you at home to-night, eating a civilized beefsteak and running upstairs to get ready for a nice young man to bring you a box of chocolates? Why am I not measuring out calico in Shipley & West's? Instead, we are going to Frau Schwarz', to listen to cold ham and scorched compote eaten in six different languages."

  Harmony made no immediate reply. He seemed to expect none. She was drawing on her gloves, her eyes, like his, roving over the crowd.

  Far back among the tables a young man rose and yawned. Then, seeing Byrne, he waved a greeting to him. Byrne's eyes, from being introspective, became watchful.

  The young man was handsome in a florid, red-checked way, with black hair and blue eyes. Unlike Byrne, he was foppishly neat. He was not alone. A slim little Austrian girl, exceedingly chic, rose when he did and threw away the end of a cigarette.

  "Why do we go so soon?" she demanded fretfully in German. "It is early still."

  He replied in English. It was a curious way they had, and eminently satisfactory, each understanding better than he spoke the other's language.

  "Because, my beloved," he said lightly, "you are smoking a great many poisonous and highly expensive cigarettes. Also I wish to speak to Peter."

  The girl followed his eyes and stiffened jealously.

  "Who is that with Peter?"

  "We are going over to find out, little one. Old Peter with a woman at last!"

  The little Austrian walked delicately, swaying her slim body with a slow and sensuous grace. She touched an officer as she passed him, and paused to apologize, to the officer's delight and her escort's irritation. And Peter Byrne watched and waited, a line of annoyance between his brows. The girl was ahead; that complicated things.

  When she was within a dozen feet of the table he rose hastily, with a word of apology, and met the couple. It was adroitly done. He had taken the little Austrian's arm and led her by the table while he was still greeting her. He held her in conversation in his absurd German until they had reached the swinging doors, while her companion followed helplessly. And he bowed her out, protesting his undying admiration for her eyes, while the florid youth alternately raged behind him and stared back at Harmony, interested and unconscious behind her table.

  The little Austrian was on the pavement when Byrne turned, unsmiling, to the other man.

  "That won't do, you know, Stewart," he said, grave but not unfriendly.

  "The Kid wouldn't bite her."

  "We'll not argue about it."

  After a second's awkward pause Stewart smiled.

  "Certainly not," he agreed cheerfully. "That is up to you, of course. I didn't know. We're looking for you to-night."

  A sudden repulsion for the evening's engagement rose in Byrne, but the situation following his ungraciousness was delicate.

  "I'll be round," he said. "I have a lecture and I may be late, but I'll come."

  The "Kid" was not stupid. She moved off into the night, chin in air, angrily flushed.

  "You saw!" she choked, when Stewart had overtaken her and slipped a hand through her arm. "He protects her from me! It is because of you. Before I knew you—"

  "Before you knew me, little one," he said cheerfully, "you were exactly what you are now."

  She paused on the curb and raised her voice.

  "So! And what is that?"

  "Beautiful as the stars, only—not so remote."

  In their curious bi-lingual talk there was little room for subtlety. The "beautiful" calmed her, but the second part of the sentence roused her suspicion.

  "Remote? What is that?"

  "I was thinking of Worthington."

  The name was a signal for war. Stewart repented, but too late.

  In the cold evening air, to the amusement of a passing detail of soldiers trundling a breadwagon by a rope, Stewart stood on the pavement and dodged verbal brickbats of Viennese idioms and German epithets. He drew his chin into the up-turned collar of his overcoat and waited, an absurdly patient figure, until the hail of consonants had subsided into a rain of tears. Then he took the girl's elbow again and led her, childishly weeping, into a narrow side street beyond the prying ears and eyes of the Alserstrasse.

  Byrne went back to Harmony. The incident of Stewart and the girl was closed and he dismissed it instantly. That situation was not his, or of his making. But here in the coffee-house, lovely, alluring, rather puzzled at this moment, was also a situation. For there was a situation. He had suspected it that morning, listening to the delicatessen-seller's narrative of Rosa's account of the disrupted colony across in the old lodge; he had been certain of it that evening, finding Harmony in the dark entrance to his own rather sordid pension. Now, in the bright light of the coffee-house, surmising her poverty, seeing her beauty, the emotional coming and going of her color, her frank loneliness, and God save the mark!—her trust in him, he accepted the situation and adopted it: his responsibility, if you please.

  He straightened under it. He knew the old city fairly well—enough to love it and to loathe it in one breath. He had seen its tragedies and passed them by, or had, in his haphazard way, thrown a greeting to them, or even a glass of native wine. And he knew the musical temperament; the all or nothing of its insistent demands; its heights that are higher than others, its wretchednesses that are hell. Once in the Hofstadt Theater, where he had bought standing room, he had seen a girl he had known in Berlin, where he was taking clinics and where she was cooking her own meals. She had been studying singing. In the Hofstadt Theater she had worn a sable coat and had avoided his eyes.

>   Perhaps the old coffee-house had seen nothing more absurd, in its years of coffee and billiards and Munchener beer, than Peter's new resolution that night: this poverty adopting poverty, this youth adopting youth, with the altruistic purpose of saving it from itself.

  And this, mind you, before Peter Byrne had heard Harmony's story or knew her name, Rosa having called her "The Beautiful One" in her narrative, and the delicatessen-seller being literal in his repetition.

  Back to "The Beautiful One" went Peter Byrne, and, true to his new part of protector and guardian, squared his shoulders and tried to look much older than he really was, and responsible. The result was a grimness that alarmed Harmony back to the forgotten proprieties.

  "I think I must go," she said hurriedly, after a glance at his determinedly altruistic profile. "I must finish packing my things. The Portier has promised—"

  "Go! Why, you haven't even told me your name!"

  "Frau Schwarz will present you to-night," primly and rising.

  Peter Byrne rose, too.

  "I am going back with you. You should not go through that lonely yard alone after dark."

  "Yard! How do you know that?"

  Byrne was picking up the cheese, which he had thoughtlessly set on the heater, and which proved to be in an alarming state of dissolution. It took a moment to rewrap, and incidentally furnished an inspiration. He indicated it airily.

  "Saw you this morning coming out—delicatessen shop across the street," he said glibly. And then, in an outburst of honesty which the girl's eyes seemed somehow to compel: "That's true, but it's not all the truth. I was on the bus last night, and when you got off alone I—I saw you were an American, and that's not a good neighborhood. I took the liberty of following you to your gate!"

  He need not have been alarmed. Harmony was only grateful, and said so. And in her gratitude she made no objection to his suggestion that he see her safely to the old lodge and help her carry her hand-luggage and her violin to the pension. He paid the trifling score, and followed by many eyes in the room they went out into the crisp night together.

  At the lodge the doors stood wide, and a vigorous sound of scrubbing showed that the Portier's wife was preparing for the inspection of possible new tenants. She was cleaning down the stairs by the light of a candle, and the steam of the hot water on the cold marble invested her like an aura. She stood aside to let them pass, and then went cumbrously down the stairs to where, a fork in one hand and a pipe in the other, the Portier was frying chops for the evening meal.

  "What have I said?" she demanded from the doorway. "Your angel is here."

  "So!"

  "She with whom you sing, old cracked voice! Whose money you refuse, because she reminds you of your opera singer! She is again here, and with a man!"

  "It is the way of the young and beautiful—there is always a man," said the Portier, turning a chop.

  His wife wiped her steaming hands on her apron and turned away, exasperated.

  "It is the same man whom I last night saw at the gate," she threw back over her shoulder. "I knew it from the first; but you, great booby, can see nothing but red lips. Bah!"

  Upstairs in the salon of Maria Theresa, lighted by one candle and freezing cold, in a stiff chair under the great chandelier Peter Byrne sat and waited and blew on his fingers. Down below, in the Street of Seven Stars, the arc lights swung in the wind.

  CHAPTER IV

  The supper that evening was even unusually bad. Frau Schwarz, much crimped and clad in frayed black satin, presided at the head of the long table. There were few, almost no Americans, the Americans flocking to good food at reckless prices in more fashionable pensions; to the Frau Gallitzenstein's, for instance, in the Kochgasse, where there was to be had real beefsteak, where turkeys were served at Thanksgiving and Christmas, and where, were one so minded, one might revel in whipped cream.

  The Pension Schwarz, however, was not without adornment. In the center of the table was a large bunch of red cotton roses with wire stems and green paper leaves, and over the side-table, with its luxury of compote in tall glass dishes and its wealth of small hard cakes, there hung a framed motto which said, "Nicht Rauchen," "No Smoking,"—and which looked suspiciously as if it had once adorned a compartment of a railroad train.

  Peter Byrne was early in the dining-room. He had made, for him, a careful toilet, which consisted of a shave and clean linen. But he had gone further: He had discovered, for the first time in the three months of its defection, a button missing from his coat, and had set about to replace it. He had cut a button from another coat, by the easy method of amputating it with a surgical bistoury, and had sewed it in its new position with a curved surgical needle and a few inches of sterilized catgut. The operation was slow and painful, and accomplished only with the aid of two cigarettes and an artery clip. When it was over he tied the ends in a surgeon's knot underneath and stood back to consider the result. It seemed neat enough, but conspicuous. After a moment or two of troubled thought he blacked the white catgut with a dot of ink and went on his way rejoicing.

  Peter Byrne was entirely untroubled as to the wisdom of the course he had laid out for himself. He followed no consecutive line of thought as he dressed. When he was not smoking he was whistling, and when he was doing neither, and the needle proved refractory in his cold fingers, he was swearing to himself. For there was no fire in the room. The materials for a fire were there, and a white tile stove, as cozy as an obelisk in a cemetery, stood in the corner. But fires are expensive, and hardly necessary when one sleeps with all one's windows open—one window, to be exact, the room being very small—and spends most of the day in a warm and comfortable shambles called a hospital.

  To tell the truth he was not thinking of Harmony at all, except subconsciously, as instance the button. He was going over, step by step, the technic of an operation he had seen that afternoon, weighing, considering, even criticizing. His conclusion, reached as he brushed back his hair and put away his sewing implements, was somewhat to the effect that he could have done a better piece of work with his eyes shut and his hands tied behind his back; and that if it were not for the wealth of material to work on he'd pack up and go home. Which brought him back to Harmony and his new responsibility. He took off the necktie he had absently put on and hunted out a better one.

  He was late at supper—an offense that brought a scowl from the head of the table, a scowl that he met with a cheerful smile. Harmony was already in her place. Seated between a little Bulgarian and a Jewish student from Galicia, she was almost immediately struggling in a sea of language, into which she struck out now and then tentatively, only to be again submerged. Byrne had bowed to her conventionally, even coldly, aware of the sharp eyes and tongues round the table, but Harmony did not understand. She had expected moral support from his presence, and failing that she sank back into the loneliness and depression of the day. Her bright color faded; her eyes looked tragic and rather aloof. She ate almost nothing, and left the table before the others had finished.

  What curious little dramas of the table are played under unseeing eyes! What small tragedies begin with the soup and end with dessert! What heartaches with a salad! Small tragedies of averted eyes, looking away from appealing ones; lips that tremble with wretchedness nibbling daintily at a morsel; smiles that sear; foolish bits of talk that mean nothing except to one, and to that one everything! Harmony, freezing at Peter's formal bow and gazing obstinately ahead during the rest of the meal, or no nearer Peter than the red-paper roses, and Peter, showering the little Bulgarian next to her with detestable German in the hope of a glance. And over all the odor of cabbage salad, and the "Nicht Rauchen" sign, and an acrimonious discussion on eugenics between an American woman doctor named Gates and a German matron who had had fifteen children, and who reduced every general statement to a personal insult.

  Peter followed Harmony as soon as he dared. Her door was closed, and she was playing very softly, so as to disturb no one. Defiantly, too, had he only known it,
her small chin up and her color high again; playing the "Humoresque," of all things, in the hope, of course, that he would hear it and guess from her choice the wild merriment of her mood. Peter rapped once or twice, but obtained no answer, save that the "Humoresque" rose a bit higher; and, Dr. Gates coming along the hall just then, he was forced to light a cigarette to cover his pausing.

  Dr. Gates, however, was not suspicious. She was a smallish woman of forty or thereabout, with keen eyes behind glasses and a masculine disregard of clothes, and she paused by Byrne to let him help her into her ulster.

  "New girl, eh?" she said, with a birdlike nod toward the door. "Very gay, isn't she, to have just finished a supper like that! Honestly, Peter, what are we going to do?"

  "Growl and stay on, as we have for six months. There is better food, but not for our terms."

  Dr. Gates sighed, and picking a soft felt hat from the table put it on with a single jerk down over her hair.

  "Oh, darn money, anyhow!" she said. "Come and walk to the corner with me. I have a lecture."

  Peter promised to follow in a moment, and hurried back to his room. There, on a page from one of his lecture notebooks, he wrote—

  "Are you ill? Or have I done anything?"

  "P. B."

  This with great care he was pushing under Harmony's door when the little Bulgarian came along and stopped, smiling. He said nothing, nor did Peter, who rose and dusted his knees. The little Bulgarian spoke no English and little German. Between them was the wall of language. But higher than this barrier was the understanding of their common sex. He held out his hand, still smiling, and Peter, grinning sheepishly, took it. Then he followed the woman doctor down the stairs.

  To say that Peter Byrne was already in love with Harmony would be absurd. She attracted him, as any beautiful and helpless girl attracts an unattracted man. He was much more concerned, now that he feared he had offended her, than he would have been without this fillip to his interest. But even his concern did not prevent his taking copious and intelligent notes at his lecture that night, or interfere with his enjoyment of the Stein of beer with which, after it was over, he washed down its involved German.

 

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