Without pausing to survey the gigantic cipher on which he had laboured patiently for so many afternoons, he climbed into the car and drove off on a wake of bone-white dust, splitting the pools of indigo shadow.
He reached the laboratory at three o'clock, jumped from the car as it lurched back on its brakes. Inside the entrance he first switched on the lights, then hurried round, pulling the sun curtains down and shackling them to the floor slots, effectively turning the dome into a steel tent.
In their tanks behind him the plants and animals stirred quietly, responding to the sudden flood of cold fluorescent light. Only the chimpanzee ignored him. It sat on the floor of its cage, neurotically jamming the puzzle dice into the polythene bucket, exploding in bursts of sudden rage when the pieces refused to fit.
Powers went over to it, noticing the shattered glass fibre reinforcing panels bursting from the dented helmet. Already the chimp's face and forehead were bleeding from self-inflicted blows. Powers picked up the remains of the geranium that had been hurled through the bars, attracted the chimp's attention with it, then tossed a black pellet he had taken from a capsule in the desk drawer. The chimp caught it with a quick flick of the wrist, for a few seconds juggled the pellet with a couple of dice as it concentrated on the puzzle, then pulled it out of the air and swallowed it in a gulp.
Without waiting, Powers slipped off his jacket and stepped towards the X-ray theatre. He pulled back the high sliding doors to reveal the long glassy metallic snout of the Maxitron, then started to stack the lead screening shields against the rear wall.
A few minutes later, the generator hummed into life.
The anemone stirred. Basking in the warm subliminal sea of radiation rising around it, prompted by countless pelagic memories, it reached tentatively across the tank, groping blindly towards the dim uterine sun. Its tendrils flexed, the thousands of dormant neural cells in their tips regrouping and multiplying, each harnessing the unlocked energies of its nucleus. Chains forged themselves, lattices tiered upwards into multi-faceted lenses, focused slowly on the vivid spectral outlines of the sounds dancing like phosphorescent waves around the darkened chamber of the dome.
Gradually an image formed, revealing an enormous black fountain that poured an endless stream of brilliant light over the circle of benches and tanks. Beside it a figure moved, adjusting the flow through its mouth. As it stepped across the floor its feet threw off vivid bursts of colour, its hands racing along the benches conjured up a dazzling chiaroscuro, balls of blue and violet light that exploded fleetingly in the darkness like miniature star-shells.
Photons murmured. Steadily, as it watched the glimmering screen of sounds around it, the anemone continued to expand. Its ganglia linked, heeding a new source of stimuli from the delicate diaphragms in the crown of its notochord. The silent outlines of the laboratory began to echo softly, waves of muted sound fell from the arc lights and echoed off the benches and furniture below. Etched in sound, their angular forms resonated with sharp persistent overtones. The plastic-ribbed chairs were a buzz of staccato discords, the square-sided desk a continuous doublefeatured tone.
Ignoring these sounds once they had been perceived, the anemone turned to the ceiling, which reverberated like a shield in the sounds pouring steadily from the fluorescent tubes. Streaming through a narrow skylight, its voice clear and strong, interweaved by numberless overtones, the sun sang.
It was a few minutes before dawn when Powers left the laboratory and stepped into his car. Behind him the great dome lay silently in the darkness, the thin shadows of the white moonlit hills falling across its surface. Powers freewheeled the car down the long curving drive to the lake road below, listening to the tyres cutting across the blue gravel, then let out the clutch and accelerated the engine.
As he drove along, the limestone hills half hidden in the darkness on his left, he gradually became aware that, although no longer looking at the hills, he was still in some oblique way conscious of their forms and outlines in the back of his mind. The sensation was undefined but none the less certain, a strange almost visual impression that emanated most strongly from the deep clefts and ravines dividing one cliff face from the next. For a few minutes Powers let it play upon him, without trying to identify it, a dozen strange images moving across his brain.
The road swung up around a group of chalets built on to the lake shore, taking the car right under the lee of the hills, and Powers suddenly felt the massive weight of the escarpment rising up into the dark sky like a cliff of luminous chalk, and realized the identity of the impression now registering powerfully within his mind. Not only could he see the escarpment, but he was aware of its enormous age, felt distinctly the countless millions of years since it had first reared out of the magma of the earth's crust. The ragged crests three hundred feet above him, the dark gulleys and fissures, the smooth boulders by the roadside at the foot of the cliff, all carried a distinct image of themselves across to him, a thousand voices that together told of the total time that had elapsed in the life of the escarpment, a psychic picture defined and clear as the visual image brought to him by his eyes.
Involuntarily, Powers had slowed the car, and turning his eyes away from the hill face he felt a second wave of time sweep across the first. The image was broader but of shorter perspectives, radiating from the wide disc of the salt lake, breaking over the ancient limestone cliffs like shallow rollers dashing against a towering headland.
Closing his eyes, Powers lay back and steered the car along the interval between the two time fronts, feeling the images deepen and strengthen within his mind. The vast age of the landscape, the inaudible chorus of voices resonating from the lake and from the white hills, seemed to carry him back through time, down endless corridors to the first thresholds of the world.
He turned the car off the road along the track leading towards the target range. On either side of the culvert the cliff faces boomed and echoed with vast impenetrable time fields, like enormous opposed magnets. As he finally emerged between them on to the flat surface of the lake it seemed to Powers that he could feel the separate identity of each sand-grain and salt crystal calling to him from the surrounding ring of hills.
He parked the car beside the mandala and walked slowly towards the outer concrete rim curving away into the shadows. Above him he could hear the stars, a million cosmic voices that crowded the sky from one horizon to the next, a true canopy of time. Like jostling radio beacons, their long aisles interlocking at countless angles, they plunged into the sky from the narrowest recesses of space. He saw the dim red disc of Sirius, heard its ancient voice, untold millions of years old, dwarfed by the huge spiral nebulae in Andromeda, a gigantic carousel of vanished universes, their voices almost as old as the cosmos itself. To Powers the sky seemed an endless babel, the time-song of a thousand galaxies overlaying each other in his mind. As he moved slowly towards the centre of the mandala he craned up at the glittering traverse of the Milky Way, searching the confusion of clamouring nebulae and constellations.
Stepping into the inner circle of the mandala, a few yards from the platform at its centre, he realized that the tumult was beginning to fade, and that a single stronger voice had emerged and was dominating the others. He climbed on to the platform, raised his eyes to the darkened sky, moving through the constellations to the island galaxies beyond them, hearing the thin archaic voices reaching to him across the millennia. In his pockets he felt the paper tapes, and turned to find the distant diadem of Canes Venatici, heard its great voice mounting in his mind.
Like an endless river, so broad that its banks were below the horizons, it flowed steadily towards him, a vast course of time that spread outwards to fill the sky and the universe, enveloping everything within them. Moving slowly, the forward direction of its majestic current almost imperceptible, Powers knew that its source was the source of the cosmos itself. As it passed him, he felt its massive magnetic pull, let himself be drawn into it, borne gently on its powerful back. Quietly it carri
ed him away, and he rotated slowly, facing the direction of the tide. Around him the outlines of the hills and the lake had faded, but the image of the mandala, like a cosmic clock, remained fixed before his eyes, illuminating the broad surface of the stream. Watching it constantly, he felt his body gradually dissolving, its physical dimensions melting into the vast continuum of the current, which bore him out into the centre of the great channel, sweeping him onward, beyond hope but at last at rest, down the broadening reaches of the river of eternity.
As the shadows faded, retreating into the hill slopes, Kaldren stepped out of his car, walked hesitantly towards the concrete rim of the outer circle. Fifty yards away, at the centre, Coma knelt beside Powers' body, her small hands pressed to his dead face. A gust of wind stirred the sand, dislodging a¥ strip of tape that drifted towards Kaldren's feet. He bent down and picked it up, then rolled it carefully in his hands and slipped it into his pocket. The dawn air was cold, and he turned up the collar of his jacket, watching Coma impassively.
'It's six o'clock,' he told her after a few minutes. 'I'll go and get the police. You stay with him.' He paused and then added: 'Don't let them break the clock.'
Coma turned and looked at him. 'Aren't you coming back?'
'I don't know.' Nodding to her, Kaldren swung on his heel.
He reached the lake road, five minutes later parked the car in the drive outside Whitby's laboratory.
The dome was in darkness, all its windows shuttered, but the generator still hummed in the X-ray theatre. Kaldren stepped through the entrance and switched on the lights. In the theatre he touched the grilles of the generator, felt the warm cylinder of the beryllium end-window. The circular target table was revolving slowly, its setting at 1 r.p.m., a steel restraining chair shackled to it hastily. Grouped in a semicircle a few feet away were most of the tanks and cages, piled on top of each other haphazardly. In one of them an enormous squid-like plant had almost managed to climb from its vivarium. Its long translucent tendrils clung to the edges of the tank, but its body had burst into a jellified pool of globular mucilage. In another an enormous spider had trapped itself in its own web, hung helplessly in the centre of a huge three-dimensional maze of phosphorescing thread, twitching spasmodically.
All the experimental plants and animals had died. The chimp lay on its back among the remains of the hutch, the helmet forward over its eyes. Kaldren watched it for a moment, then sat down on the desk and picked up the phone.
While he dialled the number he noticed a film reel lying on the blotter. For a moment he stared at the label, then slid the reel into his pocket beside the tape.
After he had spoken to the police he turned off the lights and went out to the car, drove off slowly down the drive.
When he reached the summer house the early sunlight was breaking across the ribbon-like balconies and terraces. He took the lift to the penthouse, made his way through into the museum. One by one he opened the shutters and let the sunlight play over the exhibits. Then he pulled a chair over to a side window, sat back and stared up at the light pouring through into the room.
Two or three hours later he heard Coma outside, calling up to him. After half an hour she went away, but a little later a second voice appeared and shouted up at Kaldren. He left his chair and closed all the shutters overlooking the front courtyard, and eventually he was left undisturbed.
Kaldren returned to his seat and lay back quietly, his eyes gazing across the lines of exhibits. Half-asleep, periodically he leaned up and adjusted the flow of light through the shutter, thinking to himself, as he would do through the coming months, of Powers and his strange mandala, and of the seven and their journey to the white gardens of the moon, and the blue people who had come from Orion and spoken in poetry to them of ancient beautiful worlds beneath golden suns in the island galaxies, vanished for ever now in the myriad deaths of the cosmos.
1960
The Last World of Mr Goddard
For no apparent reason, the thunder particularly irritated Mr Goddard. All day, as he moved about his duties as ground floor supervisor, he listened to it booming and rolling in the distance, almost lost amid the noise and traffic of the department store. Twice, on some pretext, he took the lift up to the roof-top cafeteria and carefully scanned the sky, searching the horizons for any sign of storm-cloud or turbulence. As usual, however, the sky was a bland, impassive blue, mottled by a few clumps of leisurely cumuli.
This was what worried Mr Goddard. Leaning on the cafeteria railing he could hear the thunder distinctly, cleaving the air only a thousand feet above his head, the huge claps lumbering past like the colliding wing streams of enormous birds. Intermittently the sounds would stop, to re-start a few minutes later.
Mr Goddard was not the only one to notice them - the people at the tables on the terrace were craning up at the sourceless din, as perplexed as himself. Normally Mr Goddard would have exchanged some pleasantry with them - his elderly grey-haired figure in its old-world herringbone suit had been a byword for kindly concern for over twenty years - but today he hurried past without even looking at them. Down on the ground floor he felt less uneasy, but throughout the afternoon, while he roved among the busy counters, patting the children on the head, he listened to the thunder sounding faintly in the distance, inexplicable and strangely threatening.
At six o'clock he took up his position in the time-keeper's booth, waited impatiently until the final time card had been stamped, then handed over to the night watchman, and the last of the staff had left for home. As he made his way out, pulling on his ancient overcoat and deerstalker, the clear evening air was still stirred by occasional rumblings.
Mr Goddard's house was less than half a mile away, a small two-storey villa surrounded by tall hedges. Superficially dilapidated though still sound, at first glance it was indistinguishable from any other bachelor residence, although anyone entering the short drive would have noticed one unusual feature - all the windows, both upstairs and down, were securely shuttered. Indeed, they had remained shuttered for so long that the ivy growing across the front of the house had matted itself through the wooden slats, here and there pulling apart the rotting wood.
Closer inspection at these points would have revealed, behind the dusty panes, the interlocking diagonals of steel grilles.
Collecting a bottle of milk off the doorstep, Mr Goddard let himself into the kitchen. This was furnished with an armchair and a small couch, and served him as his living room. He busied himself preparing an evening meal. Halfway through, a neighbouring cat, a regular visitor, scratched at the door and was allowed in. They sat at the table together, the cat on its customary cushion up on one of the chairs, watching Mr Goddard with its small, hard eyes.
Shortly before eight o'clock Mr Goddard began his invariable evening routine. Opening the kitchen door, he glanced up and down the side entrance, then locked it behind him, securing both windows and door with a heavy drop bar. He next entered the hail, ushering the cat before him, and began his inspection of the house.
This was done with great care, using the cat as his sixth sense. Mr Goddard watched it carefully, noting its reactions as it wandered softly through the deserted rooms, singing remotely to itself.
The house was completely empty. Upstairs the floorboards were bare, the windows without curtains, lamp bulbs shadeless. Dust gathered in the corners and stained th fraying Victorian wallpaper. All the fireplaces had been bricked up, and the bare stonework above the mantels showed that the chimneys had been solidly filled in.
Once or twice Mr Goddard tested the grilles, which effectively turned the room into a succession of steel cages. Satisfied, he made his way downstairs and went into the front room, noting that nothing was amiss. He steered the cat into the kitchen, poured it a bowl of milk as a reward and slipped back into the hallway, latching the door behind him.
One room he had still not entered - the real lounge. Taking a key from his pocket, Mr Goddard turned the lock and let himself through.
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p; Like the other rooms, this was bare and unfurnished, except for a wooden chair and a large black safe that stood with its back to one wall. The other distinctive feature was a single light bulb of considerable power suspended on an intricate pulley system from the centre of the ceiling.
Buttoning his jacket, Mr Goddard went over to the safe. Massive and ancient, it was approximately three feet wide and deep. Once it had been painted a dark bottle green, but by now most of the paint had peeled, revealing a dull black steel. A huge door, the full width and depth of the safe, was recessed into its face.
Beside the safe was the chair, a celluloid visor slung over its back. Mr Goddard pulled this on, giving himself the look of a refined elderly counterfeiter about to settle down to a hard evening's work. From his key chain he selected a small silver key, and fitted it into the lock. Turning the handle full circle, he drew the caissons back into the door, then pulled steadily with both hands and swung it open.
The safe was without shelves, a single continuous vault. Occupying the entire cavity, separated from the three-inch-thick walls by a narrow interval, was a large black tin document box.
Pausing to regain his breath, Mr Goddard heard a dull rumble of thunder sound through the darkness beyond the shuttered windows. Frowning involuntarily, he suddenly noticed a feathery thudding noise coming from inside the safe. He bent down and was just in time to see a large white moth emerge from the space above the document box, ricocheting erratically off the roof, at each impact sending a dull echo reverberating through the tin walls.
Mr Goddard smiled broadly to himself, as if divining something that had puzzled him all day. Leaning on the safe, he watched the moth circle the light, frantically shaking to pieces its damaged wings. Finally it plunged into one of the walls and fell stunned to the floor. Mr Goddard went over and swept it through the door with his foot, then returned to the safe. Reaching inside, with great care he lifted the document box out by the handles fastened to the centre of the lid.
The Complete Short Stories: Volume 1 Page 28