Nowhere does anyone claim to know his mother’s whereabouts. From the front step he watches the neighbors raid the garden. The boys he paid to loot stores no longer come by. On the radio a soldier named Charles Taylor brags of killing fifty Nigerian peacekeepers with forty-two bullets. “They die so easily,” he boasts. “It is like sprinkling salt onto the backs of slugs.”
After a month, with no more information about his mother than he had the night she disappeared, Joseph takes her dictionary under his arm, stuffs his shirt, pants and shoes with money, locks the cellar—stocked with stolen notepads, cold medicine, boom boxes, an air compressor—and leaves the house for good. He travels awhile with four Christians fleeing to the Ivory Coast; he falls in with a band of machete-toting kids roving from village to village. The things he sees—decapitated children, drugged boys tearing open a pregnant girl, a man hung over a balcony with his severed hands in his mouth—do not bear elaboration. He sees enough in three weeks to provide ten lifetimes of nightmares. In Liberia, in that war, everything is left unburied, and anything once buried is now dredged up: corpses lie in stacks in pit latrines, wailing children drag the bodies of their parents through the streets. Krahns kill Manos; Gios kills Mandingoes; half the travelers on the highway are armed; half the crossroads smell of death.
Joseph sleeps where he can: in leaves, under bushes, on the floorboards of abandoned houses. A pain blooms inside his skull. Every seventy-two hours he is rocked with fever—he burns, then freezes. On the days when he is not feverish, it hurts to breathe; it takes all his energy to continue walking.
Eventually he comes to a checkpoint where a pair of jaundiced soldiers will not let him pass. He recites his story as well as he can—the disappearance of his mother, his attempts to gather information about her whereabouts. He is not a Krahn or a Mandingo, he tells them; he shows them the dictionary, which they confiscate. His head throbs steadily; he wonders if they plan to kill him. “I have money,” he says. He unbuttons his collar, shows them the bills in his shirt.
One of the soldiers talks on a radio for a few minutes, then returns. He orders Joseph into the back of a Toyota and takes him up a long, gated drive. Rubber trees run out in seemingly endless rows beneath a plantation house with a tiled roof. The soldier leads him behind the house and through a gate onto a tennis court. On it are a dozen boys, perhaps sixteen years old, lounging on lawn furniture with assault rifles in their laps. White sunlight reflects off the concrete. They sit, and Joseph stands, and the sun bears down upon them. No one speaks.
After several minutes, a sweating captain hauls a man from the back door of the house, down the breezeway to the tennis court, and throws him onto the center line. The man wears a blue beret; his hands are tied behind his back. When they turn him over, Joseph sees his cheekbones have been broken; the face sags inward. “This parasite,” the captain says, toeing the man’s ribs, “piloted an airplane which bombed towns east of Monrovia for a month.”
The man tries to sit up. His eyes drift obscenely in their sockets. “I am a cook,” he says. “I am traveling from Yekepa. They tell me to go by road to Monrovia. So I try to go. But then I am arrested. Please. I cook steaks. I have bombed nobody.”
The boys in the lawn furniture groan. The captain takes the beret from the man’s head and flings it over the fence. The pain in Joseph’s head sharpens; he wants to crumple; he wants to lie down in the shade and go to sleep.
“You are a killer,” the captain says to the prisoner. “Why not come clean? Why not own up to what you have done? There are dead mothers, dead girls, in those towns. You think you had no hand in their deaths?”
“Please! I am a cook! I grill steaks in the Stillwater Restaurant in Yekepa! I have been traveling to see my fiancée!”
“You have been bombing the countryside.”
The man tries to say more but the captain presses his sneaker over his mouth. There is a faraway grinding sound, like pebbles knocking together inside a rag. “You,” the captain says, pointing at Joseph. “You are the one whose mother has been killed?”
Joseph blinks. “She sold vegetables in the market at Mazien Town,” he says. “I have not seen her for three months.”
The captain takes the gun from the holster on his hip and holds it out to Joseph. “This parasite has killed probably one thousand people,” the captain says. “Mothers and daughters. It makes me sick to look at him.” The captain’s hands are on Joseph’s hips; he draws Joseph forward as if they are dancing. The light reflecting off the tennis court is dazzling. The boys in the chairs watch, whisper. The soldier who brought Joseph leans against the fence and lights a cigarette.
The captain’s lips are in Joseph’s ear. “You do your mother a favor,” he murmurs. “You do the whole country a favor.”
The gun is in Joseph’s hand—its handle is warm and slick with sweat. The pain in his head quickens. Everything before him—the dusty and still rows of trees, the captain breathing in his ear, the man on the asphalt, crawling now, feebly, like a sick child—stretches and blurs; it is as though the lenses of his glasses have liquefied. He thinks of his mother making that final walk to the market, the sun and shadow of the long trail, the wind muscling through the leaves. He should have been with her; he should have gone in her stead. He should be the one who felt the ground open beneath him, the one who disappeared. They bombed her into vapor, Joseph thinks. They bombed her into smoke. Because she thought we needed the money.
“He is not worth the blood in his body,” the captain whispers. “He is not worth the air in his lungs.”
Joseph lifts the pistol and shoots the prisoner through the head. The sound of the shot is quickly swallowed, dissipated by the thick air, the heavy trees. Joseph slumps to his knees; glittering rockets of light detonate behind his eyes. Everything reels in white. He collapses onto his chest, and faints.
He wakes on the floor inside the plantation house. The ceiling is bare and cracked and a fly buzzes against it. He stumbles from the room and finds himself in a hallway with no doors at either end and columns of rubber trees below stretching out nearly to the horizon. His clothes are damp; his money—even the bills beneath the soles of his boots—is gone.
At the doorway two boys loll in lounge chairs. Behind them, through the fence of the tennis court, Joseph can see the body of the man he has killed, unburied, slumped on the asphalt. He descends through the long rows of trees. None of the soldiers he sees pays him any mind. After an hour or so of walking he reaches a road; he waves to the first car that passes and they give him water to drink and a ride to the port city of Buchanan.
Buchanan is at peace—no tribes of gun-toting boys patrol the streets; no planes roar overhead. He sits by the sea and watches the dirty water wash back and forth along the pilings. There is a new kind of pain in his head, dull and trembling, no longer sharp; it is the pain of absence. He wants to cry; he wants to throw himself into the bay and drown himself. It would be impossible, he thinks, to get far enough away from Liberia.
He boards a chemical tanker and begs work washing pans in the galley. He scrubs the pans carefully enough, the hot spray washing over him as the tanker bucks its way across the Atlantic, into the Gulf of Mexico and through the Panama Canal. In the bunkroom he studies his shipmates and wonders if they can tell he is a murderer, if he wears it like a mark on his forehead. At night he leans over the bow rail and watches the hull as it cleaves the darkness. Everything feels empty and ragged; he feels as if he has left behind a thousand unfinished tasks, a thousand miscalculated ledgers. The waves continue on their anonymous journeys. The tanker churns north up the Pacific Coast.
He disembarks in Astoria, Oregon; the immigration police tell him he is a refugee of war and issue him a visa. Some days later, in the hostel where he stays, he is shown an ad in a newspaper: Handy person needed for winter season to tend Ocean Meadows, a ninety-acre estate, orchard and home. We’re desperate!
Joseph washes his clothes in the bathroom sink and studies himself in a m
irror—his beard is long and knotted; through the lenses of his glasses, his eyes look warped and yellow. He remembers the definition from his mother’s dictionary: Desperate: beyond hope of recovery, at one’s last extreme.
He takes a bus to Bandon, then thirty miles down 101, and walks the last two miles down an unmarked dirt road. Ocean Meadows: a bankrupted cranberry farm turned summer playground, the original house demolished to make way for a three-story mansion. He picks his way past the shrapnel of broken wine bottles on the porch.
“I am Joseph Saleeby, from Liberia,” he tells the owner, a stout man in cowboy boots called Mr. Twyman. “I am thirty-six years old, my country is at war, I seek only peace. I can fix your shingles, your deck. Anything.” His hands shake as he says this. Twyman and his wife retreat, shout at each other behind the kitchen doors. Their gaunt and taciturn daughter drags a bowl of cereal to the dining table, eats quietly, leaves. The clock on the wall chimes once, twice.
Eventually Twyman returns and hires him. They have advertised for two months, he says, and Joseph is the only applicant. “Your lucky day,” he says, and eyes Joseph’s boots warily.
They give him a pair of old coveralls and the apartment above the garage. During his first month the estate bulges with guests: children, babies, young men on the deck shouting into cell phones, a parade of smiling women. They are millionaires from something to do with computers; when they get out of their cars they inspect the doors for scratches; if they find one they lick their thumbs and try to buff it out. Half-finished vodka tonics on the railings, guitar music from loudspeakers dragged onto the porch, the whine of yellow jackets around half-cleaned plates, plump trash bags piling up in the shed: these are their leavings, these are Joseph’s chores. He fixes a burner on the stove, sweeps sand out of the hallways, scrubs salmon off the walls after a food fight. When he isn’t working he sits on the edge of the tub in his apartment and stares at his hands.
In September Twyman comes to him with a list of winter duties: install storm windows, aerate the lawns, clear ice from the roof and walkways, make sure no one comes to rob the house. “Can you handle that?” Twyman asks. He leaves keys to the care-taker’s pickup and a phone number. The next morning everybody is gone. Silence floods the place. The trees swing in the wind as if shaking off a spell. Three white geese crawl out from under the shed and amble across the lawn. Joseph wanders the main house, the living room with its massive stone fireplace, the glass atrium, the huge closets. He lugs a television halfway down the stairs but cannot summon the will to steal it. Where would he take it? What would he do with it?
Each morning the day ranges before him, vast and empty. He walks the beach, fingering up stones and scanning them for uniqueness—an embedded fossil, the imprint of a shell, a glittering vein of mineral. It is rare that he doesn’t pocket the stone; they are all unique, all beautiful. He brings them to his apartment and sets them on the sills—a room lined with rows of pebbles like small, unfinished battlements, fortifications against tiny invaders.
For two months he speaks to no one, sees no one. There is only the slow, steady tracking of headlights along 101, two miles away, or the contrails of a jet as its hurtles overhead, the sound of it lost somewhere in the space between sky and earth.
Rape, murder, an infant kicked against a wall, a boy with a clutch of dried ears suspended from his neck: in nightmares Joseph replays the worst things men do to each other. He sweats through his blankets and wakes throttling his pillow. His mother, his money, his neat, ordered life: all are gone—not finished, but vanished, as if some madman kidnapped each element of his life and dragged it to the bottom of a dungeon. He wants terribly to do something good with himself; he wants to do something right.
In November five sperm whales strand on the beach a half mile from the estate. The largest—slumped on the sand a few hundred yards north of the others—is over fifty feet long and is half the size of the garage where Joseph lives. Joseph is not the first to discover them: already a dozen Jeeps are parked in the dunes; men run back and forth between the animals, lugging buckets of seawater, brandishing needles.
Several women in neon anoraks have lashed a rope around the flukes of the smallest whale and are trying to tow it off the sand with a motorized skiff. The skiff churns and skates over the breaking waves; the rope tightens, slips and bites into the whale’s fluke; the flesh parts and shows white. Blood wells up. The whale does not budge.
Joseph approaches a circle of onlookers: a man with a fishing pole, three girls with plastic baskets half full of clams. A woman in a blood-smeared lab coat is explaining that there is little hope of rescuing the whales: already they are overheating, hemorrhaging, organs pulping, vital tubes conceding to the weight. Even if the whales could be towed off the beach, she says, they would probably turn and swim back onto shore. She has seen this happen before. “But,” she adds, “it is a great opportunity to learn. Everything must be handled carefully.”
The whales are written over with scars; their backs are mottled with pocks and craters and plates of barnacles. Joseph presses his palm to the side of one and the skin around the scar trembles beneath his touch. Another whale slaps its flukes against the beach and emits clicks that seem to originate from the center of it. Its brown bloodshot eye rolls forward, then back.
For Joseph it is as if some portal from his nightmares has opened and the horrors crouched there, breathing at the door, have come galloping through. On the half-mile trail back to Ocean Meadows, he falters in his step and has to kneel, his body quaking, the ragged clouds coursing overhead. Tears pour from his eyes. His flight has been futile; everything remains unburied, floating just at the surface, a breeze away from being dredged back up. And why? Save yourself, the neighbors had told him. Save yourself. Joseph wonders if he is beyond saving, if the only kind of man who can be saved is the man who never needed saving in the first place.
He lies in the trail until it is dark. Pain rolls behind his forehead. He watches the stars blazing in their lightless tracts, their twisting and writhing, their relentless burning, and wonders what the woman meant, what he should be learning from this.
By morning four of the five whales have died. From the dunes they look like a flotilla of black submarines run aground. Yellow tape has been strung around them on stakes and the crowds have swelled further: there are new, more civilian spectators—a dozen Girl Scouts, a mail carrier, a man in wing tips posing for a photo.
The bodies of the whales have distended with gas; their sides sag like the skin of withered balloons. In death the white cross-hatchings of scars on their backs look like ghastly lightning strokes, nets the whales have snared themselves in. Already the first and largest of them—the cow that stranded several hundred yards north of the others—has been beheaded, its jaw turned up at the sky, bits of beach sand stuck to the fist-sized teeth. Using chainsaws and long-handled knives, men in lab coats strip blubber from its flanks. Joseph watches them haul out steaming purple sacs that must be organs. Onlookers mill around; some, he sees, have taken souvenirs, peeling off thin membranes of skin and rolling them up in their fists like gray parchment.
The researchers in lab coats labor between the ribs of the largest whale, finally manage to extract what must be the heart— a massive lump of striated muscle, bunched with valves at one end. It takes four of them to roll it onto the sand. Joseph cannot believe the size of it; maybe this whale had a large heart or maybe all whales have hearts this big, but the heart is the size of a riding mower. The tubes running into it are large enough to stick his head into. One of the researchers jabs it with a needle, draws some tissue and deposits it in a jar. His colleagues are already back in the whale; there is the sound of a saw starting up. The researcher with the needle joins the others. The heart steams lightly in the sand.
Joseph finds a forest service cop eating a sandwich in the dunes.
“Is that the heart?” he asks. “That they’ve left there?”
She nods. “They’re after the lungs, I th
ink. To see if they’re diseased.”
“What will they do with the hearts?”
“Burn them, I’d guess. They’ll burn everything. Because of the smell.”
All day he digs. He chooses a plot on a hill, concealed by the forest, overlooking the western edge of the main house and a slice of lawn. Through the trunks behind him he can just see the ocean shimmer between the treetops. He digs until well after dusk, setting out a lantern and digging in its white circle of light. The earth is wet and sandy, rife with stones and roots, and the going is rough. His chest feels like it has cracks running through it. When he sets down the shovel, his fingers refuse to straighten. Soon the hole is deeper than Joseph is tall; he throws dirt over the rim.
Hours after midnight he has a tarp, a shovel, a tree saw and an alloy-cased hand winch in the bed of the estate’s truck, the load rattling softly as he eases over the back lawn of the house and down the narrow lane to the beach. Tribes of white birch stand bunched and storm-broken in the headlights like bundles of shattered bones; their branches scrape the sides of the truck.
Twin campfires smolder by the four whales to the south but nobody is near the cow to the north, and he has no trouble driving past the hanks of kelp at tideline to the dark, beheaded hulk lying at the foot of the dunes like the caved-in hull of a wrecked ship.
Viscera and blubber is everywhere. Intestines lie unfurled across the beach like parade streamers. He holds a flashlight in his teeth and, through the giant slats of its ribs, studies the interior of the whale: everything is wet and shadowed and run-together. A few yards away the heart sits in the sand like a boulder. Crabs tear plugs from its sides; gulls squabble in the shadows.
The Shell Collector Page 13