—We need your golems, a woman says.
—How can you go? Don’t you care for the council, Judah?
Judah rounds at that.
—You ask me that? he says. —You ask me that? He shames them.
—I’ll be your bard. I’ll tell them. Stay still. The powderflash goes and each of the gathered blinks.
In so alien a place, with the foreboding of the Torque, with the unnatural sky and the alterity of the cacotopic zone, even with the smokestone behind them there are some leaving the council.
—Some’ll make it, Judah says. —Go fReemade—they won’t go back to New Crobuzon, not Remade like that.
—You will, you’ll get through, sisters. He looks at them without even uncertainty. —Take it, he says. His voxiterator. They are quizzical. —Here. This is how you make it keep what you say. They watch him load the wax and take what spare cylinders he has. —One every year, he says slowly. —Send me one back. Wherever you are. By boat, horse, foot, whatever. We’ll see if they get through. I want to hear your voices. He looks at Ann-Hari. —I want to hear your voices.
One by one he holds them. He grips each of his comrades very hard, even those whose names he does not know. —Long live iron council, he says to each of them in turn. —Long live, long live.
With sudden mischievous love Judah tongues Uzman, and the Remade jerks and is about to pull away and then does not. Judah does not kiss him for long. —Be gentle to the Chainday-night boys, he says in the Remade’s ear, and Uzman smiles.
And Judah holds Ann-Hari and she kisses him as she did when first they were lovers, and he pulls her close by the hips and she holds his face for seconds. —Long live, he whispers into her mouth. —Long live.
He has forgotten how much faster it is to travel alone. It is not a day before he is returned to the smokestone. The hand of the trapped man, egressing the rock, has been gnawed down to red bone.
Judah walks across the tops of the swells as if over the sea. He sees detritus from the fight and a scattering of corpses. At noon he feels shadows, and over him is a school of airships, moving toward the perpetual train. Judah shields his eyes and leans against his staff.
He supposes that perhaps he should be afraid for his comrades, but he is not. He reads the changing formations of the dirigibles. He smiles, alone on the ground, as they pass like slow barracuda. They seem to hesitate. He sits, his back to a granitic coil, and watches.
Judah can see the smoke of the train. One midsize warflot edges nervously into the air of the cacotopic zone. From here, the landscape seems utterly quotidian, but Judah can feel something baneful welling below the world’s skin.
The airship lets its bombs fall as it approaches the perpetual train. Judah sees little explosion-flowers over the hills. Even now he is not afraid.
In the distance the sky convulses. A bolus of something moves, a coilsome organic thing—not a cloud but an aspect of the sky itself become palpable and squidish across the land not quite seen. Sound is strange. Judah does not breathe. There is a stutter. The dirigible falters and comes clear again and then it is different—it is a splinter different, it is lower in the sky—and it turns, it removes itself with a speed that Judah would swear was panicked.
The train continues, into the stain, into the cacotopic zone that has beaten New Crobuzon back.
Judah walks for months. His life becomes a fugue of walking. Over creeks, quagmire, over rockland, through forests of vitreous trees, through forests that he thinks are fossil trees then sees are great skeletons. He walks a bonescape, an ossein ecology with its own undergrowth and scavengers.
He passes lakes that bubble with the fighting of vodyanoi tribes. He sees chimneys extruded from mountainsides where there are troglodyte villages. Judah is the guest of neglected priest-tribes. He is robbed by fReemade. He joins a fReemade band.
His body becomes a traveller’s body again. The startling muscles of his arms and chest subside and he is once again a thin mannequin tempered by travel. Garuda come to feed him, dropping from the sky with wordless charity. He checks his just-adequate maps, his compass. He does not retrace his steps the long route he has gone but goes directly east.
Judah passes through a storm, in a basalt place hundreds of miles from New Crobuzon, by blitzbaums, miles-high lightning trees. Bolts held still by cryptic forces, forking into boughs, a magnesium-bright forest.
The low rust skyline of a time-eaten iron town. And a swamp of thaumaturgically jinxed mud that degenerates his boots into worms. And a barrow and a buried church, and fields of wild berries, and beautiful hills. Five times he fights animals and three times he fights sentients. Judah runs or kills.
He is a quieter man. He moves with effortless expertise. It has been many weeks since he made a grass golem to walk with him, for him to talk to until the wind picks it apart. Judah passes cattle that were once domestic and are now feral. The ruins of fences, deserted pastures, miles by miles.
And then at last Judah comes down from the sudden hills and stands quiet like an idiot. At last he comes forward and now he stumbles. Judah goes to his knees. It is cold. What seasons have passed? Judah crawls forward and touches the rails.
It seems impossible that he can touch this metal, these iron sashes that wind around the weather and geography, that for all the blood and salt he spilled on them, the bones of all the men and women they press upon, are nothing, are a nothing, are made nothing by time and dust.
They are scavenged. Imperfect. Sections are gone. The tracks look out from the dirt and hide again. It has been a time since any train came this way.
Judah looks north along the cut. He remembers the carving of the roadbed. He is a long way north of the swamp.
When he goes back Judah will learn why the rails are still. How the money at last choked up in its sluices and died when the malfeasances grew so great that to ignore them would have shamed the state too far. That the money faltered when degraded news of the revolt, of the iron council, reached the railway’s backers. And how after panicked attempts to salvage the TRT through raised wages and a merciless expansion of Remaking the capital flight was so great that Transcontinental Railroad Trust was punctured, and the tracks became bones.
Soon, when he reaches the city again, Judah will learn that. For now he only smiles. He picks up his fallen pack, and as he stoops he strokes a rail as if it were a cat. He strokes it with affection, even with a melancholy.
He steps up and walks on over the dead rails. Around him the angles of the banks enclose him. He cannot see the wider land. This road tunnels his vision and leads him back to New Crobuzon. It has been waiting for him.
—New Crobuzon, he says, he whispers. It is the first time he has spoken for days. —New Crobuzon, I’ll always come back to you.
Not a lover’s promise, not a challenge, not resignation or pugnacity. Something of all of them.
He walks on. Helios of the iron council are in his pack. The truth, escape, a new life, a rolling democracy, Remade arcadia. —I’ll make you legend, he says and the birds listen, —and it will be true.
Judah walks on the iron road, back, to the city, back to the towers of New Crobuzon.
part four
THE HAINTING
CHAPTER FOURTEEN
The crowd were chasing a maimed man. One of the soldiers or sailors from the Tesh War. They seemed to be on every street: they had welled up as if from under stones.
No papers would say that the war had gone bad but the upswell of the wounded and ruined bespoke disasters. Ori imagined the New Crobuzon ironclads upending and sliding under water made hot by war, imagined slicks of men on the waves, gorged on by seawyrms, by sharks. There were terrible rumours. Everyone knew something of the Battle of Bad Earth and the Fight in the Sun.
The first wave of wounded were treated with fear and respect. They were militia and so not trusted, but they had fought and been ruined for the city, and there was true rage for them, and a fashion for New Crobuzon–loyal songs. What few Teshi the
re were in the city were murdered or went underground. Anyone with a foreign accent risked a beating.
Increasingly, criminals were conscripted instead of being Remade and jailed. Many of the cripples begging and screaming about the Tesh soulcannon and the efrit winds had been press-ganged and recruited solely for the war. They were not career militia. They were discomfiting, shambling reminders.
The veterans were welcomed and then not welcomed, unwelcomed, spurned. The militia, their erstwhile comrades, cleared them from the parks and squares uptown. Ori had seen them take a man from the petally Churchyard Square, his skin erupted and splitting from beneath with dental wedges, as he screamed about a toothbomb.
New Crobuzoners gave alms to charities that tended the thaumaturgically afflicted. There were still speeches and marches in support of the war: freedom parades they called them with their trumpeters and military floats. But the strangely wounded returnees found they were jinxes.
And those whose hurts were simple and somatic, unhexed? Scarred, stumped rather than too-limbed, blinded, with signs TESH WAR VETEREN, BROKEN FOR N. CROBUZON. Many were doubtless the everyday maimed giving their old injuries a spurious soldier’s glamour, and the resentment and anxiety of Crobuzoners about their city’s war had an outlet.
Only one voice had to raise a jeer—you was born that way, you lying fucker—and a mob might gather, and run the orthodox wounded down. It was for New Crobuzon that they did it, of course, they said—you bastard comparing yourself to our boys fighting and dying. The Murkside crowd approached the burly armless man they accused of lying, said had never been on a ship. He shouted his rank while they threw stones. Ori walked.
Other victims knew better than to raise complaint. The Remade, slave-militia built for war, survivors of their tour. Their integrated arms were decommissioned before their release on the streets of New Crobuzon. If they tried to claim that these Remakings themselves—forgetting even the wound-cut flesh, lost eyes and ill-splinted bones—were war injuries, they would be jeered at the very best. Ori walked.
It was cool summer, and he passed under lush trees until he could not hear the shouts of crowds or the man they were beating and accusing of treachery. Breezes came with him under the arches of Dark Water Station. Streets were tight like veins, houses of darkwood and white daub next to those in brick, and here one burnt-out with carbon bones jutting from uncleared ash. The walls of Pincod, in New Crobuzon’s west, drank water from the air and sweated it out, making plaster bulge like cysts. Their damp was coloured and shining.
North to where streets widened. The Piazza della Settimana di Polvere was a trimmed garden of fox-rose and tall stones, looked on by the stuccowork bay windows of Nigh Sump. Ori did not like it here. He had grown up in Dog Fenn. Not the gang-jungle of Badside, not so bad as that, but the child Ori had run through rookeries of buildings reshaped by the ingenuity of the poor, over planks looking down on washing and outhouses. He had scavenged pennies and stivers from roadside dirt, squabbled and learned sex and the fast-spat performative slang of the Dog Fenn Dozens. Ori did not understand the geography of Nigh Sump and the uptown parts. He did not understand where children here would run. The austere houses cowed him, and he hated them for it.
He felt cocky challenge at the glances from the well-dressed locals. Night was coming. Ori fingered his weapons.
At the junction he saw his contacts. Old Shoulder and the others did not acknowledge him, but they walked at the same pace under the willows that softened each corner and on to Crosshatch Avenue.
It was one of the city’s prettiest places. Shops and houses pillared, studded with fossils in the old Os Tumulus style. They were fronted for a stretch by the famous glasheim, a facade of stained glass centuries old whose designs ranged across the divides of the buildings. Guards protected it, and no carts could pass over the cobblestones outside it and risk shards. Once, Ori had suggested trying to break it, as a provocation, but even Toro’s crew had seemed shocked. They were not here for that. Old Shoulder slouched toward an office.
And then the careful ballet that they had walked through so many times in the deserted warehouse: two steps, one two, Ori was by the door, and bumping, three four, into the woman Catlina; they shuffled as rehearsed; Ori tripped; Marcus slipped into the office with Shoulder as Ori and Catlina yelled, decoying.
Elyctro-barometric lights were spitting all around them, making the glasheim incandesce and staining Ori and Catlina ghost colours. They abused each other, and he watched the door over her shoulder, ready to call her dog, the signal for her to draw attention with screams should anyone seem ready to look inside the office where their comrades were. They must be interrogating their quarry. Who’ve you sold out? Shoulder would be saying.
The glasheim guards approached but did not look anywhere but at him and Catlina. The shopkeepers watched wary and amused, and the uptown shoppers stared from café fronts. Ori was astonished. Didn’t they know that things were happening? How did Nigh Sump shield itself?
Soon—and the thought was uncomfortable though he strained for ruthlessness—soon Old Shoulder would kill the informant. He would do it quickly, then stab his deadness with a double-horned cestus that left marks like a bull’s gore.
There’s a war, Ori wanted to shout. Outside the city. And inside too. Does it tell you that in your papers? Instead he performed.
Toro gave them instructions, was not bitter or vicious but stressed what was necessary. This was necessary. Toro had linked the man suddenly to arrest-chains, to the towers of the militia, to the snatch-squads who predated on guildsmen and activists. The man in the office was a militiaman, a backroom-man, a nexus of informers. Old Shoulder would find out what he could, and then he would kill him.
Ori thought of the first time he had seen Toro.
It had been down to Spiral Jacobs’ money. I want to make a contribution, Ori had said, and let Old Shoulder know that this was not just another week’s hoardings. I want in, he had said, and Old Shoulder had pursed his green lips and nodded and come back to him two days later. Come now. Bring the money.
Over Barley Bridge, out of Dog Fenn to Badside. An apocalypse landscape of long-deserted slag and stagnant shipyards, where the keels of vessels poked from their internment in shallow waters. No one salvaged these sculptures in rust. Old Shoulder led Ori to a hangar where dirigibles were once built, and Ori waited in the shade of its mooring mast.
The gang came. A few men and women; a Remade named Ulliam, a big man in his fifties who walked carefully, his head backward on his neck, staring behind him. More waiting. And the late light refracted by the city came through glass-fringed panes, and into its corona came Toro.
Little dusts came up with each of Toro’s steps. Toro, Ori thought, stared hard, with awe.
Toro moved like a mime, an exaggerated padding so unbullish Ori almost laughed. Toro was slighter than he, shorter, almost like a child, but walked with a precision that said I am something to fear. The thin figure was surmounted with a massive headpiece, a great bulk of iron and brass that looked too heavy to be carried by such tight little muscles, but Toro did not totter. Of course the helmet was a bull’s head.
Stylized, made from knots of metalwork, gnarled by the residue of fights. The myth, that helmet. More than dumb metal. Ori tasted hex. The horns were ivory or bone. The snout ended in a grille mimicking teeth; the exhaust pipe was a nose ring. The eyes were perfect, round, tiny portholes in tempered glass that glowed white—whether backlit or hexed, Ori could not see. He could not see human eyes behind them.
Toro stopped and raised a hand, and spoke, and from that little body had come a profound bass, an animal vibration so low that Ori was delighted. Little wisps of steam gusted from the nose ring, and Toro threw back its head. It was, Ori was astounded, it was the voice of a bull, speaking Ragamoll.
“You have something for me,” Toro said, and eager as a pilgrim Ori threw the sack of money.
“I counted it,” Old Shoulder said. “Some of it’s old, some of
it’ll be a bitch to shift, but there’s a lot. He’s a good lad.”
And he was there, in. No more tests, no more fool’s jobs to prove himself.
Still junior, he was lookout or distraction, and that was enough for him. He had made himself part of something. He had not considered holding back some money, though he could live on it for a long time. Some of it came back to him anyway: they paid him to work at their crimes and insurrectionary revenge.
New Crobuzon became a new city for him. Now where he looked at streets he saw in them escapes, routes for incursions: he remembered the urban techniques of his childhood.
He had come to a more fierce existence. His heart quickened past any militia; he watched for signs on the walls. With the scatology, pornography and insults were more important marks. Chalked devices, runes and pictograms, where base thaumaturgy occurred (wards, preservers, pranks to turn milk and beer). There were sigils that were spreading by some memesis, that he saw now in all quarters: cochlear swirls and many-edged ideograms. He looked for the graffiti by which the gangs communicated. Calls to battle and parlay in terse paint slogans. Apocolypse cultism and rumour: Ecce Jabber, Vedne Save Us!, IC’s steaming home! Toro was in a hinterland between factions like the Proscribed and the Runagates, and the thief-gangs, the murderers of the east city. Toro’s crew were known to both sides.
Twice Ori negotiated with gangsters. He went with Old Shoulder and the Remade Ulliam to beg-threaten the crew of razor-eyed boys called the Murkside Shrikes, asking them to stay away from the docks where their nihilist depredations risked bringing the militia. Ori looked at the Shrikes with naked hate but paid them off as Toro had instructed. Once he went alone to Bonetown, and in the sight of the huge age-cracked chest-cage he made a careful deal with Mr. Motley’s vizier, buying a bulk quantity of shazbah. He did not know what Toro did with it.
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