The Complete Short Stories: Volume 1

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The Complete Short Stories: Volume 1 Page 24

by J. G. Ballard


  He followed Stacey towards the car, no longer bothering to listen to him. Ten yards from it he turned and broke away, ran swiftly across the roadway towards the nearest building.

  'Newman!' he heard Stacey shout. 'Come back!' He reached the pavement, ran between the great concrete pillars carrying the building. He paused for a moment behind an elevator shaft, saw Stacey climbing hurriedly into the car. The engine coughed and roared out, and Conrad sprinted on below the building into a rear alley that led back to the side-street. Behind him he heard the car accelerating, a door slam as it picked up speed.

  When he entered the side-street the car came swinging off the plaza thirty yards behind him. Stacey swerved off the roadway, bumped up on to the pavement and gunned the car towards Conrad, throwing on the brakes in savage lurches, blasting the horn in an attempt to frighten him. Conrad sidestepped out of its way, almost falling over the bonnet, hurled himself up a narrow stairway leading to the first floor and raced up the steps to a short landing that ended in tall glass doors. Through them he could see a wide balcony that ringed the building. A fireescape crisscrossed upwards to the roof, giving way on the fifth floor to a cafeteria that spanned the street to the office building opposite.

  Below he heard Stacey's feet running across the pavement. The glass doors were locked. He pulled a fire-extinguisher from its bracket, tossed the heavy cylinder against the centre of the plate. The glass slipped and crashed to the tiled floor in a sudden cascade, splashing down the steps. Conrad stepped through on to the balcony, began to climb the stairway. He had reached the third floor when he saw Stacey below, craning upwards. Hand over hand, Conrad pulled himself up the next two flights, swung over a bolted metal turnstile into the open court of the cafeteria. Tables and chairs lay about on their sides, mixed up with the splintered remains of desks thrown down from the upper floors.

  The doors into the covered restaurant were open, a large pool of water lying across the floor. C9nrad splashed through it, went over to a window and peered down past an old plastic plant into the street. Stacey seemed to have given up. Conrad crossed the rear of the restaurant, straddled the counter and climbed through a window on to the open terrace running across the street. Beyond the rail he could see into the plaza, the double line of tyre marks curving into the street below.

  He had almost crossed to the opposite balcony when a shot roared out into the air. There was a sharp tinkle of falling glass and the sound of the explosion boomed away among the empty canyons.

  For a few seconds he panicked. He flinched back from the exposed rail, his ear drums numbed, looking up at the great rectangular masses towering above him on either side, the endless tiers of windows like the faceted eyes of gigantic insects. So Stacey had been armed, almost certainly was a member of the Time Police!

  On his hands and knees Conrad scurried along the terrace, slid through the turnstiles and headed for a half-open window on the balcony.

  Climbing through, he quickly lost himself in the building.

  He finally took up a position in a corner office on the sixth floor, the cafeteria just below him to the right, the stairway up which he had escaped directly opposite.

  All afternoon Stacey drove up and down the adjacent streets, sometimes free-wheeling silently with the engine off, at others blazing through at speed. Twice he fired into the air, stopping the car afterwards to call out, his words lost among the echoes rolling from one street to the next. Often he drove along the pavements, swerved about below the buildings as if he expected to flush Conrad from behind one of the banks of escalators.

  Finally he appeared to drive off for good, and Conrad turned his attention to the clock in the portico. It had moved on to 6.45, almost exactly the time given by his own watch. Conrad reset this to what he assumed was the correct time, then sat back and waited for whoever had wound it to appear. Around him the thirty or forty other clocks he could see remained stationary at 12.01.

  For five minutes he left his vigil, scooped some water off the pool in the cafeteria, suppressed his hunger and shortly after midnight fell asleep in a corner behind the desk.

  He woke the next morning to bright sunlight flooding into the office. Standing up, he dusted his clothes, turned around to find a small grey-haired man in a patched tweed suit surveying him with sharp eyes. Slung in the crook of his arm was a large black-barrelled weapon, its hammers menacingly cocked.

  The man put down a steel ruler he had evidently tapped against a cabinet, waited for Conrad to collect himself.

  'What are you doing here?' he asked in a testy voice. Conrad noticed his pockets were bulging with angular objects that weighed down the sides of his jacket.

  'I... er...' Conrad searched for something to say. Something about the old man convinced him that this was the clock-winder. Suddenly he decided he had nothing to lose by being frank, and blurted out: 'I saw the clock working. Down there on the left. I want to help wind them all up again.'

  The old man watched him shrewdly. He had an alert bird-like face, twin folds under his chin like a cockerel's.

  'How do you propose to do that?' he asked.

  Stuck by this one, Conrad said lamely: 'I'd find a key somewhere.'

  The old man frowned. 'One key? That wouldn't do much good.' He seemed to be relaxing slowly, shook his pockets with a dull chink.

  For a few moments neither of them said anything. Then Conrad had an inspiration, bared his wrist. 'I have a watch,' he said. 'It's 7.45.'

  'Let me see.' The old man stepped forward, briskly took Conrad's wrist, examined the yellow dial. 'Movado Supermatic,' he said to himself. 'CTC issue.' He stepped back, lowering the shotgun, seemed to be summing Conrad up. 'Good,' he remarked at last. 'Let's see. You probably need some breakfast.'

  They made their way out of the building, began to walk quickly down the street.

  'People sometimes come here,' the old man said. 'Sightseers and police. I watched your escape yesterday, you were lucky not to be killed.' They swerved left and right across the empty streets, the old man darting between the stairways and buttresses. As he walked he held his hands stiffly to his sides, preventing his pockets from swinging. Glancing into them, Conrad saw that they were full of keys, large and rusty, of every design and combination.

  'I presume that was your father's watch,' the old man remarked.

  'Grandfather's,' Conrad corrected. He remembered Stacey's lecture, and added: 'He was killed in the plaza.'

  The old man frowned sympathetically, for a moment held Conrad's arm.

  They stopped below a building, indistinguishable from the others nearby, at one time a bank. The old man looked carefully around him, eyeing the high cliff walls on all sides, then led the way up a stationary escalator.

  His quarters were on the second floor, beyond a maze of steel grilles and strongdoors, a stove and a hammock slung in the centre of a large workshop. Lying about on thirty or forty desks in what had once been a typing pool, was an enormous collection of clocks, all being simultaneously repaired. Tall cabinets surrounded them, loaded with thousands of spare parts in neatly labelled correspondence trays escapements, ratchets, cogwheels, barely recognizable through the rust.

  The old man led Conrad over to a wall chart, pointed to the total listed against a column of dates. 'Look at this. There are now 278 running continuously. Believe me, I'm glad you've come. It takes me half my time to keep them wound.'

  He made breakfast for Conrad, told him something about himself. His name was Marshall. Once he had worked in Central Time Control as a programmer, had survived the revolt and the Time Police, ten years later returned to the city. At the beginning of each month he cycled out to one of the perimeter towns to cash his pension and collect supplies. The rest of the time he spent winding the steadily increasing number of functioning clocks and searching for others he could dismantle and repair.

  'All these years in the rain hasn't done them any good,' he explained, and there's nothing I can do with the electrical ones.'

  Conrad
wandered off among the desks, gingerly feeling the dismembered timepieces that lay around like the nerve cells of some vast unimaginable robot. He felt exhilarated and yet at the same time curiously calm, like a man who has staked his whole life on the turn of a wheel and is waiting for it to spin.

  'How can you make sure that they all tell the same time?' he asked Marshall, wondering why the question seemed so important.

  Marshall gestured irritably. 'I can't, but what does it matter? There is no such thing as a perfectly accurate clock. The nearest you can get is one that has stopped. Although you never know when, it is absolutely accurate twice a day.'

  Conrad went over to the window, pointed to the great clock visible in an interval between the rooftops. 'If only we could start that, and run all the others off it.'

  'Impossible. The entire mechanism was dynamited. Only the chimer is intact. Anyway, the wiring of the electrically driven clocks perished years ago. It would take an army of engineers to recondition them.'

  Conrad nodded, looked at the scoreboard again. He noticed that Marshall appeared to have lost his way through the years - the completion dates he listed were seven and a half years out. Idly, Conrad reflected on the significance of this irony, but decided not to mention it to Marshall.

  For three months Conrad lived with the old man, following him on foot as he cycled about on his rounds, carrying the ladder and the satchel full of keys with which Marshall wound up the clocks, helping him to dismantle recoverable ones and carry them back to the workshop. All day, and often through half the night, they worked together, repairing the movements, restarting the clocks and returning them to their original positions.

  All the while, however, Conrad's mind was fixed upon the great clock in its tower dominating the plaza. Once a day he managed to sneak off and make his way into the ruined Time buildings. As Marshall had said, neither the clock nor its twelve satellites would ever run again. The movement house looked like the engine-room of a sunken ship, a rusting tangle of rotors and drive wheels exploded into contorted shapes. Every week he would climb the long stairway up to the topmost platform two hundred feet above, look out through the bell tower at the flat roofs of the office blocks stretching away to the horizon. The hammers rested against their trips in long ranks just below him. Once he kicked one of the treble trips playfully, sent a dull chime out across the plaza.

  The sound drove strange echoes into his mind.

  Slowly he began to repair the chimer mechanism, rewiring the hammers and the pulley systems, trailing fresh wire up the great height of the tower, dismantling the winches in the movement room below and renovating their clutches.

  He and Marshall never discussed their self-appointed tasks. Like animals obeying an instinct they worked tirelessly, barely aware of their own motives. When Conrad told him one day that he intended to leave and continue the work in another sector of the city, Marshall agreed immediately, gave Conrad as many tools as he could spare and bade him goodbye.

  Six months later, almost to the day, the sounds of the great clock chimed out across the rooftops of the city, marking the hours, the half-hours and the quarter-hours, steadily tolling the progress of the day. Thirty miles away, in the towns forming the perimeter of the city, people stopped in the streets and in doorways, listening to the dim haunted echoes reflected through the long aisles of apartment blocks on the far horizon, involuntarily counting the slow final sequences that told the hour. Older people whispered to each other: 'Four o'clock, or was it five? They have started the clock again. It seems strange after these years.'

  And all through the day they would pause as the quarter and half hours reached across the miles to them, a voice from their childhoods reminding them of the ordered world of the past. They began to reset their timers by the chimes, at night before they slept they would listen to the long count of midnight, wake to hear them again in the thin clear air of the morning.

  Some went down to the police station and asked if they could have their watches and clocks back again.

  After sentence, twenty years for the murder of Stacey, five for fourteen offences under the Time Laws, to run concurrently, Newman was led away to the holding cells in the basement of the court. He had expected the sentence and made no comment when invited by the judge. After waiting trial for a year the afternoon in the courtroom was nothing more than a momentary intermission.

  He made no attempt to defend himself against the charge of killing Stacey, partly to shield Marshall, who would be able to continue their work unmolested, and partly because he felt indirectly responsible for the policeman's death. Stacey's body, skull fractured by a twenty-or thirty-storey fall, had been discovered in the back seat of his car in a basement garage not far from the plaza. Presumably Marshall had discovered him prowling around and dealt with him single-handed. Newman recalled that one day Marshall had disappeared altogether and had been curiously irritable for the rest of the week.

  The last time he had seen the old man had been during the three days before the police arrived. Each morning as the chimes boomed out across the plaza Newman had seen his tiny figure striding briskly down the plaza towards him, waving up energetically at the tower, bareheaded and unafraid.

  Now Newman was faced with the problem of how to devise a clock that would chart his way through the coming twenty years. His fears increased when he was taken the next day to the cell block which housed the long-term prisoners - passing his cell on the way to meet the superintendent he noticed that his window looked out on to a small shaft. He pumped his brains desperately as he stood to attention during the superintendent's homilies, wondering how he could retain his sanity. Short of counting the seconds, each one of the 86,400 in every day, he saw no possible means of assessing the time.

  Locked into his cell, he sat limply on the narrow bed, too tired to unpack his small bundle of possessions. A moment's inspection confirmed the uselessness of the shaft. A powerful light mounted halfway up masked the sunlight that slipped through a steel grille fifty feet above.

  He stretched himself out on the bed and examined the ceiling. A lamp was recessed into its centre, but a second, surprisingly, appeared to have been fitted to the cell. This was on the wall, a few feet above his head. He could see the curving bowl of the protective case, some ten inches in diameter.

  He was wondering whether this could be a reading light when he realized that there was no switch.

  Swinging round, he sat up and examined it, then leapt to his feet in astonishment.

  It was a clock! He pressed his hands against the bowl, reading the circle of numerals, noting the inclination of the hands .4.53, near enough the present time. Not simply a clock, but one in running order! Was this some sort of macabre joke, or a misguided attempt at rehabilitation?

  His pounding on the door brought a warder.

  'What's all the noise about? The clock? What's the matter with it?' He unlocked the door and barged in, pushing Newman back.

  'Nothing. But why is it here? They're against the law.'

  'Oh, is that what's worrying you.' The warder shrugged. 'Well, you see, the rules are a little different in here. You lads have got a lot of time ahead of you, it'd be cruel not to let you know where you stood. You know how to work it, do you? Good.' He slammed the door, bolted it fast, smiled at Newman through the cage. 'It's a long day here, son, as you'll be finding out, that'll help you get through it.'

  Gleefully, Newman lay on the bed, his head on a rolled blanket at its foot, staring up at the clock. It appeared to be in perfect order, electrically driven, moving in rigid half-minute jerks. For an hour after the warder left he watched it without a break, then began to tidy up his cell, glancing over his shoulder every few minutes to reassure himself that it was still there, still running efficiently. The irony of the situation, the total inversion of justice, delighted him, even though it would cost him twenty years of his life.

  He was still chuckling over the absurdity of it all two weeks later when for the first time he noticed
the clock's insanely irritating tick...

  1960

  The Voices of Time

  One

  Later Powers often thought of Whitby, and the strange grooves the biologist had cut, apparently at random, all over the floor of the empty swimming pool. An inch deep and twenty feet long, interlocking to form an elaborate ideogram like a Chinese character, they had taken him all summer to complete, and he had obviously thought about little else, working away tirelessly through the long desert afternoons. Powers had watched him from his office window at the far end of the Neurology wing, carefully marking out his pegs and string, carrying away the cement chips in a small canvas bucket. After Whitby's suicide no one had lothered about the grooves, but Powers often borrowed the supervisor's key and let himself into the disused pool, and would look down at the labyrinth of mouldering gulleys, half-filled with water leaking in from the chlorinator, an enigma now past any solution.

  Initially, however, Powers was too preoccupied with completing his work at the Clinic and planning his own final withdrawal. After the first frantic weeks of panic he had managed to accept an uneasy compromise that allowed him to view his predicament with the detached fatalism he had previously reserved for his patients. Fortunately he was moving down the physical and mental gradients simultaneously - lethargy and inertia blunted his anxieties, a slackening metabolism made it necessary to concentrate to produce a connected thought-train. In fact, the lengthening intervals of dreamless sleep were almost restful. He found himself beginning to look forward to them, and made no effort to wake earlier than was essential.

  At first he had kept an alarm clock by his bed, tried to compress as much activity as he could into the narrowing hours of consciousness, sorting out his library, driving over to Whitby's laboratory every morning to examine the latest batch of Xray plates, every minute and hour rationed like the last drops of water in a canteen.

 

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