FrogsintoPrinces(Bandler/Grinder),142
Frustration,71–72
Fryer,Zander,159,160,167
Fulfillment,gold,2
Game
failure,component,75
returning,71
winning/losing,41–43
Gandolfini,James(actingapproach),130,184–185
Garofalo,Janeane,21
GelfondCathySandrich,172–175
Generosity,130
GiantSteps(Abdul-Jabbar),143
Gillingham,Kim,111,140,160–161,167
Glamour,overestimation,179
Goal
achievement/knowledge,184–187
grasping,problem,79
GoldenRule,usage,170–171
Goliath, 97,110,114,121
Goodman,Elissa,127
Goodness,169
benefits,171–176
power,170–171
Gordon,Jon,147,152
Gratitude
display,150
system,creation,149–152
Graves,Alex,22
Greco,Loretta,2
Grinder,John,142
Grounding,exercise,137–139
Grupe,Rob,74–75
Gut,trust,36–39
“GuyintheGlass,The”(Wimbrow),16
Hagen,Uta,35
Harbinger,Jordan,127
Harris,Ed,67
Hawke,Ethan,162–166
Headspace,135
Help/assistance,search,125–129,140–145
Helplessness,70
Hendricks,Gay,166
Hill(metaphor),climbing,20–23
Hitshows,occurrence,34–36
Hodge,Aldis,195
Hollis,Sue,145
HotPursuit, 83,130,175,192
Howard,Ron,67
HugeinFrance(Netflixshow),45–46,48,84,99,108
Hughes,John,26
Humility,124–125
Hurley,John,20,22,66
mantras,69
teachings,68
Imagery,reframing/importance,78–82
Imperfections,51
Informational,transformational(contrast),44
Innerself,correspondence,160
Instinct,25
learning,38
trust,36–39
Intelligence,27–28
Intentionalblindness,151
Internalexperience,94
Introversion,27–28
Jabaley,Charlie,84,103,149–150
Jackman,Hugh,105
Jam,Jimmy,13
Jay-Z,53
Jeter,Derek,155
Joel,Billy,100
music,usage/need,8–11
Jordan,Michael,43
Jung,Carl,159,161
Kaminski,Gus,61–62,150
Kane,Steven,125
Kaufman,Boris,115
Kazan,Elia,38
KeepItSimple,Stupid(KISS),2
Keuilian,Bedros,14,123,166
Knickerbocker,Terry,15,108
Kogan,Nataly,149
Lambert,Jack,143
Lazar,Sara,141
Leaders
differences,131
problems,128
Leadership,117,127–128
communicationstyle,121
humility,124–125
potential,awareness,125
relationships,presence,118
self-leadership,125
Lee,Bruce,90
Levine,Alison,43,55–56
Life
aspect,dissection,156–167
change,73–74
events,framing/interpretation(impact),80
experiences,framingprocess(importance),77–78
faith,requirement,150–151
glamour,overestimation,179
impact,70–72
perspective,56
quality,performance(correlation),26
Lindley,Siri,53,69
Listening,importance,73
LivebyNight, 112
Lively,Blake,105,106
Liveperformance,spontaneity(addiction),28–29
Livetheater,disaster(potential),31
Livingspace,inspiration,182–184
LongDay'sJourneyintoNight(O'Neill),115
Long,Matt,71,91–93
LongRun,The(Long),71,92
Losing/winning,153–154
scorecard,usage(avoidance),155–157
Luck,178,194
Lumet,Sidney,114–115,121
Maguire,Jerry, 126–127
MakingMovies(Lumet),114,121
Mamet,David,29,109
Medicine,usage,99–101
Meditation,133
acceptance,141
groundingexercise,137–139
integration,143
practices,beauty/curse,145
resistance,135
surrender,contrast,89–90
Mentalgame,usage,41–43
Mentors,study,43–44
Messina,Chris,42,109,112,123,126,155–156
Milano,Alyssa,82,149
Mindset,impact,16
Misiano,Christopher,186
Mistresses, 82–83
Momentum,building,155
“MorethanHalfofActorsAreUnderPovertyLine”(Vincent),66
Morski,LynnMarie,90–91
Moving,self-questioning,2–8
MysteryofEdwinDrood,180
auditionexperience,8–11
Nature,nurture(contrast),14–17
Navarro,José,115
NorthEnd,The, 155
O'Brien,Mark,179
Oldman,Gary,107,155
Olsen,EricChristian,25
O'Neill,Eugene,115
OntheEdge(Levine),43,55
OntheWaterfront, 38
Oppenheim,Geri,114
Opportunity,pursuit(continuation),175
Pain,impact,91
Panicattacks,5,94
Parents,impact,189–190
Participation,requirement,4
Paskowtiz,Nina,114
Passion
display,187
importance,86
Peacekeeping,price,3
Performance,25
audienceintimacy,intimidation,30
commonality,28
life,quality(correlation),26
liveperformance,spontaneity(addiction),28–29
magic,27
problems,33–36,140
Performers
exposure,desire,10–11
similarities,26–30
Permanentdefeat,admission,90–91
Perry,Jeff,172
Perry,Matthew,19
Perseverance,65,71
usage,66–69
Podcast,initiation,84–87
Polk,Andrew,31,35
Polo,Teri,21
Ponzio,Melissa,23,169
PooPourri(Batiz),93
Positivechange,capability,105
Powerstructure,181–182
Preparation,importance,21,47
Pressfield,Stephen,2
Professionalism,57–59
Professionals,study,43–44
Publicity,understanding,192–193
Purpose,importance,86
Rarefiedair,112–116
Reading
lines,importance,73
opportunity,172
Reality,facade(contrast),189
Redcarpet
attention-seekingstereotype,respect(absence),27
facade,192–194
Redman,Jason,6,92,93
Reframing,77
Regret,feeling,96
Rehabilitation,meaning,96
Rehearsal,discipline,42
Rejections,change,85–86
Relatio
nships
change,134–136
presence,118
Relaxation,133
integration,143
surrender,contrast,89–90
Rewards,motivation,179
Reynolds,Ryan,105
Rhimes,Shonda,85,129
Risk,53
Robbins,Blake,156
Robbins,Tony,32,53
Rockwell,Sam,108–109
Rolemodels,study,43–44
Roles,transformation
completion,111–112
process,107–111
Roles,variety,110
Sadness,71–72
Saint,EvaMarie,38
Saladino,Don,105–107,155
Scandal,84–85,113–114,129,191
Schiff,Richard,7–8
Schreiber,Liev,105
Schreiber,Terry,31,136–137,140
Scorecard
usage,absence,155–157
Scorecard,keeping,154–155
Secrets,carrying,3
Self-belief,156–157
growth,155
path,148–149
Self-criticism,144–145
impact,11
Self-development,127
Self-forgiveness,110–111
Self-judgment,impact,11
Self-knowledge,142–143
Self-leadership,125
Self-motivation,4
Self-sabotage,Hollywoodnightmare,161–167
Self-scorecard,keeping,154–155
Service
importance,86
value,118–123
Shahi,Sarah,77,163
ShawshankRedemption,The(Darabont),95–96,152
Sheen,Martin,186
Sheridan,Taylor,113
Showbusiness
“feastorfamine,”162
“hurryupandwait,”162
importance/enjoyment,82–84
Shows,hits(presence),34–36
Simon,Carly(stagefright),32
Sims,Steve,68
Singularity,177
Skydiving(free-falling),experience,60–63
Smits,Jimmy,18,20,21,129–130
Solutions,discovery,140–145
Sopranos,The, 110,162,191
actingrun,18
attention,59
audition,56,58,152
career,changes,62,75
culturalimportance,56
experience,22
Gandolfini,actingapproach,130,184–185
role,callbacks,75
success,change,143
work,58–59
Sorkin,Aaron,19,20
Speed,purchase,43–45
Speed-the-Plow(Mamet),29–30,34–36
performance,problems(example),35–36
preparation,fundamentals,30–31
Spencer,John,186–187
Sportsstories,actingcareer(parallels),72
Springsteen,Bruce(concertlengths),32
Srivatsaa,Sharran,44,120
Stagedirections,importance,173
Stardom,ego(relationship),129–131
Stars,generosity,130
Straight-Astudent,ratingexcess,136–140
Streep,Meryl,27,43
Street,AmandaLovejoy,160,161,167
Subconscious,159,166
summoning,160–161
Success
externalvalidation,144
facade,192–194
failure,relationship,59–60
hype,disbelief,190–192
imminence,72–76
reasons,differentiation,80
simplicity,140–145
Surrender,89,98
acknowledgment,92
relaxation/meditation,contrast,89–90
weakness/defeat,association,90
System,creation/usage,49–52
Talent
impact,22
payoff,194–196
payscale,correlation,194–195
presence,112–116
workethic/values,connection,23
Talkthetalk,45–49
Tarantino,Quentin,183
Taylor,Chip,37
TB12method,134
TelesProperties,44,120
Thornton,BillyBob,97
ThreeBillboardsinEbbing,Missouri,108
Thurman,Uma,164–165
TierOneOperators,training,17–18
Time,energy(balance),178
Todd,Jennifer,123
Torres,Toni,80
Training,41
continuation,106
power,49
Transformation,103. SeeRoles
example,113–114
impact,104–107
initiation,116
Trilling,Lawrence,121–122
Truth,moment,10
Unemployment
impact,97
opportunities,84–87
UnleashthePowerWithin(Robbins),32,53
Values,talent(connection),23
Vergara,Sofia,174–175,192–194
Vice, 108
Vincent,Alice,66
Vincent,Frank,57
Walken,Georgianne,58–59
Walker,Acacia,119
Walkthewalk,45–49
Walls,punching(avoidance),97–99
WarofArt,The(Pressfield),2
Washington,Kerry,85,129
Weakness,surrender(association),90
Wells,John,20
WestWing,The(experience/fear),18–22,186
Whitaker,Rob,127–128,141,153–154
Whitford,Bradley,21
Who'stheBoss?, 149
Wilkerson,Carrie,196
Willful,definition,81
Willfuldenial,80–83,151
Wimbrow,Dale,16
WindRiver, 110,113
Winfrey,Oprah,14,149
Winkler,Henry,133
Wins. SeeLosing/winning
scorecard,usage(avoidance),155–157
usage,154–155
Witherspoon,Reese,130,174–175,192–194
Wooden,John,156
Work
powerstructure,181–182
recurrence,171
Workethic,13–14,27
detail/consistency,17
increase,16
learning/training,15
talent,connection,23
usage,21
Workplace,leaders(problems),128
World,belief,148–149
Writing,origin,6
Yalof,Schwartz,Suze,142
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