I had to send Paul out then. He couldn’t stop laughing, which drew a hurt pout from Jenson. Carmen stayed, though she was grinning broadly; Jenson beat any of the current sitcoms on TV for chuckles. All right then, I said, so Orthew sent his grown-up memory back to his kid self, and you’re trying to find the machine that does it. Why is that, Toby?
“Are you kidding?” he grunted. “I want to go back myself.”
Seems reasonable, I admitted. Is that why you broke into the Richmond lab?
“Richmond was one of two possibles,” he said. “I’ve been monitoring the kind of equipment he’s been buying for the last few years. After all, he’s approaching fifty.”
“What’s the relevance of that?” Carmen interjected.
“He’s a bloke,” Jenson said. “You must have read the gossip about him and girls. There have been hundreds: models, actresses, society types.”
“That always happens with rich men,” she told him, “you can’t base an allegation on that, especially not the one you’re making.”
“Yes but that first time ’round he was just a physicist,” Jenson said. “There’s no glamour or money in that. Now, though, he knows how to build every post-2000 consumer item at age eight. He can’t not be a billionaire. This time ’round he was worth a hundred million by the time he was twenty. With that kind of money you can do anything you want. And I think I know what that is. You only have to look at his genetics division. His electronics are well in advance of anything else on the planet, but what his labs are accomplishing with DNA sequencing and stem cell research is phenomenal. They have to have started with a baseline of knowledge decades ahead of anybody else. Next time he goes back he’ll introduce into the 1970s the techniques he’s developed this time ’round. We’ll probably have rejuvenation by 1990. Think what that’ll make him, a time-traveling immortal. I’m not going to miss out on that if I can help it.”
I don’t get it, I told him. If Orthew goes back and gives us all immortality in the ’90s, you’ll be a part of it, we all will. Why go to these criminal lengths?
“I don’t know if it is time travel,” Jenson said forlornly. “Not actual traveling backward, I still don’t see how that gets ’round causality. It’s more likely he kicks sideways.”
I don’t get that, I said. What do you mean?
“A parallel universe,” Jenson explained. “Almost identical to this one. Generating the wormhole might actually allow for total information transfer, the act of opening it creates a Xerox copy of this universe as it was in 1967. Maybe. I’m not certain what theory his machine is based on, and he certainly isn’t telling anyone.”
I looked at Carmen. She just shrugged. Okay, thank you for your statement, I told Jenson, we’ll talk again later.
“You don’t believe me,” he accused me.
Obviously we’ll have to run some checks, I replied. “Tape 83-7B,” he growled at me. “That’s your proof. And if it isn’t at the Richmond Center, then he’s building it at Ealing. Check there if you want the truth.”
Which I did. Not immediately. While Carmen and Paul sorted out Jenson’s next interview with the criminal psychologist, I went down to forensics. They found the videotape labeled 83-7B for me, which had a big red star on the label. It was the recording of a kids’ show from ’83: Saturday Breakfast with Bernie. Marcus Orthew was on it to promote his Nanox computer, which was tied in to a national school computer learning syllabus for which Orthanics had just won the contract. It was the usual zany rubbish, with minor celebrities being dunked in blue and purple goo at the end of their slot. Marcus Orthew played along like a good sport. But it was what happened when he came out from under the dripping nozzle that sent a shiver down my spine. Wiping the goo off his face he grinned and said: “That’s got to be the start of reality TV.” In 1983? It was Orthew’s satellite channel that inflicted Big Brother on us in 1995.
Toby Jenson’s computer contained a vast section on the Orthanics Ealing facility. Eight months ago, it had taken delivery of twelve specialist cryogenic superconductor cells, the power rating higher than the ones used by Boeing’s shiny new electro-ramjet spaceplane. I spent a day thinking about it while the interview with Toby Jenson played over and over in my mind. In the end it was my gut police instinct I went with. Toby Jenson had convinced me. I put my whole so-called career on the line and applied for a warrant. I figured out later that was where I went wrong. Guess which company supplied and maintained the Home Office IT system? The request must have triggered red rockets in Orthew’s house. According to the security guards at the gate, Marcus Orthew arrived twelve minutes before us. Toby Jenson had thoughtfully indicated in his files the section he believed most suitable to be used for the construction of a time machine.
He was right, and I’d been right about him. The machine was like the core of the CERN accelerator, a warehouse packed full of high-energy physics equipment. Right at the center, with all the fat wires and conduits and ducts focusing on it, was a dark spherical chamber with a single oval opening. The noise screeching out from the hardware set my teeth on edge, Paul and Carmen clamped their hands over their ears. Then Carmen pointed and screamed. I saw a giant brick of plastic explosives strapped to an electronics cabinet. Now I knew what to look for, I saw others. Some were sitting on the superconductor cells. So that’s what it’s like being caught inside an atom bomb.
Marcus Orthew was standing inside the central chamber. Sort of. He was becoming translucent. I yelled at the others to get out, and ran for the chamber. I reached it as he faded from sight. Then I was inside. My memories started to unwind, playing back my life. Very fast. I only recognized tiny sections amid the blur of color and emotion: the high-speed chase that nearly killed me, the birth of my son, Dad’s funeral, the church where I got married, university. Then the playback started to slow, and I remembered that day when I was about eleven, in the park, when Kenny Mattox, our local bully, sat on my chest and made me eat the grass cuttings.
I spluttered as the soggy mass was pushed down past my teeth, crying out in shock and fear. Kenny laughed and stuffed some more grass in. I gagged and started to puke violently. Then he was scrambling off in disgust. I lay there for a while, getting my breath back and spitting out grass. I was eleven years old, and it was 1968. It wasn’t the way I would’ve chosen to arrive in the past, but in a few months Neil Armstrong would set foot on the moon, then the Beatles would break up.
What I should have done, of course, was patented something. But what? I wasn’t a scientist or even an engineer, I can’t tell you the chemical formula for Viagra, I didn’t know the mechanical details of an air bag. There were everyday things I knew about, icons that we can’t survive without, the kind that rake in millions; but would you like to try selling a venture capitalist the idea of Lara Croft five years before the first pocket calculator hits the shops? I did that. I was actually banned from some banks in the City.
So I fell back on the easiest thing in the world. I became a singer-songwriter. Songs are ridiculously easy to remember even if you can’t recall the exact lyrics. Remember my first big hit in ’78, “Shiny Happy People”? I always was a big REM fan. You’ve never heard of them? Ah well, sometimes I wonder what the band members are doing this time around. “Pretty in Pink,” “Teenage Kicks,” “The Unforgettable Fire,” “Solsbury Hill”? They’re all the same; that fabulous oeuvre of mine isn’t quite as original as I make out. And I’m afraid Live Aid wasn’t actually the flash of inspiration I always said, either. But the music biz has given me a bloody good life. Every album I’ve released has been number one on both sides of the Atlantic. That brings in money. A lot of money. It also attracts girls, I mean I never really believed the talk about backstage excess in the time I had before, but trust me here, the public never gets to hear the half of it. I thought it was the perfect cover. I’ve been employing private agencies to keep an eye on Marcus Orthew since the mid-’70s, several of his senior management team are actually on my payroll. Hell, I even bought share
s in Orthogene, I knew it was going to make money, though I didn’t expect quite so much money. I can afford to do whatever the hell I want; and the beauty of that is nobody pays any attention to rock stars or how we blow our cash, everyone thinks we’re talentless junked-up kids heading for a fall. That’s what you think has happened now, isn’t it? The fall. Well, you’re wrong about that.
See, I made exactly the same mistake as poor old Toby Jenson: I underestimated Marcus. I didn’t think it through. My music made ripples, big ripples. Everyone knows me, I’m famous right across the globe as a one-off supertalent. There’s only one other person in this time who knows those songs aren’t original: Marcus. He knew I came after him. And he hasn’t quite cracked the rejuvenation treatment yet. It’s time for him to move on, to make his fresh start again in another parallel universe.
That’s why he framed me. Next time around he’s going to become our god. It’s not something he’s going to share with anyone else.
I looked ’round the interview room, which had an identical layout to the grubby cube just down the hall where I had interviewed Toby Jenson last time around. Paul Mathews and Carmen Galloway were giving me blank-faced looks, buttoning back their anger at being dragged into the statement. I couldn’t quite get used to Paul with a full head of hair, but Orthogene’s follicle treatment is a big earner for the company; everyone in this universe uses it.
I tried to bring my hands up to them, an emphasis to the appeal I was making, but the handcuffs were chained to the table. I glanced down as the metal pulled at my wrists. After the samples had been taken the forensics team had washed the blood off my hands, but I couldn’t forget it, there’d been so much; the image was actually stronger than the one I kept of Toby Jenson. Yet I’d never seen those girls until I woke up to find their bodies in the hotel bed with me. The paramedics didn’t even try to revive them.
“Please,” I implored. “Paul, Carmen, you have to believe me.” And I couldn’t even say for old times’ sake.
For Felix F. Hamilton,
who arrived at the start of the Void.
Don’t worry, Daddy’s world isn’t really like this.
BY PETER F. HAMILTON
Great North Road
Manhattan in Reverse and Other Stories
Pandora’s Star
Judas Unchained
THE VOID TRILOGY
The Dreaming Void
The Temporal Void
The Evolutionary Void
THE NIGHT’S DAWN TRILOGY
The Reality Dysfunction
The Neutronium Alchemist
The Naked God
THE GREG MANDEL TRILOGY
Mindstar Rising
A Quantum Murder
The Nano Flower
Fallen Dragon
Misspent Youth
A Second Chance at Eden
The Confederation Handbook
ABOUT THE AUTHOR
PETER F. HAMILTON is the author of numerous novels, including The Temporal Void, The Dreaming Void, Judas Unchained, Pandora’s Star, Fallen Dragon, and the acclaimed epic Night’s Dawn trilogy (The Reality Dysfunction, The Neutronium Alchemist, and The Naked God). He lives with his family in England.
The Void Trilogy 3-Book Bundle Page 222