Tallis became increasingly obsessed
Motion picture studies of Ronald Reagan reveal characteristic patterns of facial tonus and musculature associated with homo-erotic behaviour. The continuing tension of buccal sphincters and the recessive tongue role tally with earlier studies of facial rigidity (cf., Adolf Hider, Nixon). Slow-motion cine-films of campaign speeches exercised a marked erotic effect upon an audience of spastic children. Even with mature adults the verbal material was found to have minimal effect, as demonstrated by substitution of an edited tape giving diametrically opposed opinions. Parallel films of rectal images revealed a sharp upsurge in anti-Semitic and concentration camp fantasies.
with the pudenda of the Presidential contender
Incidence of orgasms in fantasies of sexual intercourse with Ronald Reagan. Patients were provided with assembly kit photographs of sexual partners during intercourse. In each case Reagan's face was superimposed upon the original partner. Vaginal intercourse with ‘Reagan’ proved uniformly disappointing, producing orgasm in 2 percent of subjects. Axillary, buccal, navel, aural and orbital modes produced proximal erections. The preferred mode of entry overwhelmingly proved to be the rectal. After a preliminary course in anatomy it was found that caecum and transverse colon also provided excellent sites for excitation. In an extreme 12 percent of cases, the simulated anus of post-colostomy surgery generated spontaneous orgasm in 98 percent of penetrations. Multiple-track cine-films were constructed of ‘Reagan’ in intercourse during (a) campaign speeches, (b) rear-end auto-collisions with one- and three-year-old model changes, (c) with rear-exhaust assemblies, (d) with Vietnamese child-atrocity victims.
mediated to him by a thousand television screens.
Sexual fantasies in connection with Ronald Reagan. The genitalia of the Presidential contender exercised a continuing fascination. A series of imaginary genitalia were constructed using (a) the mouth-parts of Jacqueline Kennedy, (b) a Cadillac rear-exhaust vent, (c) the assembly kit prepuce of President Johnson, (d) a child-victim of sexual assault. In 89 percent of cases, the constructed genitalia generated a high incidence of self-induced orgasm. Tests indicate the masturbatory nature of the Presidential contender's posture. Dolls consisting of plastic models of Reagan's alternate genitalia were found to have a disturbing effect on deprived children.
The motion picture studies of Ronald Reagan
Reagan's hairstyle. Studies were conducted on the marked fascination exercised by the Presidential contender's hairstyle, 65 percent of male subjects made positive connections between the hairstyle and their own pubic hair. A series of optimum hairstyles were constructed.
created a scenario of the conceptual orgasm,
The conceptual role of Reagan. Fragments of Reagan's cinetized postures were used in the construction of mode! psychodramas in which the Reagan-figure played the role of husband, doctor, insurance salesman, marriage counsellor, etc. The failure of these roles to express any meaning reveals the non-functional character of Reagan. Reagan's success therefore indicates society's periodic need to re-conceptualize its political leaders. Reagan thus appears as a series of posture concepts, basic equations which re-formulate the roles of aggression and anality.
a unique ontology of violence and disaster.
Reagan's personality. The profound anality of the Presidential contender may be expected to dominate the United States in the coming years. By contrast the late J. F. Kennedy remained the prototype of the oral object, usually conceived in pre-pubertal terms. In further studies sadistic psychopaths were given the task of devising sex fantasies involving Reagan. Results confirm the probability of Presidential figures being perceived primarily in genital terms; the face of L. B. Johnson is clearly genital in significant appearance – the nasal prepuce, scrotal jaw, etc. Faces were seen as either circumcized (JFK, Khrushchev) or uncircumcized (LBJ, Adenauer). In assembly kit tests Reagan's face was uniformly perceived as a penile erection. Patients were encouraged to devise the optimum sex-death of Ronald Reagan.
Why I Want to Fuck Ronald Reagan.
‘Why I want to Fuck Ronald Reagan’ prompted Doubleday in 1970 to pulp its first American edition of The Atrocity Exhibition. Ronald Reagan's presidency remained a complete mystery to most Europeans, though I noticed that Americans took him far more easily in their stride, But the amiable old duffer who occupied the White House was a very different person from the often sinister figure I described in 1967, when the present piece was first published. The then-novelty of a Hollywood film star entering politics and becoming governor of California gave Reagan considerable air-time on British TV. Watching his right-wing speeches, in which he castigated in sneering tones the profligate, welfare-spending, bureaucrat-infested state government I saw a more crude and ambitious figure, far closer to the brutal crime boss he played in the 1964 movie, The Killers, his last Hollywood role. In his commercials Reagan used the smooth, teleprompter-perfect tones of the TV auto-salesman to project a political message that was absolutely the reverse of bland and reassuring. A complete discontinuity existed between Reagan's manner and body language, on the one hand, and his scarily simplistic far-right message on the other. Above all, it struck me that Reagan was the first politician to exploit the fact that his TV audience would not be listening too closely, if at all, to what he was saying, and indeed might well assume from his manner and presentation that he was saying the exact opposite of the words actually emerging from his mouth. Though the man himself mellowed, hi; later presidency seems to have run to the same formula.
In 1968 the American poet Bill Butler, who ran the Unicorn Bookshop in Brighton on the south coast of England, published ‘Why I Want to Fuck Ronald Reagan’ as a separate booklet Soon after, his bookshop, which specialized in European and American poetry and fiction, was raided by the police, and he was charged with selling obscene material – Burroughs and Bataille among others, if I remember, and my Reagan piece, which was selected as one of three offending exhibits brought to trial. A defence campaign was mounted, and I agreed to appear as a witness. Preparing me, the defence lawyer asked me why I believed ‘Why I Want to Fuck Ronald Reagan’ was not obscene, to which I had to reply that of course ft was obscene, and intended to be so. Why, then, was its subject matter not Reagan's sexuality? Again I had to affirm that it was. At last the lawyer said: ‘Mr Ballard, you will make a very good witness for the prosecution. We will not be calling you.’
The chief magistrate was a Brighton butcher appropriately named Mr Ripper. As expected, he humiliated the literary witnesses, ridiculing their evidence, and Bill Butler was found guilty. By chance the charge against the Reagan piece was dropped on the grounds that the envelope containing the seized copy was sealed. Sadly, all this led to a coolness between Bill and myself, which I was not able to repair before his death from a drug overdose some years later, I think he suspected me of over-deft footwork in side-stepping my obligations to him, but in fact he was in no danger of a prison sentence and I saw no reason to pretend that the Reagan piece was anything but a frontal assault on the former actor.
At the 1980 Republican Convention in San Francisco a copy of my Reagan text, minus its title and the running sideheads, and furnished with the seal of the Republican Party, was distributed to delegates. I'm told it was accepted for what it resembled, a psychological position paper on the candidate's subliminal appeal, commissioned from some maverick think-tank.
CHAPTER FIFTEEN
THE ASSASSINATION OF JOHN FITZGERALD KENNEDY CONSIDERED AS A DOWNHILL MOTOR RACE
Author's Note. The assassination of President Kennedy on November 22, 1963, raised many questions, not all of which were answered by the Report of the Warren Commission. It is suggested that a less conventional view of the events of that grim day may provide a more satisfactory explanation. In particular, Alfred Jarry's ‘The Crucifixion Considered as an Uphill Bicycle Race’ gives us a useful lead.
Oswald was the starter.
From his window above the track he opened the race
by firing the starting gun. It is believed that the first shot was not properly heard by all the drivers. In the following confusion Oswald fired the gun two more times, but the race was already under way.
Kennedy got off to a bad start.
There was a governor in his car and its speed remained constant at about fifteen miles an hour. However, shortly afterwards, when the governor had been put out of action, the car accelerated rapidly, and continued at high speed along the remainder of the course.
The visiting teams. As befitting the inauguration of the first production car race through the streets of Dallas, both the President and the Vice-President participated. The Vice-President, Johnson, took up his position behind Kennedy on the starting line. The concealed rivalry between the two men was of keen interest to the crowd. Most of them supported the home driver, Johnson.
The starting point was the Texas Book Depository, where all bets were placed on the Presidential race. Kennedy was an unpopular contestant with the Dallas crowd, many of whom showed outright hostility. The deplorable incident familiar to us all is one example.
The course ran downhill from the Book Depository, below an overpass, then on to the Parkland Hospital and from there to Love Air Field. It is one of the most hazardous courses in downhill motor racing, second only to the Sarajevo track discontinued in 1914.
Kennedy went downhill rapidly. After the damage to the governor the car shot forward at high speed. An alarmed track official attempted to mount the car, which continued on its way, cornering on two wheels.
Turns. Kennedy was disqualified at the hospital, after taking a turn for the worse. Johnson now continued the race in the lead, which he maintained to the finish.
The flag. To signify the participation of the President in the race Old Glory was used in place of the usual chequered square. Photographs of Johnson receiving his prize after winning the race reveal that he had decided to make the flag a memento of his victory.
Previously, Johnson had been forced to take a back seat, as his position on the starting line behind the President indicates. Indeed, his attempts to gain a quick lead on Kennedy during the false start were forestalled by a track steward, who pushed Johnson to the floor of his car.
In view of the confusion at the start of the race, which resulted in Kennedy, clearly expected to be the winner on past form, being forced to drop out at the hospital turn, it has been suggested that the hostile local crowd, eager to see a win by the home driver Johnson, deliberately set out to stop him completing the race. Another theory maintains mat the police guarding the track were in collusion with the starter, Oswald. After he finally managed to give the send-off Oswald immediately left the race, and was subsequently apprehended by track officials.
Johnson had certainly not expected to win the race in this way. There were no pit stops.
Several puzzling aspects of the race remain. One is the presence of the President's wife in the car, an unusual practice for racing drivers. Kennedy, however, may have maintained that as he was in control of the ship of state he was therefore entitled to captain's privileges.
The Warren Commission. The rake-off on the book of the race. In their report, prompted by widespread complaints of foul play and other irregularities, the syndicate lay full blame on the starter, Oswald.
Without doubt Oswald badly misfired. But one question still remains unanswered: who loaded the starting gun?
APPENDIX
PRINCESS MARGARET'S FACE LIFT
As Princess Margaret reached middle age, the skin of both her cheeks and neck tended to sag from failure of the supporting structures. Her naso-labial folds deepened, and the soft tissues along her jaw fell forward. Her jowls tended to increase. In profile the creases of her neck lengthened and the chin-neck contour lost its youthful outline and became convex.
The eminent plastic surgeon Richard Battle has remarked that one of the great misfortunes of the cosmetic surgeon is that he only has the technical skill, ability and understanding to correct this situation by surgical means. However, as long as people are prepared to pay fees for this treatment the necessary operation will be performed. Incisions made across the neck with the object of removing redundant tissue should be avoided. These scars tend to be unduly prominent and may prove to be the subject of litigation. In the case of Princess Margaret the incision was designed to be almost completely obscured by her hair and ears.
Surgical Procedure: an incision was made in Princess Margaret's temple running downward and backward to the apex of her ear. From here a crease ran toward her lobule in front of the ear, and the incision followed this crease around the lower margin of the lobule to a point slightly above the level of the tragus. From there, at an obtuse angle, it was carried backward and downward within the hairy margin of the scalp.
The edges of the incision were then undermined. First with a knife and then with a pair of scissors, the Princess's skin was lifted forward to the line of her jaw. The subcutaneous fatty tissue was scraped away with the knife. Large portions of connective tissue cling to the creases formed by frown lines, and some elements of these were retained in order to preserve the facial personality of the Princess. At two places the skin was pegged down firmly. The first was to the scalp at the top of her ear, the second was behind the ear to the scalp over the mastoid process. The first step was to put a strong suture in the correct position between the cheek flap anterior to the first point, and a second strong suture to the neck flap behind the ear. The redundant tissue was then cut away and the skin overlap removed with a pair of scissors.
At this point the ear was moved forward toward the chin, and the wound was then closed with interrupted sutures. It did not matter how strong the stitches were behind the ears because that part of the Princess's scarline was invisible in normal conditions.
Complications: haematoma formation is a dangerous sequela of this operation, and careful drainage with polythene tubing was carried out. In spite of these precautions blood still collected, but this blood was evacuated within 48 hours of the operation. It was not allowed to organize. In the early stages the skin around the area that had been undermined was insensitive, and it was not difficult to milk any collection of fluid backward to the point of drainage.
Scarring was hypertrophic at the points where tension was greatest: that is, in the temple and the region behind the ear, but fortunately these were covered by the Princess's hair. The small fine sutures which were not responsible for tension were removed at 4 days, and the strong sutures removed at the tenth day. The patient was then allowed to have a shampoo to remove the blood from her hair. All scarlines are expected to fade, and by the end of three weeks the patient was back in social circulation.
At a subsequent operation after this successful face lift, Princess Margaret's forehead wrinkles were removed. An incision was placed in the hairline and the skin lifted forward and upward from the temporal bone. The skin was then undermined and the excess tissue removed. The immediate result was good, but as a result of normal forehead movements relapse may occur unduly early after the operation. To remove the central frown line, the superciliary muscle was paralysed by cutting the branches of the seventh nerve passing centrally to it. A small knife-blade was inserted from the upper eyelid upward for 3 cm and then pressed down to the bone. External scars on the forehead often persist, and even in the best hands results are not always reliable, it was explained to Princess Margaret where the scars would lie, and the object of the intervention.
Princess Margaret's Face Lift.
The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodyguards and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friend.
Somewhere in this paradoxical space our imaginations are free to range,
and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us. How did Garbo brush her teeth, shave her armpits, probe a worry-line? The most intimate details of their lives seem to lie beyond an already open bathroom door that our imaginations can easily push aside. Caught in the glare of our relentless fascination, they can do nothing to stop us exploring every blocked pore and hesitant glance, imagining ourselves their lovers and confidantes. In our minds we can assign them any roles we choose, submit them to any passion or humiliation. And as they age, we can remodel their features to sustain our deathless dream of them.
In a TV interview a few years ago, the wife of a famous Beverly Hills plastic surgeon revealed that throughout their marriage her husband had continually re-styled her face and body, pointing a breast here, tucking in a nostril there. She seemed supremely confident of her attractions. But as she said: ‘He will never leave me, because he can always change me.’
Something of the same anatomizing fascination can be seen in the present pieces, which also show, I hope, the reductive drive of the scientific text as it moves on its collision course with the most obsessive pornography. What seems so strange is that these neutral accounts of operating procedures taken from a textbook of plastic surgery can be radically transformed by the simple substitution of the anonymous ‘patient’ with the name of a public figure, as if the literature and conduct of science constitute a vast dormant pornography waiting to be woken by the magic of fame.
MAE WEST'S REDUCTION MAMMOPLASTY
The reduction in size of Mae West's breasts presented a surgical challenge of some magnitude, considerably complicated by the patient's demand that her nipples be retained as oral mounts during sexual intercourse. There were many other factors to be taken into account: Miss West's age, the type of enlargement, whether the condition was one of pure hypertrophy, the degree of ptosis present, the actual scale of enlargement and, finally, the presence of any pathology in the breast tissue itself. An outstanding feature of the patient's breasts was their obesity and an enlargement far beyond the normal. After the age of 50 years breast tissue may behave in a very unfortunate manner if the blood supply is in any way impaired. In the case of Miss West, therefore, it was decided mat a pedical operation should be avoided and subtotal amputation with transposition of the nipples as free grafts was adopted as the procedure of choice.
The Atrocity Exhibition Page 15