There were three of them. Mutt Carey, Bud Scott, Happy Galloway. Don’t know what they taught me for the real teachers never teach you craft. In a way the stringmen taught me more than Carey and his trumpet. Or Manuel Hall who lived with my mother in his last years and hid his trumpet in the cupboard and never touched it when anyone was around. It was good when you listened to Galloway bubble underneath the others and come through slipping and squealing into neighbourhoods that had nothing to do with the thumper tunes coming out of the rest. His guitar much closer to the voice than the other instruments. It swallowed moods and kept three or four going at the same time which was what I wanted. While the trumpet was usually the steel shoe you couldn’t get out of because you led the music and there was an end you had to get to. But Galloway’s guitar was everything else that needn’t have been there but was put there by him, worshipful, brushing against strange weeds. So Galloway taught me not craft but to play a mood of sound I would recognize and remember. Every note new and raw and chance. Never repeated. His mouth also moving and trying to mime the sound but never able to for his brain had lost control of his fingers.
In mirror to him Carey’s trumpet was a technician—which went gliding down river and missed all the shit on the bottom. His single strong notes pelting out into the crowds, able to reach any note that he wished for but always reaching for the purest. He was orange juice he was exercise, you understand. He was a wheel on a king’s coach. So that was technique.
Drawn to opposites, even in music we play. In terror we lean in the direction that is most unlike us. Running past your own character into pain. So they died eventually maybe suiciding for me or failing because of a lost lip who knows. Climbing over them still with me in the sense I have tried all my life to avoid becoming them. Galloway in his lovely suits playing his bubble music under shit bands—so precise off the platform so completely alone in his music he wished to persuade no one into his style, and forgotten by everyone who saw him. A dull person off stage. And he’d lie and make himself even duller to keep people away from him. Who remembers him? Even I forgot him for so long until now. Till you ask these questions. He slipped back into my memory as accidentally as a smell. All my ancestors died drunk or lost but Galloway continued to play till he died and when he failed to show up was replaced. Had a stroke during breakfast at sixty-five and was forgotten. So immaculate when he fell against his chair even the undertaker could not improve on him.
So I suppose I crawled over him.
And Scott who kept losing his career to neurotic women.
And Carey who lost his hard lip too young and slept himself to death with the money he made. Floating around the bars to hear good music, having a good time and then died. Attracted to opposites again, to the crazy music he chose to die listening to, bitching at new experiments, the chaos, but refusing to leave the table and go down the street and listen to captive jazz he himself had generated. A dog turned wild in pasture.
He was my father too in the way he visited me and Nora at the end. Not liking my music damning my music but moving in for a month or so before he died, trying to make passes at my pregnant wife by getting up early in the morning when she got up and I was still in bed or in a bath. Perhaps even hurt by me not bothering to be jealous because I took my time getting downstairs. We would fight about everything. Even the way I held the cornet or shouted out in the middle of numbers. And still he’d come every night and listen and be irritated and enjoy himself tremendously. And then one morning in the room he shared with my first kid he stayed in bed and shook and shook, unable to move anything except for those massive shoulders. Arms struck dead. Get the sweat out of my eyes get the sweat out of my eyes fuckit I’m going to die, and then dead in the middle of a shake. I leaned over his wet body and put an ear to his mouth wanting more than anything then to hear his air, the swirl of air in him but there was none. His open mouth was an old sea-shell. I turned my head slowly and kissed the soft old lips. I then went over the barbed wire attached to his heart.
*
The black dog I picked up a few miles south of your place has snuggled against me. No woman for over a month has been as close to my body as he is tonight. I got up to make a drink and returned to find him sitting on the sofa where my warmth had been. Dogs on your furniture, Webb. He is quite dirty and I’ll bathe him tomorrow. Just dusty for the most part but there are pointed knots of mud under the belly—probably collected by going through wet evening grass. He is not used to living in houses I can tell, although he immediately climbs onto furniture. He is not used to softness and every few hours throughout the night he moves from chair to sofa and finally finds the floor to be the answer. I came back into the room and he looked up expecting me to reclaim my place. I’ve snuggled against his warmth. Have just bent over and notice his claws are torn.
The heat has fallen back into the lake and left air empty. You can smell trees across the bay. I notice tonight someone has moved in over there. One square of light came on at twilight and changed the gentle shape of the tree line, making the horizon invisible. Was annoyed till I admitted to myself I had been lonely and this comforted me. The rest of the world is in that cabin room behind the light. Everyone I know lives there and when the light is on it means they are there. Before, every animal noise made me suspect people were arriving. Rain would sound like tires on the gravel. I would run out my heart furious and thumping only to be surrounded by a sudden downpour. I would stand shaking, getting completely wet for over a minute. Then come in, strip all my clothes off and crouch in front of the fire.
Webb I’m tired of the bitching tonight. The loneliness. I really wanted to talk about my friends. Nora and Pickett and me. Robin and Jaelin and me. I saw an awful thing among us. And that was passion could twist around and choose someone else just like that. That in one minute I knew Nora loved me and then, whatever I did from a certain day on, her eyes were hunting Pickett’s mouth and silence. There was nothing I could do. Pickett could just stand there and he had her heart balanced on his tongue. And then with Robin and me—Jaelin stood there far more intelligent and sensitive and loving and pained and it did nothing to her, she had swerved to me like a mad compass, aimed east east east, ignoring everything else. I knew I was hurting him and I screwed her and at times humiliated her in front of him, everything. We had no order among ourselves. I wouldn’t let myself control the world of my music because I had no power over anything else that went on around me, in or around my body. My wife loved Pickett, I think. I loved Robin Brewitt, I think. We were all exhausted.
From the very first night I was lost from Robin.
The cold in my head and the cough woke me. Walking round your house making hot water grapefruit and Raleigh Rye drinks. That was the first night that was four weeks ago. And now too my starving avoiding food. Drunk and hungry in the middle of the night in this place crowded with your furniture and my muttering voice. Robin lost. Who slid out of my heart. Who has become anonymous as cloud. I wake up with erections in memory of Robin. Every morning. Till she has begun to blur into Nora and everybody else.
What do you want to know about me Webb? I’m alone. I desire every woman I remember. Everything is clear here and still I feel my brain has walked away and is watching me. I feel I hover over the objects in this house, over every person in my memory—like those painted saints in my mother’s church who seem to always have six or seven inches between them and the ground. Posing as humans. I give myself immaculate twenty minute shaves in the morning. Tap some lotion on me and cook a fabulous breakfast. Only meal of the day. So I move from the morning’s energy into the later hours of alcohol and hunger and thickness and tiredness. Trying to overcome this awful and stupid clarity.
After breakfast I train. Mouth and lips and breathing. Exercises. Scales. For hours till my jaws and stomach ache. But no music or tune that I long to play. Just the notes, can you understand that? It is like perfecting 100 yard starts and stopping after the third yard and back again to the beginning. In this
way the notes jerk forward in a spurt.
Alone now three weeks, four weeks? Since you came to Shell Beach and found me. Come back you said. All that music. I don’t want that way any more. There is this other path I beat the bushes away from with exercise so I can walk down it knowing it is just stone. I’ve got more theoretical with no one to talk to. All suicides all acts of privacy are romantic you say and you may be right, as I sit here at 4.45 in the middle of the night, sky beginning to emerge blue through darkness into the long big windows of this house. Here’s an early morning ant crossing the table …
Three days ago Crawley visited me. I made you promise not to say where I was but you sent him here anyway. He came in his car, interrupted my thinking and it has taken me a couple of days to get back. With a girl fan he came in his car and played some music he’s working on, while she was silent and touching in the corner. I could have done without his music, I could have done with her body. Music quite good but I could have finished it for him, it was a memory. I wanted to start a fight. I was watching her while he was playing and I wanted the horn in her skirt. I wanted her to sit with her skirt on my cock like a bandage. My old friend’s girl. What have you brought me back to Webb?
The day got better with the opening of bottles and all of us were vaguely drunk by the time they left and me rambling on as they were about to leave, leaning against the driver’s window apologizing, explaining what I wanted to do. About the empty room when I get up and put metal onto my mouth and hit the squawk at just the right note to equal the tone of the room and that’s all you do. Pushing all that into the car as if we had a minute to live as if we hadn’t talked rubbish all day.
You learn to play like that and no band will play with you, he says.
I know. I want to get this conversation right and I’m drunk and I’m making it difficult.
Shouting into his car, standing on the pebble driveway, the sweat on me which is really alcohol gone through me and bubbled out. I said I didn’t want to be a remnant, a ladder for others. So Crawley knowing, nodding. I ask him about Nora, tells me that she’s living with Cornish. And I’ve always thought of her as sad Nora, and my children, all this soft private sentiment I forgot to explode, the kids who grow up without me quite capable, while I sit out this drunk sweat, thinking along a stone path. I am terrified now of their lost love. I walk around the car put my head in to kiss Crawley’s girl whose name I cannot even remember, my tongue in her cool mouth, her cool circling answer that gives me an erection against the car door, and round the car again and look at Crawley and thank him for the bottles he brought. His brain with me for two days afterwards.
Alcohol sweat on these pages. I am tired Webb. I put my forehead down to rest on the booklet on the table. I don’t want to get up. When I lift my head up the paper will be damp, the ink spread. The lake and sky will be light blue. Not even her cloud.
THREE
Interviewer: To get back to Buddy Bolden —
John Joseph: Uh-huh.
Interviewer: He lost his mind, I heard.
John Joseph: He lost his mind, yeah, he died in the bug house.
Interviewer: Yes, that’s what I heard.
John Joseph: That’s right, he died out there.
Travelling again. Home to nightmare.
The earth brown. Rubbing my brain against the cold window of the bus. I was sent travelling my career on fire and so cruise home again now.
Come. We must go deeper with no justice and no jokes.
All my life I seemed to be a parcel on a bus. I am the famous fucker. I am the famous barber. I am the famous cornet player. Read the labels. The labels are coming home.
Charlie Dablayes Brass Band
The Diamond Stone Brass Band
The Old Columbis Brass Band
Frank Welch Brass Band
The Old Excelsior Brass Band
The Algiers and Pacific Brass Band
Kid Allen’s Fathers Brass Band
George McCullon’s Brass Band
And so many no name street bands … according to Bunk Johnson.
So in the public parade he went mad into silence.
This was April 1907, after his return, after staying with his wife and Cornish, saying sure he would play again, had met and spoken to Henry Allen and would play with his band in the weekend parade. Henry Allen snr’s Brass Band.
The music begins two blocks north of Marais Street at noon. All of Henry Allen’s Band including Bolden turn onto Iberville and move south. After about half a mile his music separates from the band, and though the whole procession is still together Bolden is now stained untouchable, powerful, an 8 ball in their midst. Till he is spinning round and round, crazy, at the Liberty-Iberville connect.
By eleven that morning people who had heard Bolden was going to play had already arrived, stretching from Villiere down to Franklin. Brought lunches and tin flasks and children. Some bands broke engagements, some returned from towns over sixty miles away. All they knew was that Bolden had come back looking good. He was in town four days before the parade.
On Tuesday night he had come in by bus from Webb’s place. A small bag held his cornet and a few clothes. He had no money so he walked the twenty-five blocks to 2527 First Street where he had last lived. He tapped on the door and Cornish opened it. Frozen. Only two months earlier Cornish had moved in with Bolden’s wife. Almost fainting. Buddy put his arm around Cornish’s waist and hugged him, then walked past him into the living room and fell back in a chair exhausted. He was very tired from the walk, the tension of possibly running into other people. The city too hot after living at the lake. Sitting he let the bag slide from his fingers.
Where’s Nora?
She’s gone out for food. She’ll be back soon.
Good.
Jesus, Buddy. Nearly two years, we all thought —
No that’s ok Willy, I don’t care.
He was sitting there not looking at Cornish but up at the ceiling, his hands outstretched his elbows resting on the arms of the chair. A long silence. Cornish thought this is the longest time I’ve ever been with him without talking. You never saw Bolden thinking, lots of people said that. He thought by being in motion. Always talk, snatches of song, as if his brain had been a fishbowl.
Let me go look for her.
Ok Willy.
He sat on the steps waiting for Nora. As she came up to him he asked her to sit with him.
I haven’t got time, Willy, let’s go in.
Dragging her down next to him and putting an arm around her so he was as close to her as possible.
Listen, he’s back. Buddy’s back.
Her whole body relaxing.
Where is he now?
Inside. In his chair.
Come on let’s go in.
Do you want to go alone?
No let’s go in, both of us Willy.
She had never been a shadow. Before they had married, while she worked at Lula White’s, she had been popular and public. She had played Bolden’s games, knew his extra sex. When they were alone together it was still a crowded room. She had been fascinated with him. She brought short cuts to his arguments and at times cleared away the chaos he embraced. She walked inside now with Willy holding her hand. She saw him sitting down, head back, but eyes glancing at the door as it opened. Bolden not moving at all and she, with groceries under her arm, not moving either.
The three of them entered a calm long conversation. They talked in the style of a married couple joined by a third person who was catalyst and audience. And Buddy watched her large hip as she lay on the floor of the room, the hill of cloth, and he came into her dress like a burglar without words in the family style they had formed years ago, with some humour now but not too much humour. Sitting against her body and unbuttoning the layers of cloth to see the dark gold body and bending down to smell her skin and touching with his face through the flesh the buried bones in her chest. Writhed his face against her small breasts. Her skirt still on, her blouse not taken of
f but apart and his rough cheek scraping her skin, not going near her face which he had explored so much from across the room, earlier. When Cornish had still been there.
They lay there without words. Moving all over her chest and arms and armpits and stomach as if placing mines on her with his mouth and then leaned up and looked at her body glistening with his own spit. Together closing up her skirt, slipping the buttons back into their holes so she was dressed again. Not going further because it was friendship that had to be guarded, that they both wanted. The diamond had to love the earth it passed along the way, every speck and angle of the other’s history, for the diamond had been earth too.
So Cornish lives with her. Willy, who wanted to be left alone but became the doctor for everyone’s troubles. Sweet William. Nothing ambitious on the valve trombone but being the only one able to read music he brought us new music from the north that we perverted cheerfully into our own style. Willy, straight as a good fence all his life, none to match his virtue. Since I’ve been home I watch him and Nora in the room. The air around them is empty so I see them clear. They are for me no longer in a landscape, they are not in the street they walk over, the chairs disappear under them. They are complete and exact and final. No longer the every-second change I saw before but like statues of personality now. Through my one-dimensional eye. I left the other in the other home, Robin flying off with it into her cloud. So I see Willy and Nora as they are and always will be and I hunger to be as still as them, my brain tying me up in this chair. Locked inside the frame, boiled down in love and anger into dynamo that cannot move except on itself.
Coming Through Slaughter Page 7