'I'm concerned… for Inés.'
'Do you think that Inés is some kind of innocent little sweetie who needs to be protected?' said Isabel. 'Because I can tell you she's not. This house you're so keen to give away to Manuela… I had to fight tooth and nail to stop Inés from claiming half of it. You don't have to worry about her, she knows everything there is to know about Esteban Calderón, I can assure you.'
Falcón nodded as small worlds, previously closed to him, opened up.
'You called Esteban a hunter this morning. What's he hunting?'
'Difference. He doesn't know that yet,' said Isabel. 'But that's what he's always been looking for.'
'And what is this difference?'
'Someone whose face he cannot read and whose mind he doesn't understand,' said Isabel. 'Women have always thrown themselves at Esteban. They've tended to be women from his professional life. They all have legal minds. He knows their architecture from the moment they walk into the room. He plays with them in the hope that they will not be as they seem. Then he finds that they're the same as all the others and he gets bored. The hunt starts again. He's doomed to the relentless movement of a shark, that man.'
Falcón drove out of the darkening city, the real world brutalized by the heat seemed very distant as his hands shifted automatically from gear stick to s
Falcón drove out of the darkening city, the real world brutalized by the heat seemed very distant as his hands shifted automatically from gear stick to s
Falcón drove out of the darkening city, the real world brutalized by the heat seemed very distant as his hands shifted automatically from gear stick to steering wheel within the cool cockpit of the car. The street lights sliced shadows across the window as he drove down the banks of oleander on Avenida de Kansas City. Neon made promises out of the darkness and high palms held up the tent of the night sky. Nothing reached him apart from the red and green of the traffic lights. He lived in his head while his automaton drove him to Santa Clara. Isabel's words about Calderón and Inés ran through his mind like a news bar in lights. Falcón knew he'd been through a patch of madness, but now he was confronting the extraordinary lunacy of the perfectly sane people around him.
The only thing they had not discussed was the brief glimpse she'd given Falcón that morning of the hurt that had come to the surface at the mention of Calderón's name. He now realized that it had nothing to do with Calderón himself. The judge had become insignificant in Isabel's mind. What had surfaced was the memory of her betrayal as a wife and mother, who had been prepared to jeopardize her husband and family. What she'd shown him was the savage regret which had been lashed to that memory.
He had to pull off the Avenida de Kansas City beneath the red hovering neon of La Casera to take a call from Cristina Ferrera, who'd spoken to Sr Cabello. Falcón opened up his city map and marked off the plots of land Cabello had sold to Vega and the two major developments that were opened up by their sale. Before he hung up he told her to keep an eye on Nadia.
It was only after this call that he began to wonder what he was doing going for dinner with Consuelo.
* * *
Chapter14
Friday, 26th July 2002
As he pulled up outside Pablo Ortega's house he remembered Montes standing at his window. He should have asked him about the Russians. He called the Jefatura and got a mobile number for Montes.
Montes answered the call. From the background noise he was clearly in a bar, and in their first exchange revealed himself to be very drunk.
'This is Javier Falcón from the Grupo de Homicidios,' he said. 'We spoke yesterday…'
'Did we?'
'In your office. We spoke about Eduardo Carvajal and Sebastián Ortega.'
'I can't hear you,' said Montes.
Music and voices blared.
'Shut the fuck up!' Montes roared, to total indifference. 'Momentito.'
Traffic noise. A car horn.
'Can you hear me, Inspector Jefe?' said Falcón.
'Who are you?'
Falcón started again. Montes apologized elaborately. Now he remembered perfectly.
'We also talked about the Russian mafia.'
'I don't think so.'
'You explained the people-trafficking business.'
'Ah, yes, yes, the people… business.'
'I have a question. There are two Russians who are connected to my investigation into the death of Sr Vega, the constructor - you remember?'
Silence. He shouted Montes's name.
'I'm waiting for the question,' Montes said.
'Do the names Vladimir Ivanov and Mikhail Zelenov mean anything to you?'
Concentrated nasal breathing came over the ether.
'Did you hear me?' asked Falcón.
'I heard you. They don't mean anything to me, but my memory is not what it should be. I've had a couple of beers, you see, and I'm not at my best tonight.'
'We'll talk Monday then,' said Falcón, and hung up.
Falcón had a strong sense of circling, as if he was a bird of prey high up in the thermals and there were things going on down in the terrestrial world that could be of interest. He leaned against the roof of his car, tapping his forehead with his mobile. It was unusual for Montes, a married man, to be drunk early on a Friday evening in a crowded bar, probably alone. Was that an evasive reaction to the two names? Had he seemed drunker at the end of the conversation than he was at the beginning?
Ortega buzzed him into his stinking, flyblown courtyard. He wasn't as edgy as he'd been on the phone because he'd reached the affable stage of drunkenness. He was wearing a voluminous white shirt untucked over blue shorts. He offered Falcón a drink. He himself was sipping from a massive glass of red wine.
'Torre Muga,' he said. 'Very good. Would you like some?'
'Just a beer,' said Falcón.
'A few prawns with your beer?' he asked. 'Some jamon… Iberico de bellota? I bought it today in the Corte Ingles.'
Ortega went to the kitchen and came back fully supplied.
'I'm sorry I was sharp with you on the phone,' he said.
'I shouldn't be bothering you with these things on a Friday night.'
'I only go out at the weekend if I'm working,' said Ortega, who had been completely smoothed out by the excellence of the Torre Muga. 'I'm a very bad member of the audience. I see all the techniques. I never lose myself in the play. I prefer reading books. I'm sorry if I'm rambling, this is my second glass and, as you can see, they are quite some glasses. I must find a cigar. Have you read a book by… it'll come to me.'
He found the cigar box amongst the clutter.
'Cohibas,' he said. 'I have a friend who goes to Cuba regularly.'
'No, thank you,' said Falcón.
'I don't give away my Cohibas easily.'
'I don't smoke.'
'Take one for a friend,' said Ortega. 'I'm sure even cops have friends. As long as you don't give it to that cabron Juez Calderón.'
'He's not a friend,' said Falcón.
Ortega slipped the cigar into Falcón's top pocket.
'Glad to hear it,' he said, moving off. 'A Heart So White. That was the book. Javier Marias is the author. Have you read that?'
'Some time ago.'
'I don't know how I could forget the title. It's from Macbeth, of course,' said Ortega. 'After Macbeth has killed the king he returns with the bloody daggers, which he is supposed to have left in the servants' quarters. His wife is furious and tells him he has to go back. He refuses and she has to go. When she returns, she says:
'"My hands are of your colour; but I shame To wear a heart so white."
'Her guilt at this stage is only a colour and not yet a stain. She is ashamed of her innocence in the matter. She wants a share in his guilt. It's a wonderful moment because, of course, by Act V it's "out damned spot" and "all the perfumes of Arabia will not sweeten this little hand". Why am I telling you this, Javier?'
'I have no idea, Pablo.'
Ortega took two huge gul
ps of red wine, which leaked out of the corners of his mouth. Drops of red appeared on his white shirt.
'Hah!' he said, looking down at himself. 'You know what that is? That is a filmic moment. This only happens in the movies, never in real life. Like… oh, come on, there must be hundreds… I can't think now.'
'The Deer Hunter.'
'The Deer Hunter?'
'A couple get married before the guy goes off to be a soldier in Vietnam. They drink out of a double cup and the wine spills on her bridal dress. It prefigures
'Yes, yes, yes. It prefigures something terrible,' said Ortega. 'An embarrassment at dinner. Extra bleach in the washing. Awful, awful things.'
'Can I show you these photographs?'
'Before I lose all visual-oral linkage you mean?'
'Er… yes,' said Falcón.
Ortega roared with exaggerated laughter.
'I like you, Javier. I like you very much. I don't like many people,' he said, and stared out into the dark lawn, the unlit swimming pool. 'I don't like… anybody in fact. I've found the people I've dealt with in my life… lacking. Do you think that's something that happens to celebrities?'
'Fame attracts a certain type of person.'
'Fawning, obsequious, deferential, flattering sycophants.'
'Francisco Falcón hated them. They reminded him of his fraudulence. They reminded him that the only thing he wanted more than fame was real talent.'
'We want people to love us for what we are not, for what we pretend to be… Or in my case all those people I've pretended to be,' said Ortega, who was becoming more dramatic by the moment. 'I'm wondering if, at my death, I'll drop to the floor and, like a mad Touretter, all the characters I've ever portrayed will pour out of me in a compressed babble to silence, leaving only a husk to be blown here and there in the wind.'
'I don't think so, Pablo,' said Falcón. 'You've got a lot to lose to become a husk.'
'I'm just layers,' he said, not listening. 'I remember
Francisco said: "The truth about an onion, Pablo, is nothing. You tease open that last bit of onion skin and that's what you find - nothing."'
'Well, Francisco was a man who knew his onions,' said Falcón. 'Human beings are a little more complicated. You tease them open -'
'And what do you find?' said Ortega, looming over Falcón, anxious with anticipation.
'That we're defined by what we hide from the world.'
'My God, Javier,' said Ortega, sucking in a vast quantity of Muga. 'You should try some of this wine, you know. It's really very, very good.'
'The photographs, Pablo.'
'Let's get that out of the way.'
'When you told me you saw two Russians going into Sr Vega's house on Noche de Reyes, were these the men?'
Ortega took the shots and went to hunt down his spectacles.
'I haven't seen your dogs tonight,' said Falcón.
'Oh, they're asleep, those two, all curled up in their pug fug. It's a good life… the canine one,' said Ortega. 'I never showed you my collection, did I?'
'Another time.'
'I am not defined by what I hide, but what I show to the world,' said Ortega, his arm sweeping slowly around the room where his collection lay on tabletops and up against the walls. 'You know the worst thing you can say to a collector?'
'That you don't like a piece?'
'No… that you do like one particular piece,' said Ortega. 'I have a Picasso drawing. It's nothing special but you can't mistake it. I divide the people I show my collection into two groups. The ones who gravitate to the Picasso with the words, "Now I do like that," and the ones who realize that a collection is about the whole. There, Javier, I've saved you some embarrassment.'
'I'll make a point of telling you how much I love the Picasso.'
Ortega held up his spectacles with a roar as if he'd won the European Cup. He put his face into them almost warily, as if it might be some hair-trigger trap he'd set for himself.
'The ones who gravitate to the Picasso are the ones who are attracted to celebrity. They see nothing else.'
'Have you ever shown your collection to someone who's looked at the whole and found it…'
'Lacking?' said Ortega. 'Nobody has ever had the nerve to say that to my face. But I know there have been some.'
'Perhaps that means you've had the nerve to express everything through your collection. The good and the bad. We've all got something we're ashamed of.'
'You must see it, Javier,' he said urgently. 'The Actor's Collection.'
Ortega confirmed that the two men in the shots were the Russians he'd seen going into Vega's house back in January. He hurled the photographs back to Falcón and refilled his glass. He sucked on his Cohiba, which he still hadn't lit. The wine spots on his shirt had burgeoned with the sweat from his chest. He tore off his glasses.
'You remember our talk about Sebastián this morning?' said Falcón. 'Have you thought any more about that?'
'I have thought about it.'
'The clinical psychologist I told you about - a woman called Alicia Aguado. She's unusual.'
'How?'
'First of all, she's blind,' said Falcón, and told Ortega about her Chinese pulse-taking technique. 'I told her about your concerns for Sebastián. She thought it would be a good idea to meet. She realizes that famous people don't like intruders.'
'Bring her over,' said Ortega, charming and amenable. 'The more the merrier.'
'How about tomorrow?'
'Coffee,' he said. 'Eleven o'clock. And perhaps when you've taken her home you'd like to come back and I'll show you everything you need to know in the clear light of day.'
Consuelo Jiménez was wearing a long, blue crepe dress and gold sandals. Her bare arms were brown and muscular. She was keeping up the gym, and not just at a social level. She sat him in the living room, overlooking the sloppy blue ingot of the lit pool, and gave him a chilled glass of manzanilla. She put a tray of olives, pickled garlic and capers out on the table and kicked off her sandals. The ice in her tinto de verano clicked on the sides of the glass.
'Guess who came to see me this morning, full of wheedling charm and flattery?'
'Pablo Ortega?'
'For one of the great actors of yesterday he's a little too easy to encapsulate,' she said. 'It must mean he's got a limited range.'
'I've never seen him on the stage,' said Falcón. 'Did you let him in?'
'I let him suffer in the heat for a bit. I was interested to hear what he had to say for himself. He didn't bring his two stage props along - Pavarotti and Callas. So I knew he hadn't come to entertain the boys.'
'Where are your boys?'
'They're with my sister. She's taking them off to the coast tomorrow and they're too riotous for dinner. They'd want to see your gun.'
'And what did Pablo Ortega want?'
'To talk about Rafael's death and your investigation, of course.'
'I hope you didn't reveal my… indiscretion.'
'I used it,' she said, lighting up a cigarette, 'but not in an overt way. I just made him feel as if he was sitting on a bad sofa. He left more uncomfortable than when he arrived.'
'I'm taking a look at his son's court case,' said Falcón.
'Personally, I think the sentences for child abuse are too lenient,' said Consuelo. 'Once a child's been damaged in that way they can never recover. Their innocence has been taken away, and I think that's not so different to murder.'
He told her what Montes had explained to him about the manipulation of the boy's statement and Sebastián Ortega's refusal to defend himself.
'Well, that doesn't exactly renew my faith in the justice system,' she said. 'But I saw that glimmer of vanity in Juez Calderón when he was working on Raúl's case.'
'Did you see anything else in him?'
'Like what?'
'What we were talking about before… like, say, Ramírez.'
'You mean, on the lookout for opportunities?' she said. 'Well, I spotted him as unmarried and therefore a free
agent.'
'Yes, I suppose that's different.'
'Oh, I see, you're asking me why, since he's announced his engagement to your little truth-seeker, is he sniffing around Maddy Krugman?'
'Is there such a thing as pre-marital infidelity?'
'He was there this afternoon,' she said. 'As you know, I don't keep regular hours. I'm here when most people are at work or, in the case of Juez Calderón, when he should be at work.'
'Was Marty there?'
'I assumed it was to do with the investigation into Rafael's death,' she said, shaking her head.
'That would not be normal procedure.'
'He doesn't seem the sort to give a shit about normal procedure,' said Consuelo. 'Anyway, why should it bother you? You're not still interested in Inés?'
'No, I'm not,' he said, as if to emphasize it to himself.
'Liar. Don't make the same mistake twice, Javier,' she said. 'I know it's a deeply ingrained human trait, but it should be resisted, because all the pain that was there the first time round will be present and correct the second time round… and then doubled.'
'I keep hearing from women with the powerful voice of experience.'
'Listen to them,' she said, standing up and slipping on her sandals. 'I'm going to give you some food now and I don't want any more talk about these fools in love or your investigation.'
She served jamon on toast with salmorejo, crostini of grilled red peppers with an anchovy fillet, gambas al ajillo, octopus salad and piquillo peppers stuffed with saffron rice and chicken. They drank a cold red Basque rioja. Consuelo ate as if she'd starved herself all day and Falcón found the appetite that the summer heat had previously suppressed.
'You are allowed that shameful final piquillo pepper,' she said, lighting a cigarette. 'There will now be a pause before the main course.'
'I read in a magazine review that you knew how to do everything in your restaurants,' he said.
'It's all simple stuff done well,' she said. 'I don't understand those restaurants with a menu the size of a novel but which can't cook any of the dishes properly. Never spread yourself too thinly… neither in life, nor in love.'
The Silent and the Damned Page 18