The Last of Philip Banter

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The Last of Philip Banter Page 21

by John Franklin Bardin


  ‘But Philip, though frightened, was not demoralized. He would not agree to enter the asylum – and leave Dorothy to you! – even with my pressure. He ran away to Jeremy’s and questioned each of you in turn – if you could have known the conflict in his mind then, you would realize what an heroic act that was. Dorothy saw, and Dorothy respected him for it. When he left the apartment, she went after him…’

  ‘They were coming together again,’ sighed Steven Foster. ‘I had failed and… instead of driving them apart… I had driven them together. I hailed a taxi and reached the station before Dorothy did – she lied to the Lieutenant to protect me. I went down the stairs just behind Philip. There was no one on the platform except Philip and a blind man.’

  Matthews took it up. ‘Philip’s back was turned to you. You came close to him and said, “Philip, you’re cra-zee! Oh, Philip!” He must have thought he was hearing the voice again. He turned about, saw you –’

  ‘And I pushed him into the path of the train,’ said Steven Foster. His face had grown very pale and his nose had begun to bleed. Matthews stared, fascinated, at his face for an instant; then he sprang to help him. He had recognized the signs of cerebral accident.

  Old Foster held up his hand and shook his head. His knees sagged – his mouth gasped. Rigid, even in death, he fell forward on his face.

  Dr Matthews knelt beside the body and noted the absence of a pulse. Dorothy, behind him, began to weep. But there was nothing he could do about that…

  More from John Franklin Bardin

  The Deadly Percheron

  A hypnotic mystery. A tale of psychological horror. A genre-defying classic now available for the first time in eBook edition.

  “Doctor, I’m losing my mind.” So begins John Franklin Bardin’s bold and unconventional crime thriller in which psychiatrist George Matthews’ attempts to help his patient lead to a dead-end world of amnesia and social outcasts. The Deadly Percheron is at once a murder mystery, poignant love story and, most importantly, an unsettling and hallucinatory dark voyage into memory, madness, torture, and despair.

  “It is a story of murder and mayhem and hideous torture— one which will hold your attention to the last, even though you cannot possibly believe that such things could happen here in little old New York.” —The New York Times, June 2, 1946

  The Devil Take the Blue-Tail Fly

  John Franklin Bardin’s most acclaimed work plays a virtuoso performance on music and madness in this unforgettable thriller.

  In 1946 New York, Ellen, a world-renowned musician, is suffering from the effects of her latest mental breakdown. Amongst other challenges, a chance meeting with a folk singer from her past causes her psychological well-being to rapidly deteriorate. Over the following terrifying weeks, Ellen finds herself becoming both a criminal and a victim as she attempts to contend with the darkness within.

  “We have all had these feelings, more or less, and now and then. The healthier among us try to step back from the brink, try to laugh at what might have happened if we had gone a bit further. The reader of these tales will read in horror—those who can take it. And they will not forget very soon.” —Patricia Highsmith

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