Island Beneath the Sea

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Island Beneath the Sea Page 4

by Isabel Allende


  "Is it true that Spanish women sleep in a nun's nightdress with a hole cut in front for making love?" Violette asked him.

  "How should I know that?" The groom-to-be laughed. "I am not married yet, but if that is true, I will rip it apart."

  "No! You bring me the gown, and here with Loula we will open another hole in back," she said.

  The young cocotte agreed to assist him if he paid her a reasonable commission of 15 percent on monies expended in furnishing the house. For the first time in Violette's dealings with a man no acrobatics in bed were included, and she set about the task with enthusiasm. She and Loula traveled to Saint-Lazare to get an idea of the mission she'd been charged with, and almost as soon as she stepped inside the door, a lizard from the coffered ceiling dropped into her decolletage. Her scream brought in several slaves from the patio, whom she recruited for a top to bottom cleaning. For one week this beautiful courtesan, whom Valmorain had seen only in golden lamplight, bedecked in silk and taffeta, made up and perfumed, directed the squad of barefoot slaves wearing a coarse cloth dressing gown and a rag tied around her head. She seemed in her element, as if she had been doing this rough work all her life. Under her orders the sound floorboards were scrubbed clean and the rotten ones replaced; she changed the mosquito netting and the paper at the windows. She aired the rooms, set out poison for the mice, burned tobacco to drive out insects, sent the broken furniture to the alley of the slaves, and finally the house was clean and bare. Violette had everything painted white inside, and as there was whitewash left over, she used it on the domestic slaves' cabins, which were near the big house, then had purple bougainvillea planted around the gallery. Valmorain promised her that he would keep the house clean. He also set several slaves to laying out a garden inspired by Versailles, though the extreme climate did not lend itself to the geometric art of the landscapes of the French court. Violette returned to Le Cap with a list of purchases. "Don't spend too much, this house is temporary; as soon as I have a manager we will go to France," Valmorain told her, handing her an amount he felt was fair. She ignored his warning, because nothing pleased her as much as shopping.

  The bottomless treasure of the colony left from the port of Le Cap, and legal and contraband products came in. A many-colored throng rubbed elbows in the muddy streets, bargaining in many tongues amid carts, mules, horses, and packs of stray dogs that fed from the garbage. Everything from pirates' booty to extravagant Parisian items was sold there, and every day except Sunday slaves were auctioned off to supply demand: between twenty and thirty thousand a year just to keep the number stable, for they did not live very long. Violette spent her allowance but kept purchasing things on credit using the guarantee of Valmorain's name. Despite her youth, she made her selections with great aplomb; her worldly life had set and polished her taste. From the captain of a boat that sailed among the islands she ordered silver tableware, crystal, and a porcelain service for guests. The bride would bring sheets and tablecloths she had undoubtedly embroidered since childhood, so she did not worry about those. She bought furniture from France for the drawing room, a heavy American table with eighteen chairs destined to last generations, Dutch tapestries, lacquered screens, large Spanish chests for clothing, a surfeit of iron candelabra and oil lamps because she maintained that no one should live in the dark, Portuguese pottery for everyday use, a stream of frivolous embellishments, but no rugs because they would rot in the humidity. The comptoirs arranged to deliver and hand the bills to Valmorain. Soon carts laden to the top with boxes and baskets began to arrive at the Habitation Saint-Lazare. From the straw packing slaves extracted an interminable series of frills and furbelows: German clocks, birdcages, Chinese boxes, replicas of mutilated Roman statues, Venetian mirrors, engravings and paintings of various styles, chosen by theme, since Violette knew nothing of art, musical instruments that no one knew how to play, and even an incomprehensible collection of heavy glass and brass pipes and little wheels that, when put together by Valmorain like a jigsaw puzzle, turned out to be a telescope for spying on the slaves from the gallery. To Toulouse the furniture seemed ostentatious and the adornments totally useless, but he resigned himself because they could not be returned. Once the orgy of spending was concluded, Violette collected her commission and announced that he needed domestic servants: a good cook, maids for the house, and a lady's maid for Valmorain's future wife. That was the minimum required, according to Madame Delphine Pascal, who knew all the people of high society in Le Cap.

  "Except me," Valmorain pointed out.

  "Do you want me to help you or not?"

  "All right, I will order Prosper Cambray to train some slaves."

  "Oh, no, Toulouse! You will not save that way. Field slaves will not do, they're brutalized. I myself will look for your domestics," Violette decided.

  Zarite was nearly nine when Violette bought her from Madame Delphine, a French woman with cottony curls and turkey bosom, along in years but well preserved considering the damages caused by the island's climate. Delphine Pascal was the widow of a minor French civil servant, but she gave herself the airs of a lofty person because of her relationships with the grands blancs, even though they came to her only for shady transactions. She knew many secrets, which gave her an advantage at the hour of obtaining favors. It appeared that she lived on the pension from her deceased husband and giving clavichord classes to young mademoiselles, but under cover she resold stolen goods, served as a procuress, and in case of emergency performed abortions. She quietly taught French to cocottes who planned to pass as white and who, although their skin was the appropriate color, were betrayed by their accent. That was how the widow had met Violette Boisier, one of the brightest among her students but one with no pretense of appearing French; to the contrary, the girl openly referred to her Senegalese grandmother. She wanted to speak correct French in order to be respected among her white "friends." Madame Delphine had only two slaves: Honore, an old man who performed all the chores, including those in the kitchen, whom she had bought very cheaply because his bones were twisted, and Zarite-Tete-a little mulatta who came into her hands when she was only a few weeks old and had cost her nothing. When Violette obtained her for Eugenia Garcia del Solar, the girl was skinny, pure vertical, angular lines, with a mat of very tight curls impossible to comb, but she moved with grace and had noble bones, and beautiful honey-colored eyes shadowed by thick eyelashes. Perhaps she was descended from a Senegalese woman, as was she herself, thought Violette. Tete had learned early on the advantage of silence, and carried out orders with a vacant expression, giving no sign of understanding what was happening around her, but Violette suspected she was much cleverer than could be seen at first glance. Usually Violette did not notice slaves-with the exception of Loula, she thought of them as merchandise-but that little creature evoked her sympathy. They were alike in some ways, although Violette had the advantage of having been spoiled by her mother and desired by every man who crossed her path. She was free, and beautiful. Tete had none of those attributes-she was merely a slave dressed in rags-but Violette intuited her strength of character. At Tete's age, she too had been a bundle of bones, until she filled out in puberty, her angles turned into curves, and the form was determined that would bring her fame. Then her mother began to train her in the profession that had been so beneficial to her, so she had never broken her back as a servant. Violette was a good student, and by the time her mother was murdered she was able to get along on her own, with the help of Loula, who defended her with jealous loyalty. Thanks to the good Loula, Violette had never needed the protection of a pimp and had prospered in an unrewarding profession in which other girls lost their health and sometimes their lives. As soon as the idea of finding a personal maid for the wife of Toulouse Valmorain had come up, she remembered Tete. "Why are you so interested in that runny-nosed little snipe?" Loula, always suspicious, asked when she learned of Violette's intentions. "It's a feeling I have; I think that our paths will cross some day," was the only explanation that occurred
to Violette. Loula consulted her cowrie shells without getting a satisfactory answer; that method of divination did not lend itself to clarifying essential matters, only those of little importance.

  Madame Delphine received Violette in a tiny room in which the clavichord seemed the size of a pachyderm. They sat down on fragile chairs with curved legs to have coffee in tiny flower-painted cups for dwarfs to talk about everything and nothing, as they had done other times. After a little chatter, Violette laid out the reason for her visit. The widow was surprised that anyone had noticed the insignificant Tete, but she was quick, and immediately smelled the possibility of profit.

  "I hadn't thought of selling Tete, but since it's you, such a dear friend-"

  "I hope the girl is healthy. She's very thin," Violette interrupted.

  "It isn't for lack of food!" the widow exclaimed, offended.

  She served more coffee, and soon they spoke of a price that to Violette seemed excessive. The more she paid, the greater her commission would be, but she couldn't swindle Valmorain too brazenly; everyone knew the price of slaves, especially the planters, who were always buying. A bone-thin little girl was not a valuable commodity but rather something given to repay a kindness.

  "It is painful for me to let Tete go." Madame Delphine sighed, drying an invisible tear, after they had agreed on the amount. "She's a good child; she doesn't steal, and she speaks French as she should. I have never allowed her to speak to me in the jargon of the Negroes. In my house no one destroys the beautiful tongue of Moliere."

  "I don't understand what that is going to help," Violette commented, amused.

  "What do you mean what? A lady's maid who speaks French is very elegant. Tete will serve her well, I assure you. However, Mademoiselle, I must confess that it has cost me some thrashings to rid her of the bad habit of running away."

  "That is serious! They say there's no cure for it."

  "Yes, that is true of some who were once free, but Tete was born a slave. Free! What pride!" exclaimed the widow, fixing her biddy-sharp eyes on the girl, who was standing by the door. "But do not worry, Mademoiselle, she will not try again. The last time she wandered lost for several days, and when they brought her to me, she had been bitten by a dog and was burning with fever. You can't know the work it took me to heal her…but she did not escape punishment!"

  "When was that?" asked Violette, taking note of the slave's hostile silence.

  "A year ago. Such foolishness would never occur to her now, but keep an eye on her just the same. She has her mother's cursed blood. Do not be easy with her, she needs a harsh hand."

  "What did you say about her mother?"

  "She was a queen. They all say they were queens back in Africa," the widow mocked. "She arrived pregnant, it's always that way, they're like bitches in heat."

  "The pariade. The sailors rape them on the ships, as you know. No one escapes that," Violette replied with a shudder, thinking of her own grandmother, who had survived crossing the ocean.

  "That woman was at the point of killing her daughter. Imagine! They had to rip the baby from her hands. Monsieur Pascal, my husband-may God hold him in His holy bosom-brought the little thing to me as a gift."

  "How old was she then?"

  "A couple of months? I don't remember. Honore, my other slave, gave her that strange name, Zarite, and he gave her jenny's milk; that's why she's so strong and hardworking, though stubborn, too. I've taught her to do all the household chores. She is worth more than what I'm asking for her, Mademoiselle Boisier. I'm selling her to you only because I'm planning to return soon to Marseille; I can still start my life over, don't you think?"

  "Of course, madame," Violette replied, examining the woman's powdered face.

  She took Tete with her that same day, with nothing more than the rags she was wearing and a crude wooden doll like the ones the slaves used in their voodoo ceremonies. "I don't know where she got that filthy thing," Madame Delphine commented, making a move to take it from her, but the girl clung to her only treasure with such desperation that Violette intervened. Honore wept as he told Tete good-bye, and promised he would come visit her if he was allowed.

  Toulouse Valmorain could not prevent an exclamation of displeasure when Violette showed him whom she had chosen to be his wife's maid. He was expecting someone older, with better appearance and experience, not that frizzy-haired creature covered with bruises, who shrank into herself like a snail when he asked her name, but Violette assured him that his wife was going to be very pleased once she trained her.

  "And what is this going to cost me?"

  "What we agreed on, once Tete is ready."

  Three days later Tete spoke for the first time. She asked if that man was going to be her master; she thought that Violette had bought her for herself. "Do not ask questions and do not think of the future," Loula warned her, "for slaves count only the present day."

  The admiration Tete felt for Violette erased her resistance, and soon she willingly fell into the rhythm of the house. She ate with the voracity of someone who has lived with hunger and after a few weeks showed a little meat on her bones. She was avid to learn. She followed Violette like a dog, devouring her with her eyes as she nourished in the secret depths of her heart the impossible desire to be like her, as beautiful and elegant as she, but more than anything, free. Violette taught her to comb the elaborate coiffeurs of the day, to give massages, to starch and iron fine clothing, and all the other things her future mistress could ask of her. According to Loula, it would not be necessary to work too hard because the Spaniards lacked French refinement, they were very coarse. Loula herself cropped Tete's filthy hair and forced her to bathe often, something unknown to the girl because according to Madame Delphine water weakened the system: all she did was pass a wet cloth across her hidden parts and then splash herself with perfume. Loula felt invaded by the little girl; the two of them barely fit in the tiny room they shared at night. She exhausted the child with orders and insults, more from habit than meanness, and she often knocked her about when Violette wasn't there, but she did not skimp on her food. "The sooner you get some flesh, the sooner you'll go," she told her. In contrast, she showered affability on the old man Honore when he made his timid visits. She installed him in the drawing room in the best chair, she served him quality rum, and she listened, entranced, as he talked about drums and arthritis. "That Honore is a true monsieur. How we would like it if one of your friends were as nice as he is!" she later commented to Violette.

  Zarite

  For a while, two or three weeks, I didn't think about escaping. Mademoiselle was entertaining and pretty, she had dresses of many colors, she smelled of flowers and went out at night with her friends, who then came to the house and had their way with her while I covered my ears in Loula's room, although I heard them anyway. When Mademoiselle woke up about midday, I took her light meal to the balcony, as I'd been ordered, and then she told me about her parties and showed me gifts from her admirers. I polished her fingernails with a piece of chamois and made them shine like shells; I brushed her wavy hair and rubbed it with coconut oil. She had skin like creme caramel, that milk and egg yolk dessert Honore made me a few times behind Madame Delphine's back. I learned quickly. Mademoiselle told me I am clever, and she never beat me. Maybe I wouldn't have run away if she'd been my mistress, but I was being trained to serve a Spanish woman on a plantation far away from Le Cap. Her being Spanish wasn't anything good, according to Loula, who knew everything and was a seer; she saw in my eyes that I was going to flee even before I had decided to do it, and she told Mademoiselle, but she paid no attention. "We lost all that money! What do we do now?" Loula had shouted when I disappeared. "We wait," Mademoiselle replied, and continued calmly to drink her coffee. Instead of hiring a Negro tracker, which is what was always done, she asked for help from her sweetheart, Capitaine Relais, who ordered his guards to find me without any fuss and not to hurt me. That's what they told me. It was very easy to leave that house. I wrapped up a mango and en
d of a bread loaf in a kerchief, walked out the main door, and left, not running so I wouldn't draw attention. I also took my doll, which was sacred to me, like Madame Delphine's saints but more powerful, which is what Honore told me when he carved it for me. Honore always talked to me about Guinea, about the loas, about voodoo, and he warned me that I should never go to the gods of the blancs because they are our enemies. He explained that in the tongue of his parents, voodoo means divine spirit. My doll represented Erzulie, the loa of love and maternity. Madame Delphine made me pray to the Virgin Mary, a goddess who doesn't dance, just weeps, because they killed her son and she never knew the pleasure of being with a man. Honore looked after me in my early years, until his bones were knotted like dry branches, and then it was my turn to look after him. What could have happened to Honore? He must be with his ancestors on the island beneath the sea, because it has been thirty years since the last time I saw him, sitting in Mademoiselle's drawing room on the place Clugny, drinking rum-laced coffee and savoring Loula's little pastries. I hope he survived the revolution with all its atrocities, and that he obtained his freedom in the Republique Negre d'Haiti before tranquilly dying of old age. He dreamed of owning a piece of land, of raising a pair of animals and planting his vegetables as his family did in Dahomey. I called him Grandfather, because according to him you do not have to be of the same blood or same tribe to be a member of the same family, but in truth I should have called him Maman. He was the only mother I ever knew.

  No one stopped me in the streets when I left Mademoiselle's apartment; I walked several hours and thought I had crossed the whole city. I got lost in the barrio near the port, but I could see the mountains in the distance, and everything was a question of walking in that direction. We slaves knew that there were Maroons in the mountains, but we did not know that beyond the first peaks were many more, so many they can't be counted. Night fell. I ate my bread but saved the mango. I hid in a stable under a pile of straw, although I was afraid of horses, with their hooves like hammers and steaming nostrils. The animals were very near, I could hear them breathing across the straw, a sweet, green breath like the herbs in Mademoiselle's bath. Clinging to my doll Erzulie, mother of Guinea, I slept the whole night without bad dreams, wrapped in the warmth of the horses. At dawn a slave came into the stable and found me snoring with my feet sticking through the straw; he grabbed my ankles and pulled me out with one tug. I don't know what he expected to find, but it must not have been a scrawny little girl, because instead of hitting me, he lifted me up, carried me to the light, and looked me over with mouth agape. "Are you crazy? What made you hide here?" he asked me finally, not raising his voice. "I have to get to the mountains," I explained, also whispering. The punishment for helping a fugitive slave was very well known, and the man hesitated. "Let me go, please, no one will know I was here," I begged him. He thought it over a while, and finally ordered me to stay where I was and be quiet; he made sure there was no one around, and left the stable. He soon returned with a hard biscuit and a gourd of heavily sugared coffee; he waited for me to eat and then pointed to the way out of the city. If he had turned me in, he would have been given a reward, but he didn't. I hope that Papa Bondye has rewarded him. I burst into a run and left behind the last houses in Le Cap. That day I walked without stopping, even though my feet were bleeding and I was sweating, thinking of the Negro hunters of the marechaussee. The sun was high overhead when I entered the jungle. Green, everything green; I couldn't see the sky, and light barely penetrated past the leaves. I heard the sounds of animals and murmur of spirits. The path was vanishing. I ate the mango but vomited it up almost immediately. Capitaine Relais's guards did not waste time looking for me because I came back alone after spending the night curled among the roots of a living tree; I could hear its heart beating like Honore's. This is how I remember it.

 

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