I dropped to the floor and lay there twitching.
Miranda seized me. To her I was no more than a doll. She lifted me, began to thrust me into the capsule. Perspiration soaked me. Reality returned. I slipped from her grasp and wriggled away, rolling toward the bulkhead. Like a beast of primordial forests she came ponderously after me.
“No,” I said. “I won’t go.”
She halted. Her face twisted in anger, and she turned away from me in defeat. I lay panting and quivering until my mind was purged of phantoms. It had been close.
It was my turn a short while later. Fight force with force, I told myself. I could not risk more of Miranda’s treachery. Time was running short.
From our surgical kit I took a hypnoprobe used for anesthesia, and rigged it in a series with one of Miranda’s telescope antennae. Programming it for induction of docility, I left it to go to work on her. When she made her observations, the hypnoprobe would purr its siren song of sinister coaxing, and—perhaps—Miranda would bend to my wishes.
It did not work.
I watched her going to her telescopes. I saw her broad-beamed form settling in place. In my mind I heard the hypnoprobe’s gentle whisper, as I knew it must sound to Miranda. It was telling her to relax, to obey. “The capsule…get into the capsule…you will monitor the crawler…you…you…you will do it…”
I waited for her to arise and move like a sleepwalker to the waiting capsule. Her tawny body was motionless. Muscles rippled beneath that obscenely bare flesh. The probe had her! Yes! It was getting to her!
No.
She clawed at the telescope as though it were a steel-tipped wasp drilling for her brain. The barrel recoiled, and she pushed herself away from it, whirling around. Her eyes glowed with rage. Her enormous body reared up before me. She seemed half berserk. The probe had had some effect on her; I could see her dizzied strides, and knew that she was awry. But it had not been potent enough. Something within that adapted brain of hers gave her the strength to fight off the murky shroud of hypnotism.
“You did that!” she roared. “You gimmicked the telescope, didn’t you?”
“I don’t know what you mean, Miranda.”
“Liar! Fraud! Sneak!”
“Calm down. You’re rocking us out of orbit.”
“I’ll rock all I want! What was that thing that had its fingers in my brain? You put it there? What was it, the hypnoprobe you used?”
“Yes,” I admitted coolly. “And what was it you put into my food? Which hallucinogen?”
“It didn’t work.”
“Neither did my hypnoprobe. Miranda, someone’s got to get into that capsule. In a few hours we’ll be at the critical point. We don’t dare come back without the essential observations. Make the sacrifice.”
“For you?”
“For science,” I said, appealing to that noble abstraction.
I got the horselaugh I deserved. Then Miranda strode toward me. She had recovered her coordination in full, now, and it seemed as though she were planning to thrust me into the capsule by main force. Her ponderous arms enfolded me. The stink of her thickened hide made me retch. I felt ribs creaking within me. I hammered at her body, searching for pressure points that would drop her in a felled heap. We punished each other cruelly, grunting back and forth across the cabin. It was a fierce contest of skill against mass. She would not fall, and I would not crush.
The toneless buzz of the microcephalon said, “Release each other. The collapsing star is nearing its Schwarzschild radius. We must act now.”
Miranda’s arms slipped away from me. I stepped back, glowering at her, to suck breath into my battered body. Livid bruises were appearing on her skin. We had come to a mutual awareness of mutual strength; but the capsule still was empty. Hatred hovered like a globe of ball lightning between us. The gray, greasy alien creature stood to one side.
I would not care to guess which one of us had the idea first, Miranda or I. But we moved swiftly. The microcephalon scarcely murmured a word of protest as we hustled it down the passage and into the room that held the capsule. Miranda was smiling. I felt relief. She held the alien tight while I opened the hatch, and then she thrust it through. We dogged the hatch together.
“Launch the crawler,” she said.
I nodded and went to the controls. Like a dart from a blowgun the crawler housing was expelled from our ship and journeyed under high acceleration to the surface of the dark star. It contained a compact vehicle with sturdy jointed legs, controlled by remote pickup from the observation capsule aboard ship. As the observer moved arms and feet within the control harnesses, servo relays actuated the hydraulic pistons in the crawler, eight light-days away. It moved in parallel response, clambering over the slag heaps of a solar surface that no organic life could endure.
The microcephalon operated the crawler with skill. We watched through the shielded video pickups, getting a close-range view of that inferno. Even a cold sun is more terrifyingly hot than any planet of man.
The signals coming from the star altered with each moment, as the full force of the red-shift gripped the fading light. Something unutterably strange was taking place down there; and the mind of our microcephalon was rooted to the scene. Tidal gravitational forces lashed the star. The crawler was lifted, heaved, compressed, subjected to strains that slowly ripped it apart. The alien witnessed it all, and dictated an account of what he saw, slowly, methodically, without a flicker of fear.
The singularity approached. The tidal forces aspired toward infinity. The microcephalon sounded bewildered at last as it attempted to describe the topological phenomena that no eye had seen before. Infinite density, zero volume—how did the mind comprehend it? The crawler was contorted into an inconceivable shape; and yet its sensors obstinately continued to relay data, filtered through the mind of the microcephalon and into our computer banks.
Then came silence. Our screens went dead. The unthinkable had at last occurred, and the dark star had passed within the radius of singularity. It had collapsed into oblivion, taking with it the crawler. To the alien in the observation capsule aboard our ship, it was as though he too had vanished into the pocket of hyperspace that passed all understanding.
I looked toward the heavens. The dark star was gone. Our detectors picked up the outpouring of energy that marked its annihilation. We were buffeted briefly on the wave of force that ripped outward from the place where the star had been, and then all was calm.
Miranda and I exchanged glances.
“Let the microcephalon out,” I said.
She opened the hatch. The alien sat quite calmly at the control console. It did not speak. Miranda assisted it from the capsule. Its eyes were expressionless; but they had never shown anything, anyway.
We are on our way back to the worlds of our galaxy, now. The mission has been accomplished. We have relayed priceless and unique data.
The microcephalon has not spoken since we removed it from the capsule. I do not believe it will speak again.
Miranda and I perform our chores in harmony. The hostility between us is gone. We are partners in crime, now; edgy with guilt that we do not admit to one another. We tend our shipmate with loving care.
Someone had to make the observations, after all. There were no volunteers. The situation called for force, or the deadlock would never have been broken.
But Miranda and I hated each other, you say? Why, then, should we cooperate?
We both are humans, Miranda and I. The microcephalon is not. In the end, that made the difference. In the last analysis, Miranda and I decided that we humans must stick together. There are ties that bind.
We speed onward toward civilization.
She smiles at me. I do not find her hateful now. The microcephalon is silent.
HAWKSBILL STATION
As noted above, I had given up the writing of science fiction in some confusion in the winter of 1958-59, after four or five years of frenzied activity in which I had written enough of the stuff to fill thre
e or four average careers. Still only in my mid-twenties, puzzled about my place in a genre that I loved deeply but seemed unable to serve well, I turned away and wandered for a few years in a morass of hackery that still gives me the creeps when I look at the titles of the things I was writing then—“I Was Eaten by Monster Crabs,” “World of Living Corpses,” “The Syndicate Moves In,” and much godawful more.
And then came that wonderful offer I couldn’t refuse from Fred Pohl of Galaxy, who by freeing me from the risk of having stories rejected teased me back into science fiction, at least on a now-and-then basis. I did a few short stories for him at a rate of about one every six months, and then the “Blue Fire” series of novelets that became the book To Open the Sky, and by then—it was now 1965—I was hooked on writing s-f all over again. Only this time, because Pohl had given me the space to write the stories exactly as I felt they ought to be written, because I was no longer (as I had been doing from 1955 to 1958) tailoring my product to some editor’s notion of what was acceptable, I was far more satisfied with what I was writing: at last, stories which I as a critical reader would have been interested in reading. And so began the second phase of my career, the so-called “new Silverberg” that elicited so much surprised comment in the mid-1960’s. After the “Blue Fire” stories came The Time Hoppers, the novel for Doubleday that I expanded out of an old short story, which I finished in March of 1966. Then, in mid-April, I wrote to Pohl about another ambitious project that had grown out of my own deep interest in paleontology and my almost obsessive fascination with the idea of traveling in time. What I told him was: “I’m thinking in very science-fictional terms these days and I want to get these stories written while the fit is still on me. This one would be a novella—15,000 words, 20,000, somewhere within that range. I have it roughed out, though not solidly enough for me to want to talk much about the plot, except to say that the story takes place in a camp for political prisoners on Earth approximately two and a half billion years ago. If you can find room for a Silverberg story of this length, I’d like to write it some time in the next month.”
Fred gave me the go-ahead; I set to work immediately, and wrote the story in one white-hot week, 20,000 words, mailing it to him on May 5. By May 11 I had word of its acceptance. It was published in the August, 1967 issue of Galaxy and brought me one of the most cherishable reader comments I have ever received: the famed science-writer Willy Ley, encountering me at a New York literary party, praised at great length the accuracy and richness of texture of my portrait of life in the early Paleozoic. I am not exactly indifferent to most people’s praise of my work, but, although I absorb it with pleasure, I tend to forget it quickly; hearing Willy tell me in rumbling Teutonic tones how well I had brought the era of trilobites to life for him is a memory that still glows brightly for me four decades later.
The story also brought me my first Hugo and Nebula nominations, though competition for both awards was stiff that year and I finished as a runner-up. At that point in my career, though, simply getting on the final ballot was exciting.
Despite Willy Ley’s warm praise, there was at least one inaccuracy in the story. It takes place in the late Cambrian period, which according to modern geological theory was about 550 million years ago. Yet in my original proposal for Fred Pohl I placed the scene “approximately two and a half billion years ago,” and even in the published story I set the Cambrian two billion years in the past. That was not a case of ignorance, but of a writer’s outsmarting himself, for what I was doing was implying a revision, after the development of time travel, of our entire geological time scale. But I found no convenient way of working into the story a statement to the effect that scientists had once believed the Cambrian to have been 550 million years ago but now knew it to be two billion, and in the end I just used the greater time scale without explaining what I was up to. This, of course, brought some critical comments from present-day geologists otherwise pleased with the work. So when the story was reprinted in the first of its many anthology appearances I cut the time span in half, putting the late Cambrian at one billion years ago—still a revisionist notion, but one less likely to draw attack. And I have kept it that way in all further printings of the story, as well as in the expansion to novel form that I carried out in the spring of 1967, under the same title, for Doubleday.
——————
One
Barrett was the uncrowned King of Hawksbill Station. He had been there the longest; he had suffered the most; he had the deepest inner resources of strength.
Before his accident, he had been able to whip any man in the place. Now he was a cripple, but he still had that aura of power that gave him command. When there were problems at the Station, they were brought to Barrett. That was axiomatic. He was the king.
He ruled over quite a kingdom, too. In effect it was the whole world, pole to pole, meridian to meridian. For what it was worth. It wasn’t worth very much.
Now it was raining again. Barrett shrugged himself to his feet in the quick, easy gesture that cost him an infinite amount of carefully concealed agony and shuffled to the door of his hut. Rain made him impatient; the pounding of those great greasy drops against the corrugated tin roof was enough even to drive a Jim Barrett loony. He nudged the door open. Standing in the doorway, Barrett looked out over his kingdom.
Barren rock, nearly to the horizon. A shield of raw dolomite going on and on. Raindrops danced and bounced on that continental slab of rock. No trees. No grass. Behind Barrett’s hut lay the sea, gray and vast. The sky was gray too, even when it wasn’t raining.
He hobbled out into the rain. Manipulating his crutch was getting to be a simple matter for him now. He leaned comfortably, letting his crushed left foot dangle. A rockslide had pinned him last year during a trip to the edge of the Inland Sea. Back home, Barrett would have been fitted with prosthetics and that would have been the end of it: a new ankle, a new instep, refurbished ligaments and tendons. But home was two billion years away; and home, there’s no returning.
The rain hit him hard. Barrett was a big man, six and a half feet tall, with hooded dark eyes, a jutting nose, a chin that was a monarch among chins. He had weighed two hundred fifty pounds in his prime, in the good old agitating days when he had carried banners and pounded out manifestos. But now he was past sixty and beginning to shrink a little, the skin getting loose around the places where the mighty muscles used to be. It was hard to keep your weight in Hawksbill Station. The food was nutritious, but it lacked intensity. A man got to miss steak. Eating brachiopod stew and trilobite hash wasn’t the same thing at all. Barrett was past all bitterness, though. That was another reason why the men regarded him as the leader. He didn’t scowl. He didn’t rant. He was resigned to his fate, tolerant of eternal exile, and so he could help the others get over that difficult heart-clawing period of transition.
A figure arrived, jogging through the rain: Norton. The doctrinaire Khrushchevist with the Trotskyite leanings. A small, excitable man who frequently appointed himself messenger whenever there was news at the Station. He sprinted toward Barrett’s hut, slipping and sliding over the naked rocks.
Barrett held up a meaty hand.
“Whoa, Charley. Take it easy or you’ll break your neck!”
Norton halted in front of the hut. The rain had pasted the widely spaced strands of his brown hair to his skull. His eyes had the fixed, glossy look of fanaticism—or perhaps just astigmatism. He gasped for breath and staggered into the hut, shaking himself like a wet puppy. He obviously had run all the way from the main building of the Station, three hundred yards away—a long dash over rock that slippery.
“Why are you standing around in the rain?” Norton asked.
“To get wet,” said Barrett, following him. “What’s the news?”
“The Hammer’s glowing. We’re getting company.”
“How do you know it’s a live shipment?”
“It’s been glowing for half an hour. That means they’re taking precautions.
They’re sending a new prisoner. Anyway, no supply shipment is due.”
Barrett nodded. “Okay. I’ll come over. If it’s a new man, we’ll bunk him in with Latimer.”
Norton managed a rasping laugh. “Maybe he’s a materialist. Latimer will drive him crazy with all that mystic nonsense. We could put him with Altman instead.”
“And he’ll be raped in half an hour.”
“Altman’s off that kick now,” said Norton. “He’s trying to create a real woman, not looking for second-rate substitutes.”
“Maybe our new man doesn’t have any spare ribs.”
“Very funny, Jim.” Norton did not look amused. “You know what I want the new man to be? A conservative, that’s what. A black-souled reactionary straight out of Adam Smith. God, that’s what I want!”
“Wouldn’t you be happy with a fellow Bolshevik?”
“This place is full of Bolsheviks,” said Norton. “Of all shades from pale pink to flagrant scarlet. Don’t you think I’m sick of them? Sitting around fishing for trilobites and discussing the relative merits of Kerensky and Malenkov? I need somebody to talk to, Jim. Somebody I can fight with.”
“All right,” Barrett said, slipping into his rain gear. “I’ll see what I can do about hocusing a debating partner out of the Hammer for you. A rip-roaring objectivist, okay?” He laughed. “You know something, maybe there’s been a revolution Up Front since we got our last man. Maybe the left is in and the right is out, and they’ll start shipping us nothing but reactionaries. How would you like that? Fifty or a hundred storm troopers, Charley? Plenty of material to debate economics with. And the place will fill up with more and more of them, until we’re outnumbered, and then maybe they’ll have a putsch and get rid of all the stinking leftists sent here by the old regime, and—”
Barrett stopped. Norton was staring at him in amazement, his faded eyes wide, his hand compulsively smoothing his thinning hair to hide his embarrassment.
The Collected Stories of Robert Silverberg, Volume 2: To the Dark Star: 1962-69 Page 11