The Lonesome Dove Chronicles (1-4)
Page 288
Now that was lost. Lorena’s children were the first humans she had held in her arms in years. It was not good, for from being lonely too long she had become resigned.
“No beaux?” Lorena asked one morning, when they were sitting in the kitchen, talking. The children had all run outside with Rafael to look for his goats. One of them had strayed during the night. Lorena’s children had become protective of Rafael, all of them. She didn’t harbor much hope for that particular goat, though. The coyotes were too numerous and too hungry.
“No beaux,” Clara admitted. “I expect it’s just as well. I’m too set in my ways now. I doubt there’s a man alive who could put up with me. . . .
“Even if there is such a man alive, he probably doesn’t live in Nebraska,” Clara added, a little later.
Lorena thought her old friend looked sad.
“You probably run all the boys off,” she said. “You have to be gentle with menfolk, you know. They aren’t tough, like us.”
“Well, I did scatter a few, I guess,” Clara said. “But that was years ago.”
Rafael stumbled back in, crying; the remains of the goat had been found. The boys all wore long faces. Lorena hugged Rafael, and shushed him. They were planning to acquire a few goats soon, and Rafael could look after them.
26.
THE DAY SHE was to leave for Nebraska, Clara walked down to say farewell to Call. He was sitting with Teresa outside his shack, whittling a stick. Teresa liked to feel the smoothness of the wood of the sticks, once Call had whittled all the knots away. He had smoothed her a number of little sticks to play with. Teresa touched them with her fingers, and sometimes she held one to her cheek.
“Well, I’m off to the depot, I guess,” Clara said. “I wanted to say goodbye, Woodrow.”
Call had been hoping Clara would come by, before she left. There was something he wanted to ask her. But he didn’t want Teresa to hear his question.
“Tessie, would you go to the house and ask Mrs. Parker if I could have some coffee?” he asked Teresa. “I woke up with a headache—coffee usually helps.”
Teresa handed him back the little smoothed stick and started up the path to the house. She was barefooted; the day was warm. She stepped on a grass burr and had to pause for a moment, standing on one leg in order to remove it from her foot.
“I’ve heard there were schools for the blind,” Call said to Clara. “Do you know anything about them?”
“Why, no,” Clara replied. “Tessie’s the first blind person I’ve ever had in my life. But I can inquire for you, Woodrow.”
“I’d appreciate it,” Call said. “I’ve got a little money saved. If there’s a way Teresa can get her education, I’d like to help. I believe she’s bright.”
“You’re right about that—she’s bright,” Clara told him.
“If she goes away, I’m sure we’ll all miss her,” Call said.
“You most of all, Woodrow,” Clara said.
Call didn’t answer, but the look on his face said more than Clara wanted to hear or see or know about one human missing another. She shook his hand and turned toward the house.
A moment later, she grew irritated—unreasonably irritated. She turned back on the path.
“Call Lorena Lorena,” she said, loudly. “You don’t have to call her Mrs. Parker now.”
“The man’s trying, but he just rubs me the wrong way,” Clara said, when she marched into the kitchen. Lorena was washing a cut on Georgie’s hand. She wasn’t paying much attention.
Later, though, she remembered the remark. She wondered what Clara had meant by it, and why she looked so angry when she came in.
27.
THE BOUNTY ON Joey Garza was never collected. Colonel Terry sent a detective to look into the circumstances of his death, and the detective’s research revealed that the fatal shot, the one that finished Joey Garza, had been fired by a Mexican butcher in Ojinaga, Mexico. Besides that, the butcher then claimed that Joey Garza’s own mother had stabbed the young bandit, and that Joey had turned the knife on her and killed her, depriving the village of its best midwife.
Citing the careless loss of the ledger books, which made it impossible to compute the costs of the expedition accurately, the railroad halved Brookshire’s pension. What was left was sent to his widowed sister in Avon, Connecticut.
The same sister received a long letter from a Mrs. P. E. Parker, of Quitaque, Texas. Mrs. Parker assured the grieving sister that the last words Mr. Parker had heard Brookshire say were to remember his sister and send her his love.
28.
CALL DISCOVERED THAT he had a gift for sharpening tools. Even with one hand, it was a skill he more than mastered. One day, watching Pea Eye futilely trying to cut a piece of rawhide with a dull knife, Call reached out and took it from Pea. He had a whetstone, and he soon had a good edge on the blade.
From then on, Pea Eye and Lorena brought whatever needed sharpening to the Captain. He sharpened scissors and shovel blades. He sharpened axes and rasps, and scythes and awls, and planing blades. He even improved the slicing edge on the plows.
In time, the neighbors heard of Call’s skill and began to ride over with bushel baskets full of knives and hatchets for him to work on.
Lorena insisted that he order a wooden leg. They wrote off for catalogues. Finally, Call ordered one—to sharpen some of the larger tools properly, he needed to be able to stand.
When the leg came, Call found that he had to whittle it a bit to secure a smooth fit. He was shy about it, at first. No one but Teresa could be with him when he put on his leg or took it off. She learned to tuck his pants leg expertly. She laughed at him if he stumbled, but Call did not mind. The truth was, the leg made a big difference. Now he could stand up and work all day.
Clara Allen promptly sent him some literature on schools for the blind. The best one seemed to be in Cincinnati. Call hadn’t mentioned school to Teresa yet; the thought of sending her away was too sharp a pain. But he did discuss the matter with Lorena. Privately, Lorena was torn. She had had another boy, Tommy, and was pregnant yet again. The house was overfull. She and Pea Eye had paid Mr. Goodnight back for the train fare. She was still running the school by herself, except for Clarie’s help with the math. Clarie was engaged to Roy Benson, and would be leaving soon. The farm was doing a little better, but they still had almost no cash money.
Lorena’s concern when the school came up wasn’t for Teresa, who had not only Maria’s look but Maria’s strength. Lorena wanted Tessie to have an education, and she wanted her to have a chance to support herself.
But Captain Call had no one but the girl. He scarcely knew Lorena’s children; he scarcely knew her, or Pea Eye, even. He worked all day at his sharpening, but except for Teresa, he had no one. Even looking at the Captain, unless he was with Teresa, was painful. Often when he was looking at Teresa, Call had tears in his eyes. But otherwise, there was nothing in his eyes—he was an absence.
Lorena feared he would die, if Teresa left.
“Let’s wait one more year, Captain,” Lorena told him. “Let’s wait one more year.”
“I expect that’s best,” Call said.
29.
CHARLES GOODNIGHT AND a young cowboy named J. D. Brown were out looking for a stray bull one day. They finally found the bull on the Quitaque, dead; it had managed to strangle itself with a coil of barbed wire.
Now and again, if he was in the vicinity, Goodnight stopped by to pay his respects to Call and the Parkers.
They found Call standing in his workroom in the barn, sharpening a sickle that a farmer from Silverton had nicked badly while cutting hay. The blind girl was rounding up her chickens. There must have been fifty chickens, at least, and there were also more goats than Goodnight was accustomed to seeing anywhere. They visited a minute, or tried to. Call scarcely looked up from his work. He had several hatchets and an ax in a bucket beside him that he needed to sharpen, once he finished with the sickle.
Pea Eye was out plowing, but Good
night and J. D. Brown took a glass of buttermilk with Lorena before they left. Lorena was heavy with child; she paid Goodnight twenty dollars against her debt on the shack he had built for Call.
On the ride back across the gray plains, the young cowboy—he was just twenty—looked rather despondent. Goodnight ignored his despondence for a while, then got tired of it. What did a healthy sprout of twenty have to be despondent about?
“What’s made you look so peaked, J.D.?” Goodnight inquired.
“Why, it’s Captain Call, I guess,” the young cowboy said. He was glad to talk about it, to get his dark feelings out.
“What about Captain Call?” Goodnight asked.
“Why, wasn’t he a great Ranger?” the boy asked. “I’ve always heard he was the greatest Ranger of all.”
“Yes, he had exceptional determination,” Goodnight told him.
“Well, but now look . . . what’s he doing? Sharpening sickles in a dern barn!” J.D. exclaimed.
Goodnight was silent for a bit. He wished his young cowboys would keep their minds on the stock, and not be worrying so about things they couldn’t change.
“Woodrow Call had his time,” he said, finally. “It was a long time, too. Life’s but a knife edge, anyway. Sooner or later people slip and get cut.”
“Well, you ain’t slipped,” J. D. Brown said.
“How would you know, son?” Goodnight said.
30.
IN THE FALL of the following year, Clara Allen was pawed to death by a piebald stallion named Marbles. Everyone was scared of the stallion except Clara; Marbles, a beautiful animal, was her special pride.
On the morning of the attack three cowboys, including Chollo, her old vaquero, the most experienced man on the ranch, had urged her not to go into the pen with the stud.
“He’s mad today . . . wait,” Chollo told her.
“He’s my horse—he won’t hurt me,” Clara said, shutting the gate behind her. The stallion attacked her at once. Four men leapt into the corral but could not drive him off. They didn’t want to shoot the stallion, for Clara would never forgive them for it, if she lived. Finally, they shot the horse anyway, but Clara Allen was dead before they could carry her out of the pen.
31.
“IT’S RISKY, RAISING studs,” Call said. “She must have been good with horses, or she wouldn’t have lasted this long.”
Lorena shut herself in her room, when she heard the news. She didn’t come out all day. But then the day passed, and dusk fell. Lorena still wouldn’t come out. Pea Eye knocked on the door, just a little knock.
“Leave me alone,” Lorena said, in a raw voice.
Sadly, Pea Eye turned back down the hall.
“Pea,” Lorena said, through the door.
“What, honey?” Pea Eye asked, feeling a little hopeful.
“Feed the children,” Lorena said.
Later, when it was bedtime, Pea Eye knocked his little knock on the bedroom door, again.
“Leave me alone, Pea,” Lorena said. “Just leave me alone.”
“But where’ll I sleep?” Pea Eye asked.
“I don’t know . . . wherever you drop, I guess,” Lorena told him.
At a loss and worried, Pea Eye put the children to bed and walked down to the Captain’s little shack. Tessie was sitting in the Captain’s rocking chair, asleep. The Captain sat on his bed, his leg off, sharpening his pocketknife on a small whetstone.
“Lorie’s taking it hard, about Clara,” Pea said.
“Well, that’s to be expected—Clara took her in,” Call said.
There was only one rocking chair. After a minute, Pea Eye sat on the floor. He thought he might go sleep in the oat bin, since the Captain was no longer using it. He thought he might go, after a while. But he was used to his wife and his bed. He wasn’t ready for the oat bin, not quite.
“Do you ever think of Brookshire, Captain?” Pea Eye asked.
“I rarely do,” Call said.
“It’s funny. I got to liking him, just before he was killed,” Pea said. “He wasn’t a bad fellow, you know.”
Teresa woke up, gave the Captain a goodnight kiss on the cheek, and went to the house to go to bed. When she left, the Captain made it clear that it was time for him to retire, so Pea Eye picked himself up and went off to the barn. There were several mice in the oat bin, and a small snake, but Pea Eye soon chased them out. He had nothing to sleep on, so he went to the saddle shed and pulled out a couple of old saddle blankets, which he wrapped up in as best he could.
Sometime deep in the night he heard the door to the oat bin creak. Lorena came in and bent over him. She held a lantern.
“I’m better—come on back, honey,” she said.
Pea Eye felt itchy. The saddle blankets had been covered with horsehair, as was only natural. Now he was covered with horsehair, too, which wasn’t so natural; at least, Lorena wouldn’t be likely to think it natural, particularly on a day when she was in a bad mood anyway. He had horsehair absolutely all over him, a fact which made him more than a little nervous. Lorena was picky about their bed. Once she had lifted both her feet and kicked him straight off onto the floor, because he had been cutting his toenails and had neglected to clean the clippings off the sheets to her satisfaction. Horsehair might offend her even worse than toenail clippings had.
But Lorena was going—he saw the lantern swinging, as she left the barn. Pea Eye got up, rather stiffly, and tried to brush as much of the horsehair off himself as he could. In the dark, he knew he was probably making a poor job of it. But Lorena was going; he wanted to catch up.
Pea Eye shut the door of the oat bin, to keep out mice and snakes, and, at moments nervous, at moments relieved—at least she had called him honey—he followed his wife back to their house.
BY LARRY MCMURTRY
Folly and Glory
By Sorrow’s River
The Wandering Hill
Sin Killer
Paradise
Boone’s Lick
Roads: Driving America’s Great Highways
Still Wild: Short Fiction of the American West 1950 to the Present
Walter Benjamin at the Dairy Queen: Reflections at Sixty and Beyond
Duane’s Depressed
Comanche Moon
Dead Man’s Walk
The Late Child
Streets of Laredo
The Evening Star
Buffalo Girls
Some Can Whistle
Anything for Billy
Film Flam: Essays on Hollywood
Texasville
Lonesome Dove
The Desert Rose
Cadillac Jack
Somebody’s Darling
Terms of Endearment
All My Friends Are Going to Be Strangers
Moving On
The Last Picture Show
In a Narrow Grave: Essays on Texas
Leaving Cheyenne
Horseman, Pass By
BY LARRY MCMURTRY AND DIANA OSSANA
Pretty Boy Floyd
Zeke and Ned
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 1995 by Larry McMurtry
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McMurtry, Larry.
Dead man’s walk: a novel / by Larry McMurtry.
p. cm.
I. Title.
PS3563.A319D38 1995
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 1997 by Larry McMurtry
All rights reserved, including the right of reproduction in whole or in part in any form.
First Simon & Schuster paperback edition 2003
SIMON & SCHUSTER PAPERBACKS and colophon are trademarks of Simon & Schuster, Inc.
Designed by Colin Joh
The Library of Congress has cataloged the
hardcover edition as follows:
McMurtry, Larry.
Comanche moon: a novel/Larry McMurtry.
p. cm.
1. Comanche Indians—Fiction. I. Title.
PS3563.A319C66 1997 813’.54—dc21 97-29609
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