The Best of Mary Roberts Rinehart

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The Best of Mary Roberts Rinehart Page 263

by Mary Roberts Rinehart


  "They seem to be all right," he said.

  Dunbar rose.

  "Hope the next news will be better, Mr. Spencer."

  "I hope so."

  "I haven't told you, I think, that we have traced Rudolph Klein."

  Clayton's face set.

  "He's got away, unfortunately. Over the border into Mexico. They have a regular system there, the Germans - an underground railway to Mexico City. They have a paymaster on our side of the line. They even bank in one of our banks! Oh, we'll get them yet, of course, but they're damnably clever."

  "I suppose there is no hope of getting Rudolph Klein?"

  "Not while the Germans are running Mexico," Captain Dunbar replied, dryly. "He's living in a Mexican town just over the border. We're watching him. If he puts a foot on this side we'll grab him."

  Clayton sat back after he had gone. He was in his old office at the mill, where Joey had once formed his unofficial partnership with the firm. Outside in the mill yard there was greater activity than ever, but many of the faces were new. The engineer who had once run the yard engine was building bridges in France. Hutchinson had heard the call, and was learning to fly in Florida, The service flag over his office door showed hundreds of stars, and more were being added constantly. Joey dead. Graham wounded, his family life on the verge of disruption, and Audrey -

  Then, out of the chaos there came an exaltation. He had given himself, his son, the wealth he had hoped to have, but, thank God, he had had something to give. There were men who could give nothing, like old Terry Mackenzie, knocking billiard-balls around at the club, and profanely wistful that he had had no son to go. His mind ranged over those pathetic, prosperous, sonless men who filed into the club late in the afternoons, and over the last editions and whisky-and-sodas fought their futile warfare, their battle-ground a newspaper map, their upraised voices their only weapons.

  On parade days, when the long lines of boys in khaki went by, they were silent, heavy, inutile. They were too old to fight. The biggest thing in their lives was passing them by, as passed the lines of marching boys, and they had no part in it. They were feeding their hungry spirits on the dregs of war, on committee meetings and public gatherings, and they were being useful. But the great exaltation of offering their best was not for them.

  He was living a tragedy, but a greater tragedy was that of the childless. And back of that again was the woman who had not wanted children. There were many men to-day who were feeling the selfishness of a woman at home, men who had lost, somehow, their pride, their feeling of being a part of great things. Men who went home at night to comfortable dwellings, with no vacant chair at the table, and dined in a peace they had not earned.

  Natalie had at least given him a son.

  He took that thought home with him in the evening. He stopped at a florist's and bought a great box of flowers for her, and sent them into her room with a little note,

  "Won't you let me come in and try to comfort you?"

  But Madeleine brought the box out again, and there was pity in her eyes.

  "Mrs. Spencer can not have them in the room, sir. She says the odor of flowers makes her ill."

  He knew Madeleine had invented the excuse, that Natalie had simply rejected his offering. He went down-stairs, and made a pretense of dining alone in the great room.

  It was there that Audrey's daily cable found him. Buckham brought it in in shaking fingers, and stood by, white and still, while he opened it.

  Clayton stood up. He was very white, but his voice was full and strong.

  "He is better, Buckham! Better!"

  Suddenly Buckham was crying. His austere face was distorted, his lean body trembling. Clayton put his arm around the bowed old shoulders.

  And in that moment, as they stood there, master and man, Clayton Spencer had a flash of revelation. There was love and love. The love of a man for a woman, and of a woman for a man, of a mother for the child at her knee, of that child for its mother. But that the great actuating motive of a man's maturity, of the middle span, was vested along with his dreams, his pride and his love, in his son, his man-child.

  Buckham, carrying his coffee into the library somewhat later, found him with his head down on his desk, and the cablegram clutched in his outstretched hands. He tip-toed out, very quietly.

  CHAPTER XLVIII

  Clayton's first impulse was to take the cable to Natalie, to brush aside the absurd defenses she had erected, and behind which she cowered, terrified but obstinate. To say to her,

  "He is living. He is going to live. But this war is not over yet. If we want him to come through, we must stand together. We must deserve to have him come back to us."

  But by the time he reached the top of the stairs he knew he could not do it. She would not understand. She would think he was using Graham to further a reconciliation; and, after her first joy was over, he knew that he would see again that cynical smile that always implied that he was dramatizing himself.

  Nothing could dim his strong inner joy, but something of its outer glow faded. He would go to her, later. Not now. Nothing must spoil this great thankfulness of his.

  He gave Madeleine the cable, and went down again to the library.

  After a time he began to go over the events of the past eighteen months. His return from the continent, and that curious sense of unrest that had followed it, the opening of his eyes to the futility of his life. His failure to Natalie and her failure to him. Graham, made a man by war and by the love of a good woman. Chris, ending his sordid life in a blaze of glory, and forever forgiven his tawdry sins because of his one big hour.

  War took, but it gave also. It had taken Joey, for instance, but Joey had had his great moment. It was better to have one great moment and die than to drag on through useless years. And it was the same way with a nation. A nation needed its hour. It was only in a crisis that it could know its own strength. How many of them, who had been at that dinner of Natalie's months before, had met their crisis bravely! Nolan was in France now. Doctor Haverford was at the front. Audrey was nursing Graham. Marion Hayden was in a hospital training-School. Rodney Page was still building wooden barracks in a cantonment in Indiana, and was making good. He himself -

  They could never go back, none of them, to the old smug, complacent, luxurious days. They could no more go back than Joey could return to life again. War was the irrevocable step, as final as death itself. And he remembered something Nolan had said, just before he sailed.

  "We have had one advantage, Clay. Or maybe it is not an advantage, after all. Do you realize that you and I have lived through the Golden Age? We have seen it come and seen it go. The greatest height of civilization, since the world began, the greatest achievements, the most opulent living. And we saw it all crash. It will be a thousand years before the world will be ready for another."

  And later,

  "I suppose every life has its Golden Age. Generally we think it is youth. I'm not so sure. Youth is looking ahead. It has its hopes and its disappointments. The Golden Age in a man's life ought to be the age of fulfillment. It's nearer the forties than the twenties."

  "Have you reached it?"

  "I'm going to, on the other side."

  And Clayton had smiled.

  "You are going to reach it," he said. "We are always going to find it, Nolan. It is always just ahead."

  And Nolan had given him one of his quick understanding glances.

  There could be no Golden Age for him. For the Golden Age for a man meant fulfillment. The time came to every man when he must sit at the west window of his house of life and look toward the sunset. If he faced that sunset alone -

  He heard Madeleine carrying down Natalie's dinner-tray, and when she left the pantry she came to the door of the library.

  "Mrs. Spencer would like to see you, sir."

  "Thank you, Madeleine. I'll go up very soon."

  Suddenly he knew that he did not want to go up to Natalie's scented room. She had shut him out when she was in trouble. S
he had not cared that he, too, was in distress. She had done her best to invalidate that compact he had made. She had always invalidated him.

  To go back to the old way, to the tribute she enforced to feed her inordinate vanity, to the old hypocricy of their relationship, to live again the old lie, was impossible.

  He got up. He would not try to buy himself happiness at the cost of turning her adrift. But he must, some way, buy his self-respect.

  He heard her then, on the staircase, that soft rustle which, it seemed to him, had rasped the silk of his nerves all their years together with its insistence on her dainty helplessness, her femininity, her right to protection. The tap of her high heels came closer. He drew a long breath and turned, determinedly smiling, to face the door.

  Almost at once he saw that she was frightened. She had taken pains to look her best - but then she always did that. She was rouged to the eyes, and the floating white chiffon of her negligee gave to her slim body the illusion of youth, that last illusion to which she so desperately clung. But - she was frightened.

  She stood in the doorway, one hand holding aside the heavy velvet curtain, and looked at him with wide, penciled eyes.

  "Clay?"

  "Yes. Come in. Shall I have Buckham light a fire?"

  She came in, slowly.

  "Do you suppose that cable is reliable?"

  "I should think so."

  "He may have a relapse."

  "We mustn't worry about what may come. He is better now. The chances are that he'll stay better."

  "Probably. I suppose, because I have been so ill - "

  He felt the demand for sympathy, but he had none to give. And he felt something else. Natalie was floundering, an odd word for her, always so sure of herself. She was frightened, unsure of herself, and - floundering. Why?

  "Are you going to be in to-night?"

  "Yes."

  She gave a curious little gesture. Then she evidently made up her mind and she faced him defiantly.

  "Of course, if I had known he was going to be better, I'd - Clay, I wired yesterday for Rodney Page. He arrives to-night."

  "Rodney?"

  "Yes."

  "I don't think I quite understand, Natalie. Why did you wire for him?"

  "You wouldn't understand, of course. I was in trouble. He has been my best friend. I tried to bear it alone, but I couldn't. I - "

  "Alone! You wouldn't see me."

  "I couldn't, Clay."

  "Why?"

  "Because - if Graham had died - "

  Her mouth trembled. She put her hand to her throat.

  "You would have blamed me for his death?"

  "Yes."

  "Then. even now, if - "

  "Yes."

  The sheer cruelty of it sent him pale. Yet it was not so much deliberate as unconscious. She was forcing herself to an unwonted honesty. It was her honest conviction that he was responsible for Graham's wounding and danger.

  "Let me get to the bottom of this," he said quietly. "You hold me responsible. Very well. How far does that take us? How far does that take you? To Rodney!"

  "You needn't be brutal. Rodney understands me. He - he cares for me, Clay."

  "I see. And, since you sent for him I take it you care for Rodney."

  "I don't know. I - "

  "Isn't it time you do know? For God's sake, Natalie, make up your mind to some course and stick to it."

  But accustomed as he was to the curious turns of her mind, he was still astounded to have her turn on him and accuse him of trying to get rid of her. It was not until later that he realized in that attitude of hers her old instinct of shifting the responsibility from her own shoulders.

  And then Rodney was announced.

  The unreality of the situation persisted. Rodney's strained face and uneasy manner, his uniform, the blank pause when he had learned that Graham was better, and when the ordinary banalities of greeting were over. Beside Clayton he looked small, dapper, and wretchedly uncomfortable, and yet even Clayton had to acknowledge a sort of dignity in the man.

  He felt sorry for him, for the disillusion that was to come. And at the same time he felt an angry contempt for him, that he should have forced so theatrical a situation. That the night which saw Graham's beginning recovery should be tarnished by the wild clutch after happiness of two people who had done so little to earn it.

  He saw another, totally different scene, for a moment. He saw Graham in his narrow bed that night in some dimly-lighted hospital ward, and he saw Audrey beside him, watching and waiting and praying. A wild desire to be over there, one of that little group, almost overcame him. And instead -

  "Natalie has not been well, Rodney," he said. "I rather think, if you have anything to say to me, we would better talk alone."

  Natalie went out, her draperies trailing behind her. Clayton listened, as she moved slowly up the stairs. For the last time he heard that soft rustling which had been the accompaniment to so many of the most poignant hours of his life. He listened until it had died away.

  CHAPTER XLIX

  For months Rudolph Klein had been living in a little Mexican town on the border. There were really two towns, but they were built together with only a strip of a hundred feet between. Along this strip ran the border itself, with a tent pitched on the American side, and patrols of soldiers guarding it. The American side was bright and clean, orderly and self-respecting, but only a hundred feet away, unkempt, dusty, with adobe buildings and a notorious gambling-hell in plain view, was Mexico itself - leisurely, improvident, not overscrupulous Mexico.

  At first Rudolph was fairly contented. It amused him. He liked the idleness of it. He liked kicking the innumerable Mexican dogs out of his way. He liked baiting the croupiers in the "Owl." He liked wandering into that notorious resort and shoving Hindus, Chinamen, and Mexicans out of the way, while he flung down a silver dollar and watched the dealers with cunning, avaricious eyes.

  He liked his own situation, too. It amused him to think that here he was safe, while only a hundred feet away he was a criminal, fugitive from the law. He liked to go to the very border itself, and jeer at the men on guard there.

  "If I was on that side," he would say, "you'd have me in one of those rotten uniforms, wouldn't you? Come on over, fellows. The liquor's fine."

  Then, one day, a Chinaman he had insulted gave him an unexpected shove, and he had managed to save himself by a foot from the clutch of a quiet-faced man in plain clothes who spent a certain amount of time lounging on the other side of the border.

  That had sobered him. He kept away from the border itself after that, although the temptation of it drew him. After a few weeks, when the novelty had worn off, he began to hunger for the clean little American town across the line. He wanted to talk to some one. He wanted to boast, to be candid. These Mexicans only laughed when he bragged to them. But he dared not cross.

  There was a high-fenced enclosure behind the "Owl," the segregated district of the town. There, in tiny one-roomed houses built in rows like barracks were the girls and women who had drifted to this jumping-off place of the world. In the daytime they slept or sat on the narrow, ramshackle porches, untidy, noisy, unspeakably wretched. At night, however, they blossomed forth in tawdry finery, in the dancing-space behind the gambling-tables. Some of them were fixtures. They had drifted there from New Orleans, perhaps, or southern California, and they lacked the initiative or the money to get away. But most of them came in, stayed a month or two, found the place a nightmare, with its shootings and stabbings, and then disappeared.

  At first Rudolph was popular in this hell of the underworld. He spent money easily, he danced well, he had audacity and a sort of sardonic humor. They asked no questions, those poor wretches who had themselves slid over the edge of life. They took what came, grateful for little pleasures, glad even to talk their own tongue.

  And then, one broiling August day, late in the afternoon, when the compound was usually seething with the first fetid life of the day, Rudolph found it s
uddenly silent when he entered it, and hostile, contemptuous eyes on him.

  A girl with Anna Klein's eyes, a girl he had begun to fancy, suddenly said,

  "Draft-dodger!"

  There was a ripple of laughter around the compound. They commenced to bait him, those women he would not have wiped his feet on at home. They literally laughed him out of the compound.

  He went home to his stifling, windowless adobe room, with its sagging narrow bed, its candle, its broken crockery, and he stood in the center of the room and chewed his nails with fury. After a time he sat down and considered what to do next. He would have to move on some time. As well now as ever. He was sick of the place.

  He began preparations to move on, gathering up the accumulation of months of careless living for destruction. He picked up some newspapers preparatory to throwing them away, and a name caught his attention. Standing there, inside his doorway in the Mexican dusk, he read of Graham's recent wounding, his mending, and the fact that he had won the Croix de Guerre. Supreme bitterness was Rudolph's then.

  "Stage stuff!" he muttered. But in the depths of his warped soul there was bitter envy. He knew well with what frightened yet adoring eyes Anna Klein had devoured that news of Graham Spencer. While for him there was the girl in the compound back of the "Owl," with Anna Klein's eyes, filled when she looked at him with that bitterest scorn of all, the contempt of the wholly contemptible.

  That night he went to the Owl. He had shaved and had his hair cut and he wore his only remaining decent suit of clothes. He passed through the swinging gate in the railing which separated the dancing-floor from the tables and went up to the line of girls, sitting in that saddest waiting of all the world, along the wall. There was an ominous silence at his approach. He planted himself in front of the girl with eyes like Anna Klein.

  "Are you going to dance?"

  "Not with you," she replied, evenly. And again the ripple of laughter spread.

  "Why not?"

  "Because you're a coward," she said. "I'd rather dance with a Chinaman."

  "If you think I'm here because I'm afraid to fight you can think again. Not that I care what you think."

 

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