by Morgan Rice
I hike straight up the mountain in the bright light of morning, an intense light shining off the snow. It is a white universe. The sun shines so strongly, I can barely see in the glare. I would do anything for a pair of sunglasses, or a baseball cap.
Today is thankfully windless, warmer than yesterday, and as I hike, I hear the snow melting all around me, trickling in small streams downhill and dropping in big clumps off of pine branches. The snow is softer, too, and walking is easier.
I check back over my shoulder, survey the valley spread out below, and see that the roads are partially visible again in the morning sun. This worries me, but then I chide myself, annoyed that I am allowing myself to be disturbed by omens. I should be tougher. More rational, like Dad.
My hood is up, but as I lower my head to the wind, which grows stronger the higher I get, I wish I’d worn my new scarf. I bunch my hands and rub them, wishing for gloves, too, and double my speed. I am resolved to get there quickly, scout out the cottage, search for that deer, and hurry back down to Bree. Maybe I’ll salvage a few more jars of jam, too; that will cheer Bree up.
I follow my tracks from yesterday, still visible in the melting snow, and this time, the hike is easier. Within about twenty minutes, I’m back to where I was the day before, rounding the highest plateau.
I am sure I am in the same place as yesterday, but as I look for the cottage, I can’t find it. It is so well hidden that, even though I know where to look, I still can’t see it. I start to wonder if I’m in the right place. I continue on, following my footsteps, until I get to the exact spot I stood the day before. I crane my neck, and finally, I spot it. I’m amazed at how well-concealed it is, and am even more encouraged about living here.
I stand and listen. All is silent save for the sound of the trickling stream. I check the snow carefully, looking for any signs of prints going in or out (aside from mine), since yesterday. I find none.
I walk up to the door, stand in front of the house and do a 360, scanning the woods in every direction, checking the trees, looking for any signs of disturbance, any evidence that anyone else has been here. I stand for at least a minute, listening. There is nothing. Absolutely nothing.
Finally, I am satisfied, relieved that this place is truly ours, and ours alone.
I pull back the heavy door, jammed by the snow, and bright light floods the interior. As I duck my head and enter, I feel as if I’m seeing it for the first time in the light. It is as small and cozy as I remember. I see that it has original, wide-plank wood flooring, which looks to be at least a hundred years old. It is quiet in here. The small, open windows on either side let in a good deal of light, too.
I scan the room in the light, looking for anything I might have overlooked—but find nothing. I look down and find the handle to the trap door, kneel down and yank it open. It opens up with a whirl of dust, which swims in the sunlight.
I scramble down the ladder, and this time, with all the reflected light, I have a much better view of the stash down here. There must be hundreds of jars. I spot several more jars of raspberry jam, and grab two of them, cramming one in each pocket. Bree will love this. So will Sasha.
I do a cursory scan of the other jars, and see all sorts of foods: pickles, tomatoes, olives, sauerkraut. I also see several different flavors of jams, with at least a dozen jars of each. There is even more in the back, but I don’t have time to look carefully. Thoughts of Bree are weighing heavily on my mind.
I scramble up the ladder, close the trap door and hurry out the cottage, closing the front door tight behind me. I stand there and survey my surroundings again, bracing myself for anyone who may have been watching. I am still afraid this is all too good to be true. But once again, there is nothing. Maybe I’ve just become too on-edge.
I head off in the direction where I spotted the deer, about thirty yards away. As I reach it, I take out Dad’s hunting knife, and hold it at my side. I know it’s a long shot for me to see it again, but maybe this animal, like me, is a creature of habit. If I should be lucky enough to see it again, there’s no way I’m fast enough to chase it down, or quick enough to pounce—nor do I have a gun or any real hunting weapons. But the way I see it, I do have one chance, and that is my knife. I’ve always been proud of my ability to hit a bull’s-eye thirty yards away. Knife-throwing was the one skill of mine that Dad always seemed impressed by—at least impressed enough to never try to correct or improve me. Instead, he took credit for it, saying my talent was due to him. In reality, though, he couldn’t throw a knife half as well as I could.
I kneel in the place I was before, hiding behind a tree, watching the plateau, holding the knife in my hand, waiting. Praying. All I hear is the sound of the wind.
I run through in my head what I will do if I see it: I will slowly stand, take aim, and throw the knife. I first think I will aim for its eye, but then decide to aim for its throat: if I miss by a few inches, then there will still be a chance of hitting it somewhere. If my hands aren’t too frozen, and if I’m accurate, I figure that maybe, just maybe, I can wound it. But I realize those are all big “ifs.”
Minutes pass. It feels like ten, twenty, thirty…. The wind dies, then reappears in gusts, and as it does, I feel the fine flakes of snow being blown off the trees and into my face. As more time passes, I grow colder, more numb, and I begin to wonder if this is a bad idea. I get another sharp hunger pain, though, and know that I have to try. I will need all the protein I can get to make this move happen—especially if I’m going to push that motorcycle uphill.
But after nearly an hour of waiting, I am utterly frozen. I debate whether to just give it up and head back down the mountain. Maybe, instead, I should try to fish again.
I decide to get up and walk around, to circulate my limbs and keep my hands nimble; if I had to use them now, they’d probably be useless. As I rise to my feet my knees and back ache from stiffness. I begin to walk in the snow, starting with small steps. I lift and bend my knees, twist my back left and right. I stick the knife back in my belt, then rub my hands over each other, blowing on them again and again, trying to restore the feeling.
Suddenly, I freeze. In the distance, a twig snaps, and I sense motion.
I turn slowly. There, over the hilltop, a deer comes into view. It steps slowly, tentatively, in the snow, gently lifting its hooves and placing them down. It lowers its head, chews on a leaf, then slowly takes another step forward.
My heart pounds with excitement. It is exactly what I’d been praying for. I rarely feel that Dad is with me, but today, I do. I can hear his voice in my head now: Steady. Breathe slowly. Don’t let it know you’re here. Focus. If I can bring down this animal, it will be food—real food—for Bree and Sasha and I for at least a week. We need this.
It takes a few more steps into the clearing and I get a better view of it: a large deer, it stands maybe thirty yards away. I’d feel a lot more confident if it were standing ten yards away, or even twenty. I don’t know if I can hit it at this distance. If it were warmer out, and if it wasn’t moving, then yes. But my hands are numb, the deer is moving, and there are so many trees in the way. I just don’t know. I do know that if I miss it, it will never come back here again.
I wait, studying it, afraid to spook it. I will for it to come closer. But it doesn’t seem to want to.
I debate what to do. I can charge it, getting as close as I can, then throw. But I realize that would be stupid: after just one yard, it would surely bolt. I wonder if I should try to creep up on it. But I doubt that will work, either. The slightest noise, and it will be gone.
So I stand there, debating. I take one small step forward, positioning myself to throw the knife, in case I need to. And that one small step is my mistake.
A twig snaps beneath my feet, and the deer immediately lifts its head and turns to me. We lock eyes. I know that it sees me, and that it’s about to bolt. My heart pounds, as I know this is my only chance. My mind freezes up.
Then I burst into action. I reach down, grab the knife,
take a big step forward, and drawing on all my skills, I reach back and throw it, aiming for its throat.
Dad’s heavy Marine Corps knife tumbles end over end through the air, and I pray it doesn’t hit a tree first. As I watch it tumbling, reflecting light, it is a thing of beauty. In that same moment, I see the deer turn and begin to run.
It is too far away for me to see exactly what happens, but a moment later, I could swear I hear the sound of the knife entering flesh. The deer takes off, though, and I can’t tell if it’s wounded.
I take off after it. I reach the spot where it was, and am surprised to see bright red blood in the snow. My heart flutters, encouraged.
I follow the trail of blood, running and running, jumping over rocks, and after about fifty yards, I find it: there it is, collapsed in the snow, lying on its side, legs twitching. I see the knife lodged in its throat. Exactly in the spot I was aiming for.
The deer is still alive, and I don’t know how to put it out of its misery. I can feel its suffering, and I feel terrible. I want to give it a quick and painless death, but don’t know how.
I kneel and extract the knife, then lean over, and in one swift motion, slice it deeply across the throat, hoping that will work. Moments later, blood comes rushing out, and within about ten more seconds, finally, the deer’s legs stop moving. Its eyes stop fluttering, too, and finally, I know it’s dead.
I stand over, staring down, holding the knife in my hand, and feel overwhelmed with guilt. I feel barbaric, having killed such a beautiful, defenseless creature. In this moment, it’s hard for me to think of how badly we needed this food, of how lucky I was to catch it at all. All I can think of is that, just a few minutes before, it was breathing, alive like me. And now, it’s dead. I look down at it, lying so perfectly still in the snow, and despite myself, I feel ashamed.
That is the moment when I first hear it. I dismiss it at first, assume I must be hearing things, because it is just not possible. But after a few moments, it rises a tiny bit louder, more distinct, and I know it’s real. My heart starts pounding like crazy, as I recognize the noise. It is a noise I’ve heard up here only once before. It is the whine of an engine. A car engine.
I stand there in astonishment, too frozen to even move. The engine grows louder, more distinct, and I know a car engine up here can only mean one thing. Slaverunners. No one else would dare drive this high up, or have any reason to.
I break into a sprint, leaving the deer, charging through the woods, past the cottage, down the hill. I can’t go fast enough. I think of Bree, sitting there, alone in the house, as the engines grow louder and louder. I try to increase my speed, running straight down the snowy slope, tripping as I go, my heart pounding in my throat.
I run so fast that I fall, face-first, scraping my knee and elbow, and getting the wind knocked out of me. I struggle back to my feet, noticing the blood on my knee and arm, but not caring. I force myself back into a jog, then into a sprint.
Slipping and sliding, I finally reach a plateau, and from here, I can see all the way down the mountain to our house. My heart leaps into my throat: I see distinctive car tracks in the snow, leading right to our house. Our front door is open. And most ominous of all, I don’t hear Sasha barking.
I run, further and further down, and as I do, I get a good look at the two vehicles parked outside our house: slaverunner cars. All black, built low to the ground, they look like muscle cars on steroids, with enormous tires and bars on all the windows. Emblazoned on their hoods is the emblem of Arena One, obvious even from here—a diamond with a jackal in its center. They are here to feed the arena.
I sprint further down the hill. I need to get lighter. I reach into my pockets, pull out the jars of jam and throw them to the ground. I hear the glass smash behind me, but I don’t care. Nothing else matters now.
I am barely a hundred yards away when I see the vehicles start up, begin to leave my house. They head back down the winding country road. I want to break into tears as I realize what has happened.
Thirty seconds later I reach the house, and run past it, right to the road, hoping to catch them. I already knowing the house is empty.
I’m too late. The car tracks tell the story. As I look down the mountain, I can see them, already a half-mile away, and gaining speed. There’s no way I can ever catch them on foot.
I run back to the house, just in case, by some remote chance, Bree has managed to hide, or they left her. I burst through the open front door, and as I do, I am horrified by the sight before me: blood is everywhere. On the ground lies a dead slaverunner, dressed in his all-black uniform, blood pouring from his throat. Beside him lies Sasha, on her side, dead. Blood pours out her side from what looks like a bullet wound. Her teeth are still embedded in the corpse’s throat. It becomes clear what happened: Sasha must have tried to protect Bree, lunging at the man as he entered the house and lodging her teeth in his throat. The others must have shot her. But still, she did not let go.
I run through the house, room to room, screaming Bree’s name, hearing the desperation in my own voice. It is no longer I voice I recognize: it is the voice of a crazy person.
But every door is wide open, and everything is empty.
The slaverunners have taken my sister.
F O U R