by George Eliot
“I suppose she’s past her best, though,” said the deep voice of Lady Pentreath.
“On the contrary, she has not reached it,” said Deronda. “She is barely twenty.”
“And very pretty,” interposed Lady Mallinger, with an amiable wish to help Deronda. “And she has very good manners. I’m sorry she’s a bigoted Jewess; I should not like it for anything else, but it doesn’t matter in singing.”
“Well, since her voice is too weak for her to scream much, I’ll tell Lady Clementina to set her on my nine granddaughters,” said Lady Pentreath; “and I hope she’ll convince eight of them that they have not voice enough to sing anywhere but at church. My notion is, that many of our girls nowadays want lessons not to sing.”
“I have had my lessons in that,” said Gwendolen, looking at Deronda. “You see Lady Pentreath is on my side.”
While she was speaking, Sir Hugo entered with some of the other gentlemen, including Grandcourt, and standing against the group at the low tea-table said—
“What imposition is Deronda putting on you, ladies—slipping in among you by himself?”
“Wanting to pass off an obscurity on us as better than any celebrity,” said Lady Pentreath—”a pretty singing Jewess who is to astonish these young people. You and I, who heard Catalani in her prime, are not so easily astonished.”
Sir Hugo listened with his good-humored smile as he took a cup of tea from his wife, and then said, “Well, you know, a Liberal is bound to think that there have been singers since Catalani’s time.”
“Ah, you are younger than I am. I dare say you are one of the men who ran after Alcharisi. But she married off and left you all in the lurch.”
“Yes, yes; it’s rather too bad when these great singers marry themselves into silence before they have a crack in their voices. And the husband is a public robber. I remember Leroux saying, ‘A man might as well take down a fine peal of church bells and carry them off to the steppes,” said Sir Hugo, setting down his cup and turning away, while Deronda, who had moved from his place to make room for others, and felt that he was not in request, sat down a little apart. Presently he became aware that, in the general dispersion of the group, Gwendolen had extricated herself from the attentions of Mr. Vandernoodt and had walked to the piano, where she stood apparently examining the music which lay on the desk. Will any one be surprised at Deronda’s concluding that she wished him to join her? Perhaps she wanted to make amends for the unpleasant tone of resistance with which she had met his recommendation of Mirah, for he had noticed that her first impulse often was to say what she afterward wished to retract. He went to her side and said—
“Are you relenting about the music and looking for something to play or sing?”
“I am not looking for anything, but I am relenting,” said Gwendolen, speaking in a submissive tone.
“May I know the reason?”
“I should like to hear Miss Lapidoth and have lessons from her, since you admire her so much,—that is, of course, when we go to town. I mean lessons in rejoicing at her excellence and my own deficiency,” said Gwendolen, turning on him a sweet, open smile.
“I shall be really glad for you to see and hear her,” said Deronda, returning the smile in kind.
“Is she as perfect in every thing else as in her music?”
“I can’t vouch for that exactly. I have not seen enough of her. But I have seen nothing in her that I could wish to be different. She has had an unhappy life. Her troubles began in early childhood, and she has grown up among very painful surroundings. But I think you will say that no advantages could have given her more grace and truer refinement.”
“I wonder what sort of trouble hers were?”
“I have not any very precise knowledge. But I know that she was on the brink of drowning herself in despair.”
“And what hindered her?” said Gwendolen, quickly, looking at Deronda.
“Some ray or other came—which made her feel that she ought to live—that it was good to live,” he answered, quietly. “She is full of piety, and seems capable of submitting to anything when it takes the form of duty.”
“Those people are not to be pitied,” said Gwendolen, impatiently. “I have no sympathy with women who are always doing right. I don’t believe in their great sufferings.” Her fingers moved quickly among the edges of the music.
“It is true,” said Deronda, “that the consciousness of having done wrong is something deeper, more bitter. I suppose we faulty creatures can never feel so much for the irreproachable as for those who are bruised in the struggle with their own faults. It is a very ancient story, that of the lost sheep—but it comes up afresh every day.”
“That is a way of speaking—it is not acted upon, it is not real,” said Gwendolen, bitterly. “You admire Miss Lapidoth because you think her blameless, perfect. And you know you would despise a woman who had done something you thought very wrong.”
“That would depend entirely upon her own view of what she had done,” said Deronda.
“You would be satisfied if she were very wretched, I suppose,” said Gwendolen, impetuously.
“No, not satisfied—full of sorrow for her. It was not a mere way of speaking. I did not mean to say that the finer nature is not more adorable; I meant that those who would be comparatively uninteresting beforehand may become worthier of sympathy when they do something that awakens in them a keen remorse. Lives are enlarged in different ways. I dare say some would never get their eyes opened if it were not for a violent shock from the consequences of their own actions. And when they are suffering in that way one must care for them more than for the comfortably self-satisfied.” Deronda forgot everything but his vision of what Gwendolen’s experience had probably been, and urged by compassion let his eyes and voice express as much interest as they would.
Gwendolen had slipped on to the music-stool, and looked up at him with pain in her long eyes, like a wounded animal asking for help.
“Are you persuading Mrs. Grandcourt to play to us, Dan?” said Sir Hugo, coming up and putting his hand on Deronda’s shoulder with a gentle, admonitory pinch.
“I cannot persuade myself,” said Gwendolen, rising.
Others had followed Sir Hugo’s lead, and there was an end of any liability to confidences for that day. But the next was New Year’s Eve; and a grand dance, to which the chief tenants were invited, was to be held in the picture-gallery above the cloister—the sort of entertainment in which numbers and general movement may create privacy. When Gwendolen was dressing, she longed, in remembrance of Leubronn, to put on the old turquoise necklace for her sole ornament; but she dared not offend her husband by appearing in that shabby way on an occasion when he would demand her utmost splendor. Determined to wear the memorial necklace somehow, she wound it thrice round her wrist and made a bracelet of it—having gone to her room to put it on just before the time of entering the ball-room.
It was always a beautiful scene, this dance on New Year’s Eve, which had been kept up by the family tradition as nearly in the old fashion as inexorable change would allow. Red carpet was laid down for the occasion: hot-house plants and evergreens were arranged in bowers at the extremities and in every recess of the gallery; and the old portraits stretching back through generations, even to the pre-portraying period, made a piquant line of spectators. Some neighboring gentry, major and minor, were invited; and it was certainly an occasion when a prospective master and mistress of Abbott’s and King’s Topping might see their future glory in an agreeable light, as a picturesque provincial supremacy with a rent-roll personified by the most prosperous-looking tenants. Sir Hugo expected Grandcourt to feel flattered by being asked to the Abbey at a time which included this festival in honor of the family estate; but he also hoped that his own hale appearance might impress his successor with the probable length of time that would elapse before the succession came, and with the wisdom of preferring a good actual sum to a minor property that must be waited for. All present, down to the le
ast important farmer’s daughter, knew that they were to see “young Grandcourt,” Sir Hugo’s nephew, the presumptive heir and future baronet, now visiting the Abbey with his bride after an absence of many years; any coolness between uncle and nephew having, it is understood, given way to a friendly warmth. The bride opening the ball with Sir Hugo was necessarily the cynosure of all eyes; and less than a year before, if some magic mirror could have shown Gwendolen her actual position, she would have imagined herself moving in it with a glow of triumphant pleasure, conscious that she held in her hands a life full of favorable chances which her cleverness and spirit would enable her to make the best of. And now she was wondering that she could get so little joy out of the exultation to which she had been suddenly lifted, away from the distasteful petty empire of her girlhood with its irksome lack of distinction and superfluity of sisters. She would have been glad to be even unreasonably elated, and to forget everything but the flattery of the moment; but she was like one courting sleep, in whom thoughts insist like willful tormentors.
Wondering in this way at her own dullness, and all the while longing for an excitement that would deaden importunate aches, she was passing through files of admiring beholders in the country-dance with which it was traditional to open the ball, and was being generally regarded by her own sex as an enviable woman. It was remarked that she carried herself with a wonderful air, considering that she had been nobody in particular, and without a farthing to her fortune. If she had been a duke’s daughter, or one of the royal princesses, she could not have taken the honors of the evening more as a matter of course. Poor Gwendolen! It would by-and-by become a sort of skill in which she was automatically practiced to hear this last great gambling loss with an air of perfect self-possession.
The next couple that passed were also worth looking at. Lady Pentreath had said, “I shall stand up for one dance, but I shall choose my partner. Mr. Deronda, you are the youngest man, I mean to dance with you. Nobody is old enough to make a good pair with me. I must have a contrast.” And the contrast certainly set off the old lady to the utmost. She was one of those women who are never handsome till they are old, and she had had the wisdom to embrace the beauty of age as early as possible. What might have seemed harshness in her features when she was young, had turned now into a satisfactory strength of form and expression which defied wrinkles, and was set off by a crown of white hair; her well-built figure was well covered with black drapery, her ears and neck comfortably caressed with lace, showing none of those withered spaces which one would think it a pitiable condition of poverty to expose. She glided along gracefully enough, her dark eyes still with a mischievous smile in them as she observed the company. Her partner’s young richness of tint against the flattened hues and rougher forms of her aged head had an effect something like that of a fine flower against a lichenous branch. Perhaps the tenants hardly appreciated this pair. Lady Pentreath was nothing more than a straight, active old lady: Mr. Deronda was a familiar figure regarded with friendliness; but if he had been the heir, it would have been regretted that his face was not as unmistakably English as Sir Hugo’s.
Grandcourt’s appearance when he came up with Lady Mallinger was not impeached with foreignness: still the satisfaction in it was not complete. It would have been matter of congratulation if one who had the luck to inherit two old family estates had had more hair, a fresher color, and a look of greater animation; but that fine families dwindled off into females, and estates ran together into the single heirship of a mealy-complexioned male, was a tendency in things which seemed to be accounted for by a citation of other instances. It was agreed that Mr. Grandcourt could never be taken for anything but what he was—a born gentleman; and that, in fact, he looked like an heir. Perhaps the person least complacently disposed toward him at that moment was Lady Mallinger, to whom going in procession up this country-dance with Grandcourt was a blazonment of herself as the infelicitous wife who had produced nothing but daughters, little better than no children, poor dear things, except for her own fondness and for Sir Hugo’s wonderful goodness to them. But such inward discomfort could not prevent the gentle lady from looking fair and stout to admiration, or her full blue eyes from glancing mildly at her neighbors. All the mothers and fathers held it a thousand pities that she had not had a fine boy, or even several—which might have been expected, to look at her when she was first married.
The gallery included only three sides of the quadrangle, the fourth being shut off as a lobby or corridor: one side was used for dancing, and the opposite side for the supper-table, while the intermediate part was less brilliantly lit, and fitted with comfortable seats. Later in the evening Gwendolen was in one of these seats, and Grandcourt was standing near her. They were not talking to each other: she was leaning backward in her chair, and he against the wall; and Deronda, happening to observe this, went up to ask her if she had resolved not to dance any more. Having himself been doing hard duty in this way among the guests, he thought he had earned the right to sink for a little while into the background, and he had spoken little to Gwendolen since their conversation at the piano the day before. Grandcourt’s presence would only make it the easier to show that pleasure in talking to her even about trivialities which would be a sign of friendliness; and he fancied that her face looked blank. A smile beamed over it as she saw him coming, and she raised herself from her leaning posture. Grandcourt had been grumbling at the ennui of staying so long in this stupid dance, and proposing that they should vanish: she had resisted on the ground of politeness—not without being a little frightened at the probability that he was silently, angry with her. She had her reason for staying, though she had begun to despair of the opportunity for the sake of which she had put the old necklace on her wrist. But now at last Deronda had come.
“Yes; I shall not dance any more. Are you not glad?” she said, with some gayety, “you might have felt obliged humbly to offer yourself as a partner, and I feel sure you have danced more than you like already.”
“I will not deny that,” said Deronda, “since you have danced as much as you like.”
“But will you take trouble for me in another way, and fetch me a glass of that fresh water?”
It was but a few steps that Deronda had to go for the water. Gwendolen was wrapped in the lightest, softest of white woolen burnouses, under which her hands were hidden. While he was gone she had drawn off her glove, which was finished with a lace ruffle, and when she put up her hand to take the glass and lifted it to her mouth, the necklace-bracelet, which in its triple winding adapted itself clumsily to her wrist, was necessarily conspicuous. Grandcourt saw it, and saw that it was attracting Deronda’s notice.
“What is that hideous thing you have got on your wrist?” said the husband.
“That?” said Gwendolen, composedly, pointing to the turquoises, while she still held the glass; “it is an old necklace I like to wear. I lost it once, and someone found it for me.”
With that she gave the glass again to Deronda, who immediately carried it away, and on returning said, in order to banish any consciousness about the necklace—
“It is worth while for you to go and look out at one of the windows on that side. You can see the finest possible moonlight on the stone pillars and carving, and shadows waving across it in the wind.”
“I should like to see it. Will you go?” said Gwendolen, looking up at her husband.
He cast his eyes down at her, and saying, “No, Deronda will take you,” slowly moved from his leaning attitude, and walked away.
Gwendolen’s face for a moment showed a fleeting vexation: she resented this show of indifference toward her. Deronda felt annoyed, chiefly for her sake; and with a quick sense, that it would relieve her most to behave as if nothing peculiar had occurred, he said, “Will you take my arm and go, while only servants are there?” He thought that he understood well her action in drawing his attention to the necklace: she wished him to infer that she had submitted her mind to rebuke—her speech and manner ha
d from the first fluctuated toward that submission—and that she felt no lingering resentment. Her evident confidence in his interpretation of her appealed to him as a peculiar claim.
When they were walking together, Gwendolen felt as if the annoyance which had just happened had removed another film of reserve from between them, and she had more right than before to be as open as she wished. She did not speak, being filled with the sense of silent confidence, until they were in front of the window looking out on the moonlit court. A sort of bower had been made round the window, turning it into a recess. Quitting his arm, she folded her hands in her burnous, and pressed her brow against the glass. He moved slightly away, and held the lapels of his coat with his thumbs under the collar as his manner was: he had a wonderful power of standing perfectly still, and in that position reminded one sometimes of Dante’s spiriti magni con occhi tardi e gravi. (Doubtless some of these danced in their youth, doubted of their own vocation, and found their own times too modern.) He abstained from remarking on the scene before them, fearing that any indifferent words might jar on her: already the calm light and shadow, the ancient steadfast forms, and aloofness enough from those inward troubles which he felt sure were agitating her. And he judged aright: she would have been impatient of polite conversation. The incidents of the last minute or two had receded behind former thoughts which she had imagined herself uttering to Deronda, which now urged themselves to her lips. In a subdued voice, she said—
“Suppose I had gambled again, and lost the necklace again, what should you have thought of me?”
“Worse than I do now.”
“Then you are mistaken about me. You wanted me not to do that—not to make my gain out of another’s loss in that way—and I have done a great deal worse.”
“I can’t imagine temptations,” said Deronda. “Perhaps I am able to understand what you mean. At least I understand self-reproach.” In spite of preparation he was almost alarmed at Gwendolen’s precipitancy of confidence toward him, in contrast with her habitual resolute concealment.