With this friend, Joel Manton, I had often languidly disputed. He was principal of the East High School, born and bred in Boston and sharing New England’s self-satisfied deafness to the delicate overtones of life. It was his view that only our normal, objective experiences possess any aesthetic significance, and that it is the province of the artist not so much to rouse strong emotion by action, ecstasy, and astonishment, as to maintain a placid interest and appreciation by accurate, detailed transcripts of everyday affairs. Especially did he object to my preoccupation with the mystical and the unexplained; for although believing in the supernatural much more fully than I, he would not admit that it is sufficiently commonplace for literary treatment. That a mind can find its greatest pleasure in escapes from the daily treadmill, and in original and dramatic re-combinations of images usually thrown by habit and fatigue into the hackneyed patterns of actual existence, was something virtually incredible to his clear, practical, and logical intellect. With him all things and feelings had fixed dimensions, properties, causes, and effects; and although he vaguely knew that the mind sometimes holds visions and sensations of far less geometrical, classifiable, and workable nature, he believed himself justified in drawing an arbitrary line and ruling out of court all that cannot be experienced and understood by the average citizen. Besides, he was almost sure that nothing can be really ‘unnameable’. It didn’t sound sensible to him.
Though I well realised the futility of imaginative and metaphysical arguments against the complacency of an orthodox sun-dweller, something in the scene of this afternoon colloquy moved me to more than usual contentiousness. The crumbling slate slabs, the patriarchal trees, and the centuried gambrel roofs of the witch-haunted old town that stretched around, all combined to rouse my spirit in defense of my work; and I was soon carrying my thrusts into the enemy’s own country. It was not, indeed, difficult to begin a counter-attack for I knew that Joel Manton actually half clung to many old-wives’ superstitions which sophisticated people had long outgrown; beliefs in the appearance of dying persons at distant places, and in the impressions left by old faces on the windows through which they had gazed all their lives. To credit these whisperings of rural grandmothers, I now insisted, argued a faith in the existence of spectral substances on the earth apart from and subsequent to their material counterparts. It argued a capability of believing in phenomena beyond all normal notions; for if a dead man can transmit his visible or tangible image half across the world, or down the stretch of the centuries, how can it be absurd to suppose that deserted houses are full of queer sentient things, or that old graveyards teem with the terrible, unbodied intelligence of generations? And since spirit, in order to cause all the manifestations attributed to it, cannot be limited by any of the laws of matter; why is it extravagant to imagine psychically living dead things in shapes - or absences of shapes - which must for human spectators be utterly and appallingly ‘unnameable’? ‘Common sense’ in reflecting on these subjects, I assured my friend with some warmth, is merely a stupid absence of imagination and mental flexibility.
Twilight had now approached, but neither of us felt any wish to cease speaking. Manton seemed unimpressed by my arguments, and eager to refute them, having that confidence in his own opinions which had doubtless caused his success as a teacher, whilst I was too sure of my ground to fear defeat. The dusk fell, and lights faintly gleamed in some of the distant windows, but we did not move. Our seat on the tomb was very comfortable, and I knew that my prosaic friend would not mind the cavernous rift in the ancient, root-disturbed brickwork close behind us, or the utter blackness of the spot brought by the intervention of a tottering deserted seventeenth-century house between us and the nearest lighted road. There in the dark, upon that riven tomb by the deserted house, we talked on about the ‘unnameable’, and after my friend had finished his scoffing I told him of the awful evidence behind the story at which he had scoffed the most.
My tale had been called The Attic Window, and appeared in the January, 1922, issue of Whispers. In a good many places, especially the South and the Pacific coast, they took the magazines off the stands at the complaints of silly milksops; but New England didn’t get the thrill and merely shrugged its shoulders at my extravagance. The thing, it was averred, was biologically impossible to start with; merely another of those crazy country mutterings which Cotton Mather had been gullible enough to dump into his chaotic Magnalia Christi Americana, and so poorly authenticated that even he had not ventured to name the locality where the horror occurred. And as to the way I amplified the bare jotting of the old mystic - that was quite impossible, and characteristic of a flighty and notional scribbler! Mather had indeed told of the thing as being born, but nobody but a cheap sensationalist would think of having it grow up, look into people’s windows at night, and be hidden in the attic of a house, in flesh and in spirit, till someone saw it at the window centuries later and couldn’t describe what it was that turned his hair grey. All this was flagrant trashiness, and my friend Manton was not slow to insist on that fact. Then I told him what I had found in an old diary kept between 1706 and 1723, unearthed among family papers not a mile from where we were sitting; that, and the certain reality of the scars on my ancestor’s chest and back which the diary described. I told him, too, of the fears of others in that region, and how they were whispered down for generations; and how no mythical madness came to the boy who in 1793 entered an abandoned house to examine certain traces suspected to be there.
It had been an eldritch thing - no wonder sensitive students shudder at the Puritan age in Massachusetts. So little is known of what went on beneath the surface - so little, yet such a ghastly festering as it bubbles up putrescently in occasional ghoulish glimpses. The witchcraft terror is a horrible ray of light on what was stewing in men’s crushed brains, but even that is a trifle. There was no beauty: no freedom - we can see that from the architectural and household remains, and the poisonous sermons of the cramped divines. And inside that rusted iron straitjacket lurked gibbering hideousness, perversion, and diabolism. Here, truly, was the apotheosis of the unnamable.
Cotton Mather, in that demoniac sixth book which no one should read after dark, minced no words as he flung forth his anathema. Stern as a Jewish prophet, and laconically unamazed as none since his day could be, he told of the beast that had brought forth what was more than beast but less than man - the thing with the blemished eye - and of the screaming drunken wretch that they hanged for having such an eye. This much he baldly told, yet without a hint of what came after. Perhaps he did not know, or perhaps he knew and did not dare to tell. Others knew, but did not dare to tell - there is no public hint of why they whispered about the lock on the door to the attic stairs in the house of a childless, broken, embittered old man who had put up a blank slate slab by an avoided grave, although one may trace enough evasive legends to curdle the thinnest blood.
It is all in that ancestral diary I found; all the hushed innuendoes and furtive tales of things with a blemished eye seen at windows in the night or in deserted meadows near the woods. Something had caught my ancestor on a dark valley road, leaving him with marks of horns on his chest and of apelike claws on his back and when they looked for prints in the trampled dust they found the mixed marks of split hooves and vaguely anthropoid paws. Once a post-rider said he saw an old man chasing and calling to a frightful loping, nameless thing on Meadow Hill in the thinly moonlit hours before dawn, and many believed him. Certainly, there was strange talk one night in 1710 when the childless, broken old man was buried in the crypt behind his own house in sight of the blank slate slab. They never unlocked that attic door, but left the whole house as it was, dreaded and deserted. When noises came from it, they whispered and shivered; and hoped that the lock on that attic door was strong. Then they stopped hoping when the horror occurred at the parsonage, leaving not a soul alive or in one piece. With the years the legends take on a spectral character - I suppose the thing, if it was a living thing, must have died. The memo
ry had lingered hideously - all the more hideous because it was so secret.
During this narration my friend Manton had become very silent, and I saw that my words had impressed him. He did not laugh as I paused, but asked quite seriously about the boy who went mad in 1793, and who had presumably been the hero of my fiction. I told him why the boy had gone to that shunned, deserted house, and remarked that he ought to be interested, since he believed that windows retained latent images of those who had sat at them. The boy had gone to look at the windows of that horrible attic, because of tales of things seen behind them, and had come back screaming maniacally.
Manton remained thoughtful as I said this, but gradually reverted to his analytical mood. He granted for the sake of argument that some unnatural monster had really existed, but reminded me that even the most morbid perversion of nature need not be unnamable or scientifically indescribable. I admired his clearness and persistence, and added some further revelations I had collected among the old people. Those later spectral legends, I made plain, related to monstrous apparitions more frightful than anything organic could be; apparitions of gigantic bestial forms sometimes visible and sometimes only tangible, which floated about on moonless nights and haunted the old house, the crypt behind it, and the grave where a sapling had sprouted beside an illegible slab. Whether or not such apparitions had ever gored or smothered people to death, as told in uncorroborated traditions, they had produced a strong and consistent impression; and were yet darkly feared by very aged natives, though largely forgotten by the last two generations - perhaps dying for lack of being thought about. Moreover, so far as aesthetic theory was involved, if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulosity as the specter of a malign, chaotic perversion, itself a morbid blasphemy against nature? Moulded by the dead brain of a hybrid nightmare, would not such a vaporous terror constitute in all loathsome truth the exquisitely, the shriekingly unnamable?
The hour must now have grown very late. A singularly noiseless bat brushed by me, and I believe it touched Manton also, for although I could not see him I felt him raise his arm. Presently he spoke.
‘But is that house with the attic window still standing and deserted?’
‘Yes,’ I answered. ‘I have seen it.’
‘And did you find anything there - in the attic or anywhere else?’
‘There were some bones up under the eaves. They may have been what that boy saw - if he was sensitive he wouldn’t have needed anything in the window-glass to unhinge him. If they all came from the same object it must have been an hysterical, delirious monstrosity. It would have been blasphemous to leave such bones in the world, so I went back with a sack and took them to the tomb behind the house. There was an opening where I could dump them in. Don’t think I was a fool - you ought to have seen that skull. It had four-inch horns, but a face and jaw something like yours and mine.’
At last I could feel a real shiver run through Manton, who had moved very near. But his curiosity was undeterred.
‘And what about the window-panes?’
‘They were all gone. One window had lost its entire frame, and in all the others there was not a trace of glass in the little diamond apertures. They were that kind - the old lattice windows that went out of use before 1700. I don’t believe they’ve had any glass for a hundred years or more - maybe the boy broke ’em if he got that far; the legend doesn’t say.’
Manton was reflecting again.
‘I’d like to see that house, Carter. Where is it? Glass or no glass, I must explore it a little. And the tomb where you put those bones, and the other grave without an inscription - the whole thing must be a bit terrible.’
‘You did see it - until it got dark.’
My friend was more wrought upon than I had suspected, for at this touch of harmless theatricalism he started neurotically away from me and actually cried out with a sort of gulping gasp which released a strain of previous repression. It was an odd cry, and all the more terrible because it was answered. For as it was still echoing, I heard a creaking sound through the pitchy blackness, and knew that a lattice window was opening in that accursed old house beside us. And because all the other frames were long since fallen, I knew that it was the grisly glassless frame of that demoniac attic window.
Then came a noxious rush of noisome, frigid air from that same dreaded direction, followed by a piercing shriek just beside me on that shocking rifted tomb of man and monster. In another instant I was knocked from my gruesome bench by the devilish threshing of some unseen entity of titanic size but undetermined nature; knocked sprawling on the root-clutched mould of that abhorrent graveyard, while from the tomb came such a stifled uproar of gasping and whirring that my fancy peopled the rayless gloom with Miltonic legions of the misshapen damned. There was a vortex of withering, ice-cold wind, and then the rattle of loose bricks and plaster; but I had mercifully fainted before I could learn what it meant.
Manton, though smaller than I, is more resilient; for we opened our eyes at almost the same instant, despite his greater injuries. Our couches were side by side, and we knew in a few seconds that we were in St Mary’s Hospital. Attendants were grouped about in tense curiosity, eager to aid our memory by telling us how we came there, and we soon heard of the farmer who had found us at noon in a lonely field beyond Meadow Hill, a mile from the old burying ground, on a spot where an ancient slaughterhouse is reputed to have stood. Manton had two malignant wounds in the chest, and some less severe cuts or gougings in the back. I was not so seriously hurt, but was covered with welts and contusions of the most bewildering character, including the print of a split hoof. It was plain that Manton knew more than I, but he told nothing to the puzzled and interested physicians till he had learned what our injuries were. Then he said we were the victims of a vicious bull - though the animal was a difficult thing to place and account for.
After the doctors and nurses had left, I whispered an awe struck question:
‘Good God, Manton, but what was it? Those scars - was it like that?’
And I was too dazed to exult when he whispered back a thing I had half expected—
‘No - it wasn’t that way at all. It was everywhere - a gelatin - a slime - yet it had shapes, a thousand shapes of horror beyond all memory. There were eyes - and a blemish. It was the pit - the maelstrom - the ultimate abomination. Carter, it was the unnamable!’
IN THE VAULT
THERE IS NOTHING MORE absurd, as I view it, than that conventional association of the homely and the wholesome which seems to pervade the psychology of the multitude. Mention a bucolic Yankee setting, a bungling and thick-fibred village undertaker, and a careless mishap in a tomb, and no average reader can be brought to expect more than a hearty albeit grotesque phase of comedy. God knows, though, that the prosy tale which George Birch’s death permits me to tell has in it aspects beside which some of our darkest tragedies are light.
Birch acquired a limitation and changed his business in 1881, yet never discussed the case when he could avoid it. Neither did his old physician, Doctor Davis, who died years ago. It was generally stated that the affliction and shock were results of an unlucky slip whereby Birch had locked himself for nine hours in the receiving-tomb of Peck Valley Cemetery, escaping only by crude and disastrous mechanical means; but while this much was undoubtedly true, there were other and blacker things which the man used to whisper to me in his drunken delirium towards the last. He confided in me because I was his doctor, and because he probably felt the need of confiding in someone else after Davis died. He was a bachelor, wholly without relatives.
Birch, before 1881, had been the village undertaker of Peck Valley, and was a very calloused and primitive specimen even as such specimens go. The practices I heard attributed to him would be unbelievable today, at least in a city; and even Peck Valley would have shuddered a bit had it known the easy ethics of its mortuary artist in such matters
as the ownership of costly ‘laying-out’ apparel invisible beneath the casket’s lid, and the degrees of dignity to be maintained in posing and adapting the unseen members of lifeless tenants to containers not always calculated with sublimest accuracy. Most distinctly Birch was lax, insensitive, and professionally undesirable; yet I still think he was not an evil man. He was merely crass of fibre and function - thoughtless, careless, and liquorish, as his easily avoidable accident proves, and without that modicum of imagination which holds the average citizens within certain limits fixed by taste.
Just where to begin Birch’s story I can hardly decide, since I am no practised teller of tales. I suppose one should start in the cold December of 1880, when the ground froze and the cemetery delvers found they could dig no more graves till spring. Fortunately the village was small and the death rate low, so that it was possible to give all of Birch’s inanimate charges a temporary haven in the single antiquated receiving-tomb. The undertaker grew doubly lethargic in the bitter weather, and seemed to outdo even himself in carelessness. Never did he knock together flimsier and ungainlier caskets, nor disregard more flagrantly the needs of the rusty lock on the tomb door which he slammed open and shut with such nonchalant abandon.
Necronomicon: The Best Weird Tales Page 20