But when night came, no-one could reproach the girl with her pallor, for she glowed like a pomegranate-flower, her eyes were full of fire, her lips scarlet, and all her old vivacity seemed to have returned. A more brilliant bride never blushed under a misty veil, and when her lover saw her, he was absolutely startled by the almost unearthly beauty which transformed the pale, languid creature of the morning into this radiant woman.
They were married, and if love, many blessings, and all good gifts lavishly showered upon them could make them happy, then this young pair were truly blest. But even in the rapture of the moment that made her his, Forsyth observed how icy cold was the little hand he held, how feverish the deep color on the soft cheek he kissed, and what a strange fire burned in the tender eyes that looked so wistfully at him.
Blithe and beautiful as a spirit, the smiling bride played her part in all the festivities of that long evening, and when at last light, life and color began to fade, the loving eyes that watched her thought it but the natural weariness of the hour. As the last guest departed, Forsyth was met by a servant, who gave him a letter marked “Haste.” Tearing it open, he read these lines, from a friend of the professor’s:
“DEAR SIR—Poor Niles died suddenly two days ago, while at the Scientific Club,X and his last words were: ‘Tell Paul Forsyth to beware of the Mummy’s Curse, for this fatal flower has killed me.’ The circumstances of his death were so peculiar, that I add them as a sequel to this message. For several months, as he told us, he had been watching an unknown plant, and that evening he brought us the flower to examine. Other matters of interest absorbed us till a late hour, and the plant was forgotten. The professor wore it in his buttonhole—a strange white, serpent-headed blossom, with pale glittering spots, which slowly changed to a glittering scarlet, till the leaves looked as if sprinkled with blood. It was observed that instead of the pallor and feebleness which had recently come over him, that the professor was unusually animated, and seemed in an almost unnatural state of high spirits. Near the close of the meeting, in the midst of a lively discussion, he suddenly dropped, as if smitten with apoplexy.XI He was conveyed home insensible, and after one lucid interval, in which he gave me the message I have recorded above, he died in great agony, raving of mummies, pyramids, serpents, and some fatal curse which had fallen upon him.
“After his death, livid scarlet spots, like those on the flower, appeared upon his skin, and he shriveled like a withered leaf. At my desire, the mysterious plant was examined, and pronounced by the best authority one of the most deadly poisons known to the Egyptian sorceresses. The plant slowly absorbs the vitality of whoever cultivates it, and the blossom, worn for two or three hours, produces either madness or death.”
Down dropped the paper from Forsyth’s hand; he read no further, but hurried back into the room where he had left his young wife. As if worn out with fatigue, she had thrown herself upon a couch, and lay there motionless, her face half-hidden by the light folds of the veil, which had blown over it.
“Evelyn, my dearest! Wake up and answer me. Did you wear that strange flower today?” whispered Forsyth, putting the misty screen away.
There was no need for her to answer, for there, gleaming spectrally on her bosom, was the evil blossom, its white petals spotted now with flecks of scarlet, vivid as drops of newly spilt blood.
But the unhappy bridegroom scarcely saw it, for the face above it appalled him by its utter vacancy. Drawn and pallid, as if with some wasting malady, the young face, so lovely an hour ago, lay before him aged and blighted by the baleful influence of the plant which had drunk up her life. No recognition in the eyes, no word upon the lips, no motion of the hand—only the faint breath, the fluttering pulse, and wide-opened eyes, betrayed that she was alive.
Alas for the young wife! The superstitious fear at which she had smiled had proved true: the curse that had bided its time for ages was fulfilled at last, and her own hand wrecked her happiness for ever. Death in life was her doom, and for years Forsyth secluded himself to tend with pathetic devotion the pale ghost, who never, by word or look, could thank him for the love that outlived even such a fate as this.
Elizabeth Stuart Phelps (1844–1911) was an American feminist writer whose work challenged traditional Christian views of the afterlife and the role of women in marriages. An active anti-vivisectionist and an advocate for women’s clothing reform (“Burn those corsets!”), Phelps was the first woman to present a lecture series at Boston University, in 1876, in which she focused on the fiction of George Eliot. The following tale, about a woman with a very specific psychic power and its consequences to her and those around her, first appeared in Phelps’s collection Men, Women, and Ghosts (1869).
What Was the Matter? by Elizabeth Stuart Phelps
I could not have been more than seven or eight years old, when it happened; but it might have been yesterday. Among all other childish memories, it stands alone. To this very day it brings with it the old, utter sinking of the heart, and the old, dull sense of mystery.
To read what I have to say, you should have known my mother. To understand it, you should understand her. But that is quite impossible now, for there is a quiet spot over the hill, and past the church, and beside the little brook where the crimsoned mosses grow thick and wet and cool, from which I cannot call her. It is all I have left of her now. But after all, it is not of her that you will chiefly care to hear. My object is simply to acquaint you with a few facts, which, though interwoven with the events of her life, are quite independent of it as objects of interest. It is, I know, only my own heart that makes these pages a memorial,—but, you see, I cannot help it.
Yet, I confess, no glamour of any earthly love has ever entirely dazzled me,—not even hers. Of imperfections, of mistakes, of sins, I knew she was guilty. I know it now; even with the sanctity of those crimsoned mosses, and the hush of the rest beneath, so close to my heart, I cannot forget them. Yet somehow—I do not know how—the imperfections, the mistakes, the very sins, bring her nearer to me as the years slip by, and make her dearer.
My mother was what we call an aristocrat. I do not like the term, as the term is used. I am sure she does not now; but I have no other word. She was a royal-looking woman, and she had the blood of princes in her veins. Generations back,—how we children used to reckon the thing over!—she was cradled in a throne. A miserable race, to be sure, they were,—the Stuarts; and the most devout genealogist might deem it dubious honor to own them for great-grand-fathers by innumerable degrees removed. So she used to tell us, over and over, as a damper on our childish vanity, looking such a very queen as she spoke, in every play of feature, and every motion of her hand, that it was the old story of preachers who did not practise. The very baby was proud of her. The beauty of a face, and the elegant repose of a manner, are influences by no means more unfelt at three years than at thirty.
As insanity will hide itself away, and lie sleeping, and die out,—while old men are gathered to their fathers scathless,I and young men follow in their footsteps safe and free,—and start into life, and claim its own when children’s children have forgotten it; as a single trait of a single scholar in a race of clods will bury itself in day-laborers and criminals, unto the third and fourth generation, and spring then, like a creation from a chaos, into statesmen and poets and sculptors;—so, I have sometimes fancied, the better and truer nature of voluptuaries and tyrants was sifted down through the years, and purified in our little New England home, and the essential autocracy of monarchical blood refined and ennobled, in my mother, into royalty.
A broad and liberal culture had moulded her; she knew its worth, in every fiber of her heart; scholarly parents had blessed her with their legacies of scholarly mind and name. With the soul of an artist, she quivered under every grace and every defect; and the blessing of a beauty as rare as rich had been given to her. With every instinct of her nature recoiling from the very shadow of crimes the world winks at, the family record had been stainless for a generation. God ha
d indeed blessed her; but the very blessing was a temptation.
I knew, before she left me, what she might have been, but for the merciful and tender watch of Him who was despised and rejected of men. I know, for she told me, one still night when we were alone together, how she sometimes shuddered at herself, and what those daily and hourly struggles between her nature and her Christianity meant.
I think we were as near to one another as mother and daughter can be, but yet as different. Since I have been talking in such lordly style of those miserable Jameses and Charleses, I will take the opportunity to confess that I have inherited my father’s thorough-going democracy,—double measure, pressed down and running over. She not only pardoned it, but I think she loved it in me, for his sake.
It was about a year and a half, I think, after he died, that she sent for Aunt Alice to come to Creston. “Your aunt loves me,” she said, when she told us in her quiet way, “and I am so lonely now.”
They had been the only children, and they loved each other,—how much, I afterwards knew. And how much they love each other now, I like to think,—quite freely and fully, and without shadow or doubt between them, I dare to hope.
A picture of Aunt Alice always hung in mother’s room. It was taken down years ago. I never asked her where she put it. I remember it, though, quite well; for mother’s sake I am glad I do. For it was a pleasant face to look upon, and a young, pure, happy face,—beautiful too, though with none of the regal beauty crowned by my mother’s massive hair, and pencilled brows. It was a timid, girlish face, with reverent eyes, and ripe, tremulous lips,—weak lips, as I remember them. From babyhood, I felt a want in the face. I had, of course, no capacity to define it; it was represented to me only by the fact that it differed from my mother’s.
She was teaching school out West when mother sent for her. I saw the letter. It was just like my mother: “Alice, I need you. You and I ought to have but one home now. Will you come?”
I saw, too, a bit of postscript to the answer: “I’m not fit that you should love me so, Marie.”
And how mother laughed at it!
When it was all settled, and the waiting weeks became at last a single day, I hardly knew my mother. She was so full of fitful moods, and little fantastic jokes! such a flush on her cheeks too, as she ran to the window every five minutes, like a child! I remember how we went all over the house together, she and I, to see that everything looked neat, and bright, and welcome. And how we lingered in the guest-room, to put the little finishing touches to its stillness, and coolness, and coseyness. The best spread was on the bed, and the white folds smoothed as only mother’s fingers could smooth them; the curtain freshly washed, and looped with its crimson cord; the blinds drawn, cool and green; the late afternoon sunlight slanting through, in flecks upon the floor. There were flowers, too, upon the table. I remember they were all white,—lilies of the valley, I think; and the vase of Parian marble, itself a solitary lily, unfolding stainless leaves. Over the mantle she had hung the finest picture in the house,—an “Ecce Homo,”II and an exquisite engraving. It used to hang in grandmother’s room in the old house. We children wondered a little that she took it upstairs.
“I want your aunt to feel at home, and see some things,” she said. “I wish I could think of something more to make it pleasant in here.”
Just as we left the room she turned and looked into it. “Pleasant, isn’t it? I am so glad, Sarah,” her eyes dimming a little. “She’s a very dear sister to me.”
She stepped in again to raise a stem of the lilies that had fallen from the vase and lay like wax upon the table, then she shut the door and came away.
That door was shut just so for years; the lonely bars of sunlight flecked the solitude of the room, and the lilies faded on the table. We children passed it with hushed footfall, and shrank from it at twilight, as from a room that held the dead. But into it we never went.
Mother was tired out that afternoon; for she had been on her feet all day, busied in her loving cares to make our simple home as pleasant and as welcome as home could be. But yet she stopped to dress us in our Sunday clothes,—and it was no sinecure to dress three persistently undressable children; Winthrop was a host in himself. “Auntie must see us look our prettiest,” she said.
She was a sight for an artist when she came down. She had taken off her widow’s cap and coiled her heavy hair low in her neck, and she always looked like a queen in that lustreless black silk. I do not know why these little things should have made such an impression on me then. They are priceless to me now. I remember how she looked, framed there in the doorway, while we were watching for the coach,—the late light ebbing in golden tides over the grass at her feet, and touching her face now and then through the branches of trees, her head bent a little, with eager, parted lips, and the girlish color on her cheeks, her hand shading her eyes as they strained for a sight of the lumbering coach. She must have been a magnificent woman when she was young,—not unlike, I have heard it said, to that far-off ancestress whose name she bore, and whose sorrowful story has made her sorrowful beauty immortal. Somewhere abroad there is a reclining statue of Queen Mary, to which, when my mother stood beside it, her resemblance was so strong that the by-standers clustered about her, whispering curiously. “Ah, mon Dieu!” said a little Frenchman aloud, “c’est une résurrection.”
We must have tried her that afternoon, Clara and Winthrop and I; for the spirit of her own excitement had made us completely wild. Winthrop’s scream of delight, when, stationed on the gate-post, he caught the first sight of the old yellow coach, might have been heard a quarter of a mile.
“Coming?” said mother, nervously, and stepped out to the gate, full in the sunlight that crowned her like royal gold.
The coach lumbered on, and rattled up, and passed.
“Why, she hasn’t come!” All the eager color died out of her face. “I am so disappointed!”—speaking like a troubled child, and turning slowly into the house.
Then, after a while, she drew me aside from the others,—I was the oldest, and she was used to make a sort of confidence between us, instinctively, as it seemed, and often quite forgetting how very few my years were. “Sarah, I don’t understand. You think she might have lost the train? But Alice is so punctual. Alice never lost a train. And she said she would come.” And then, a while after, “I don’t understand.”
It was not like my mother to worry. The next day the coach lumbered up and rattled past, and did not stop,—and the next, and the next.
“We shall have a letter,” mother said, her eyes saddening every afternoon. But we had no letter. And another day went by, and another.
“She is sick,” we said; and mother wrote to her, and watched for the lumbering coach, and grew silent day by day. But to the letter there was no answer.
Ten days passed. Mother came to me one afternoon to ask for her pen, which I had borrowed. Something in her face troubled me vaguely.
“What are you going to do, mother?”
“Write to your aunt’s boarding-place. I can’t bear this any longer.” She spoke sharply. She had already grown unlike herself.
She wrote, and asked for an answer by return of mail.
It was on a Wednesday, I remember, that we looked for it. I came home early from school. Mother was sewing at the parlor window, her eyes wandering from her work, up the road. It was an ugly day. It had rained drearily from eight o’clock till two, and closed in suffocating mist, creeping and dense and chill. It gave me a childish fancy of long-closed tombs and low-land graveyards, as I walked home in it.
I tried to keep the younger children quiet when we went in, mother was so nervous. As the early, uncanny twilight fell, we grouped around her timidly. A dull sense of awe and mystery clung to the night, and clung to her watching face, and clung even then to that closed room upstairs where the lilies were fading.
Mother sat leaning her head upon her hand, the outline of her face dim in the dusk against the falling curtain. She was sittin
g so when we heard the first rumble of the distant coach-wheels. At the sound, she folded her hands in her lap and stirred a little, rose slowly from her chair, and sat down again.
“Sarah.”
I crept up to her. At the near sight of her face, I was so frightened I could have cried.
“Sarah, you may go out and get the letter. I—I can’t.”
I went slowly out at the door and down the walk. At the gate I looked back. The outline of her face was there against the window-pane, white in the gathering gloom.
It seems to me that my older and less sensitive years have never known such a night. The world was stifling in a deluge of gray, cold mists, unstirred by a breath of air. A robin with feathers all ruffled, and head hidden, sat on the gate-post, and chirped a little mournful chirp, like a creature dying in a vacuum. The very daisy that nodded and drooped in the grass at my feet seemed to be gasping for breath. The neighbor’s house, not forty paces across the street, was invisible. I remember the sensation it gave me, as I struggled to find its outlines, of a world washed out, like the figures I washed out on my slate. As I trudged, half frightened, into the road, and the fog closed about me, it seemed to my childish superstition like a horde of long-imprisoned ghosts let loose, and angry. The distant sound of the coach, which I could not see, added to the fancy.
The coach turned the corner presently. On a clear day I could see the brass buttons on the driver’s coat at that distance. There was nothing visible now of the whole dark structure but the two lamps in front, like the eyes of some evil thing, glaring and defiant, borne with swift motion down upon me by a power utterly unseen,—it had a curious effect. Even at this time, I confess I do not like to see a lighted carriage driven through a fog.
Weird Women Page 7