BOOKS BY ALEXANDER MCCALL SMITH
IN THE ISABEL DALHOUSIE SERIES
The Sunday Philosophy Club
Friends, Lovers, Chocolate
The Right Attitude to Rain
The Careful Use of Compliments
The Comforts of a Muddy Saturday
The Lost Art of Gratitude
The Charming Quirks of Others
The Forgotten Affairs of Youth
The Uncommon Appeal of Clouds
The Novel Habits of Happiness
A Distant View of Everything
IN THE NO. 1 LADIES’ DETECTIVE AGENCY SERIES
The No. 1 Ladies’ Detective Agency
Tears of the Giraffe
Morality for Beautiful Girls
The Kalahari Typing School for Men
The Full Cupboard of Life
In the Company of Cheerful Ladies
Blue Shoes and Happiness
The Good Husband of Zebra Drive
The Miracle at Speedy Motors
Tea Time for the Traditionally Built
The Double Comfort Safari Club
The Saturday Big Tent Wedding Party
The Limpopo Academy of Private Detection
The Minor Adjustment Beauty Salon
The Handsome Man’s De Luxe Café
The Woman Who Walked in Sunshine
Precious and Grace
IN THE CORDUROY MANSIONS SERIES
Corduroy Mansions
The Dog Who Came In from the Cold
A Conspiracy of Friends
IN THE PORTUGUESE IRREGULAR VERBS SERIES
Portuguese Irregular Verbs
The Finer Points of Sausage Dogs
At the Villa of Reduced Circumstances
Unusual Uses for Olive Oil
IN THE 44 SCOTLAND STREET SERIES
44 Scotland Street
Espresso Tales
Love over Scotland
The World According to Bertie
The Unbearable Lightness of Scones
The Importance of Being Seven
Bertie Plays the Blues
Sunshine on Scotland Street
Bertie’s Guide to Life and Mothers
The Revolving Door of Life
The Bertie Project
The Girl Who Married a Lion and Other Tales from Africa
La’s Orchestra Saves the World
Trains and Lovers
The Forever Girl
Emma: A Modern Retelling
Chance Developments
My Italian Bulldozer
This is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.
Copyright © 2017 by Alexander McCall Smith
All rights reserved. Published in the United States by Pantheon Books, a division of Penguin Random House LLC, New York. Originally published in hardcover in Great Britain by Little, Brown, an imprint of Little, Brown Book Group, a Hachette UK company, London, in 2017.
Pantheon Books and colophon are registered trademarks of Penguin Random House LLC.
Excerpt from the poems of W. H. Auden appears courtesy of Edward Mendelson, Executor of the Estate of W. H. Auden, and Penguin Random House LLC.
Library of Congress Cataloging-in-Publication Data
Name: McCall Smith, Alexander, [date] author.
Title: A distant view of everything / by Alexander McCall Smith.
Description: New York : Pantheon Books, 2017. Series: An Isabel Dalhousie novel ; 11
Identifiers: LCCN 2017008647 (print). LCCN 2017012237 (ebook). ISBN 9780307908957 (ebook). ISBN 9780307908940 (hardcover).
Subjects: LCSH: Dalhousie, Isabel (Fictitious character)—Fiction. Women philosophers—Fiction. Edinburgh (Scotland)—Fiction. BISAC: FICTION / Mystery & Detective / Women Sleuths. FICTION / Mystery & Detective / Traditional British. FICTION / Contemporary Women. GSAFD: Mystery fiction.
Classification: LCC PR6063.C326 (ebook). LCC PR6063.C326 D57 2017 (print). DDC 823/.914—dc23
LC record available at lccn.loc.gov/2017008647
Ebook ISBN 9780307908957
www.pantheonbooks.com
Cover illustration by Bill Sanderson
v4.1
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Contents
Cover
Books by Alexander McCall Smith
Title Page
Copyright
Dedication
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
About the Author
This book is for Davy and Jenny Mant
and Erwin and Diane Rodrigues.
CHAPTER ONE
“ADLESTROP,” said Isabel Dalhousie.
Jamie thought for a moment. They were sitting in their kitchen, on one of those indecisive days that was summer, but not quite yet; a day when the heating might as well be off as on, but when prudence—and superstition—required it still to be kept going. If you lived in Scotland and you turned off your heating too early, then the weather gods—stern, Nordic and unforgiving—could send a body of cold air down from the Arctic and remind you that they, not you, were in control.
Jamie at least had taken off his sweater—as an act of faith, thought Isabel—while she had kept hers on. One of the newspapers, glimpsed in the local newsagent’s shop, had featured the headline Weathermen say summer will be scorching! but Isabel remembered that this particular newspaper said much the same thing every year, out of concern for its readers, she decided, who otherwise were deprived of good news, and who were desperate for any meteorological crumb of comfort.
“Yes, I remember it,” said Jamie, looking at her from over the table. “Although I’ve never been there, of course. It all depends on what one means by remember.” He paused. “Not that I want to sound too much like you, Isabel.”
She smiled; the allusion had not been lost on her. They were playing Free Association, a game they sometimes resorted to when conversation failed, when there was no newspaper or magazine to browse, or when there was simply nothing else to think about. Each would come up with a name of a person or a place, and then the other would describe the thoughts that the word triggered. They had not invented it, of course: Isabel was careful to credit Freud for that, even if there were plenty of other practitioners, including Proust, who, she felt, only had to glance at something before he would be off into several pages of triggered memories.
Her reference was to the railway station at which Edward Thomas’s train had stopped one day in 1914. Adlestrop—seeing the name on the platform sign had prompted the famous poem: the steam hissed; somebody cleared his throat; no one came or left on the bare platform. Yes. I remember Adlestrop was the first line, and this had been what triggered Jamie’s response. She was proud of him: few people bothered to remember poetry any more, but Jamie did and could reel off screeds of it. “It somehow sticks in my mind,” he once said. “I just remember it. All sorts of poetry.”
“Things you learned at school?”
He nodded. “Especially those. We were encouraged to commit poems to memory. Shakespeare’s sonnets, Wordsworth, Byron. The lot. Remember Hiawatha? Longfellow’s still there.” He smiled at her. “Or some of it. On the shores of Gitche Gumee, / Of the shining Big-Sea-Water, / Stood�
�”
“Nokomis,” supplied Isabel. “My mother loved that poem and read it all to me—all how many stanzas? It goes on forever, doesn’t it? Still, Nokomis…Now then…Stood Nokomis, the old woman, / Pointing with her finger westward…” She paused as the words, with their insistent, repetitive rhythm, came back to her. She had not thought about Nokomis for a long time. Then she continued, “Nokomis sent him off to avenge her father, didn’t she?”
“She did,” said Jamie. “It was somewhat vindictive of her, don’t you feel?”
“Oh, I think you’re being a bit unfair. Nokomis was right to encourage him to deal with Megissogwon who was, after all, Tall of stature, broad of shoulder, / Dark and terrible in aspect, / Clad from head to foot in wampum…My goodness, why did I remember that?”
Jamie laughed. “What exactly is wampum? I was never quite sure what the word meant.”
“Shell beads,” said Isabel. “They were used as money, as well as being worn. You might describe Wall Street brokers as clad in wampum. I suspect they probably are.”
But now it was his turn. Leaning back, looking up at the ceiling, he said, “Glyndebourne.”
Isabel’s reply was immediate. It was a rule of Free Association that if you did not reply within ten seconds you lost your turn and the other player had another go. It was a further rule—invented by Jamie—that if you hesitated twice in a row you had to get up and make tea.
“Wagner,” she replied.
He looked at her. “Glyndebourne doesn’t make me think of Wagner,” he said. “It makes me think of Britten.”
She shook her head. “That’s not the point of this game, Jamie. You say the first thing that comes into your head, not into somebody else’s. And another rule is that you can’t argue with the other player’s association. If I say ‘Wagner,’ it’s because I thought of Wagner, and your saying ‘Britten’ counts as a hesitation. If you do that again, you have to make us both tea.”
He pretended to sulk. “Your go, then.”
“Tea,” she said.
“Mist,” came the reply.
She looked at him enquiringly. “Why mist?”
“Now you’re arguing.”
She defended herself. “No, I’m not. I’m just interested in why you said ‘mist.’ I’m not saying you can’t think of mist, I was just wondering why.”
“Because that’s what I see. I thought of a tea estate somewhere up in the hills, in Assam, maybe. And I saw women in saris picking tea leaves.”
“Fair enough.” But she was back in Glyndebourne. “I thought of Wagner,” she said, “but not any old Wagner. I thought of Die Meistersinger von Nürnberg.”
“Ah.” He looked at her cautiously. He had almost taken a job at Glyndebourne—a long time ago, before they married. That road not taken could have been the end of their relationship, and they both skirted around the subject.
“Don’t worry,” she said. “It was not an unhappy memory.”
And then, years later, they had eventually made it to Glyndebourne together, leaving Charlie in the care of the housekeeper, Grace, who had moved into the house for the weekend. Charlie loved Grace, and she loved him in return, although something in her background—something that Isabel could not fathom—made her adopt a brisk, and slightly distant, manner with children. “You have to be firm,” she said. “If you aren’t, then they’ll take advantage. They watch us, you know. They look for the slightest excuse to avoid bedtime.”
They had flown down to Gatwick and then gone to a pub in the Sussex Downs that had rooms at the back for opera-goers and enthusiasts of real ale. The two groups, sitting in the pub, could not have more easily identifiable had they sported large labels. The beer enthusiasts were bearded and loud; the opera-goers, elegantly dressed and feeling out of place, spoke more quietly than they would do later amongst their own in the opera house bar.
It was Isabel’s first visit to Glyndebourne. She had been invited before, once when she was living in Cambridge and again after she had returned to Edinburgh, but had been unable to make it on either occasion. The second of these invitations had come from her niece, Cat, who had been given two tickets by one of her customers, and had offered to take Isabel with her. When Isabel had been unable to go, Cat had gone with a friend, and had complained about the opera, Tippett’s The Knot Garden, which she had not enjoyed.
Even Cat, who was musically hard to please, would have luxuriated in The Meistersinger, a rich and spectacular production. Isabel sat transfixed and had to be prodded by Jamie to return to reality at the interval, when they went off to have dinner in one of the opera house’s restaurants. And at the end, when they went out into the summer night, the sky still light enough for them to read the programme notes, Isabel did not want the evening to end. But Glyndebourne’s spell was slow to fade, and it was still upon them when they returned to the room they had booked in the pub, and closed the door and lay together on the lumpy double bed, still in their evening clothes, holding hands like two students newly in love, staring up at the ceiling with its uneven ancient beams of darkened oak. And she thought: How extraordinarily fortunate I am to be here, with him, when my life might have been so different if he had not come into it. She looked at him, and loosened his black bow-tie—a gesture that struck her, even as she performed it, as one of ownership. It was a curious feeling—one of…what? she wondered. Sexual anticipation? The feeling that you have when you realise that you will be sleeping that evening with the person you most want to sleep with in this world.
The game of Free Association might have continued had it not been for the sudden eruption of sound from a small monitor perched on the kitchen dresser.
“Magnus,” said Jamie.
“Bottles,” said Isabel. “Endless nappies. Sleepless nights.”
Jamie laughed. “I had stopped playing Free Association,” he said, pointing to the monitor.
“I know,” said Isabel, smiling. “But I couldn’t resist the associations.”
Magnus was their second child, who had arrived three months earlier, and who had just signalled that he had woken and was in need of attention. His nap had overlapped with Charlie’s; Charlie, although still sleeping, would shortly wake up too and make his presence felt.
“Do you remember what it was like?” said Jamie, as he rose to his feet.
“What what was like?”
“When we only had Charlie.”
Isabel rolled her eyes. “Life was so absurdly simple then.”
“Not that I’d change anything,” said Jamie hurriedly. “I love them both to bits.”
She knew that he did. He loved his two boys to bits, and she loved them that way too. She also loved Jamie to bits, and he had assured her that he loved her to bits. And if an inventory of affection were being made, she thought of so many things she could add to it: their house in Edinburgh, with its shady garden and elusive resident, Brother Fox; their city, with its fragile, spiky beauty, its mists and its skies and its romantic history; and her country too, Scotland, with all its curious quirks and its capacity to break the heart again and again.
“I’ll go and get him up,” said Jamie. “I’ll change him if he needs it.”
“I’ll entertain Charlie when he wakes,” said Isabel.
“How do people who have four or five children cope?” asked Jamie.
“Or six?”
“Six!”
“The older ones look after their younger siblings,” said Isabel. “Look at old photographs. Fifty, sixty years ago. Look at pictures showing children in the street—the young ones are holding hands with their older brothers and sisters who are clearly baby-sitting. An eight-year-old would look after a one-year-old, and a six-year-old would look after a four-year-old.”
“Everybody looked after everybody else, I suppose.”
“They did,” agreed Isabel. “And did so without complaint.”
The monitor gave a further squawk. “Yet they didn’t even have monitors,” said Jamie.
—
MAGNUS’S ARRIVAL on the stage had been two weeks early, brought about, Jamie half seriously suggested, by Isabel having listened to a foot-tapping piece of music from the Penguin Cafe Orchestra. She had closed her eyes as she listened and then opened them suddenly, wide-eyed at the stab of pain.
Her breath had been taken away from her, and it was a few moments before she could speak. “She’s coming,” she said. They had been calling the baby “she” although they had asked not to be told what sex it was. Yet they were convinced; it would be a daughter this time. They knew they should not make any assumptions, but somehow they felt certain.
Jamie had looked puzzled. “But it’s two weeks…”
She did not let him finish. “I need to phone the midwife. I need to let them know.”
He realised that she was serious. “I’ll take you to the Infirmary,” he said hurriedly. “Grace can look after Charlie. I’ll phone her right now.”
Isabel held up a hand. “Hold on,” she said. “They’ll tell me to wait. We’ll have hours.”
But she did not have much time. Things happened quickly, and she was in the labour ward within three hours, Magnus appearing twenty minutes later.
“A boy,” said the obstetrician, passing the glistening infant to a waiting nurse.
Jamie gasped. They had been so sure.
“A little boy,” muttered Isabel.
The nursing staff fussed around the baby before handing him to Isabel, loosely wrapped in an off-white cotton blanket. Swaddling clothes, thought Isabel. But this is loose, and is not proper swaddling.
Jamie cried, wiping at his tears with the back of his hand. They were tears that came with the cathartic welling up of more than one emotion: relief, sheer joy, love. These had all been his companions at the bedside, where he had sat through Isabel’s short labour; now they found release. A young nurse in training, attending her first birth, was similarly afflicted, struggling to force back her own tears but finding the battle too much. A senior nurse, standing at her side, whispered something in her ear and touched her briefly on the shoulder.
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