by Sue Grafton
I keep a journal during the writing of these books, a ritual I began in rudimentary form with A is for Alibi and have continued, with ever increasing breadth and depth, through the seventeen novels in the series to this point. The early portions of the journal for any given novel are usually a record of my fumbling attempts to find a workable story line. I ruminate, I chat with myself, I fret, I experiment. Oddly enough, from my perspective, the first journal note on the subject of Jane Doe didn’t appear until November 8, 2000, some two months after my initial conversation with Bob Failing. I had, at that point, already accepted the subject matter as the basis for this book, though it took me many more months to work out the details. I loved the word “quarry” because its meaning, particularly in this instance, could do double-duty, referring to the place where the body was found and to the search for the killer.
On January 11, 2001, Bob Failing and I met with Sergeant Detective Bill Turner and then Commander Bruce Correll of the Criminal Investigations Division, Santa Barbara Sheriff’s Department, and the four of us drove to Lompoc to see the quarry. I met with Bruce Correll and Bill Turner again on January 19, 2001. At that time, in a gesture of incredible generosity, they gave me a copy of the murder book for the Jane Doe case. It contained case notes, investigative reports, and both color and black-and-white photographs of the body and the area where she was found. I was also given photographs of her effects, including her leather sandals and the home-sewn pants with the daisy-print, dark blue with a dot of red on a white background.
Over the ensuing year, with the blessings of then-sheriff Jim Thomas, I met with these two detectives on numerous occasions. Bill Turner, in particular, became an invaluable resource, providing information about procedural issues, technicalities, and the myriad nuts and bolts of his work. He answered my many (sometimes stupid) questions with unfailing patience and enthusiasm, responding with the sort of detailed replies that make a writer’s job a joy. Any errors, herein, by the way, are either the result of my faulty understanding or license I took in the interest of the story.
My fascination with the case rekindled the interest of the department, and the possibility arose of an exhumation of the body so that a facial reconstruction might be done, in hopes that Jane Doe might be identified. I wasn’t privy to the discussions that must have gone on behind the scenes. In Santa Barbara County exhumations are uncommon, and budget considerations became an issue, not only because of the cost of the exhumation itself but for the expense of hiring a forensic sculptor, who would use Jane Doe’s skull and jaw bones to re-create her likeness. There was also the matter of the reinterment, to accord Jane Doe the ultimate dignity of a proper burial, which we all considered essential. I offered to underwrite the plan because I, too, had become hopeful that something might come of it.
The exhumation was scheduled for July 17, 2001. On that day, we traveled again to Lompoc, this time to the cemetery where Jane Doe was buried thirty-three years earlier. Dr. Failing flew in from his vacation home in Colorado. My husband, Steve Humphrey, made the journey with us, as did Sergeant Detective Bill Turner. Also present were Detective Hugo Galante, his wife, Detective Kathryn Galante, and Detective Terry Flaa, of the North County Detective Unit of the Criminal Investigations Division; Detective David Danielson; Coroner’s Investigator Sergeant Darin Fotheringham; Sheriff’s dispatcher Joe Ayala; his wife, Erin Ayala; the coroner’s office secretary; Sheriff’s trainee Danielle Goldman; Lieutenant Ken Reinstadler of the Santa Maria station, Patrol Division; Commander Deborah Linden, of the Santa Barbara Sheriff’s Department, South Coast Patrol Division; and Mr. Mark Powers, the graveyard superintendent. The procedure took the better part of the day. Once Jane Doe’s body was recovered, she was removed to the Santa Barbara County Coroner’s Office.
In anticipation of the exhumation, Bill Turner had contacted Betty Gatliff in Oklahoma, whose work as a forensic artist is internationally recognized. Betty Gatliff is a retired medical illustrator who not only practices forensic sculpture but teaches workshops and seminars across the country. She is a fellow of the American Academy of Forensics Sciences, an emeritus member of the Association of Medical Illustrators, and an associate member of the International Association for Identification. Jane Doe’s skull, maxilla, and mandible were sent to Ms. Gatliff, whose services had been engaged.
In the meantime, I had begun a re-creation of my own, constructing a wholly fictional account of a young girl whose fate was similar to Jane Doe’s. Where possible, I used details from the Jane Doe murder book, including fragments from the autopsy report, case notes, and the investigative reports submitted by the detectives originally assigned to this case. There are two exceptions of note: (1) There was no tarp. I manufactured that detail to give my fictional detectives yet another means of pursuing their inquiries; and (2) there was, in fact, found at the scene a blood-soaked man’s Western-style blue denim shirt with white-covered snaps, size 14H neck. I omitted this detail in the interest of simplicity. That aside, I must assure the reader that every character in this novel is fictional. Every event is purely the product of my invention. Whatever the personality and nature of the “real” Jane Doe, my assertions are the figment of my imagination and are in no way purported to be real, true, or representative of her. I emphasize this point out of respect for her and out of consideration for those who must have loved her and wondered about her silence as the years have passed.
By mid-September of 2001, Betty Gatliff had reconstructed a likeness of Jane Doe and returned her skull with its mandible and maxilla. She also sent numerous color photographs of Jane Doe, four of which are reproduced here in black and white. Jane Doe was reinterred on Tuesday, February 26, 2002, with a uniformed Sheriff’s Department Honor Guard accompanying her from the coroner’s office to the cemetery, a sheriff’s chaplain conducting the service, flowers, and the heartfelt prayers of those of us who have been a small part of her life. It is our hope that someone reading this novel and seeing the photographs will recognize this young woman and step forward with information about her. Though both Bruce Correll and Bill Turner retired in the summer of 2002, Bill Turner will be available to respond to queries by mail at: Sheriff’s Department, County of Santa Barbara, 4434 Calle Real, P.O. Box 6427, Santa Barbara, CA 93160-6427, or through the Sheriff’s Department’s website, www.sbsheriff.org.
Respectfully submitted,
Sue Grafton
R IS FOR RICOCHET
SUE GRAFTON
THE BERKLEY PUBLISHING GROUP
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This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
R IS FOR RICOCHET
A Berkley Book / published by arrangement with the author
/> Copyright © 2002 by Sue Grafton.
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For my granddaughter, Taylor,
with a heart full of love
ACKNOWLEDGMENTS
The author wishes to acknowledge the invaluable assistance of the following people: Steven Humphrey; Boris Romanowski, California State Parole Agent; Alice Sprague, Deputy District Attorney, Alameda County, California; Pat Callahan, Public Relations Officer, Valley State Prison for Women; at the California Institution for Women, Warden John Dovey, Lieutenant Larry J. Aaron, Public Information Officer, and Pam Clark, Community and Parole Relations; Bruce Correll, Chief Deputy (retired), Santa Barbara Sheriff ’s Department; Lorrinda Lepore, Investigator II, Ventura County District Attorney’s Office; Bill Kracht, General Manager, The Players Club; Joan Francis, Francis Pacific Investigations; Julianna Flynn and Kurt Albershardt; and Gail and Harry Gelles.
And for the generous offers of support and expertise for the subplot that ended up on the cutting-room floor, thanks go to Detective Sergeant Bill Turner (retired), Santa Barbara County Sheriff’s Department; Dona Cohn, Cohn Law Firm; attorneys Joseph M. Devine, Lawrence Kern, and Philip Segal of Kern Noda Devine & Segal; Daniel Trudell, President, Accident Reconstruction Specialists; James F. Lafferty, P.E., Ph.D., biomechanics and mechanical engineering; Dr. Anthony Sances, Jr., President, Biomechanics Institute; and Nancy Degger, President, Rudy Degger & Associates. Maybe next book.
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Epilogue
1
The basic question is this: given human nature, are any of us really capable of change? The mistakes other people make are usually patently obvious. Our own are tougher to recognize. In most cases, our path through life reflects a fundamental truth about who we are now and who we’ve been since birth. We’re optimists or pessimists, joyful or depressed, gullible or cynical, inclined to seek adventure or to avoid all risks. Therapy might strengthen our assets or offset our liabilities, but in the main we do what we do because we’ve always done it that way, even when the outcome is bad…perhaps especially when the outcome is bad.
This is a story about romance—love gone right, love gone wrong, and matters somewhere in between.
I left downtown Santa Teresa that day at 1:15 and headed for Montebello, a short ten miles south. The weather report had promised highs in the seventies. Morning cloudiness had given way to sunshine, a welcomed respite from the overcast that typically mars our June and July. I’d eaten lunch at my desk, feasting on an olive-and-pimiento-cheese sandwich on wheat bread, cut in quarters, my third-favorite sandwich in the whole wide world. So what was the problem? I had none. Life was great.
In committing the matter to paper, I can see now what should have been apparent from the first, but events seemed to unfold at such a routine pace that I was caught, metaphorically speaking, asleep at the wheel. I’m a private detective, female, age thirty-seven, working in the small Southern California town of Santa Teresa. My jobs are varied, not always lucrative, but sufficient to keep me housed and fed and ahead of my bills. I do employee background checks. I track down missing persons or locate heirs entitled to monies in the settlement of an estate. On occasion, I investigate claims involving arson, fraud, or wrongful death.
In my personal life, I’ve been married and divorced twice, and subsequent relationships have usually come to grief. The older I get, the less I seem to understand men, and because of that I tend to shy away from them. Granted, I have no sex life to speak of, but at least I’m not plagued by unwanted pregnancies or sexually transmitted diseases. I’ve learned the hard way that love and work are a questionable mix.
I was driving on a stretch of highway once known as the Montebello Parkway, built in 1927 as the result of a fundraising campaign that made possible the creation of frontage roads and landscaped center dividers still in evidence today. Because billboards and commercial structures along the roadway were banned at the same time, that section of the 101 is still attractive, except when it’s jammed with rush-hour traffic.
Montebello itself underwent a similar transformation in 1948, when the Montebello Protective and Improvement Association successfully petitioned to eliminate sidewalks, concrete curbs, advertising signs, and anything else that might disrupt the rural atmosphere. Montebello is known for its two-hundred-some-odd luxury estates, many of them built by men who’d amassed their fortunes selling common household goods, salt and flour being two.
I was on my way to meet Nord Lafferty, an elderly gentleman, whose photograph appeared at intervals in the society column of the Santa Teresa Dispatch. This was usually occasioned by his making yet another sizable contribution to some charitable foundation. Two buildings at UCST had been named for him, as had a wing of Santa Teresa Hospital and a special collection of rare books he’d donated to the public library. He’d called me two days before and indicated he had “a modest undertaking” he wanted to discuss. I was curious how he’d come by my name and even more curious about the job itself. I’ve been a private investigator in Santa Teresa for the past ten years, but my office is small and, as a rule, I’m ignored by the wealthy, who seem to prefer doing business through their attorneys in New York, Chicago, or L.A.
I took the St. Isadore off-ramp and turned north toward the foothills that ran between Montebello and the Los Padres National Forest. At one time, this area boasted grand old resort hotels, citrus and avocado ranches, olive groves, a country store, and the Montebello train depot, which serviced the Southern Pacific Railroad. I’m forever reading up on local history, trying to imagine the region as it was 125 years ago. Land was selling then for seventy-five cents an acre. Montebello is still bucolic, but much of the charm has been bulldozed away. What’s been erected instead—the condominiums, housing developments, and the big flashy starter castles of the nouveau riche—is poor compensation for what was lost or destroyed.
I turned right on West Glen and drove along the winding two-lane road as far as Bella Sera Place. Bella Sera is lined with olive and pepper trees, the narrow blacktop climbing gradually to a mesa that affords a sweeping view of the coast. The pungent scent of the ocean faded with my ascent, replaced by the smell of sage and the bay laurel trees. The hillsides were thick with yarrow, wild mustard, and California poppies. The afternoon sun had baked the boulders to a golden turn, and a warm chuffing wind was beginning to stir th
e dry grasses. The road wound upward through an alley of live oaks that terminated at the entrance to the Lafferty estate. The property was surrounded by a stone wall that was eight feet high and posted with No Trespassing signs.
I slowed to an idle when I reached the wide iron gates. I leaned out and pushed the call button on a mounted keypad. Belatedly I spotted a camera mounted atop one of two stone pillars, its hollow eye fixed on me. I must have passed inspection because the gates swung open at a measured pace. I shifted gears and sailed through, following the brick-paved drive for another quarter of a mile.