That morning as soon as I could get Mrs. Fairleigh alone I told her my adventure, beginning with the very first experience I had had of the picture in the Louvre. Needless to say, she heard me with the utmost incredulity.
“I know you, my dear!” she said, shaking her head at me wisely; “you are full of fancies, and always dreaming about the next world, as if this one wasn’t good enough for you. The whole thing is a delusion.”
“But,” I persisted, “you know the studio was shut and locked; how is it that it is open now?”
“It isn’t open!” declared Mrs. Fairleigh—“though I am quite willing to believe you dreamt it was.”
“Come and see!” I exclaimed eagerly; and I took her upstairs, though she was somewhat reluctant to follow me. As I had said, the studio was open. I led her in, and showed her the name cut on the easel, and the hanging cupboard with its contents. As these convincing proofs of my story met her eyes, she shivered a little, and grew rather pale.
“Come away,” she said nervously—“you are really too horrid! I can’t bear this sort of thing! For goodness’ sake, keep your ghosts to yourself!” I saw she was vexed and pettish, and I readily followed her out of the barren, forlorn-looking room. Scarcely were we well outside the door when it shut to with a sharp click. I tried it—it was fast locked! This was too much for Mrs. Fairleigh. She rushed downstairs in a perfect paroxysm of terror; and when I found her in the breakfast-room she declared she would not stop another day in the house. I managed to calm her fears, however; but she insisted on my remaining with her to brave out whatever else might happen at what she persisted now in calling the “haunted” chateâu, in spite of her practical theories. And so I stayed on. And when we left Brittany, we left all together, without having had our peace disturbed by any more manifestations of an unearthly nature. One thing alone troubled me a little—I should have liked to obliterate the word “perfide” from that stone, and to have had “fidèle” carved on it instead; but it was too deeply engraved for this. However, I have seen no more of “the Lady with the Carnations.” But I know the dead need praying for—and that they often suffer for lack of such prayers—though I cannot pretend to explain the reason why. And I know that the picture in the Louvre is not a Greuze, though it is called one—it is the portrait of a faithful woman deeply wronged; and her name is here written as she told me to write it—
“MANON
Cœur fidèle!”
Clemence Housman (1861–1955) was the younger sister of the English poet A. E. Housman, and her younger brother Laurence was a well-known fantasy writer. Clemence was not only a fine writer, she also illustrated many of Laurence’s books, and she lived much of her life with him. Clemence was very active in the suffrage movement, even imprisoned briefly, and used her artistic abilities to create posters and print pamphlets and signs for the movement. Despite its length, far shorter than the average novel, The Were-Wolf was published separately in 1896 by J. Lane at the Bodley Head, in an edition illustrated by Laurence. H. P. Lovecraft admired her work (though he did not know she was a woman, mistakenly believing “Clarence” to be her first name) and wrote that The Were-Wolf “attains a high degree of gruesome tension and achieves to some extent the atmosphere of authentic folklore.” However, the quasi-erotic aspects of the story may have gone over Lovecraft’s head, who rarely wrote of women in his fiction. Montague Summers’s The Werewolf in Lore and Legend also expresses high praise for this story, calling it an “exquisite prose-poem,” “beautiful,” and “harrowing.”
The Were-Wolf by Clemence Housman
The great farm hall was ablaze with the fire-light, and noisy with laughter and talk and many-sounding work. None could be idle but the very young and the very old: little Rol, who was hugging a puppy, and old Trella, whose palsied hand fumbled over her knitting. The early evening had closed in, and the farm-servants, come from their outdoor work, had assembled in the ample hall, which gave space for a score or more of workers. Several of the men were engaged in carving, and to these were yielded the best place and light; others made or repaired fishing-tackle and harness, and a great seine net occupied three pairs of hands. Of the women most were sorting and mixing eider featherI and chopping straw to add to it. Looms were there, though not in present use, but three wheels whirred emulously, and the finest and swiftest thread of the three ran between the fingers of the house-mistress. Near her were some children, busy too, plaiting wicks for candles and lamps. Each group of workers had a lamp in its centre, and those farthest from the fire had live heat from two braziers filled with glowing wood embers, replenished now and again from the generous hearth. But the flicker of the great fire was manifest to remotest corners, and prevailed beyond the limits of the weaker lights.
Little Rol grew tired of his puppy, dropped it incontinently, and made an onslaught on Tyr, the old wolf-hound, who basked dozing, whimpering and twitching in his hunting dreams. Prone went Rol beside Tyr, his young arms round the shaggy neck, his curls against the black jowl. Tyr gave a perfunctory lick, and stretched with a sleepy sigh. Rol growled and rolled and shoved invitingly, but could only gain from the old dog placid toleration and a half-observant blink. “Take that then!” said Rol, indignant at this ignoring of his advances, and sent the puppy sprawling against the dignity that disdained him as playmate. The dog took no notice, and the child wandered off to find amusement elsewhere.
The baskets of white eider feathers caught his eye far off in a distant corner. He slipped under the table, and crept along on all-fours, the ordinary common-place custom of walking down a room upright not being to his fancy. When close to the women he lay still for a moment watching, with his elbows on the floor and his chin in his palms. One of the women seeing him nodded and smiled, and presently he crept out behind her skirts and passed, hardly noticed, from one to another, till he found opportunity to possess himself of a large handful of feathers. With these he traversed the length of the room, under the table again, and emerged near the spinners. At the feet of the youngest he curled himself round, sheltered by her knees from the observation of the others, and disarmed her of interference by secretly displaying his handful with a confiding smile. A dubious nod satisfied him, and presently he started on the play he had devised. He took a tuft of the white down, and gently shook it free of his fingers close to the whirl of the wheel. The wind of the swift motion took it, spun it round and round in widening circles, till it floated above like a slow white moth. Little Rol’s eyes danced, and the row of his small teeth shone in a silent laugh of delight. Another and another of the white tufts was sent whirling round like a winged thing in a spider’s web, and floating clear at last. Presently the handful failed.
Rol sprawled forward to survey the room, and contemplate another journey under the table. His shoulder, thrusting forward, checked the wheel for an instant; he shifted hastily. The wheel flew on with a jerk, and the thread snapped. “Naughty Rol!” said the girl. The swiftest wheel stopped also, and the house-mistress, Rol’s aunt, leaned forward, and sighting the low curly head, gave a warning against mischief, and sent him off to old Trella’s corner.
Rol obeyed, and after a discreet period of obedience, sidled out again down the length of the room farthest from his aunt’s eye. As he slipped in among the men, they looked up to see that their tools might be, as far as possible, out of reach of Rol’s hands, and close to their own. Nevertheless, before long he managed to secure a fine chisel and take off its point on the leg of the table. The carver’s strong objections to this disconcerted Rol, who for five minutes thereafter effaced himself under the table.
During this seclusion he contemplated the many pairs of legs that surrounded him, and almost shut out the light of the fire. How very odd some of the legs were: some were curved where they should be straight, some were straight where they should be curved, and, as Rol said to himself, “they all seemed screwed on differently.” Some were tucked away modestly under the benches, others were thrust far out under the table, encroaching on R
ol’s own particular domain. He stretched out his own short legs and regarded them critically, and, after comparison, favourably. Why were not all legs made like his, or like his?
These legs approved by Rol were a little apart from the rest. He crawled opposite and again made comparison. His face grew quite solemn as he thought of the innumerable days to come before his legs could be as long and strong. He hoped they would be just like those, his models, as straight as to bone, as curved as to muscle.
A few moments later Sweyn of the long legs felt a small hand caressing his foot, and looking down, met the upturned eyes of his little cousin Rol. Lying on his back, still softly patting and stroking the young man’s foot, the child was quiet and happy for a good while. He watched the movement of the strong deft hands, and the shifting of the bright tools. Now and then, minute chips of wood, puffed off by Sweyn, fell down upon his face. At last he raised himself, very gently, lest a jog should wake impatience in the carver, and crossing his own legs round Sweyn’s ankle, clasping with his arms too, laid his head against the knee. Such act is evidence of a child’s most wonderful hero-worship. Quite content was Rol, and more than content when Sweyn paused a minute to joke, and pat his head and pull his curls. Quiet he remained, as long as quiescence is possible to limbs young as his. Sweyn forgot he was near, hardly noticed when his leg was gently released, and never saw the stealthy abstraction of one of his tools.
Ten minutes thereafter was a lamentable wail from low on the floor, rising to the full pitch of Rol’s healthy lungs; for his hand was gashed across, and the copious bleeding terrified him. Then was there soothing and comforting, washing and binding, and a modicum of scolding, till the loud outcry sank into occasional sobs, and the child, tear-stained and subdued, was returned to the chimney-corner settle, where Trella nodded.
In the reaction after pain and fright, Rol found that the quiet of that fire-lit corner was to his mind. Tyr, too, disdained him no longer, but, roused by his sobs, showed all the concern and sympathy that a dog can by licking and wistful watching. A little shame weighed also upon his spirits. He wished he had not cried quite so much. He remembered how once Sweyn had come home with his arm torn down from the shoulder, and a dead bear; and how he had never winced nor said a word, though his lips turned white with pain. Poor little Rol gave another sighing sob over his own faint-hearted shortcomings.
The light and motion of the great fire began to tell strange stories to the child, and the wind in the chimney roared a corroborative note now and then. The great black mouth of the chimney, impending high over the hearth, received as into a mysterious gulf murky coils of smoke and brightness of aspiring sparks; and beyond, in the high darkness, were muttering and wailing and strange doings, so that sometimes the smoke rushed back in panic, and curled out and up to the roof, and condensed itself to invisibility among the rafters. And then the wind would rage after its lost prey, and rush round the house, rattling and shrieking at window and door.
In a lull, after one such loud gust, Rol lifted his head in surprise and listened. A lull had also come on the babel of talk, and thus could be heard with strange distinctness a sound outside the door—the sound of a child’s voice, a child’s hands. “Open, open; let me in!” piped the little voice from low down, lower than the handle, and the latch rattled as though a tiptoe child reached up to it, and soft small knocks were struck. One near the door sprang up and opened it. “No one is here,” he said. Tyr lifted his head and gave utterance to a howl, loud, prolonged, most dismal.
Sweyn, not able to believe that his ears had deceived him, got up and went to the door. It was a dark night; the clouds were heavy with snow, that had fallen fitfully when the wind lulled. Untrodden snow lay up to the porch; there was no sight nor sound of any human being. Sweyn strained his eyes far and near, only to see dark sky, pure snow, and a line of black fir trees on a hill brow, bowing down before the wind. “It must have been the wind,” he said, and closed the door.
Many faces looked scared. The sound of a child’s voice had been so distinct—and the words “Open, open; let me in!” The wind might creak the wood, or rattle the latch, but could not speak with a child’s voice, nor knock with the soft plain blows that a plump fist gives. And the strange unusual howl of the wolf-hound was an omen to be feared, be the rest what it might. Strange things were said by one and another, till the rebuke of the house-mistress quelled them into far-off whispers. For a time after there was uneasiness, constraint, and silence; then the chill fear thawed by degrees, and the babble of talk flowed on again.
* * *
Yet half-an-hour later a very slight noise outside the door sufficed to arrest every hand, every tongue. Every head was raised, every eye fixed in one direction. “It is Christian; he is late,” said Sweyn.
No, no; this is a feeble shuffle, not a young man’s tread. With the sound of uncertain feet came the hard tap-tap of a stick against the door, and the high-pitched voice of eld, “Open, open; let me in!” Again Tyr flung up his head in a long doleful howl.
Before the echo of the tapping stick and the high voice had fairly died away, Sweyn had sprung across to the door and flung it wide. “No one again,” he said in a steady voice, though his eyes looked startled as he stared out. He saw the lonely expanse of snow, the clouds swagging low, and between the two the line of dark fir-trees bowing in the wind. He closed the door without a word of comment, and re-crossed the room.
A score of blanched faces were turned to him as though he must be solver of the enigma. He could not be unconscious of this mute eye-questioning, and it disturbed his resolute air of composure. He hesitated, glanced towards his mother, the house-mistress, then back at the frightened folk, and gravely, before them all, made the sign of the cross. There was a flutter of hands as the sign was repeated by all, and the dead silence was stirred as by a huge sigh, for the held breath of many was freed as though the sign gave magic relief.
Even the house-mistress was perturbed. She left her wheel and crossed the room to her son, and spoke with him for a moment in a low tone that none could overhear. But a moment later her voice was high-pitched and loud, so that all might benefit by her rebuke of the “heathen chatter” of one of the girls. Perhaps she essayed to silence thus her own misgivings and forebodings.
No other voice dared speak now with its natural fulness. Low tones made intermittent murmurs, and now and then silence drifted over the whole room. The handling of tools was as noiseless as might be, and suspended on the instant if the door rattled in a gust of wind. After a time Sweyn left his work, joined the group nearest the door, and loitered there on the pretence of giving advice and help to the unskilful.
A man’s tread was heard outside in the porch. “Christian!” said Sweyn and his mother simultaneously, he confidently, she authoritatively, to set the checked wheels going again. But Tyr flung up his head with an appalling howl.
“Open, open; let me in!”
It was a man’s voice, and the door shook and rattled as a man’s strength beat against it. Sweyn could feel the planks quivering, as on the instant his hand was upon the door, flinging it open, to face the blank porch, and beyond only snow and sky, and firs aslant in the wind.
He stood for a long minute with the open door in his hand. The bitter wind swept in with its icy chill, but a deadlier chill of fear came swifter, and seemed to freeze the beating of hearts. Sweyn stepped back to snatch up a great bearskin cloak.
“Sweyn, where are you going?”
“No farther than the porch, mother,” and he stepped out and closed the door.
He wrapped himself in the heavy fur, and leaning against the most sheltered wall of the porch, steeled his nerves to face the devil and all his works. No sound of voices came from within; the most distinct sound was the crackle and roar of the fire.
It was bitterly cold. His feet grew numb, but he forbore stamping them into warmth lest the sound should strike panic within; nor would he leave the porch, nor print a foot-mark on the untrodden white that decl
ared so absolutely how no human voices and hands could have approached the door since snow fell two hours or more ago. “When the wind drops there will be more snow,” thought Sweyn.
For the best part of an hour he kept his watch, and saw no living thing—heard no unwonted sound. “I will freeze here no longer,” he muttered, and re-entered.
One woman gave a half-suppressed scream as his hand was laid on the latch, and then a gasp of relief as he came in. No one questioned him, only his mother said, in a tone of forced unconcern, “Could you not see Christian coming?” as though she were made anxious only by the absence of her younger son. Hardly had Sweyn stamped near to the fire than clear knocking was heard at the door. Tyr leapt from the hearth, his eyes red as the fire, his fangs showing white in the black jowl, his neck ridged and bristling; and overleaping Rol, ramped at the door, barking furiously.
Outside the door a clear mellow voice was calling. Tyr’s bark made the words undistinguishable. No one offered to stir towards the door before Sweyn.
He stalked down the room resolutely, lifted the latch, and swung back the door.
A white-robed woman glided in.
No wraith! Living—beautiful—young.
Tyr leapt upon her.
Lithely she baulked the sharp fangs with folds of her long fur robe, and snatching from her girdle a small two-edged axe, whirled it up for a blow of defence.
Sweyn caught the dog by the collar, and dragged him off yelling and struggling.
The stranger stood in the doorway motionless, one foot set forward, one arm flung up, till the house-mistress hurried down the room; and Sweyn, relinquishing to others the furious Tyr, turned again to close the door, and offer excuse for so fierce a greeting. Then she lowered her arm, slung the axe in its place at her waist, loosened the furs about her face, and shook over her shoulders the long white robe—all as it were with the sway of one movement.
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