The Hoard of the Gibbelins
Lord Dunsany
THE GIBBELINS EAT, as is well known, nothing less good than man. Their evil tower is joined to Terra Cognita, to the lands we know, by a bridge. Their hoard is beyond reason; avarice has no use for it; they have a separate cellar for emeralds and a separate cellar for sapphires; they have filled a hole with gold and dig it up when they need it. And the only use that is known for their ridiculous wealth is to attract to their larder a continual supply of food. In times of famine they have even been known to scatter rubies abroad, a little trail of them to some city of Man, and sure enough their larders would soon be full again.
Their tower stands on the other side of that river known to Homer—ho rhoos okeanoio, as he called it—which surrounds the world. And where the river is narrow and fordable the tower was built by the Gibbelins’ gluttonous sires, for they liked to see burglars rowing easily to their steps. Some nourishment that common soil has not the huge trees drained there with their colossal roots from both banks of the river.
There the Gibbelins lived and discreditably fed.
Alderic, Knight of the Order of the City and the Assault, hereditary Guardian of the King’s Peace of Mind, a man not unremembered among makers of myth, pondered so long upon the Gibbelins’ hoard that by now he deemed it his. Alas that I should say of so perilous a venture, undertaken at dead of night by a valorous man, that its motive was sheer avarice! Yet upon avarice only the Gibbelins relied to keep their larders full, and once in every hundred years sent spies into the cities of men to see how avarice did, and always the spies returned again to the tower saying that all was well.
It may be thought that, as the years went on and men came by fearful ends on that tower’s wall, fewer and fewer would come to the Gibbelins’ table: but the Gibbelins found otherwise.
Not in the folly and frivolity of his youth did Alderic come to the tower, but he studied carefully for several years the manner in which burglars met their doom when they went in search of the treasure that he considered his. In every case they had entered by the door.
He consulted those who gave advice on this quest; he noted every detail and cheerfully paid their fees, and determined to do nothing that they advised, for what were their clients now? No more than examples of the savoury art, and mere half-forgotten memories of a meal; and many, perhaps, no longer even that.
These were the requisites for the quest that these men used to advise: a horse, a boat, mail armour, and at least three men-at-arms. Some said, “Blow the horn at the tower door”; others said, “Do not touch it.”
Alderic thus decided: he would take no horse down to the river’s edge, he would not row along it in a boat, and he would go alone and by way of the Forest Unpassable.
How pass, you may say, the unpassable? This was his plan: there was a dragon he knew of who if peasants’ prayers are heeded deserved to die, not alone because of the number of maidens he cruelly slew, but because he was bad for the crops; he ravaged the very land and was the bane of a dukedom.
Now Alderic determined to go up against him. So he took horse and spear and pricked till he met the dragon, and the dragon came out against him breathing bitter smoke. And to him Alderic shouted, “Hath foul dragon ever slain true knight?” And well the dragon knew that this had never been, and he hung his head and was silent, for he was glutted with blood. “Then,” said the knight, “if thou wouldst ever taste maiden’s blood again thou shalt be my trusty steed, and if not, by this spear there shall befall thee all that the troubadours tell of the dooms of thy breed.”
And the dragon did not open his ravening mouth, nor rush upon the knight, breathing out fire; for well he knew the fate of those that did these things, but he consented to the terms imposed, and swore to the knight to become his trusty steed.
It was on a saddle upon this dragon’s back that Alderic afterwards sailed above the unpassable forest, even above the tops of those measureless trees, children of wonder. But first he pondered that subtle plan of his which was more profound than merely to avoid all that had been done before; and he commanded a blacksmith, and the blacksmith made him a pickaxe.
Now there was great rejoicing at the rumour of Alderic’s quest, for all folk knew that he was a cautious man, and they deemed that he would succeed and enrich the world, and they rubbed their hands in the cities at the thought of largesse; and there was joy among all men in Alderic’s country, except perchance among the lenders of money, who feared they would soon be paid. And there was rejoicing also because men hoped that when the Gibbelins were robbed of their hoard, they would shatter their high-built bridge and break the golden chains that bound them to the world, and drift back, they and their tower, to the moon, from which they had come and to which they rightly belonged. There was little love for the Gibbelins, though all men envied their hoard.
So they all cheered, that day when he mounted his dragon, as though he was already a conqueror, and what pleased them more than the good that they hoped he would do to the world was that he scattered gold as he rode away; for he would not need it, he said, if he found the Gibbelins’ hoard, and he would not need it more if he smoked on the Gibbelins’ table.
When they heard that he had rejected the advice of those that gave it, some said that the knight was mad, and others said he was greater than those what gave the advice, but none appreciated the worth of his plan.
He reasoned thus: for centuries men had been well advised and had gone by the cleverest way, while the Gibbelins came to expect them to come by boat and to look for them at the door whenever their larder was empty, even as a man looketh for a snipe in a marsh; but how, said Alderic, if a snipe should sit in the top of a tree, and would men find him there? Assuredly never! So Alderic decided to swim the river and not to go by the door, but to pick his way into the tower through the stone. Moreover, it was in his mind to work below the level of the ocean, the river (as Homer knew) that girdles the world, so that as soon as he made a hole in the wall the water should pour in, confounding the Gibbelins, and flooding the cellars, rumoured to be twenty feet in depth, and therein he would dive for emeralds as a diver dives for pearls.
And on the day that I tell of he galloped away from his home scattering largesse of gold, as I have said, and passed through many kingdoms, the dragon snapping at maidens as he went, but being unable to eat them because of the bit in his mouth, and earning no gentler reward than a spurthrust where he was softest. And so they came to the swart arboreal precipice of the unpassable forest. The dragon rose at it with a rattle of wings. Many a farmer near the edge of the world saw him up there where yet the twilight lingered, a faint, black, wavering line; and mistaking him for a row of geese going inland from the ocean, went into their houses cheerily rubbing their hands and saying that winter was coming, and that we should soon have snow. Soon even there the twilight faded away, and when they descended at the edge of the world it was night and the moon was shining. Ocean, the ancient river, narrow and shallow there, flowed by and made no murmur. Whether the Gibbelins banqueted or whether they watched by the door, they also made no murmur. And Alderic dismounted and took his armour off, and saying one prayer to his lady, swam with his pickaxe. He did not part from his sword, for fear that he meet with a Gibbelin. Landed the other side, he began to work at once, and all went well with him. Nothing put out its head from any window, and all were lighted so that nothing within could see him in the dark. The blows of his pickaxe were dulled in the deep walls. All night he worked, no sound came to molest him, and at dawn the last rock swerved and tumbled inwards, and the river poured in after. Then Alderic took a stone, and went to the bottom step, and hurled the stone at the door; he heard the echoes roll into the tower, then he ran back and dived through the hole in the wall.
He was in the emerald-cellar. There was no light in the lofty vault above him, but, diving through twenty feet of water, he felt the floor all rough with emerald
s, and open coffers full of them. By a faint ray of the moon he saw that the water was green with them, and, easily filling a satchel, he rose again to the surface; and there were the Gibbelins waist-deep in the water, with torches in their hands! And, without saying a word, or even smiling, they neatly hanged him on the outer wall—and the tale is one of those that have not a happy ending.
Abraham Grace Merritt (1884–1943) or A. Merritt, was a real estate developer born in Beverly, New Jersey, and an editor of The American Weekly. Though his style was nothing groundbreaking, he was a crafter of worlds. Merritt had the ability to shape a beautiful, realistic universe, and this may be the only reason his stories were popular. The publication of his tale “The Moon Pool” (1918) is when people really began to take notice. He was able to blend fantastic elements into very realistic stories, and readers sometimes believed that they were reading true accounts. Abraham Merritt took his writing seriously and often revised a story and published a new iteration multiple times. “Thru the Dragon Glass” (1917), also published as “Through the Dragon Glass,” was his first published story.
Through the Dragon Glass
A. Merritt
HERNDON HELPED LOOT the Forbidden City when the Allies turned the suppression of the Boxers into the most gorgeous burglar-party since the days of Tamerlane. Six of his sailormen followed faithfully his buccaneering fancy. A sympathetic Russian highness whom he had entertained in New York saw to it that he got to the coast and his yacht. That is why Herndon was able to sail through the Narrows with as much of the Son of Heaven’s treasures as the most accomplished laborer in Peking’s mission vineyards.
Some of the loot he gave to charming ladies who had dwelt or were still dwelling on the sunny side of his heart. Most of it he used to fit up those two astonishing Chinese rooms in his Fifth Avenue house. And a little of it, following a vague religious impulse, he presented to the Metropolitan Museum. This, somehow, seemed to put the stamp of legitimacy on his part of the pillage—like offerings to the gods and building hospitals and peace palaces and such things.
But the Dragon Glass, because he had never seen anything quite so wonderful, he set up in his bedroom where he could look at it the first thing in the morning, and he placed shaded lights about it so that he could wake up in the night and look at it! Wonderful? It is more than wonderful, the Dragon Glass! Whoever made it lived when the gods walked about the earth creating something new every day. Only a man who lived in that sort of atmosphere could have wrought it. There was never anything like it.
I was in Hawaii when the cables told of Herndon’s first disappearance. There wasn’t much to tell. His man had gone to his room to awaken him one morning—and Herndon wasn’t there. All his clothes were, though. Everything was just as if Herndon ought to be somewhere in the house—only he wasn’t.
A man worth ten millions can’t step out into thin air and vanish without leaving behind him the probability of some commotion, naturally. The newspapers attend to the commotion, but the columns of type boiled down to essentials contained just two facts—that Herndon had come home the night before, and in the morning he was undiscoverable.
I was on the high seas, homeward bound to help the search, when the wireless told the story of his reappearance. They had found him on the floor of his bedroom, shreds of a silken robe on him, and his body mauled as though by a tiger. But there was no more explanation of his return than there had been of his disappearance.
The night before he hadn’t been there—and in the morning there he was. Herndon, when he was able to talk, utterly refused to confide even in his doctors. I went straight through to New York, and waited until the men of medicine decided that it was better to let him see me than have him worry any longer about not seeing me.
Herndon got up from a big invalid chair when I entered. His eyes were clear and bright, and there was no weakness in the way he greeted me, nor in the grip of his hand. A nurse slipped from the room.
“What was it, Jim?” I cried. “What on earth happened to you?”
“Not so sure it was on earth,” he said. He pointed to what looked like a tall easel hooded with a heavy piece of silk covered with embroidered Chinese characters. He hesitated for a moment and then walked over to a closet. He drew out two heavy bore guns, the very ones, I remembered, that he had used in his last elephant hunt.
“You won’t think me crazy if I ask you to keep one of these handy while I talk, will you, Ward?” he asked rather apologetically. “This looks pretty real, doesn’t it?”
He opened his dressing gown and showed me his chest swathed in bandages. He gripped my shoulder as I took without question one of the guns. He walked to the easel and drew off the hood.
“There it is,” said Herndon.
And then, for the first time, I saw the Dragon Glass!
There never has been anything like that thing! Never! At first all you saw was a cool, green, glimmering translucence, like the sea when you are swimming under water on a still summer day and look up through it. Around its edges ran flickers of scarlet and gold, flashes of emerald, shimmers of silver and ivory. At its base a disk of topaz rimmed with red fire shot up dusky little vaporous yellow flames.
Afterward you were aware that the green translucence was an oval slice of polished stone. The flashes and flickers became dragons. There were twelve of them. Their eyes were emeralds, their fangs were ivory, their claws were gold. There were scaled dragons, and each scale was so inlaid that the base, green as the primeval jungle, shaded off into vivid scarlet, and the scarlet into tips of gold. Their wings were of silver and vermilion, and were folded close to their bodies.
But they were alive, those dragons. There was never so much life in metal and wood since Al-Akram, the Sculptor of ancient Ad, carved the first crocodile, and the jealous Almighty breathed life into it for a punishment!
And last you saw that the topaz disk that sent up the little yellow flames was the top of a metal sphere around which coiled a thirteenth dragon, thin and red, and biting its scorpion-tipped tail.
It took your breath away, the first glimpse of the Dragon Glass. Yes, and the second and third glimpse, too—and every other time you looked at it.
“Where did you get it?” I asked, a little shakily.
Herndon said evenly: “It was in a small hidden crypt in the Imperial Palace. We broke into the crypt quite by”—he hesitated—“well, call it accident. As soon as I saw it I knew I must have it. What do you think of it?”
“Think!” I cried. “Think! Why, it’s the most marvelous thing that the hands of man ever made! What is that stone? Jade?”
“I’m not sure,” said Herndon. “But come here. Stand just in front of me.”
He switched out the lights in the room. He turned another switch, and on the glass opposite me three shaded electrics threw their rays into its mirror-like oval.
“Watch!” said Herndon. “Tell me what you see!”
I looked into the glass. At first I could see nothing but the rays shining farther, farther—back into infinite distances, it seemed. And then.
“Good God!” I cried, stiffening with horror. “Jim, what hellish thing is this?”
“Steady, old man,” came Herndon’s voice. There was relief and a curious sort of joy in it. “Steady; tell me what you see.”
I said: “I seem to see through infinite distances—and yet what I see is as close to me as though it were just on the other side of the glass. I see a cleft that cuts through two masses of darker green. I see a claw, a gigantic, hideous claw that stretches out through the cleft. The claw has seven talons that open and close—open and close. Good God, such a claw, Jim! It is like the claws that reach out from the holes in the lama’s hell to grip the blind souls as they shudder by!”
“Look, look farther, up through the cleft, above the claw. It widens. What do you see?”
I said: “I see a peak risi
ng enormously high and cutting the sky like a pyramid. There are flashes of flame that dart from behind and outline it. I see a great globe of light like a moon that moves slowly out of the flashes; there is another moving across the breast of the peak; there is a third that swims into the flame at the farthest edge—”
“The seven moons of Rak,” whispered Herndon, as though to himself. “The seven moons that bathe in the rose flames of Rak which are the fires of life and that circle Lalil like a diadem. He upon whom the seven moons of Rak have shone is bound to Lalil for this life, and for ten thousand lives.”
He reached over and turned the switch again. The lights of the room sprang up.
“Jim,” I said, “it can’t be real! What is it? Some devilish illusion in the glass?”
He unfastened the bandages about his chest.
“The claw you saw had seven talons,” he answered quietly. “Well, look at this.”
Across the white flesh of his breast, from left shoulder to the lower ribs on the right, ran seven healing furrows. They looked as though they had been made by a gigantic steel comb that had been drawn across him. They gave one the thought they had been ploughed.
“The claw made these,” he said as quietly as before.
“Ward,” he went on, before I could speak, “I wanted you to see—what you’ve seen. I didn’t know whether you would see it. I don’t know whether you’ll believe me even now. I don’t suppose I would if I were in your place—still—”
The Big Book of Classic Fantasy Page 104