"I'll kill myself," she repeated.
"Nothing will happen to me, Anna, dear."
"I don't know why I care so. I'm nothing to you."
"That's not so;"
"If you cared, you'd have come up the other night. You left me alone in that lonesome hole. It's hell, that place. All smells and whispering and dirt."
"Now listen to me, Anna. You're tired, or you wouldn't say that. You know I'm fond of you. But I've got you into trouble enough. I'm not - for God's sake don't tempt me, Anna."
She looked at him half scornfully.
"Tempt you!" Then she gave a little scream. Graham following her eyes looked through the window near them.
"Rudolph!" she whimpered. And began to weep out of pure terror.
But Graham saw nobody. To soothe her, however, he went outside and looked about. There were half a dozen cars, a group of chauffeurs, but no Rudolph. He went hack to her, to find her sitting, pale and tense, her hands clenched together.
"They'll pay you out some way," she said. "I know them. They'll never believe the truth. That was Rudolph, all right. He'll think we're living together. He'd never believe anything else."
"Do you think he followed you the other day?"
"I gave him the shake, in the crowd."
"Then I don't see why you're worrying. We're just where we were before, aren't we?"
"You don't know them. I do. They'll be up to something."
She was excited and anxious, and with the cocktail he ordered for her she grew reckless.
"I'm just hung around your neck like a stone," she lamented. "You don't care a rap for me; I know it. You're just sorry for me."
Her eyes filled again, and Graham rose, with an impatient movement.
"Let's get out of this," he said roughly. "The whole place is staring at you."
But on the road the fact that she had been weeping for him made him relent. He put an arm around her and drew her to him.
"Don't cry, honey," he said. "It makes me unhappy to see you miserable."
He kissed her. And they clung together, finding a little comfort in the contact of warm young bodies.
He went up to her room that night. He was more anxious as to Rudolph than he cared to admit, but he went up, treading softly on stairs that creaked with every step. He had no coherent thoughts. He wanted companionship rather than love. He was hungry for what she gave him, the touch of her hands about his neck, the sense of his manhood that shone from her faithful eyes, the admiration and unstinting love she offered him.
But alone in the little room he had a reaction, not the less keen because it was his fastidious rather than his moral sense that revolted. The room was untidy, close, sordid. Even Anna's youth did not redeem it. Again he had the sense, when he had closed the door, of being caught in a trap, and this time a dirty trap. When she had taken off her hat, and held up her face to be kissed, he knew he would not stay.
"It's awful, isn't it?" she asked, following his eyes.
"It doesn't look like you. That's sure."
"I hurried out. It's not so bad when it's tidy."
He threw up the window, and stood there a moment. The spring air was cool and clean, and there was a sound of tramping feet below. He looked down. The railway station was near-by, and marching toward it, with the long swing of regulars, a company of soldiers was moving rapidly. The night, the absence of drums or music, the businesslike rapidity of their progress, held him there, looking down. He turned around. Anna had slipped off her coat, and had opened the collar of her blouse. Her neck gleamed white and young. She smiled at him.
"I guess I'll be going," he stammered.
"Going!"
"I only wanted to see how you are fixed." His eyes evaded hers. "I'll see you again in a day or two. I - "
He could not tell her the thoughts that were surging in him. The country was at war. Those fellows below there were already in it, of it. And here in this sordid room, he had meant to take her, not because he loved her, but because she offered herself. It was cheap. It was terrible. It was - dirty.
"Good night," he said, and tried to kiss her. But she turned her face away. She stood listening to his steps on the stairs as he went down, steps that mingled and were lost in the steady tramp of the soldiers' feet in the street below.
CHAPTER XXXIV
With his many new problems following the declaration of war, Clayton Spencer found a certain peace. It was good to work hard. It was good to fill every working hour, and to drop into sleep at night too weary for consecutive thought.
Yet had he been frank with himself he would have acknowledged that Audrey was never really out of his mind. Back of his every decision lay his desire for her approval. He did not make them with her consciously in his mind, but he wanted her to know and understand, In his determination, for instance, to offer his shells to the government at a nominal profit, there was no desire to win her approbation.
It was rather that he felt her behind him in the decision. He shrank from telling Natalie. Indeed, until he had returned from Washington he did not broach the subject. And then he was tired and rather discouraged, and as a result almost brutally abrupt.
Coming on top of a hard fight with the new directorate, a fight which he had finally won, Washington was disheartening. Planning enormously for the future it seemed to have no vision for the things of the present. He was met vaguely, put off, questioned. He waited hours, as patiently as he could, to find that no man seemed to have power to act, or to know what powers he had.
He found something else, too - a suspicion of him, of his motives. Who offered something for nothing must be actuated by some deep and hidden motive. He found his plain proposition probed and searched for some ulterior purpose behind it.
"It's the old distrust, Mr. Spencer," said Hutchinson, who had gone with him to furnish figures and various data. "The Democrats are opposed to capital. They're afraid of it. And the army thinks all civilians are on the make - which is pretty nearly true."
He saw the Secretary of War, finally, and came away feeling better. He had found there an understanding that a man may - even should - make sacrifices for his country during war. But, although he carried away with him the conviction that his offer would ultimately be accepted, there was nothing actually accomplished. He sent Hutchinson back, and waited for a day or two, convinced that his very sincerity must bring a concrete result, and soon.
Then, lunching alone one day in the Shoreham, he saw Audrey Valentine at another table. He had not seen her for weeks, and he had an odd moment of breathlessness when his eyes fell on her. She was pale and thin, and her eyes looked very tired. His first impulse was to go to her. The second, on which he acted, was to watch her for a little, to fill his eyes for the long months of emptiness ahead.
She was with a man in uniform, a young man, gay and smiling. He was paying her evident court, in a debonair fashion, bending toward her across the table. Suddenly Clayton was jealous, fiercely jealous.
The jealousy of the young is sad enough, but it is an ephemeral thing. Life calls from many directions. There is always the future, and the things of the future. And behind it there is the buoyancy and easy forgetfulness of youth. But the jealousy of later years knows no such relief. It sees time flying and happiness evading it. It has not the easy self-confidence of the twenties. It has learned, too, that happiness is a rare elusive thing, to be held and nursed and clung to, and that even love must be won and held.
It has learned that love must be free, but its instinct is to hold it with chains.
He suffered acutely, and was ashamed of his suffering. After all, Audrey was still young. Life had not been kind to her, and she should be allowed to have such happiness as she could. He could offer her nothing.
He would give her up. He had already given her up. She knew it.
Then she saw him, and his determination died under the light that came in her eyes. Give her up! How could he give her up, when she was everything he had in the world? With a sho
ck, he recognized in the thought Natalie's constant repetition as to Graham. So he had come to that!
He felt Audrey's eyes on him, but he did not go to her. He signed his check, and went out. He fully meant to go away without seeing her. But outside he hesitated. That would hurt her, and it was cowardly. When, a few moments later, she came out, followed by the officer, it was to find him there, obviously waiting.
"I wondered if you would dare to run away!" she said. "This is Captain Sloane, Clay, and he knows a lot about you."
Close inspection showed Sloane handsome, bronzed, and with a soft Southern voice, somewhat like Audrey's. And it developed that he came from her home, and was on his way to one of the early camps. He obviously intended to hold on to Audrey, and Clayton left them there with the feeling that Audrey's eyes were following him, wistful and full of trouble. He had not even asked her where she was stopping.
He took a long walk that afternoon, and re-made his noon-hour resolution. He would keep away from her. It might hurt her at first, but she was young. She would forget. And he must not stand in her way. Having done which, he returned to the Shoreham and spent an hour in a telephone booth, calling hotels systematically and inquiring for her.
When he finally located her his voice over the wire startled her.
"Good heavens, Clay," she said. "Are you angry about anything?"
"Of course not. I just wanted to - I am leaving to-night and I'm saying good-by. That's all."
"Oh!" She waited.
"Have you had a pleasant afternoon?"
"Aren't you going to see me before you go?"
"I don't think so."
"Don't you want to know what I am doing in Washington?"
"That's fairly clear, isn't it?"
"You are being rather cruel, Clay."
He hesitated. He was amazed at his own attitude. Then, "Will you dine with me to-night?"
"I kept this evening for you."
But when he saw her, his sense of discomfort only increased. Their dining together was natural enough. It was not even faintly clandestine. But the new restraint he put on himself made him reserved and unhappy. He could not act a part. And after a time Audrey left off acting, too, and he found her watching him. On the surface he talked, but underneath it he saw her unhappiness, and her understanding of his.
"I'm going back, too," she said. "I came down to see what I can do, but there is nothing for the untrained woman. She's a cumberer of the earth. I'll go home and knit. I daresay I ought to be able to learn to do that well, anyhow."
"Have you forgiven me for this afternoon?"
"I wasn't angry. I understood."
That was it, in a nutshell. Audrey understood. She was that sort. She never held small resentments. He rather thought she never felt them.
"Don't talk about me," she said. "Tell me about you and why you are here. It's the war, of course."
So, rather reluctantly, he told her. He shrank from seeming to want her approval, but at the same time he wanted it. His faith in himself had been shaken. He needed it restored. And some of the exaltation which had led him to make his proffer to the government came back when he saw how she flushed over it.
"It's very big," she said, softly. "It's like you, Clay. And that's the best thing I can say. I am very proud of you."
"I would rather have you proud of me than anything in the world," he said, unsteadily.
They drifted, somehow, to talking of happiness. And always, carefully veiled, it was their own happiness they discussed.
"I don't think," she said, glancing away from him, "that one finds it by looking for it. That is selfish, and the selfish are never happy. It comes - oh, in queer ways. When you're trying to give it to somebody else, mostly."
"There is happiness, of a sort, in work."
Their eyes met. That was what they had to face, she dedicated to service, he to labor.
"It's never found by making other people unhappy, Clay."
"No. And yet, if the other people are already unhappy?"
"Never!" she said. And the answer was to the unspoken question in both their hearts.
It was not until they were in the taxicab that Clayton forced the personal note, and then it came as a cry, out of the very depths of him. She had slipped her hand into his, and the comfort of even that small touch broke down the barriers he had so carefully erected.
"I need you so!" he said. And he held her hand to his face. She made no movement to withdraw it.
"I need you, too," she replied. "I never get over needing you. But we are going to play the game, Clay. We may have our weak hours - and this is one of them - but always, please God, we'll play the game."
The curious humility he felt with her was in his voice.
"I'll need your help, even in that."
And that touch of boyishness almost broke down her reserve of strength. She wanted to draw his head down on her shoulder, and comfort him. She wanted to smooth back his heavy hair, and put her arms around him and hold him. There was a great tenderness in her for him. There were times when she would have given the world to have gone into his arms and let him hold her there, protected and shielded. But that night she was the stronger, and she knew it.
"I love you, Audrey. I love you terribly,"
And that was the word for it. It was terrible. She knew it.
"To have gone through all the world," he said, brokenly, "and then to find the Woman, when it is too late. Forever too late." He turned toward her. "You know it, don't you? That you are my woman?"
"I know it," she answered, steadily. "But I know, too - "
"Let me say it just once. Then never again. I'll bury it, but you will know it is there. You are my woman. I would go through all of life alone to find you at the end. And if I could look forward, dear, to going through the rest of it with you beside me, so I could touch you, like this - "
"I know."
"If I could only protect you, and shield you - oh, how tenderly I could care for you, my dear, my dear!"
The strength passed to him, then. Audrey had a clear picture of what life with him might mean, of his protection, his tenderness. She had never known it. Suddenly every bit of her called out for his care, his quiet strength.
"Don't make me sorry for myself." There were tears in her eyes. "Will you kiss me, Clay? We might have that to remember."
But they were not to have even that, for the taxicab drew up before her hotel. It was one of the absurd anti-climaxes of life that they should part with a hand-clasp and her formal "Thank you for a lovely evening."
Audrey was the better actor of the two. She went in as casually as though she had not put the only happiness of her life away from her. But Clayton Spencer stood on the pavement, watching her in, and all the tragedy of the empty years ahead was in his eyes.
CHAPTER XXXV
Left alone in her untidy room after Graham's abrupt departure, Anna Klein was dazed. She stood where he left her, staring ahead. What had happened meant only one thing to her, that Graham no longer cared about her, and, if that was true, she did not care to live.
It never occurred to her that he had done rather a fine thing, or that he had protected her against herself. She felt no particular shame, save the shame of rejection. In her small world of the hill, if a man gave a girl valuable gifts or money there was generally a quid pro quo. If the girl was unwilling, she did not accept such gifts. If the man wanted nothing, he did not make them. And men who made love to girls either wanted to marry them or desired some other relationship with them.
She listened to his retreating footsteps, and then began, automatically to unbutton her thin white blouse. But with the sound of the engine of his car below she ran to the window. She leaned out, elbows on the sill, and watched him go, without a look up at her window.
So that was the end of that!
Then, all at once, she was fiercely angry. He had got her into this scrape, and now he had left her. He had pretended to love her, and all the time he had meant to do just th
is, to let her offer herself so he might reject her. He had been playing with her. She had lost her home because of him, had been beaten almost insensible, had been ill for weeks, and now he had driven away, without even looking back.
She jerked her blouse off, still standing by the window, and when the sleeve caught on her watch, she jerked that off, too. She stood for a moment with it in her hand, her face twisted with shame and anger. Then recklessly and furiously she flung it through the open window.
In the stillness of the street far below she heard it strike and rebound.
"That for him!" she muttered.
Almost immediately she wanted it again. He had given it to her. It was all she had left now, and in a curious way it had, through long wearing, come to mean Graham to her. She leaned out of the window. She thought she saw it gleaming in the gutter, and already, attracted by the crash, a man was crossing the street to where it lay.
"You let that alone," she called down desperately. The figure was already stooping over it. Entirely reckless now, she ran, bare-armed and bare-bosomed, down the stairs and out into the street. She had thought to see its finder escaping, but he was still standing where he had picked it up.
"It's mine," she began. "I dropped it out of the window. I - "
"You threw it out of the window. I saw you."
It was Rudolph.
"You - " He snarled, and stood with menacing eyes fixed on her bare neck.
"Rudolph!"
"Get into the house," he said roughly. "You're half-naked."
"Give me my watch."
"I'll give it to you, all right. What's left of it. When we get in."
He followed her into the hail, but when she turned there and held out her hand, he only snarled again.
"We'll talk up-stairs."
"I can't take you up. The landlady don't allow it."
"She don't, eh? You had that Spencer skunk up there."
His face frightened her, and she lied vehemently.
"That's not so, and you know it, Rudolph Klein. He came inside, just like this, and we stood and talked. Then he went away. He wasn't inside ten minutes." Her voice rose hysterically, but Rudolph caught her by the arm, and pushing her ahead of him, forced her up the stairs.
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