Friday, July 26. — At night in the dark, the singers of Makin paraded in the road before our house and sang the song of the princess. ‘This is the day; she was born to-day; Nei Kamaunave was born to-day — a beautiful princess, Queen of Butaritari.’ So I was told it went in endless iteration. The song was of course out of season, and the performance only a rehearsal. But it was a serenade besides; a delicate attention to ourselves from our new friend, Karaiti.
Saturday, July 27. — We had announced a performance of the magic lantern to-night in church; and this brought the king to visit us. In honour of the Black Douglas (I suppose) his usual two guardsmen were now increased to four; and the squad made an outlandish figure as they straggled after him, in straw hats, kilts and jackets. Three carried their arms reversed, the butts over their shoulders, the muzzles menacing the king’s plump back; the fourth had passed his weapon behind his neck, and held it there with arms extended like a backboard. The visit was extraordinarily long. The king, no longer galvanised with gin, said and did nothing. He sat collapsed in a chair and let a cigar go out. It was hot, it was sleepy, it was cruel dull; there was no resource but to spy in the countenance of Tebureimoa for some remaining trait of Mr. Corpse the butcher. His hawk nose, crudely depressed and flattened at the point, did truly seem to us to smell of midnight murder. When he took his leave, Maka bade me observe him going down the stair (or rather ladder) from the verandah. ‘Old man,’ said Maka. ‘Yes,’ said I, ‘and yet I suppose not old man.’ ‘Young man,’ returned Maka, ‘perhaps fo’ty.’ And I have heard since he is most likely younger.
While the magic lantern was showing, I skulked without in the dark. The voice of Maka, excitedly explaining the Scripture slides, seemed to fill not the church only, but the neighbourhood. All else was silent. Presently a distant sound of singing arose and approached; and a procession drew near along the road, the hot clean smell of the men and women striking in my face delightfully. At the corner, arrested by the voice of Maka and the lightening and darkening of the church, they paused. They had no mind to go nearer, that was plain. They were Makin people, I believe, probably staunch heathens, contemners of the missionary and his works. Of a sudden, however, a man broke from their company, took to his heels, and fled into the church; next moment three had followed him; the next it was a covey of near upon a score, all pelting for their lives. So the little band of the heathen paused irresolute at the corner, and melted before the attractions of a magic lantern, like a glacier in spring. The more staunch vainly taunted the deserters; three fled in a guilty silence, but still fled; and when at length the leader found the wit or the authority to get his troop in motion and revive the singing, it was with much diminished forces that they passed musically on up the dark road.
Meanwhile inside the luminous pictures brightened and faded. I stood for some while unobserved in the rear of the spectators, when I could hear just in front of me a pair of lovers following the show with interest, the male playing the part of interpreter and (like Adam) mingling caresses with his lecture. The wild animals, a tiger in particular, and that old school-treat favourite, the sleeper and the mouse, were hailed with joy; but the chief marvel and delight was in the gospel series. Maka, in the opinion of his aggrieved wife, did not properly rise to the occasion. ‘What is the matter with the man? Why can’t he talk?’ she cried. The matter with the man, I think, was the greatness of the opportunity; he reeled under his good fortune; and whether he did ill or well, the exposure of these pious ‘phantoms’ did as a matter of fact silence in all that part of the island the voice of the scoffer. ‘Why then,’ the word went round, ‘why then, the Bible is true!’ And on our return afterwards we were told the impression was yet lively, and those who had seen might be heard telling those who had not, ‘O yes, it is all true; these things all happened, we have seen the pictures.’ The argument is not so childish as it seems; for I doubt if these islanders are acquainted with any other mode of representation but photography; so that the picture of an event (on the old melodrama principle that ‘the camera cannot lie, Joseph,’) would appear strong proof of its occurrence. The fact amused us the more because our slides were some of them ludicrously silly, and one (Christ before Pilate) was received with shouts of merriment, in which even Maka was constrained to join.
Sunday, July 28. — Karaiti came to ask for a repetition of the ‘phantoms’ — this was the accepted word — and, having received a promise, turned and left my humble roof without the shadow of a salutation. I felt it impolite to have the least appearance of pocketing a slight; the times had been too difficult, and were still too doubtful; and Queen Victoria’s son was bound to maintain the honour of his house. Karaiti was accordingly summoned that evening to the Ricks, where Mrs. Rick fell foul of him in words, and Queen Victoria’s son assailed him with indignant looks. I was the ass with the lion’s skin; I could not roar in the language of the Gilbert Islands; but I could stare. Karaiti declared he had meant no offence; apologised in a sound, hearty, gentlemanly manner; and became at once at his ease. He had in a dagger to examine, and announced he would come to price it on the morrow, to-day being Sunday; this nicety in a heathen with eight wives surprised me. The dagger was ‘good for killing fish,’ he said roguishly; and was supposed to have his eye upon fish upon two legs. It is at least odd that in Eastern Polynesia fish was the accepted euphemism for the human sacrifice. Asked as to the population of his island, Karaiti called out to his vassals who sat waiting him outside the door, and they put it at four hundred and fifty; but (added Karaiti jovially) there will soon be plenty more, for all the women are in the family way. Long before we separated I had quite forgotten his offence. He, however, still bore it in mind; and with a very courteous inspiration returned early on the next day, paid us a long visit, and punctiliously said farewell when he departed.
Monday, July 29. — The great day came round at last. In the first hours the night was startled by the sound of clapping hands and the chant of Nei Kamaunava; its melancholy, slow, and somewhat menacing measures broken at intervals by a formidable shout. The little morsel of humanity thus celebrated in the dark hours was observed at midday playing on the green entirely naked, and equally unobserved and unconcerned.
The summer parlour on its artificial islet, relieved against the shimmering lagoon, and shimmering itself with sun and tinned iron, was all day crowded about by eager men and women. Within, it was boxed full of islanders, of any age and size, and in every degree of nudity and finery. So close we squatted, that at one time I had a mighty handsome woman on my knees, two little naked urchins having their feet against my back. There might be a dame in full attire of holoku and hat and flowers; and her next neighbour might the next moment strip some little rag of a shift from her fat shoulders and come out a monument of flesh, painted rather than covered by the hairbreadth ridi. Little ladies who thought themselves too great to appear undraped upon so high a festival were seen to pause outside in the bright sunshine, their miniature ridis in their hand; a moment more and they were full-dressed and entered the concert-room.
At either end stood up to sing, or sat down to rest, the alternate companies of singers; Kuma and Little Makin on the north, Butaritari and its conjunct hamlets on the south; both groups conspicuous in barbaric bravery. In the midst, between these rival camps of troubadours, a bench was placed; and here the king and queen throned it, some two or three feet above the crowded audience on the floor — Tebureimoa as usual in his striped pyjamas with a satchel strapped across one shoulder, doubtless (in the island fashion) to contain his pistols; the queen in a purple holoku, her abundant hair let down, a fan in her hand. The bench was turned facing to the strangers, a piece of well-considered civility; and when it was the turn of Butaritari to sing, the pair must twist round on the bench, lean their elbows on the rail, and turn to us the spectacle of their broad backs. The royal couple occasionally solaced themselves with a clay pipe; and the pomp of state was further heightened by the rifles of a picket of the guard.
With this kingly countenance, and ourselves squatted on the ground, we heard several songs from one side or the other. Then royalty and its guards withdrew, and Queen Victoria’s son and daughter-in-law were summoned by acclamation to the vacant throne. Our pride was perhaps a little modified when we were joined on our high places by a certain thriftless loafer of a white; and yet I was glad too, for the man had a smattering of native, and could give me some idea of the subject of the songs. One was patriotic, and dared Tembinok’ of Apemama, the terror of the group, to an invasion. One mixed the planting of taro and the harvest-home. Some were historical, and commemorated kings and the illustrious chances of their time, such as a bout of drinking or a war. One, at least, was a drama of domestic interest, excellently played by the troop from Makin. It told the story of a man who has lost his wife, at first bewails her loss, then seeks another: the earlier strains (or acts) are played exclusively by men; but towards the end a woman appears, who has just lost her husband; and I suppose the pair console each other, for the finale seemed of happy omen. Of some of the songs my informant told me briefly they were ‘like about the weemen’; this I could have guessed myself. Each side (I should have said) was strengthened by one or two women. They were all soloists, did not very often join in the performance, but stood disengaged at the back part of the stage, and looked (in ridi, necklace, and dressed hair) for all the world like European ballet-dancers. When the song was anyway broad these ladies came particularly to the front; and it was singular to see that, after each entry, the première danseuse pretended to be overcome by shame, as though led on beyond what she had meant, and her male assistants made a feint of driving her away like one who had disgraced herself. Similar affectations accompany certain truly obscene dances of Samoa, where they are very well in place. Here it was different. The words, perhaps, in this free-spoken world, were gross enough to make a carter blush; and the most suggestive feature was this feint of shame. For such parts the women showed some disposition; they were pert, they were neat, they were acrobatic, they were at times really amusing, and some of them were pretty. But this is not the artist’s field; there is the whole width of heaven between such capering and ogling, and the strange rhythmic gestures, and strange, rapturous, frenzied faces with which the best of the male dancers held us spellbound through a Gilbert Island ballet.
Almost from the first it was apparent that the people of the city were defeated. I might have thought them even good, only I had the other troop before my eyes to correct my standard, and remind me continually of ‘the little more, and how much it is.’ Perceiving themselves worsted, the choir of Butaritari grew confused, blundered, and broke down; amid this hubbub of unfamiliar intervals I should not myself have recognised the slip, but the audience were quick to catch it, and to jeer. To crown all, the Makin company began a dance of truly superlative merit. I know not what it was about, I was too much absorbed to ask. In one act a part of the chorus, squealing in some strange falsetto, produced very much the effect of our orchestra; in another, the dancers, leaping like jumping-jacks, with arms extended, passed through and through each other’s ranks with extraordinary speed, neatness, and humour. A more laughable effect I never saw; in any European theatre it would have brought the house down, and the island audience roared with laughter and applause. This filled up the measure for the rival company, and they forgot themselves and decency. After each act or figure of the ballet, the performers pause a moment standing, and the next is introduced by the clapping of hands in triplets. Not until the end of the whole ballet do they sit down, which is the signal for the rivals to stand up. But now all rules were to be broken. During the interval following on this great applause, the company of Butaritari leaped suddenly to their feet and most unhandsomely began a performance of their own. It was strange to see the men of Makin staring; I have seen a tenor in Europe stare with the same blank dignity into a hissing theatre; but presently, to my surprise, they sobered down, gave up the unsung remainder of their ballet, resumed their seats, and suffered their ungallant adversaries to go on and finish. Nothing would suffice. Again, at the first interval, Butaritari unhandsomely cut in; Makin, irritated in turn, followed the example; and the two companies of dancers remained permanently standing, continuously clapping hands, and regularly cutting across each other at each pause. I expected blows to begin with any moment; and our position in the midst was highly unstrategical. But the Makin people had a better thought; and upon a fresh interruption turned and trooped out of the house. We followed them, first because these were the artists, second because they were guests and had been scurvily ill-used. A large population of our neighbours did the same, so that the causeway was filled from end to end by the procession of deserters; and the Butaritari choir was left to sing for its own pleasure in an empty house, having gained the point and lost the audience. It was surely fortunate that there was no one drunk; but, drunk or sober, where else would a scene so irritating have concluded without blows?
The last stage and glory of this auspicious day was of our own providing — the second and positively the last appearance of the phantoms. All round the church, groups sat outside, in the night, where they could see nothing; perhaps ashamed to enter, certainly finding some shadowy pleasure in the mere proximity. Within, about one-half of the great shed was densely packed with people. In the midst, on the royal dais, the lantern luminously smoked; chance rays of light struck out the earnest countenance of our Chinaman grinding the hand-organ; a fainter glimmer showed off the rafters and their shadows in the hollow of the roof; the pictures shone and vanished on the screen; and as each appeared, there would run a hush, a whisper, a strong shuddering rustle, and a chorus of small cries among the crowd. There sat by me the mate of a wrecked schooner. ‘They would think this a strange sight in Europe or the States,’ said he, ‘going on in a building like this, all tied with bits of string.’
CHAPTER VII — HUSBAND AND WIFE
The trader accustomed to the manners of Eastern Polynesia has a lesson to learn among the Gilberts. The ridi is but a spare attire; as late as thirty years back the women went naked until marriage; within ten years the custom lingered; and these facts, above all when heard in description, conveyed a very false idea of the manners of the group. A very intelligent missionary described it (in its former state) as a ‘Paradise of naked women’ for the resident whites. It was at least a platonic Paradise, where Lothario ventured at his peril. Since 1860, fourteen whites have perished on a single island, all for the same cause, all found where they had no business, and speared by some indignant father of a family; the figure was given me by one of their contemporaries who had been more prudent and survived. The strange persistence of these fourteen martyrs might seem to point to monomania or a series of romantic passions; gin is the more likely key. The poor buzzards sat alone in their houses by an open case; they drank; their brain was fired; they stumbled towards the nearest houses on chance; and the dart went through their liver. In place of a Paradise the trader found an archipelago of fierce husbands and of virtuous women. ‘Of course if you wish to make love to them, it’s the same as anywhere else,’ observed a trader innocently; but he and his companions rarely so choose.
The trader must be credited with a virtue: he often makes a kind and loyal husband. Some of the worst beachcombers in the Pacific, some of the last of the old school, have fallen in my path, and some of them were admirable to their native wives, and one made a despairing widower. The position of a trader’s wife in the Gilberts is, besides, unusually enviable. She shares the immunities of her husband. Curfew in Butaritari sounds for her in vain. Long after the bell is rung and the great island ladies are confined for the night to their own roof, this chartered libertine may scamper and giggle through the deserted streets or go down to bathe in the dark. The resources of the store are at her hand; she goes arrayed like a queen, and feasts delicately everyday upon tinned meats. And she who was perhaps of no regard or station among natives sits with captains, and is entertained on boar
d of schooners. Five of these privileged dames were some time our neighbours. Four were handsome skittish lasses, gamesome like children, and like children liable to fits of pouting. They wore dresses by day, but there was a tendency after dark to strip these lendings and to career and squall about the compound in the aboriginal ridi. Games of cards were continually played, with shells for counters; their course was much marred by cheating; and the end of a round (above all if a man was of the party) resolved itself into a scrimmage for the counters. The fifth was a matron. It was a picture to see her sail to church on a Sunday, a parasol in hand, a nursemaid following, and the baby buried in a trade hat and armed with a patent feeding-bottle. The service was enlivened by her continual supervision and correction of the maid. It was impossible not to fancy the baby was a doll, and the church some European playroom. All these women were legitimately married. It is true that the certificate of one, when she proudly showed it, proved to run thus, that she was ‘married for one night,’ and her gracious partner was at liberty to ‘send her to hell’ the next morning; but she was none the wiser or the worse for the dastardly trick. Another, I heard, was married on a work of mine in a pirated edition; it answered the purpose as well as a Hall Bible. Notwithstanding all these allurements of social distinction, rare food and raiment, a comparative vacation from toil, and legitimate marriage contracted on a pirated edition, the trader must sometimes seek long before he can be mated. While I was in the group one had been eight months on the quest, and he was still a bachelor.
Complete Works of Robert Louis Stevenson Page 690