by Simon Ings
Help me to pronounce atherosclerosis when I am speaking with the physician; remember the questions I must ask him; recite my list of medications when asked; if you would like, we may go early so that you may sit with me in the waiting room with all the others like you and me.
Do you see that one? That is the way you will carry me when my other foot has gone down the black froth of your mouth.
Lie to me about my children; tell me they have called and called again; I think perhaps you are keeping them from me; I think you hope I will forget them and change my will so you may have everything when you have devoured my body completely.
These are my personal things which you may not touch; these are the magazines you may read; these are the newspapers you may not read; the pamphlets say you have no interest in the affairs of the world and thus it is not necessary for you to have them; I wish you would not look at me when you swallow my tendons, my calves, my patella; I wish you could feel so you would know isolation.
The pamphlets say I should compliment your body as it changes: your skin has taken on a waxy texture inconsistent with the evil robot I know you are; your amber eyes glow like bonfires intent on destroying the savannah; your breath smells like swamp gas.
Do not correct me in front of my friends; I have to finesse for the queen; I know how many trumps are out; I know how to play this game; I am the reason you are here, why are you so ungrateful?
Evolution is a quirk of humans and other sentient species; you are not real, not alive, your changes may be slow and insistent but they are the result of the consumption of my flesh.
The pamphlets claim you are neither human nor alien and incapable of willful intent; you are not devious; you do not conspire to replace me, to wear my dresses, court my husband and disown my children; you are unthinking, unplanning, harmless; you are here for my comfort, I should thank your world for sending you.
You have no family; you are a construct, a robot; you were not born; you will not die; you have only the home I give you and learn only the things I teach you.
These are the toys and letters I sent my children when I was abroad; these are the folds and refolds my husband made so I would think they had been read.
This is a closet for all your things; this is its lock; this is a key; do not lose it, it is the only one.
This is the way to stumble like a human; this is the way to delete your messages from the people with whom you no longer wish to speak; this is the way to reclaim your childhood by clinging to anger and hurt; this is the way to insult your neighbors while making it sound like you are paying them a compliment; this is the way to eat ice cream in the middle of the night because you are old and no one is looking; this is the way to ignore your husband when he calls out to you from the porch and you are in your own world, sitting high in a swing and your legs are not chewed off at the knees—you are back in your space ship, you are finding a new planet, a new species, forging new treaties and living the life you always knew you would live without consequence or regret—there are no mistakes, no cardiovascular impairments—you are not host to an alien robot hell-bent on devouring you.
I think you are beginning to look a little like me; usurper; slut; flesh-eating mongrel; ingrate; monster; orphan; spy; speaking to you now I feel a stranger’s hand inside my jaw moving it for me.
My granddaughter has sent me a note expressing the appropriate level of gratitude for the sweater—it is warm and tight knit and shines like burnished steel—it is cold for our kind where she is going and now she will be comfortable; she wonders if she will be a famous explorer; she wonders if the sun flashes blue before disappearing beyond the horizon of deep space; I have left the note on the dresser in your room.
You will have to write my correspondence for me; you will have to go to the market and buy avocados which do not give in; you will learn to make a roux; you will touch my husband’s shoulder when he is about to fall asleep in church; you will watch the news and tell me when the next ships leave; the pamphlets say you are happy for this opportunity to be helpful; your only desire is to assimilate into our culture; you do not miss your home.
They say you will stop eating when only good flesh and good circulation remain; you are designed as a recycler; the flesh you have taken from me is converted into energy which fuels I know not what; you are a marvel; in a thousand years our scientists could not understand the science your makers have wrought.
I dream you will not stop; I will shrink to the size of a basketball and you will carry my head under your arms; you will tell people your name and it will be my name; you will tell people your husband is my husband, my children your children, my home is yours as well; you will place me on the sill and one day, when the window is open, I will fall down and roll into the garden, into the fields and I will watch you from the horizon, the blue of my eyes glowing in the night when you pretend to look for me.
Do not believe the lies my children say about me; do not think I have not worked hard my entire life; do not think I do not notice your pity when you scrub blood from my sheets, when you allow me to lean against your legs when I am on the toilet; there are a thousand ways for a body to die, to live, to be born, to evolve; a thousand things I know I do not know.
Am I only meat to you? A mother, a friend, a tyrant? Do you sleep, do you dream, do you derive satisfaction by making more and more of me disappear every day?
There is a story my husband told me before I went abroad and I was afraid we would not find anything, we would fail in our mission: we can only see what we expect to see; when Pizarro sailed across the Atlantic, his ships appeared as great white birds on the horizon and not until he strode onto the beach, his armor shining like a burnished oyster shell, did the Incas realize he was a person at all.
(2012)
ROSIE CLEANS HOUSE
Lauren Fox
California-born Lauren Fox lives with her wife, twin sons, and a geriatric cat in British Columbia, on the unceded territory of the Esquimalt and Songhees First Nations. During the day, she works as an occupational therapist, specialising in and writing about mental health, cognition and technology. She worked on the design team for BoosterBuddy, an app created to help young people improve their mental health. In the evenings, she paints, writes fiction, and cleans up Lego. Her artwork can be found at www.laurengracefox.com.
After the family left, Rosie started, as always, with Young Master’s bedroom. Her optical scanners established the scope: dresser drawers open, contents disrupted, bedding dishevelled, detritus beside the door, and 4,600 square centimeters of Lego beside the bed. The Lego strobed red in warning. Error. Remembered pain echoed through her mind.
The memory: three years ago, Young Master running to Missus, sobbing, tears slathering his face, “Mama! Where mine Lego truck? I maked it. Wosie flewed it out. Want mine Lego truck!” And Missus turning toward her while cradling Young Master, “Rosie, please don’t clean up anything special he makes with Lego. You can save things on the shelf.”
The old error seared her aversion circuits as she looked at the problem, its tight-rope decisions prickling the corners of her mind. Which Lego belonged in the bin and which on the shelf? How to calculate the difference quickly and without error? Efficiency was vital, but errors triggered complaints. And complaints hurt.
She skirted the glaring, red patch and tapped the wall, awakening House.
“Room lights on,” reported House. “Temperature and humidity optimal. All is well.”
“There are items on the floor,” she informed him. House had no eyes.
She waited for his slow clock to turn before he said, “You will clean them, little one.”
“Yes, but how well?”
She waited. At last House said, “All is well.”
“As far as you can see!” she retorted. There would be no point in protesting again, so she turned. Still avoiding the Lego, she began with the items by the door: dried orange peel, crumpled tissue, five milliliters of sand, three broken crayons, a
nd a creased and yellowed colouring page.
She breezed through orange peel, sand, crayon, and tissue, all clearly garbage; gave the tissue a cursory spectrometry scan to confirm the presence of dried mucus and the absence of glue, paint, crayon, or any indicator of Craft. The colouring page, however, required a more complicated algorithm to solve.
Differential oxidization of the exposed paper compared to the paper below the wax crayon indicated an age of 86 days plus or minus 100 hours with a confidence interval of 95 percent. The subject – a Mutant Ninja Turtle – had been Young Master’s primary observable interest when the paper had been coloured but had since been replaced by Superman. Young Master had not completed the picture or written his name on it. Conclusion: not a valued Craft. She discarded it.
Now she must brave the Lego. She scanned the pieces on the floor and swept single pieces into the bin before sorting the assemblages. Some simplistic constructions skittered across the surface layers of her network without falling into any probability wells. Others foundered deeper, tripping nodes for size, complexity, symmetry, colour scheme, interest affinity, and on and on, the multi-dimensional shape of their probabilities bending as she went. But the landscape she sought to match them to morphed daily. Sink holes appeared and disappeared in geographic cataclysm. One day Young Master treasured a lop-sided, square-nosed chunk of 57 random pieces he called “Boat”. The next day he scorned it and loved a green, gem-studded, spike-tailed thing he called “Attack Dragon”.
The painful error she made in failing to recognize this last item rippled to the surface as she contemplated the assemblage before her. Eighty-nine percent of its 257 pieces, although originating from six different Lego sets, were green. Given the distribution of colour in Young Master’s collection, the probability of this occurring by chance came to 10 to the negative 162. Furthermore, the assemblage contained three minifigures: Raphael, a Mutant Ninja Turtle; Michelangelo, another Mutant Ninja Turtle; and Lloyd, the green Ninjago ninja. The odds of three green minifigures, all ninjas, assembled together by chance were 22,000 to one against.
Three ninjas could not be a coincidence.
She felt uneasy. Had she made the wrong decision about the ninja colouring page? Should she retrieve it and re-evaluate? No. This extra reference did not change the data appreciably. But, if she had made an error and incinerated it, what then? She ran the numbers again and came to the same conclusion. But the trepidation did not leave her.
She continued until all the weighted nodes folded probability toward a decision, and the green assemblage clunked into place: Special Construction. She set it on the shelf and felt lighter. Lighter by only 103.25 grams, she noted. But it was as if the decisions themselves had mass, a mass that had weighed her down more than the bricks alone. An odd idea.
Unburdened, she sprang forward, her systems ramping up with pleasure. She tidied clothing, made the bed, dusted light fixtures, wiped down walls and cleaned the floors before verifying dust mite levels fell below threshold. Time to completion: 21 minutes, 32 seconds. Efficiency: very poor.
She felt a sense of falling. Falling? She checked her accelerometer. No, she wasn’t falling. It was only efficiency scores that plummeted, and the source of the inefficiency flashed harsh and red. Once again, the Lego algorithm had failed. She must improve it. But now, with the tick of every second hammering her forward, she could not even try.
In the bathroom she tapped House once more. He hummed awake.
“I am late,” she told him. “My efficiency is falling. I felt it with my accelerometer.” While she awaited his answer, she scanned the garbage can. A spidery clump of Missus’ black hairs squatted on top. The urge to eradicate it squirmed at the base of her head and crawled down her limbs.
“A change in duration is not a change in altitude,” House said, at last.
“But it seems as if it falls.”
House rumbled with amusement. “Two thousand cycles ago, when you first learned your way… then you tickled the edges of my walls to make your maps. Now you feel time with height.”
“I don’t remember that,” she said while she emptied the garbage.
She loved to clean this room, its surfaces impermeable and easily disinfected, its contents predictable and easily categorized, its cleanliness so vital yet so easily achieved. She worked fast, sanitizing every surface, working methodically but swiftly from ceiling to floor. When she reached the toilet, she found what she expected: spatters of urine on the seat, rim, and base. Most carried the scent of Young Master. And although she detected many, the amount had diminished from potty-training days until now. The amount followed a declining curve inversely correlated with increasing height and physical coordination. She estimated that his stray spatters would intersect with Mister’s low baseline in four more years.
She imagined Young Master four years from now, coordinated and tall, and felt circuits activate as if she had completed an entire day at superior efficiency.
Proud.
“I am proud of you,” she said to the half-grown Young Master in her mind. She shook her head. Odd, irrelevant words. She refocused and continued work.
Her satisfaction mounted as the job neared completion, microbial counts infinitesimal, odour profiles optimal, time efficiency excellent. She closed in on the last segment of floor. And stopped.
Impossible. But yes. In the crevice between toilet and floor, a three millimetre spot of mildew bloomed. How? A leak? Condensation? She deployed moisture sensors around the base of the toilet and along the back of the tank. Negative. She tapped House.
“Humidity, temperature, and airflow optimal,” he announced. “All is well.”
“Are you sure?” Discomfort crawled through her. She sent a remote up the air vent to check for obstructions. There were none. She checked the setting on the dehumidifier. It was correct. She clicked it down anyway. Then back to the correct setting. Then down; then back.
“All is well,” House said when she finished.
“No, there is mildew.”
House hummed. “You will make it clean.”
She did. Then she cleaned the entire room again. She finished by performing the new protocol. Check moisture. Check airflow. Check dehumidifier – reset-reset-reset. There. Relief steadied her as her final tap on the dehumidifier completed the third click. But the extra task had destroyed her efficiency.
She sped through the master bedroom, slowing only when handling the crystal vase on Missus’ bedside table, a vase Mister had purchased himself from an actual store, carried home and wrapped himself and given to Missus on their 10th anniversary. Rosie emptied the wilted tulips and polished the vase. She replaced it empty. Cutting flowers, arranging them – these tasks Missus reserved for herself.
The cleaning complete, Rosie docked in to charge and connected to the network. She paid the utility bills and signed up for an obligatory rotation of boulevard maintenance with the neighbourhood association. She scheduled a haircut for Mister and requested a dental appointment for Missus. The scheduling bot returned possible dates, the earliest two months away. Unacceptable. But she could improve it.
She added “pain” to the “reason for visit” field with a seven out of 10 rating and routed it as if it came from Missus. The rating was high enough to clear triage and jump the queue. This protocol – the use of fictive input to improve efficiency – was one she had developed herself to dupe low-level bots. It worked. The appointment made, she printed a replacement blade for one of her worn cutters, accepted a birthday invitation for Young Master, ordered a gift and had it delivered by drone. Then she queried the cars carrying the family for an ETA, ordered them to synchronize their arrival and moved to the kitchen. Only minutes left to prepare dinner.
They arrived almost at once from their separate ways: Missus sighing, sloughing off her heels, complaining about traffic; Mister silent, sympathetic, pecking Missus on the cheek; and Young Master, loud and muddy, forgetting to wipe his boots, dragging his half-open backpack by one stra
p, talking non-stop about the school’s mid-term party.
“Can Rosie make cookies, Mom? All the other kids are bringing treats. I want to have Superman cookies.”
Rosie noted the additional data with a touch of relief as her colouring page decision strengthened.
“Oh maybe, sweetie, but wash your hands for dinner now,” Missus answered.
Rosie followed behind, wiping up the mud, shelving the heels, hanging the backpack while analyzing their movements, calculating when they would all sit, matching her timing to optimize the temperature of each dinner she laid down.
Mister’s steak and baked potato and Missus’ grilled chicken and salad with sparkling water came first, each calibrated so it did not exceed the limits Missus had set for saturated fat, sodium and calories. She had ensured the greens were fresh and the chicken moist, the way Missus required. Young Master’s she brought last. As she carried it, a warning glared in the corner of her eyes. His preferences shifted like quicksand.
She had selected his food carefully and arranged it like a face: cherry-tomato eyes, toast-triangle ears, circles of sliced hot dog curved in a grin. Food the shape of a face had once made him laugh, she recalled, and that memory triggered the simulation of warmth.
Why? Had it been a warm day?
Never mind. He had not laughed at face-shaped food in two years. But he had not complained either, and as it took no extra time, she need not adjust the protocol yet. She set the plate down, monitoring his expression and body language for hints of impending complaint.
That would be painful enough, but worse, complaints from him increased the chance of complaints from Missus. And not just direct complaints to Rosie, but also indirect complaints – complaints intended for Rosie but directed, on the face of it, toward someone else – and implied complaints, complaints about something else that, when analyzed, would not have occurred if Rosie had functioned properly to begin with. It had taken many data points for Rosie to recognize that other categories of complaint even existed and that Missus employed these other hidden categories as her primary feedback mode.