To see us tread so boldly here.
Meanwhile, my Eve, with flower and grass
Our perishable days we pass;
Far more the thorn observe — and see
How our enormous sins go free —
Nor less admire, beside the rose,
How far a little virtue goes.
THE ANGLER ROSE, HE TOOK HIS ROD
The angler rose, he took his rod,
He kneeled and made his prayers to God.
The living God sat overhead:
The angler tripped, the eels were fed
SPRING CAROL
When loud by landside streamlets gush,
And clear in the greenwood quires the thrush,
With sun on the meadows
And songs in the shadows
Comes again to me
The gift of the tongues of the lea,
The gift of the tongues of meadows.
Straightway my olden heart returns
And dances with the dancing burns;
It sings with the sparrows;
To the rain and the (grimy) barrows
Sings my heart aloud —
To the silver-bellied cloud,
To the silver rainy arrows.
It bears the song of the skylark down,
And it hears the singing of the town;
And youth on the highways
And lovers in byways
Follows and sees:
And hearkens the song of the leas
And sings the songs of the highways.
So when the earth is alive with gods,
And the lusty ploughman breaks the sod,
And the grass sings in the meadows,
And the flowers smile in the shadows,
Sits my heart at ease,
Hearing the song of the leas,
Singing the songs of the meadows.
TO WHAT SHALL I COMPARE HER?
To what shall I compare her,
That is as fair as she?
For she is fairer — fairer
Than the sea.
What shall be likened to her,
The sainted of my youth?
For she is truer — truer
Than the truth.
As the stars are from the sleeper,
Her heart is hid from me;
For she is deeper — deeper
Than the sea.
Yet in my dreams I view her
Flush rosy with new ruth —
Dreams! Ah, may these prove truer
Than the truth.
WHEN THE SUN COMES AFTER RAIN
When the sun comes after rain
And the bird is in the blue,
The girls go down the lane
Two by two.
When the sun comes after shadow
And the singing of the showers,
The girls go up the meadow,
Fair as flowers.
When the eve comes dusky red
And the moon succeeds the sun,
The girls go home to bed
One by one.
And when life draws to its even
And the day of man is past,
They shall all go home to heaven,
Home at last.
LATE, O MILLER
Late, O miller,
The birds are silent,
The darkness falls.
In the house the lights are lighted.
See, in the valley they twinkle,
The lights of home.
Late, O lovers,
The night is at hand;
Silence and darkness
Clothe the land.
TO FRIENDS AT HOME
To friends at home, the lone, the admired, the lost
The gracious old, the lovely young, to May
The fair, December the beloved,
These from my blue horizon and green isles,
These from this pinnacle of distances I,
The unforgetful, dedicate.
I, WHOM APOLLO SOMETIME VISITED
I, whom Apollo sometime visited,
Or feigned to visit, now, my day being done,
Do slumber wholly; nor shall know at all
The weariness of changes; nor perceive
Immeasurable sands of centuries
Drink of the blanching ink, or the loud sound
Of generations beat the music down.
TEMPEST TOSSED AND SORE AFFLICTED
Tempest tossed and sore afflicted, sin defiled and care oppressed,
Come to me, all ye that labour; come, and I will give ye rest.
Fear no more, O doubting hearted; weep no more, O weeping eye!
Lo, the voice of your redeemer; lo, the songful morning near.
Here one hour you toil and combat, sin and suffer, bleed and die;
In my father’s quiet mansion soon to lay your burden by.
Bear a moment, heavy laden, weary hand and weeping eye.
Lo, the feet of your deliverer; lo, the hour of freedom here.
VARIANT FORM OF THE PRECEDING POEM
Come to me, all ye that labour; I will give your spirits rest;
Here apart in starry quiet I will give you rest.
Come to me, ye heavy laden, sin defiled and care opprest,
In your father’s quiet mansions, soon to prove a welcome guest.
But an hour you bear your trial, sin and suffer, bleed and die;
But an hour you toil and combat here in day’s inspiring eye.
See the feet of your deliverer; lo, the hour of freedom nigh.
I NOW, O FRIEND, WHOM NOISELESSLY THE SNOWS
I now, O friend, whom noiselessly the snows
Settle around, and whose small chamber grows
Dusk as the sloping window takes its load:
* * * * *
The kindly hill, as to complete our hap,
Has ta’en us in the shelter of her lap;
Well sheltered in our slender grove of trees
And ring of walls, we sit between her knees;
A disused quarry, paved with rose plots, hung
With clematis, the barren womb whence sprung
The crow-stepped house itself, that now far seen
Stands, like a bather, to the neck in green.
A disused quarry, furnished with a seat
Sacred to pipes and meditation meet
For such a sunny and retired nook.
There in the clear, warm mornings many a book
Has vied with the fair prospect of the hills
That, vale on vale, rough brae on brae, upfills
Halfway to the zenith all the vacant sky
To keep my loose attention. . . .
Horace has sat with me whole mornings through:
And Montaigne gossiped, fairly false and true;
And chattering Pepys, and a few beside
That suit the easy vein, the quiet tide,
The calm and certain stay of garden-life,
Far sunk from all the thunderous roar of strife.
There is about the small secluded place
A garnish of old times; a certain grace
Of pensive memories lays about the braes:
The old chestnuts gossip tales of bygone days.
Here, where some wandering preacher, blest Lazil,
Perhaps, or Peden, on the middle hill
Had made his secret church, in rain or snow,
He cheers the chosen residue from woe.
All night the doors stood open, come who might,
The hounded kebbock mat the mud all night.
Nor are there wanting later tales; of how
Prince Charlie’s Highlanders . . .
* * * * *
I have had talents, too. In life’s first hour
God crowned with benefits my childish head.
Flower after flower, I plucked them; flower by flower
Cast them behind me, ruined, withered, dead.
Full many a shining godhead disappeared.
From the
bright rank that once adorned her brow
The old child’s Olympus
* * * * *
Gone are the fair old dreams, and one by one,
As, one by one, the means to reach them went,
As, one by one, the stars in riot and disgrace,
I squandered what . . .
There shut the door, alas! on many a hope
Too many;
My face is set to the autumnal slope,
Where the loud winds shall . . .
There shut the door, alas! on many a hope,
And yet some hopes remain that shall decide
My rest of years and down the autumnal slope.
* * * * *
Gone are the quiet twilight dreams that I
Loved, as all men have loved them; gone!
I have great dreams, and still they stir my soul on high —
Dreams of the knight’s stout heart and tempered will.
Not in Elysian lands they take their way;
Not as of yore across the gay champaign,
Towards some dream city, towered . . .
and my . . .
The path winds forth before me, sweet and plain,
Not now; but though beneath a stone-grey sky
November’s russet woodlands toss and wail,
Still the white road goes thro’ them, still may I,
Strong in new purpose, God, may still prevail.
* * * * *
I and my like, improvident sailors!
* * * * *
At whose light fall awaking, all my heart
Grew populous with gracious, favoured thought,
And all night long thereafter, hour by hour,
The pageant of dead love before my eyes
Went proudly, and old hopes with downcast head
Followed like Kings, subdued in Rome’s imperial hour,
Followed the car; and I . . .
SINCE THOU HAST GIVEN ME THIS GOOD HOPE, O GOD
Since thou hast given me this good hope, O God,
That while my footsteps tread the flowery sod
And the great woods embower me, and white dawn
And purple even sweetly lead me on
From day to day, and night to night, O God,
My life shall no wise miss the light of love;
But ever climbing, climb above
Man’s one poor star, man’s supine lands,
Into the azure steadfastness of death,
My life shall no wise lack the light of love,
My hands not lack the loving touch of hands;
But day by day, while yet I draw my breath,
And day by day, unto my last of years,
I shall be one that has a perfect friend.
Her heart shall taste my laughter and my tears,
And her kind eyes shall lead me to the end.
GOD GAVE TO ME A CHILD IN PART
God gave to me a child in part,
Yet wholly gave the father’s heart:
Child of my soul, O whither now,
Unborn, unmothered, goest thou?
You came, you went, and no man wist;
Hapless, my child, no breast you kist;
On no dear knees, a privileged babbler, clomb,
Nor knew the kindly feel of home.
My voice may reach you, O my dear —
A father’s voice perhaps the child may hear;
And, pitying, you may turn your view
On that poor father whom you never knew.
Alas! alone he sits, who then,
Immortal among mortal men,
Sat hand in hand with love, and all day through
With your dear mother wondered over you.
OVER THE LAND IS APRIL
Over the land is April,
Over my heart a rose;
Over the high, brown mountain
The sound of singing goes.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain,
Love, do you hear me sing?
By highway, love, and byway
The snows succeed the rose.
Over the high, brown mountain
The wind of winter blows.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain
I sound the song of spring,
I throw the flowers of spring.
Do you hear the song of spring?
Hear you the songs of spring?
LIGHT AS THE LINNET ON MY WAY I START
Light as the linnet on my way I start,
For all my pack I bear a chartered heart.
Forth on the world without a guide or chart,
Content to know, through all man’s varying fates,
The eternal woman by the wayside waits.
COME, HERE IS ADIEU TO THE CITY
Come, here is adieu to the city
And hurrah for the country again.
The broad road lies before me
Watered with last night’s rain.
The timbered country woos me
With many a high and bough;
And again in the shining fallows
The ploughman follows the plough.
The whole year’s sweat and study,
And the whole year’s sowing time,
Comes now to the perfect harvest,
And ripens now into rhyme.
For we that sow in the Autumn,
We reap our grain in the Spring,
And we that go sowing and weeping
Return to reap and sing.
IT BLOWS A SNOWING GALE
It blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
NE SIT ANCILLÆ TIBI AMOR PUDOR
There’s just a twinkle in your eye
That seems to say I might, if I
Were only bold enough to try
An arm about your waist.
I hear, too, as you come and go,
That pretty nervous laugh, you know;
And then your cap is always so
Coquettishly displaced.
Your cap! the word’s profanely said.
That little top-knot, white and red,
That quaintly crowns your graceful head,
No bigger than a flower,
Is set with such a witching art,
Is so provocatively smart,
I’d like to wear it on my heart,
An order for an hour!
O graceful housemaid, tall and fair,
I love your shy imperial air,
And always loiter on the stair
When you are going by.
A strict reserve the fates demand;
But, when to let you pass I stand,
Sometimes by chance I touch your hand
And sometimes catch your eye.
TO ALL THAT LOVE THE FAR AND BLUE
To all that love the far and blue:
Whether, from dawn to eve, on foot
The fleeing corners ye pursue,
Nor weary of the vain pursuit;
Or whether down the singing stream,
Paddle in hand, jocund ye shoot,
To splash beside the splashing bream
Or anchor by the willow root:
Or, bolder, from the narrow shore
Put forth, that cedar ark to steer,
Among the seabirds and the roar
Of the great sea, profound and clear;
Or, lastly if in heart ye roam,
Not caring to do else, and hear,
Safe sitting by the fire at home,
Footfalls in Utah or Pamere:
Though long the way, though hard to bear
The sun and rain, the dust
and dew;
Though still attainment and despair
Inter the old, despoil the new;
There shall at length, be sure, O friends,
Howe’er ye steer, whate’er ye do —
At length, and at the end of ends,
The golden city come in view.
THOU STRAINEST THROUGH THE MOUNTAIN FERN
(A Fragment)
Thou strainest through the mountain fern,
A most exiguously thin
Burn.
For all thy foam, for all thy din,
Thee shall the pallid lake inurn,
With well-a-day for Mr. Swin-
Burne!
Take then this quarto in thy fin
And, O thou stoker huge and stern,
The whole affair, outside and in,
Burn!
But save the true poetic kin,
The works of Mr. Robert Burn’
And William Wordsworth upon Tin-
Tern!
TO ROSABELLE
When my young lady has grown great and staid,
And in long raiment wondrously arrayed,
She may take pleasure with a smile to know
How she delighted men-folk long ago.
For her long after, then, this tale I tell
Of the two fans and fairy Rosabelle.
Hot was the day; her weary sire and I
Sat in our chairs companionably nigh,
Each with a headache sat her sire and I.
Instant the hostess waked: she viewed the scene,
Divined the giants’ languor by their mien,
And with hospitable care
Tackled at once an Atlantean chair.
Her pigmy stature scarce attained the seat —
She dragged it where she would, and with her feet
Surmounted; thence, a Phaeton launched, she crowned
The vast plateau of the piano, found
And culled a pair of fans; wherewith equipped,
Our mountaineer back to the level slipped;
And being landed, with considerate eyes,
Betwixt her elders dealt her double prize;
The small to me, the greater to her sire.
As painters now advance and now retire
Before the growing canvas, and anon
Once more approach and put the climax on:
So she awhile withdrew, her piece she viewed —
Complete Works of Robert Louis Stevenson Page 439