The day was growing late and the sunbeams long and level, when she sat suddenly up, and wrapped in its handkerchief and put by that psalm-book which had already played a part so decisive in the first chapter of her love-story. In the absence of the mesmerist’s eye, we are told nowadays that the head of a bright nail may fill his place, if it be steadfastly regarded. So that torn page had riveted her attention on what might else have been but little, and perhaps soon forgotten; while the ominous words of Dandie — heard, not heeded, and still remembered — had lent to her thoughts, or rather to her mood, a cast of solemnity, and that idea of Fate — a pagan Fate, uncontrolled by any Christian deity, obscure, lawless, and august — moving indissuadably in the affairs of Christian men. Thus even that phenomenon of love at first sight, which is so rare and seems so simple and violent, like a disruption of life’s tissue, may be decomposed into a sequence of accidents happily concurring.
She put on a grey frock and a pink kerchief, looked at herself a moment with approval in the small square of glass that served her for a toilet mirror, and went softly downstairs through the sleeping house that resounded with the sound of afternoon snoring. Just outside the door, Dandie was sitting with a book in his hand, not reading, only honouring the Sabbath by a sacred vacancy of mind. She came near him and stood still.
“I’m for off up the muirs, Dandie,” she said.
There was something unusually soft in her tones that made him look up. She was pale, her eyes dark and bright; no trace remained of the levity of the morning.
“Ay, lass? Ye’ll have yer ups and downs like me, I’m thinkin’,” he observed.
“What for do ye say that?” she asked.
“O, for naething,” says Dand. “Only I think ye’re mair like me than the lave of them. Ye’ve mair of the poetic temper, tho’ Guid kens little enough of the poetic taalent. It’s an ill gift at the best. Look at yoursel’. At denner you were all sunshine and flowers and laughter, and now you’re like the star of evening on a lake.”
She drank in this hackneyed compliment like wine, and it glowed in her veins.
“But I’m saying, Dand” — she came nearer him— “I’m for the muirs. I must have a braith of air. If Clem was to be speiring for me, try and quaiet him, will ye no?”
“What way?” said Dandie. “I ken but the ae way, and that’s leein’. I’ll say ye had a sair heid, if ye like.”
“But I havena,” she objected.
“I daursay no,” he returned. “I said I would say ye had; and if ye like to nay-say me when ye come back, it’ll no mateerially maitter, for my chara’ter’s clean gane a’ready past reca’.”
“O, Dand, are ye a lecar?” she asked, lingering.
“Folks say sae,” replied the bard.
“Wha says sae?” she pursued.
“Them that should ken the best,” he responded. “The lassies, for ane.”
“But, Dand, you would never lee to me?” she asked.
“I’ll leave that for your pairt of it, ye girzie,” said he. “Ye’ll lee to me fast eneuch, when ye hae gotten a jo. I’m tellin’ ye and it’s true; when you have a jo, Miss Kirstie, it’ll be for guid and ill. I ken: I was made that way mysel’, but the deil was in my luck! Here, gang awa wi’ ye to your muirs, and let me be; I’m in an hour of inspiraution, ye upsetting tawpie!”
But she clung to her brother’s neighbourhood, she knew not why.
“Will ye no gie’s a kiss, Dand?” she said. “I aye likit ye fine.”
He kissed her and considered her a moment; he found something strange in her. But he was a libertine through and through, nourished equal contempt and suspicion of all womankind, and paid his way among them habitually with idle compliments.
“Gae wa’ wi’ ye!” said he. “Ye’re a dentie baby, and be content wi’ that!”
That was Dandie’s way; a kiss and a comfit to Jenny — a bawbee and my blessing to Jill — and goodnight to the whole clan of ye, my dears! When anything approached the serious, it became a matter for men, he both thought and said. Women, when they did not absorb, were only children to be shoo’d away. Merely in his character of connoisseur, however, Dandie glanced carelessly after his sister as she crossed the meadow. “The brat’s no that bad!” he thought with surprise, for though he had just been paying her compliments, he had not really looked at her. “Hey! what’s yon?” For the grey dress was cut with short sleeves and skirts, and displayed her trim strong legs clad in pink stockings of the same shade as the kerchief she wore round her shoulders, and that shimmered as she went. This was not her way in undress; he knew her ways and the ways of the whole sex in the country-side, no one better; when they did not go barefoot, they wore stout “rig and furrow” woollen hose of an invisible blue mostly, when they were not black outright; and Dandie, at sight of this daintiness, put two and two together. It was a silk handkerchief, then they would be silken hose; they matched — then the whole outfit was a present of Clem’s, a costly present, and not something to be worn through bog and briar, or on a late afternoon of Sunday. He whistled. “My denty May, either your heid’s fair turned, or there’s some ongoings!” he observed, and dismissed the subject.
She went slowly at first, but ever straighter and faster for the Cauldstaneslap, a pass among the hills to which the farm owed its name. The Slap opened like a doorway between two rounded hillocks; and through this ran the short cut to Hermiston. Immediately on the other side it went down through the Deil’s Hags, a considerable marshy hollow of the hill tops, full of springs, and crouching junipers, and pools where the black peat-water slumbered. There was no view from here. A man might have sat upon the Praying Weaver’s stone a half century, and seen none but the Cauldstaneslap children twice in the twenty-four hours on their way to the school and back again, an occasional shepherd, the irruption of a clan of sheep, or the birds who haunted about the springs, drinking and shrilly piping. So, when she had once passed the Slap, Kirstie was received into seclusion. She looked back a last time at the farm. It still lay deserted except for the figure of Dandie, who was now seen to be scribbling in his lap, the hour of expected inspiration having come to him at last. Thence she passed rapidly through the morass, and came to the farther end of it, where a sluggish burn discharges, and the path for Hermiston accompanies it on the beginning of its downward path. From this corner a wide view was opened to her of the whole stretch of braes upon the other side, still sallow and in places rusty with the winter, with the path marked boldly, here and there by the burn-side a tuft of birches, and — two miles off as the crow flies — from its enclosures and young plantations, the windows of Hermiston glittering in the western sun.
Here she sat down and waited, and looked for a long time at these far-away bright panes of glass. It amused her to have so extended a view, she thought. It amused her to see the house of Hermiston — to see “folk”; and there was an indistinguishable human unit, perhaps the gardener, visibly sauntering on the gravel paths.
By the time the sun was down and all the easterly braes lay plunged in clear shadow, she was aware of another figure coming up the path at a most unequal rate of approach, now half running, now pausing and seeming to hesitate. She watched him at first with a total suspension of thought. She held her thought as a person holds his breathing. Then she consented to recognise him. “He’ll no be coming here, he canna be; it’s no possible.” And there began to grow upon her a subdued choking suspense. He was coming; his hesitations had quite ceased, his step grew firm and swift; no doubt remained; and the question loomed up before her instant: what was she to do? It was all very well to say that her brother was a laird himself: it was all very well to speak of casual intermarriages and to count cousinship, like Auntie Kirstie. The difference in their social station was trenchant; propriety, prudence, all that she had ever learned, all that she knew, bade her flee. But on the other hand the cup of life now offered to her was too enchanting. For one moment, she saw the question clearly, and definitely made her choice. She stood up and
showed herself an instant in the gap relieved upon the sky line; and the next, fled trembling and sat down glowing with excitement on the Weaver’s stone. She shut her eyes, seeking, praying for composure. Her hand shook in her lap, and her mind was full of incongruous and futile speeches. What was there to make a work about? She could take care of herself, she supposed! There was no harm in seeing the laird. It was the best thing that could happen. She would mark a proper distance to him once and for all. Gradually the wheels of her nature ceased to go round so madly, and she sat in passive expectation, a quiet, solitary figure in the midst of the grey moss. I have said she was no hypocrite, but here I am at fault. She never admitted to herself that she had come up the hill to look for Archie. And perhaps after all she did not know, perhaps came as a stone falls. For the steps of love in the young, and especially in girls, are instinctive and unconscious.
In the meantime Archie was drawing rapidly near, and he at least was consciously seeking her neighbourhood. The afternoon had turned to ashes in his mouth; the memory of the girl had kept him from reading and drawn him as with cords; and at last, as the cool of the evening began to come on, he had taken his hat and set forth, with a smothered ejaculation, by the moor path to Cauldstaneslap. He had no hope to find her; he took the off chance without expectation of result and to relieve his uneasiness. The greater was his surprise, as he surmounted the slope and came into the hollow of the Deil’s Hags, to see there, like an answer to his wishes, the little womanly figure in the grey dress and the pink kerchief sitting little, and low, and lost, and acutely solitary, in these desolate surroundings and on the weather-beaten stone of the dead weaver. Those things that still smacked of winter were all rusty about her, and those things that already relished of the spring had put forth the tender and lively colours of the season. Even in the unchanging face of the death-stone, changes were to be remarked; and in the channeled lettering, the moss began to renew itself in jewels of green. By an afterthought that was a stroke of art, she had turned up over her head the back of the kerchief; so that it now framed becomingly her vivacious and yet pensive face. Her feet were gathered under her on the one side, and she leaned on her bare arm, which showed out strong and round, tapered to a slim wrist, and shimmered in the fading light.
Young Hermiston was struck with a certain chill. He was reminded that he now dealt in serious matters of life and death. This was a grown woman he was approaching, endowed with her mysterious potencies and attractions, the treasury of the continued race, and he was neither better nor worse than the average of his sex and age. He had a certain delicacy which had preserved him hitherto unspotted, and which (had either of them guessed it) made him a more dangerous companion when his heart should be really stirred. His throat was dry as he came near; but the appealing sweetness of her smile stood between them like a guardian angel.
For she turned to him and smiled, though without rising. There was a shade in this cavalier greeting that neither of them perceived; neither he, who simply thought it gracious and charming as herself; nor yet she, who did not observe (quick as she was) the difference between rising to meet the laird, and remaining seated to receive the expected admirer.
“Are ye stepping west, Hermiston?” said she, giving him his territorial name after the fashion of the country-side.
“I was,” said he, a little hoarsely, “but I think I will be about the end of my stroll now. Are you like me, Miss Christina? The house would not hold me. I came here seeking air.”
He took his seat at the other end of the tombstone and studied her, wondering what was she. There was infinite import in the question alike for her and him.
“Ay,” she said. “I couldna bear the roof either. It’s a habit of mine to come up here about the gloaming when it’s quaiet and caller.”
“It was a habit of my mother’s also,” he said gravely. The recollection half startled him as he expressed it. He looked around. “I have scarce been here since. It’s peaceful,” he said, with a long breath.
“It’s no like Glasgow,” she replied. “A weary place, yon Glasgow! But what a day have I had for my homecoming, and what a bonny evening!”
“Indeed, it was a wonderful day,” said Archie. “I think I will remember it years and years until I come to die. On days like this — I do not know if you feel as I do — but everything appears so brief, and fragile, and exquisite, that I am afraid to touch life. We are here for so short a time; and all the old people before us — Rutherfords of Hermiston, Elliotts of the Cauldstaneslap — that were here but a while since riding about and keeping up a great noise in this quiet corner — making love too, and marrying — why, where are they now? It’s deadly commonplace, but, after all, the commonplaces are the great poetic truths.”
He was sounding her, semi-consciously, to see if she could understand him; to learn if she were only an animal the colour of flowers, or had a soul in her to keep her sweet. She, on her part, her means well in hand, watched, womanlike, for any opportunity to shine, to abound in his humour, whatever that might be. The dramatic artist, that lies dormant or only half awake in most human beings, had in her sprung to his feet in a divine fury, and chance had served her well. She looked upon him with a subdued twilight look that became the hour of the day and the train of thought; earnestness shone through her like stars in the purple west; and from the great but controlled upheaval of her whole nature there passed into her voice, and rang in her lightest words, a thrill of emotion.
“Have you mind of Dand’s song?” she answered. “I think he’ll have been trying to say what you have been thinking.”
“No, I never heard it,” he said. “Repeat it to me, can you?”
“It’s nothing wanting the tune,” said Kirstie.
“Then sing it me,” said he.
“On the Lord’s Day? That would never do, Mr. Weir!”
“I am afraid I am not so strict a keeper of the Sabbath, and there is no one in this place to hear us, unless the poor old ancient under the stone.”
“No that I’m thinking that really,” she said. “By my way of thinking, it’s just as serious as a psalm. Will I sooth it to ye, then?”
“If you please,” said he, and, drawing near to her on the tombstone, prepared to listen.
She sat up as if to sing. “I’ll only can sooth it to ye,” she explained. “I wouldna like to sing out loud on the Sabbath. I think the birds would carry news of it to Gilbert,” and she smiled. “It’s about the Elliotts,” she continued, “and I think there’s few bonnier bits in the book-poets, though Dand has never got printed yet.”
And she began, in the low, clear tones of her half voice, now sinking almost to a whisper, now rising to a particular note which was her best, and which Archie learned to wait for with growing emotion: —
“O they rade in the rain, in the days that are gane,
In the rain and the wind and the lave,
They shoutit in the ha’ and they routit on the hill,
But they’re a’ quaitit noo in the grave.
Auld, auld Elliotts, clay-cauld Elliotts, dour, bauld Elliotte of auld!”
All the time she sang she looked steadfastly before her, her knees straight, her hands upon her knee, her head cast back and up. The expression was admirable throughout, for had she not learned it from the lips and under the criticism of the author? When it was done, she turned upon Archie a face softly bright, and eyes gently suffused and shining in the twilight, and his heart rose and went out to her with boundless pity and sympathy. His question was answered. She was a human being tuned to a sense of the tragedy of life; there were pathos and music and a great heart in the girl.
He arose instinctively, she also; for she saw she had gained a point, and scored the impression deeper, and she had wit enough left to flee upon a victory. They were but commonplaces that remained to be exchanged, but the low, moved voices in which they passed made them sacred in the memory. In the falling greyness of the evening he watched her figure winding through the morass, saw it
turn a last time and wave a hand, and then pass through the Slap; and it seemed to him as if something went along with her out of the deepest of his heart. And something surely had come, and come to dwell there. He had retained from childhood a picture, now half obliterated by the passage of time and the multitude of fresh impressions, of his mother telling him, with the fluttered earnestness of her voice, and often with dropping tears, the tale of the “Praying Weaver,” on the very scene of his brief tragedy and long repose. And now there was a companion piece; and he beheld, and he should behold for ever, Christina perched on the same tomb, in the grey colours of the evening, gracious, dainty, perfect as a flower, and she also singing —
Complete Works of Robert Louis Stevenson Page 229