He lay there unquietly for a long while, turning the unanswered questions over and over in his mind. There was something about this crystal cube out of the unmeasured past, perhaps from the dawn of all history, that constituted a challenge that would not let him sleep.
[A. Merritt]
He lay there, it seemed to him, for hours. It had been the lingering light, the luminescence that seemed so reluctant to die, which held his mind. It was as though something in the heart of the cube had awakened, stirred drowsily, become suddenly alert . . . and intent upon him.
Sheer fantasy, this. He stirred impatiently and flashed his light upon his watch. Close to one o’clock; three hours more before the dawn. The beam fell and was focused upon the warm crystal cube. He held it there closely, for minutes. He snapped it out, then watched.
There was no doubt about it now. As his eyes accustomed themselves to the darkness, he saw that the strange crystal was glimmering with tiny fugitive lights deep within it like threads of sapphire lightnings. They were at its center and they seemed to him to come from the pale disk with its disturbing markings. And the disc itself was becoming larger . . . the markings shifting shapes . . . the cube was growing . . . was it illusion brought about by the tiny lightnings. . . .
He heard a sound. It was the very ghost of a sound, like the ghosts of harp strings being plucked with ghostly fingers. He bent closer. It came from the cube. . . .
There was squeaking in the underbrush, a flurry of bodies and an agonized wailing like a child in death throes and swiftly stilled. Some small tragedy of the wilderness, killer and prey. He stepped over to where it had been enacted, but could see nothing. He again snapped off the flash and looked toward his tent. Upon the ground was a pale blue glimmering. It was the cube. He stooped to pick it up; then obeying some obscure warning, drew back his hand.
And again, he saw, its glow was dying. The tiny sapphire lightnings flashing fitfully, withdrawing to the disc from which they had come. There was no sound from it.
He sat, watching the luminescence glow and fade, glow and fade, but steadily becoming dimmer. It came to him that two elements were necessary to produce the phenomenon. The electric ray itself, and his own fixed attention. His mind must travel along the ray, fix itself upon the cube’s heart, if its beat were to wax, until . . . what?
He felt a chill of spirit, as though from contact with some alien thing. It was alien, he knew it; not of this earth. Not of earth’s life. He conquered his shrinking, picked up the cube and took it into the tent. It was neither warm nor cold; except for its weight he would not have known he held it. He put it upon the table, keeping the torch turned from it; then stepped to the flap of the tent and closed it.
He went back to the table, drew up the camp chair, and turned the flash directly upon the cube, focusing it so far as he could upon its heart. He sent all his will, all his concentration, along it; focusing will and sight upon the disc as he had the light.
As though at command, the sapphire lightnings burned forth. They burst from the disc into the body of the crystal cube, then beat back, bathing the disc and the markings. Again these began to change, shifting, moving, advancing, and retreating in the blue gleaming. They were no longer cuneiform. They were things . . . objects.
He heard the murmuring music, the plucked harp strings. Louder grew the sound and louder, and now all the body of the cube vibrated to their rhythm. The crystal walls were melting, growing misty as though formed of the mist of diamonds. And the disc itself was growing . . . the shapes shifting, dividing and multiplying as though some door had been opened and into it companies of phantasms were pouring. While brighter, more bright grew the pulsing light.
He felt swift panic, tried to withdraw sight and will, dropped the flash. The cube had no need now of the ray . . . and he could not withdraw . . . could not withdraw? Why, he himself was being sucked into that disc which was now a globe within which unnameable shapes danced to a music that bathed the globe with steady radiance.
There was no tent. There was only a vast curtain of sparkling mist behind which shone the globe. . . . He felt himself drawn through that mist, sucked through it as if by a mighty wind, straight for the globe.
[H. P. Lovecraft]
As the mist-blurred light of the sapphire suns grew more and more intense, the outlines of the globe ahead wavered and dissolved to a churning chaos. Its pallor and its motion and its music all blended themselves with the engulfing mist—bleaching it to a pale steel-colour and setting it undulantly in motion. And the sapphire suns, too, melted imperceptibly into the greying infinity of shapeless pulsation.
Meanwhile the sense of forward, outward motion grew intolerably, incredibly, cosmically swift. Every standard of speed known to earth seemed dwarfed, and Campbell knew that any such flight in physical reality would mean instant death to a human being. Even as it was—in this strange, hellish hypnosis or nightmare—the quasi-visual impression of meteor-like hurtling almost paralyzed his mind. Though there were no real points of reference in the grey, pulsing void, he felt that he was approaching and passing the speed of light itself. Finally his consciousness did go under—and merciful blackness swallowed everything.
It was very suddenly, and amidst the most impenetrable darkness, that thoughts and ideas again came to George Campbell. Of how many moments—or years—or eternities—had elapsed since his flight through the grey void, he could form no estimate. He knew only that he seemed to be at rest and without pain. Indeed, the absence of all physical sensation was the salient quality of his condition. It made even the blackness seem less solidly black—suggesting as it did that he was rather a disembodied intelligence in a state beyond physical senses, than a corporeal being with senses deprived of their accustomed objects of perception. He could think sharply and quickly—almost preternaturally so—yet could form no idea whatsoever of his situation.
Half by instinct, he realised that he was not in his own tent. True, he might have awaked there from a nightmare to a world equally black; yet he knew this was not so. There was no camp cot beneath him—he had no hands to feel the blankets and canvas surface and flashlight that ought to be around him—there was no sensation of cold in the air—no flap through which he could glimpse the pale night outside . . . something was wrong, dreadfully wrong.
He cast his mind backward and thought of the fluorescent cube which had hypnotised him—of that, and all which had followed. He had known that his mind was going, yet had been unable to draw back. At the last moment there had been a shocking, panic fear—a subconscious fear beyond even that caused by the sensation of daemonic flight. It had come from some vague flash or remote recollection—just what, he could not at once tell. Some cell-group in the back of his head had seemed to find a cloudily familiar quality in the cube—and that familiarity was fraught with dim terror. Now he tried to remember what the familiarity and the terror were.
Little by little it came to him. Once—long ago, in connection with his geological life-work—he had read of something like that cube. It had to do with those debatable and disquieting clay fragments called the Eltdown Shards, dug up from pre-carboniferous strata in southern England thirty years before. Their shape and markings were so queer that a few scholars hinted at artificiality, and made wild conjectures about them and their origin. They came, clearly, from a time when no human beings could exist on the globe—but their contours and figurings were damnably puzzling. That was how they got their name.
It was not, however, in the writings of any sober scientist that Campbell had seen that reference to a crystal, disc-holding globe. The source was far less reputable, and infinitely more vivid. About 1912 a deeply learned Sussex clergyman of occultist leanings—the Reverend Arthur Brooke Winters-Hall—had professed to identify the markings on the Eltdown Shards with some of the so-called “pre-human hieroglyphs” persistently cherished and esoterically handed down in certain mystical circles, and had published at his own expense what purported to be a “translation” of the
primal and baffling “inscriptions”—a “translation” still quoted frequently and seriously by occult writers. In this “translation”—a surprisingly long brochure in view of the limited number of “shards” existing—had occurred the narrative, supposedly of pre-human authorship, containing the now frightening reference.
As the story went, there dwelt on a world—and eventually on countless other worlds—of outer space a mighty order of worm-like beings whose attainments and whose control of nature surpassed anything within the range of terrestrial imagination. They had mastered the art of interstellar travel early in their career, and had peopled every habitable planet in their own galaxy—killing off the races they found.
Beyond the limits of their own galaxy—which was not ours—they could not navigate in person; but in their quest for knowledge of all space and time they discovered a means of spanning certain transgalactic gulfs with their minds. They devised peculiar objects—strangely energized cubes of a curious crystal containing hypnotic talismen and enclosed in space-resisting spherical envelopes of an unknown substance—which could be forcibly expelled beyond the limits of their universe, and which would respond to the attraction of cool solid matter only.
These, of which a few would necessarily land on various inhabited worlds in outside universes, formed the ether-bridges needed for mental communication. Atmospheric friction burned away the protecting envelope, leaving the cube exposed and subject to discovery by the intelligent minds of the world where it fell. By its very nature, the cube would attract and rivet attention. This, when coupled with the action of light, was sufficient to set its special properties working.
The mind that noticed the cube would be drawn into it by the power of the disc, and would be sent on a thread of obscure energy to the place whence the disc had come—the remote world of the worm-like space-explorers across stupendous galactic abysses. Received in one of the machines to which each cube was attuned, the captured mind would remain suspended without body or senses until examined by one of the dominant race. Then it would, by an obscure process of interchange, be pumped of all its contents. The investigator’s mind would now occupy the strange machine while the captive mind occupied the interrogator’s worm-like body. Then, in another interchange, the interrogator’s mind would leap across boundless space to the captive’s vacant and unconscious body on the trans-galactic world—animating the alien tenement as best it might, and exploring the alien world in the guise of one of its denizens.
When done with exploration, the adventurer would use the cube and its disc in accomplishing his return—and sometimes the captured mind would be restored safely to its own remote world. Not always, however, was the dominant race so kind. Sometimes, when a potentially important race capable of space travel was found, the worm-like folk would employ the cube to capture and annihilate minds by the thousands, and would extirpate the race for diplomatic reasons—using the exploring minds as agents of destruction.
In other cases sections of the worm-folk would permanently occupy a trans-galactic planet—destroying the captured minds and wiping out the remaining inhabitants preparatory to settling down in unfamiliar bodies. Never, however, could the parent civilization be quite duplicated in such a case; since the new planet would not contain all the materials necessary for the worm-race’s arts. The cubes, for example, could be made only on the home planet.
Only a few of the numberless cubes sent forth ever found a landing and response on an inhabited world—since there was no such thing as aiming them at goals beyond sight or knowledge. Only three, ran the story, had ever landed on peopled worlds in our own particular universe. One of these had struck a planet near the galactic rim two thousand billion years ago, while another had lodged three billion years ago on a world near the centre of the galaxy. The third—and the only one ever known to have invaded the solar system—had reached our own earth 150,000,000 years ago.
It was with this latter that Dr. Winters-Hall’s “translation” chiefly dealt. When the cube struck the earth, he wrote, the ruling terrestrial species was a huge, cone-shaped race surpassing all others before or since in mentality and achievements. This race was so advanced that it had actually sent minds abroad in both space and time to explore the cosmos, hence recognised something of what had happened when the cube fell from the sky and certain individuals had suffered mental change after gazing at it.
Realising that the changed individuals represented invading minds, the race’s leaders had them destroyed—even at the cost of leaving the displaced minds exiled in alien space. They had had experience with even stranger transitions. When, through a mental exploration of space and time, they formed a rough idea of what the cube was, they carefully hid the thing from light and sight, and guarded it as a menace. They did not wish to destroy a thing so rich in later experimental possibilities. Now and then some rash, unscrupulous adventurer would furtively gain access to it and sample its perilous powers despite the consequences—but all such cases were discovered, and safely and drastically dealt with.
Of this evil meddling the only bad result was that the worm-like outside race learned from the new exiles what had happened to their explorers on earth, and conceived a violent hatred of the planet and all its life-forms. They would have depopulated it if they could, and indeed sent additional cubes into space in the wild hope of striking it by accident in unguarded places—but that accident never came to pass.
The cone-shaped terrestrial beings kept the one existing cube in a special shrine as a relique and basis for experiments, till after aeons it was lost amidst the chaos of war and the destruction of the great polar city where it was guarded. When, fifty million years ago, the beings sent their minds ahead into the infinite future to avoid a nameless peril of inner earth, the whereabouts of the sinister cube from space were unknown.
This much, according to the learned occultist, the Eltdown Shards had said. What now made the account so obscurely frightful to Campbell was the minute accuracy with which the alien cube had been described. Every detail tallied—dimensions, consistency, hieroglyphed central disc, hypnotic effects. As he thought the matter over and over amidst the darkness of his strange situation, he began to wonder whether his whole experience with the crystal cube—indeed, its very existence—were not a nightmare brought on by some freakish subconscious memory of this old bit of extravagant, charlatanic reading. If so, though, the nightmare must still be in force; since his present apparently bodiless state had nothing of normality in it.
Of the time consumed by this puzzled memory and reflection, Campbell could form no estimate. Everything about his state was so unreal that ordinary dimensions and measurements became meaningless. It seemed an eternity, but perhaps it was not really long before the sudden interruption came. What happened was as strange and inexplicable as the blackness it succeeded. There was a sensation—of the mind rather than of the body—and all at once Campbell felt his thoughts swept or sucked beyond his control in tumultuous and chaotic fashion.
Memories arose irresponsibly and irrelevantly. All that he knew—all his personal background, traditions, experiences, scholarship, dreams, ideas, and inspirations—welled up abruptly and simultaneously, with a dizzying speed and abundance which soon made him unable to keep track of any separate concept. The parade of all his mental contents became an avalanche, a cascade, a vortex. It was as horrible and vertiginous as his hypnotic flight through space when the crystal cube pulled him. Finally it sapped his consciousness and brought on fresh oblivion.
Another measureless blank—and then a slow trickle of sensation. This time it was physical, not mental. Sapphire light, and a low rumble of distant sound. There were tactile impressions—he could realise that he was lying at full length on something, though there was a baffling strangeness about the feel of his posture. He could not reconcile the pressure of the supporting surface with his own outlines—or with the outlines of the human form at all. He tried to move his arms, but found no definite response to the attempt. In
stead, there were little, ineffectual nervous twitches all over the area which seemed to mark his body.
He tried to open his eyes more widely, but found himself unable to control their mechanism. The sapphire light came in a diffused, nebulous manner, and could nowhere be voluntarily focussed into definiteness. Gradually, though, visual images began to trickle in curiously and indecisively. The limits and qualities of vision were not those which he was used to, but he could roughly correlate the sensation with what he had known as sight. As this sensation gained some degree of stability, Campbell realised that he must still be in the throes of nightmare.
He seemed to be in a room of considerable extent—of medium height, but with a large proportionate area. On every side—and he could apparently see all four sides at once—were high, narrowish slits which seemed to serve as combined doors and windows. There were singular low tables or pedestals, but no furniture of normal nature and proportions. Through the slits streamed floods of sapphire light, and beyond them could be mistily seen the sides and roofs of fantastic buildings like clustered cubes. On the walls—in the vertical panels between the slits—were strange markings of an oddly disquieting character. It was some time before Campbell understood why they disturbed him so—then he saw that they were, in repeated instances, precisely like some of the hieroglyphs on the crystal cube’s disc.
The actual nightmare element, though, was something more than this. It began with the living thing which presently entered through one of the slits, advancing deliberately toward him and bearing a metal box of bizarre proportions and glassy, mirror-like surfaces. For this thing was nothing human—nothing of earth—nothing even of man’s myths and dreams. It was a gigantic, pale-grey worm or centipede, as large around as a man and twice as long, with a disc-like, apparently eyeless, cilia-fringed head bearing a purple central orifice. It glided on its rear pairs of legs, with its fore part raised vertically—the legs, or at least two pairs of them, serving as arms. Along its spinal ridge was a curious purple comb, and a fan-shaped tail of some grey membrane ended its grotesque bulk. There was a ring of flexible red spikes around its neck, and from the twistings of these came clicking, twanging sounds in measured, deliberate rhythms.
H.P. Lovecraft: The Complete Fiction Page 200