Meanwhile they had entered the atrium. The slave appointed to it, called atriensis, sent a nomenclator to announce the guests; and Petronius, who, imagining that eternal sadness reigned in this severe house, had never been in it, looked around with astonishment, and as it were with a feeling of disappointment, for the atrium produced rather an impression of cheerfulness. A sheaf of bright light falling from above through a large opening broke into a thousand sparks on a fountain in a quadrangular little basin, called the impluvium, which was in the middle to receive rain falling through the opening during bad weather; this was surrounded by anemones and lilies. In that house a special love for lilies was evident, for there were whole clumps of them, both white and red; and, finally, sapphire irises, whose delicate leaves were as if silvered from the spray of the fountain. Among the moist mosses, in which lily-pots were hidden, and among the bunches of lilies were little bronze statues representing children and water-birds. In one corner a bronze fawn, as if wishing to drink, was inclining its greenish head, grizzled, too, by dampness. The floor of the atrium was of mosaic; the walls, faced partly with red marble and partly with wood, on which were painted fish, birds, and griffins, attracted the eye by the play of colors. From the door to the side chamber they were ornamented with tortoise-shell or even ivory; at the walls between the doors were statues of Aulus’s ancestors. Everywhere calm plenty was evident, remote from excess, but noble and self-trusting.
Petronius, who lived with incomparably greater show and elegance, could find nothing which offended his taste; and had just turned to Vinicius with that remark, when a slave, the velarius, pushed aside the curtain separating the atrium from the tablinum, and in the depth of the building appeared Aulus Plautius approaching hurriedly.
He was a man nearing the evening of life, with a head whitened by hoar frost, but fresh, with an energetic face, a trifle too short, but still somewhat eagle-like. This time there was expressed on it a certain astonishment, and even alarm, because of the unexpected arrival of Nero’s friend, companion, and suggester.
Petronius was too much a man of the world and too quick not to notice this; hence, after the first greetings, he announced with all the eloquence and ease at his command that he had come to give thanks for the care which his sister’s son had found in that house, and that gratitude alone was the cause of the visit, to which, moreover, he was emboldened by his old acquaintance with Aulus.
Aulus assured him that he was a welcome guest; and as to gratitude, he declared that he had that feeling himself, though surely Petronius did not divine the cause of it.
In fact, Petronius did not divine it. In vain did he raise his hazel eyes, endeavoring to remember the least service rendered to Aulus or to any one. He recalled none, unless it might be that which he intended to show Vinicius. Some such thing, it is true, might have happened involuntarily, but only involuntarily.
“I have great love and esteem for Vespasian, whose life thou didst save,” said Aulus, “when he had the misfortune to doze while listening to Nero’s verses.”
“He was fortunate,” replied Petronius, “for he did not hear them; but I will not deny that the matter might have ended with misfortune. Bronzebeard wished absolutely to send a centurion to him with the friendly advice to open his veins.”
“But thou, Petronius, laughed him out of it.”
“That is true, or rather it is not true. I told Nero that if Orpheus put wild beasts to sleep with song, his triumph was equal, since he had put Vespasian to sleep. Ahenobarbus may be blamed on condition that to a small criticism a great flattery be added. Our gracious Augusta, Poppæa, understands this to perfection.”
“Alas! such are the times,” answered Aulus. “I lack two front teeth, knocked out by a stone from the hand of a Briton, I speak with a hiss; still my happiest days were passed in Britain.”
“Because they were days of victory,” added Vinicius.
But Petronius, alarmed lest the old general might begin a narrative of his former wars, changed the conversation.
“See,” said he, “in the neighborhood of Præneste country people found a dead wolf whelp with two heads; and during a storm about that time lightning struck off an angle of the temple of Luna, — a thing unparalleled, because of the late autumn. A certain Cotta, too, who had told this, added, while telling it, that the priests of that temple prophesied the fall of the city or, at least, the ruin of a great house, — ruin to be averted only by uncommon sacrifices.”
Aulus, when he had heard the narrative, expressed the opinion that such signs should not be neglected; that the gods might be angered by an over-measure of wickedness. In this there was nothing wonderful; and in such an event expiatory sacrifices were perfectly in order.
“Thy house, Plautius, is not too large,” answered Petronius, “though a great man lives in it. Mine is indeed too large for such a wretched owner, though equally small. But if it is a question of the ruin of something as great, for example, as the domus transitoria, would it be worth while for us to bring offerings to avert that ruin?”
Plautius did not answer that question, — a carefulness which touched even Petronius somewhat, for, with all his inability to feel the difference between good and evil, he had never been an informer; and it was possible to talk with him in perfect safety. He changed the conversation again, therefore, and began to praise Plautius’s dwelling and the good taste which reigned in the house.
“It is an ancient seat,” said Plautius, “in which nothing has been changed since I inherited it.”
After the curtain was pushed aside which divided the atrium from the tablinum, the house was open from end to end, so that through the tablinum and the following peristyle and the hall lying beyond it which was called the oecus, the glance extended to the garden, which seemed from a distance like a bright image set in a dark frame. Joyous, childlike laughter came from it to the atrium.
“Oh, general!” said Petronius, “permit us to listen from near by to that glad laughter which is of a kind heard so rarely in these days.”
“Willingly,” answered Plautius, rising; “that is my little Aulus and Lygia, playing ball. But as to laughter, I think, Petronius, that our whole life is spent in it.”
“Life deserves laughter, hence people laugh at it,” answered Petronius, “but laughter here has another sound.”
“Petronius does not laugh for days in succession,” said Vinicius; “but then he laughs entire nights.”
Thus conversing, they passed through the length of the house and reached the garden, where Lygia and little Aulus were playing with balls, which slaves, appointed to that game exclusively and called spheristæ, picked up and placed in their hands. Petronius cast a quick passing glance at Lygia; little Aulus, seeing Vinicius, ran to greet him; but the young tribune, going forward, bent his head before the beautiful maiden, who stood with a ball in her hand, her hair blown apart a little. She was somewhat out of breath, and flushed.
In the garden triclinium, shaded by ivy, grapes, and woodbine, sat Pomponia Græcina; hence they went to salute her. She was known to Petronius, though he did not visit Plautius, for he had seen her at the house of Antistia, the daughter of Rubelius Plautus, and besides at the house of Seneca and Polion. He could not resist a certain admiration with which he was filled by her face, pensive but mild, by the dignity of her bearing, by her movements, by her words. Pomponia disturbed his understanding of women to such a degree that that man, corrupted to the marrow of his bones, and self-confident as no one in Rome, not only felt for her a kind of esteem, but even lost his previous self-confidence. And now, thanking her for her care of Vinicius, he thrust in, as it were involuntarily, “domina,” which never occurred to him when speaking, for example, to Calvia Crispinilla, Scribonia, Veleria, Solina, and other women of high society. After he had greeted her and returned thanks, he began to complain that he saw her so rarely, that it was not possible to meet her either in the Circus or the Amphitheatre; to which she answered calmly, laying her hand on the hand of
her husband:
“We are growing old, and love our domestic quiet more and more, both of us.”
Petronius wished to oppose; but Aulus Plautius added in his hissing voice,— “And we feel stranger and stranger among people who give Greek names to our Roman divinities.”
“The gods have become for some time mere figures of rhetoric,” replied Petronius, carelessly. “But since Greek rhetoricians taught us, it is easier for me even to say Hera than Juno.”
He turned his eyes then to Pomponia, as if to signify that in presence of her no other divinity could come to his mind: and then he began to contradict what she had said touching old age.
“People grow old quickly, it is true; but there are some who live another life entirely, and there are faces moreover which Saturn seems to forget.”
Petronius said this with a certain sincerity even, for Pomponia Græcina, though descending from the midday of life, had preserved an uncommon freshness of face; and since she had a small head and delicate features, she produced at times, despite her dark robes, despite her solemnity and sadness, the impression of a woman quite young.
Meanwhile little Aulus, who had become uncommonly friendly with Vinicius during his former stay in the house, approached the young man and entreated him to play ball. Lygia herself entered the triclinium after the little boy. Under the climbing ivy, with the light quivering on her face, she seemed to Petronius more beautiful than at the first glance, and really like some nymph. As he had not spoken to her thus far, he rose, inclined his head, and, instead of the usual expressions of greeting, quoted the words with which Ulysses greeted Nausikaa, —
“I supplicate thee, O queen, whether thou art some goddess or a mortal! If thou art one of the daughters of men who dwell on earth, thrice blessed are thy father and thy lady mother, and thrice blessed thy brethren.”
The exquisite politeness of this man of the world pleased even Pomponia. As to Lygia, she listened, confused and flushed, without boldness to raise her eyes. But a wayward smile began to quiver at the corners of her lips, and on her face a struggle was evident between the timidity of a maiden and the wish to answer; but clearly the wish was victorious, for, looking quickly at Petronius, she answered him all at once with the words of that same Nausikaa, quoting them at one breath, and a little like a lesson learned, —
“Stranger, thou seemest no evil man nor foolish.”
Then she turned and ran out as a frightened bird runs.
This time the turn for astonishment came to Petronius, for he had not expected to hear verses of Homer from the lips of a maiden of whose barbarian extraction he had heard previously from Vinicius. Hence he looked with an inquiring glance at Pomponia; but she could not give him an answer, for she was looking at that moment, with a smile, at the pride reflected on the face of her husband.
He was not able to conceal that pride. First, he had become attached to Lygia as to his own daughter; and second, in spite of his old Roman prejudices, which commanded him to thunder against Greek and the spread of the language, he considered it as the summit of social polish. He himself had never been able to learn it well; over this he suffered in secret. He was glad, therefore, that an answer was given in the language and poetry of Homer to this exquisite man both of fashion and letters, who was ready to consider Plautius’s house as barbarian.
“We have in the house a pedagogue, a Greek,” said he, turning to Petronius, “who teaches our boy, and the maiden overhears the lessons. She is a wagtail yet, but a dear one, to which we have both grown attached.”
Petronius looked through the branches of woodbine into the garden, and at the three persons who were playing there. Vinicius had thrown aside his toga, and, wearing only his tunic, was striking the ball, which Lygia, standing opposite, with raised arms was trying to catch. The maiden did not make a great impression on Petronius at the first glance; she seemed to him too slender. But from the moment when he saw her more nearly in the triclinium he thought to himself that Aurora might look like her; and as a judge he understood that in her there was something uncommon. He considered everything and estimated everything; hence her face, rosy and clear, her fresh lips, as if set for a kiss, her eyes blue as the azure of the sea, the alabaster whiteness of her forehead, the wealth of her dark hair, with the reflection of amber or Corinthian bronze gleaming in its folds, her slender neck, the divine slope of her shoulders, the whole posture, flexible, slender, young with the youth of May and of freshly opened flowers. The artist was roused in him, and the worshipper of beauty, who felt that beneath a statue of that maiden one might write “Spring.” All at once he remembered Chrysothemis, and pure laughter seized him. Chrysothemis seemed to him, with golden powder on her hair and darkened brows, to be fabulously faded, — something in the nature of a yellowed rose-tree shedding its leaves. But still Rome envied him that Chrysothemis. Then he recalled Poppæa; and that most famous Poppæa also seemed to him soulless, a waxen mask. In that maiden with Tanagrian outlines there was not only spring, but a radiant soul, which shone through her rosy body as a flame through a lamp.
“Vinicius is right,” thought he, “and my Chrysothemis is old, old! — as Troy!”
Then he turned to Pomponia Græcina, and, pointing to the garden, said,— “I understand now, domina, why thou and thy husband prefer this house to the Circus and to feasts on the Palatine.”
“Yes,” answered she, turning her eyes in the direction of little Aulus and Lygia.
But the old general began to relate the history of the maiden, and what he had heard years before from Atelius Hister about the Lygian people who lived in the gloom of the North.
The three outside had finished playing ball, and for some time had been walking along the sand of the garden, appearing against the dark background of myrtles and cypresses like three white statues. Lygia held little Aulus by the hand. After they had walked a while they sat on a bench near the fish-pond, which occupied the middle of the garden. After a time Aulus sprang up to frighten the fish in the transparent water, but Vinicius continued the conversation begun during the walk.
“Yes,” said he, in a low, quivering voice, scarcely audible; “barely had I cast aside the pretexta, when I was sent to the legions in Asia. I had not become acquainted with the city, nor with life, nor with love. I know a small bit of Anacreon by heart, and Horace; but I cannot like Petronius quote verses, when reason is dumb from admiration and unable to find its own words. While a youth I went to school to Musonius, who told me that happiness consists in wishing what the gods wish, and therefore depends on our will. I think, however, that it is something else, — something greater and more precious, which depends not on the will, for love only can give it. The gods themselves seek that happiness; hence I too, O Lygia, who have not known love thus far, follow in their footsteps. I also seek her who would give me happiness—”
He was silent — and for a time there was nothing to be heard save the light plash of the water into which little Aulus was throwing pebbles to frighten the fish; but after a while Vinicius began again in a voice still softer and lower,— “But thou knowest of Vespasian’s son Titus? They say that he had scarcely ceased to be a youth when he so loved Berenice that grief almost drew the life out of him. So could I too love, O Lygia! Riches, glory, power are mere smoke, vanity! The rich man will find a richer than himself; the greater glory of another will eclipse a man who is famous; a strong man will be conquered by a stronger. But can Cæsar himself, can any god even, experience greater delight or be happier than a simple mortal at the moment when at his breast there is breathing another dear breast, or when he kisses beloved lips? Hence love makes us equal to the gods, O Lygia.”
And she listened with alarm, with astonishment, and at the same time as if she were listening to the sound of a Grecian flute or a cithara. It seemed to her at moments that Vinicius was singing a kind of wonderful song, which was instilling itself into her ears, moving the blood in her, and penetrating her heart with a faintness, a fear, and a kind of uncompr
ehended delight. It seemed to her also that he was telling something which was in her before, but of which she could not give account to herself. She felt that he was rousing in her something which had been sleeping hitherto, and that in that moment a hazy dream was changing into a form more and more definite, more pleasing, more beautiful.
Meanwhile the sun had passed the Tiber long since, and had sunk low over the Janiculum. On the motionless cypresses ruddy light was falling, and the whole atmosphere was filled with it. Lygia raised on Vinicius her blue eyes as if roused from sleep; and he, bending over her with a prayer quivering in his eyes, seemed on a sudden, in the reflections of evening, more beautiful than all men, than all Greek and Roman gods whose statues she had seen on the façades of temples. And with his fingers he clasped her arm lightly just above the wrist and asked,— “Dost thou not divine what I say to thee, Lygia?”
“No,” whispered she as answer, in a voice so low that Vinicius barely heard it.
But he did not believe her, and, drawing her hand toward him more vigorously, he would have drawn it to his heart, which, under the influence of desire roused by the marvellous maiden, was beating like a hammer, and would have addressed burning words to her directly had not old Aulus appeared on a path set in a frame of myrtles, who said, while approaching them,— “The sun is setting; so beware of the evening coolness, and do not trifle with Libitina.”
“No,” answered Vinicius; “I have not put on my toga yet, and I do not feel the cold.”
“But see, barely half the sun’s shield is looking from behind the hill. That is a sweet climate of Sicily, where people gather on the square before sunset and take farewell of disappearing Phoebus with a choral song.”
And, forgetting that a moment earlier he had warned them against Libitina, he began to tell about Sicily, where he had estates and large cultivated fields which he loved. He stated also that it had come to his mind more than once to remove to Sicily, and live out his life there in quietness. “He whose head winters have whitened has bad enough of hoar frost. Leaves are not falling from the trees yet, and the sky smiles on the city lovingly; but when the grapevines grow yellow-leaved, when snow falls on the Alban hills, and the gods visit the Campania with piercing wind, who knows but I may remove with my entire household to my quiet country-seat?”
Complete Works of Henryk Sienkiewicz Page 426