Island Beneath the Sea

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Island Beneath the Sea Page 12

by Isabel Allende


  Prosper Cambray had commented on that improbable rumor with his employer. Ever since he was able to remember the talk had been the same, and never came to anything. What could miserable slaves do against the militia and men like him, resolute in all things? How would they organize and arm themselves? Who was going to lead them? Impossible. He spent the day on horseback and slept with two pistols within reach of his hand, one eye open, always on guard. The whip was an extension of his fist, the language most known and feared by all; nothing pleased him as much as the fear he inspired. Only his employer's scruples had kept him from using more imaginative methods of repression, but that was about to change, the bursts of insurrection had multiplied. The opportunity had come for him to demonstrate that he could manage the plantation under the worst conditions. He had been waiting too many years to be given the position of manager. He couldn't complain, because in the meantime he'd amassed a not inconsequential amount of money through bribes, petty thievery, and smuggling. Valmorain never suspected how much disappeared from his storage rooms. Cambray boasted of being a bull with the slave girls; none escaped serving him in his hammock and no one interfered. As long as he did not molest Tete he could fornicate at will, but because she was out of his reach she was the only one who fired him with lust and rage. He watched her from a distance, spied on her from nearby, trapped her at some careless moment, but she always wriggled away. "Be careful, Monsieur Cambray. If you touch me, I will tell the master," Tete would warn him, trying to control the tremble in her voice. "You be careful, whore, because when I get my hands on you, you are going to pay. Who do you think you are, wretch? You are already twenty; soon now your master is going to replace you with another, younger girl and then it will be my turn. I am going to buy you. Your master will be happy to sell you," he threatened, playing with his braided leather whip.

  Meanwhile, the French Revolution had hit the colony like the slash of a dragon's tail, shaking it to its foundation. The grands blancs, conservatives and monarchists, looked upon the changes with horror, but the petits blancs supported the republic, which had done away with differences among classes: liberte, egalite, fraternite for whites. As for the affranchis, they had sent delegations to Paris to negotiate their right to citizenship before the Assemblee Nationale, because in Saint-Domingue no white, rich or poor, was disposed to give that to them. Valmorain indefinitely postponed his return to France because he realized that there was now nothing that tied him to his country. Once he had raged about the monarchy's profligate ways, and now he complained about the disarray of the republic. After so many years of not fitting into the colony, he had ended by accepting that his place was in the New World. Sancho Garcia del Solar wrote him with his usual candor to propose that he forget about Europe in general and France in particular; there was no place there for enterprising men, the future lay in Louisiana. He had good connections in New Orleans, and all he lacked was capital to launch a project several people were already interested in; he wanted, however, to give preference to Valmorain because of family ties and because when they both put their fingers on something gold burst from it. He explained to Valmorain that in its beginnings Louisiana had been a French colony and for some twenty years had belonged to Spain, but the population was obstinately loyal to its origins. The government was Spanish, but the culture and language continued to be French. The climate was similar to that in the Antilles, and the crops were the same, with the advantage that there was much more space and land was cheap; they could acquire a large plantation and exploit it without political problems or rebelling slaves. They would make a fortune in only a few years, he promised.

  After losing her first child, Tete had wanted to be as sterile as the mules in the mill. For her to love and suffer as a mother, Maurice was enough, that delicate child capable of weeping with emotion over music or wetting himself in anguish when he witnessed cruelty. He was afraid of Cambray; he had only to hear the click of his boot heels in the gallery to run and hide. Tete relied on Tante Rose's remedies to keep from getting pregnant again, as other slaves did, but they were not always effective. The healer said that some children insisted on coming into the world because they could not suspect what was waiting for them. That was how it was with Tete's second pregnancy. The handfuls of fiber soaked in vinegar did nothing to prevent it, nor the infusions of pine needles, the burning mustard, or the rooster sacrificed to the loas to abort it. After the third moon without menstruating, she went to beg her godmother to end her problem with a sharp stick, but she refused; the risk of infection was enormous, and if they were caught attempting anything against the master's property, Cambray would have the perfect motive to flay them with his whip.

  "I suppose this one is the master's too," commented Tante Rose.

  "I'm not sure, marraine. It might be Gambo's," Tete murmured, alarmed.

  "Whose?"

  "The helper in the kitchen. His real name is Gambo."

  "He's a young boy, but I see that he already knows how to do as men do. He must be five or six years younger than you."

  "What does that matter? What matters is that if the baby comes out black, my maitre will kill both of us!"

  "Children with mixed blood often come out dark as their grandparents," Tante Rose assured her.

  Terrified at the possible consequences of her pregnancy, Tete thought of it as a tumor, but at the fourth month she felt the flutter of a dove's wing, an obstinate breath, the first unmistakable manifestation of life, and she could not avoid the affection and compassion she felt for the being curled in her womb. At night, lying beside Maurice, she asked forgiveness in whispers for the terrible offense of bringing a child into the world as a slave. This time it was not necessary to hide her belly, nor did her master shoot off with his wife to Cuba, because the poor woman no longer noticed anything. It had been a long time since Eugenia had contact with her husband, and the few times she glimpsed him in the hazy atmosphere of her madness she asked who that man was. Neither did she recognize Maurice. In her good moments she returned to her adolescence; she was fourteen, and while waiting at breakfast for her thick hot chocolate was playing with other noisy schoolgirls in the nuns' convent in Madrid. The rest of the time she wandered in a misty landscape that had no precise outlines, a place where she no longer suffered as she once had. Tete decided on her own to suppress her opium, and there was no change in Eugenia's behavior. According to Tante Rose, her mistress had fulfilled her mission when she gave birth to Maurice, and there was nothing left for her to do in this world.

  Valmorain knew Tete's body better than he had come to know Eugenia's, or any of his transitory lovers', and soon he noticed that she was getting larger around the waist and that her breasts were swelling. He asked her when they were in bed, after one of those mountings she bore with resignation and that were for him merely a nostalgic unburdening, and Tete burst into tears. That surprised him because he had not seen her spill a tear since the time they took her first son from her. He had heard that Negroes have more capacity for suffering; the proof was that no white could bear what the blacks endured, and just as they take pups from bitches, or calves from cows, they were able to separate the slaves from their children; in a short while they recovered from the loss and later did not even remember. He had never thought about Tete's sentiments; he assumed they were very limited. In her absence she dissolved, she was erased, she was suspended in nothingness until he needed her, then she materialized again. She existed only to serve him. She wasn't a girl anymore, but it seemed to him she hadn't changed. He vaguely remembered the skinny little girl he had picked up from Violette Boisier years before, the blossoming adolescent who emerged from such an unpromising chrysalis, the one he deflowered in one burst in the same room where Eugenia slept sedated, the young girl who gave birth without a single moan, biting on a piece of wood, the sixteen-year-old mother who with a kiss on the forehead said good-bye to a baby she would never see again, the woman who rocked Maurice with infinite tenderness, the one who closed her eyes and bi
t her lips when he penetrated her, the one who sometimes slept at his side, exhausted by the fatigues of the day, but sprang awake with Maurice's name on her lips and ran to see to him. All these images of Tete fused into one, as if time had not passed for her. That night when he felt the changes in her body, he ordered her to light the lamp, so he could look at her. He liked what he saw, that body with long firm lines, the bronze skin, the generous hips and sensual lips, and concluded that Tete was his most valuable possession. With a finger he wiped a tear that was sliding down beside her nose and without thinking touched it to his lips. It was salty, like those of Maurice.

  "What's the matter?" he asked her.

  "Nothing, maitre."

  "Don't cry. This time you will be able to keep your baby, it won't matter now to Eugenia."

  "If that is so, maitre, why not bring back my son?"

  "That would be very troublesome."

  "Tell me if he is alive…"

  "Of course he's alive, woman! Your duty is to take care of Maurice. Do not mention that boy to me again, and be happy that I will allow you to bring up the one you are carrying."

  Zarite

  Gambo preferred cutting cane to the humiliating work in the kitchen. "If my father saw me he would rise up from the dead to spit on my feet and abhor me, his eldest son, for doing women's work. My father died fighting against men who attacked our village, the natural way for men to die." That is what he told me. The slave hunters were from another tribe, they came from far away, from the west, with horses and muskets like the ones the overseer has. Other villages had burned to the ground, the young had been taken away; they killed the elders and children, but his father believed that they were safe, protected by distance and the jungle. The hunters sold their captives to beings who had crocodile claws and teeth like hyenas and fed on human flesh. No one ever returned. Gambo was the only one of his family they caught alive, good fortune for me and disaster for him. He struggled through the first part of the journey, which lasted two complete cycles of the moon, keeping on his feet, tied to the others with rope and with a wood yoke around his neck, herded with poles, with almost no food or water. When he could not take one step more the sea rose up before his eyes, something no one in the long line of captives knew, and also an imposing castle on the sand. They had no time to marvel at the expanse and color of the water, which they confused with the sky on the horizon, because they were immediately locked in. Then Gambo saw whites for the first time and thought they were demons; later he learned they were people, but he never believed that they were humans like us. They were dressed in sweaty rags, with metal breastplates and leather boots, yelling and flogging their captives for no reason. No fangs or claws, but they had hair on their faces, weapons and whips, and their smell was so repugnant that they sickened the birds in the sky. That is how he told it. They separated him from the women and children; they put him in a corral, hot by day and cold at night, with hundreds of men who did not speak his language. He did not know how long he was there because he forgot to follow the moon's passings, or how many died because no one had a name and no one kept count. At first they were pressed so tight that they could not lie down, but as bodies were dragged away there was more space. Then came the worst, what he did not want to remember but lived over and over in his dreams: the ship. They were laid one beside the next, like firewood, on shelves of wood planking, with chains, and iron at their necks, not knowing where they were being taken or why that enormous gourd was bouncing and reeling as it was, all of them moaning, vomiting, shitting, dying. The stench was so bad that it reached the world of the dead, and his father smelled it. Neither could Gambo calculate time there, even though he was under the sun and the stars several times when they took them in groups to the deck to slosh them with pails of sea water and force them to dance around so they would not forget the use of their arms and legs. The sailors threw the sick and the dead overboard, then picked out a few captives and flogged them for entertainment. The most combative were hung by the wrists and slowly lowered into water boiling with sharks, and when they pulled them up there was nothing left but arms. Gambo also witnessed what they did with the women. He watched for a chance to jump overboard, thinking that after the feast of the sharks that followed the ship from Africa to the Antilles his soul would swim on to the island beneath the sea to rejoin his father and the rest of his family. "If my father knew that I was planning to die without fighting, he would again spit on my feet." This is how he told it.

  The only reason Gambo stayed in Tante Mathilde's kitchen was that he was preparing to escape. He knew the risks. In Saint-Lazare there were slaves without a nose or ears or with shackles welded around their ankles that they could not take off; no one would ever run wearing those shackles. I think that he put off his flight for me, for the way we looked at each other, the messages of little stones in the henhouse, the treats he stole for me in the kitchen, the anticipation of embracing each other that was like the prickling of pepper over all our bodies, and for those rare moments when we were alone and could touch. "We will be free, Zarite, and we will be together forever. I love you more than anyone, more than my father and his five wives, who were my mothers, more than my brothers and my sisters, more than all of them together, but not more than my honor." A warrior does what he has to do, that is more important than love, I understand that. We women love more and for longer, too. I also know that. Gambo was prideful, and there is no greater danger for a slave than pride. I begged him to stay in the kitchen if he wanted to stay alive, to be invisible to avoid Cambray, but that was asking too much, it was asking him to live the life of a coward. "Life is written in our z'etoile, and we cannot change it. You will come with me, Zarite?" I could not go with him; I was very heavy, and together we would not have got far.

  The Lovers

  Several years earlier, Violette Boisier had given up Le Cap's night life, not because she had faded-she could still compete with any of her rivals-but for Etienne Relais. Their relationship had evolved into a loving friendship seasoned with his passion and her good humor. They had been together nearly a decade, which to them seemed a very short time. The first years they spent apart, able to see each other only during Relais's brief visits between military campaigns. For a while she had continued her trade, offering her magnificent services to only a handful of clients, the most generous. She became so selective that Loula had to take the most impetuous, the irremediably ugly, and those with bad breath off the list; she gave preference to older men because they were grateful. A few years after he met Violette, Relais was promoted to major in the army, charged with security in the north, and with that he traveled for shorter periods. As soon as he was established in Le Cap, he stopped sleeping in the barracks and married Violette. He did that defiantly, with pomp and ceremony in the church and an announcement in the newspaper, just like the weddings of the grands blancs, scandalizing his fellow military, who were unable to comprehend his reasons for marrying a woman of color and, further, one of questionable reputation, when he could have kept her as a lover. No one, however, asked questions to his face, and he offered no explanation. He was counting on the fact that no one would dare denigrate his wife. Violette notified her "friends" that she was no longer available and shared among other cocottes the party dresses she could not transform into more discreet gowns; she sold her apartment, and went to live in a house Relais bought in a barrio of petits blancs and affranchis. Their new friends were mulattoes, some rather well-to-do, owners of land and slaves, Catholics, although in secret they often reverted to voodoo. They had descended from the same whites who scorned them; they were their children and grandchildren, and they imitated them in all things and denied when they could the African blood of their mothers. Relais was not a friendly man-he felt comfortable only in the rude camaraderie of the barracks-but from time to time he accompanied his wife to social gatherings. "Smile, Etienne, so my friends will lose their fear of the mastiff of Saint-Domingue," she would ask of him. Violette commented to Loula th
at she missed the glitter of the parties and spectacles that had filled her nights. "You had money then and you had a good time, my angel, now you are poor and bored. What have you gained with your soldier?" They lived on the major's modest salary, but without his knowledge the two women had dealings with petty smugglers and lent money at interest, and were increasing the capital Violette had earned and Loula knew how to invest.

 

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