Although the image was transparent, the brilliant electric blue of the robe revealing the inadequacies of the projection system, the intensity of the illusion was such that Shepley almost expected the man to speak to them. He was well into his seventies, with a composed, watchful face and thin grey hair, his hands resting quietly in front of him. The edge of the desk was just visible, the proximal arc of the cone enclosing part of a silver inkstand and a small metal trophy. These details, and the spectral bookshelves and paintings which formed the backdrop of the illusion, were of infinite value to the Psycho-History institutes, providing evidence of the earlier civilizations far more reliable than the funerary urns and goblets in the anteroom.
Shepley began to move forward, the definition of the persona fading slightly. A visual relay of the memory store, it would continue to play after the code had been removed, though the induction coils would soon exhaust themselves. Then the tomb would be finally extinct.
Two feet away, the wise unblinking eyes of the long dead magnate stared at him steadily, his seamed forehead like a piece of pink transparent wax. Tentatively, Shepley reached out and plunged his hand into the cone, the myriad vibration patterns racing across his wrist. For a moment he held the dead man's face in his hand, the edge of the desk and the silver inkstand dappling across his sleeve.
Then he stepped forward and walked straight through him into the darkness at the rear of the chancel.
Quickly, following Traxel's instructions, he unbolted the console containing the memory store, lifting out the three heavy drums which held the tape spools. Immediately the persona began to dim, the edge of the desk and the bookshelves vanishing as the cone contracted. Narrow bands of dead air appeared across it, one, at the level of the man's neck, decapitating him. Lower down the scanner had begun to misfire. The folded hands trembled nervously, and now and then one of his shoulders gave a slight twitch. Shepley stepped through him without looking back.
The Old Man was waiting outside. Shepley dropped the drums on to the sand. 'They're heavy,' he muttered. Brightening, he added. 'There must be over five hundred feet here, Doctor. With the bonus, and all the others as well - 'He took the Old Man's arm. 'Come on, let's get into the next one.'
The Old Man disengaged himself, watching the sputtering persona in the pavilion, the blue light from the dead man's suit pulsing across the sand like a soundless lightning storm.
'Wait a minute, lad, don't run away with yourself.' As Shepley began to slide off through the sand, sending further falls down the slope, he added in a firmer voice 'And stop moving all that sand around! These tombs have been hidden for ten thousand years. Don't undo all the good work, or the wardens will find them the first time they go past.'
'Or Traxel,' Shepley said, sobering quickly. He glanced around the lake below, searching the shadows among the tombs in case anyone was watching them, waiting to seize the treasure.
Three
The Old Man left him at the door of the next pavilion, reluctant to watch the tomb being stripped of the last vestige of its already meagre claim to immortality.
'This will be our last one tonight,' he told Shepley. 'You'll never hide all these tapes from Bridges and Traxel.'
The furnishings of the tomb differed from that of the previous one. Sombre black marble panels covered the walls, inscribed with strange gold-leaf hieroglyphs, and the inlays in the floor represented stylized astrological symbols, at once eerie and obscure. Shepley leaned against the altar, watching the cone of light reach out towards him from the chancel as the curtains parted. The predominant colours were gold and carmine, mingled with a vivid powdery copper that gradually resolved itself into the huge, harp-like head-dress of a reclining woman. She lay in the centre of what seemed to be a sphere of softly luminous gas, inclined against a massive black catafalque, from the sides of which flared two enormous heraldic wings. The woman's copper hair was swept straight back from her forehead, some five or six feet long, and merged with the plumage of the wings, giving her an impression of tremendous contained speed, like a goddess arrested in a moment of flight on a cornice of some great temple-city of the dead.
Her eyes stared forward expressionlessly at Shepley. Her arms and shoulders were bare, and the white skin, like compacted snow, had a brilliant surface sheen, the reflected light glaring against the black base of the catafalque and the long sheath-like gown that swept around her hips to the floor. Her face, like an exquisite porcelain mask, was tilted upward slightly, the half-closed eyes suggesting that the woman was asleep or dreaming. No background had been provided for the image, but the bowl of luminescence invested the persona with immense power and mystery.
Shepley heard the Old Man shuffle up behind him.
'Who is she, Doctor? A princess?'
The Old Man shook his head slowly. 'You can only guess. I don't know. There are strange treasures in these tombs. Get on with it, we'd best be going.'
Shepley hesitated. He started to walk towards the woman on the catafalque, and then felt the enormous upward surge of her flight, the pressure of all the past centuries carried before her brought to a sudden focus in front of him, holding him back like a physical barrier.
'Doctor!' He reached the door just behind the Old Man. 'We'll leave this one, there's no hurry!'
The Old Man examined his face shrewdly in the moonlight, the brilliant colours of the persona flickering across Shepley's youthful cheeks. 'I know how you feel, lad, but remember, the woman doesn't exist, any more than a painting. You'll have to come back for her soon.'
Shepley nodded quickly. 'I know, but some other night. There's something uncanny about this tomb.' He closed the doors behind them, and immediately the huge cone of light shrank back into the chancel, sucking the woman and the catafalque into the darkness. The wind swept across the dunes, throwing a fine spray of sand on to the half-buried cupolas, sighing among the wrecked tombs.
The Old Man made his way down to the mono-rail, and waited for Shepley as he worked for the next hour, slowly covering each of the tombs.
On the Old Man's recommendation he gave Traxel only one of the canisters, containing about 500 feet of tape. As prophesied, the timewardens had been out in force in the Sea of Newton, and two members of another gang had been caught red-handed. Bridges was in foul temper, but Traxel, as ever self-contained, seemed unworried at the wasted evening.
Straddling the desk in the tilting ballroom, he examined the drum with interest, complimenting Shepley on his initiative. 'Excellent, Shepley. I'm glad you joined us now. Do you mind telling me where you found this?'
Shepley shrugged vaguely, began to mumble something about a secret basement in one of the gutted tombs nearby, but the Old Man cut in: 'Don't broadcast it everywhere! Traxel, you shouldn't ask questions like that - he's got his own living to earn.'
Traxel smiled, sphinx-like. 'Right again, Doctor.' He tapped the smooth untarnished case. 'In mint condition, and a 15th Dynasty too.'
'Tenth!' Shepley claimed indignantly, frightened that Traxel might try to pocket the bonus. The Old Man cursed, and Traxel's eyes gleamed.
'Tenth, is it? I didn't realize there were any 10th Dynasty tombs still intact. You surprise me, Shepley. Obviously you have concealed talents.'
Luckily he seemed to assume that the Old Man had been hoarding the tape for years.
Face down in a shallow hollow at the edge of the ridge, Shepley watched the white-hulled sand-car of the timewardens shunt through the darkness by the old cantonment. Directly below him jutted the spires of the newly discovered tomb-bed, invisible against the dark background of the ridge. The two wardens in the sand-car were more interested in the old tombs; they had spotted the gyro-car lying on its side by the mono-rail, and guessed that the gangs had been working the ruins over again. One of them stood on the running board, flicking a torch into the gutted pavilions. Crossing the mono-rail, the car moved off slowly across the lake to the north-west, a low pall of dust settling behind it.
For a few moments Shepley la
y quietly in the slack darkness, watching the gullies and ravines that led into the lake, then slid down among the pavilions. Brushing away the sand to reveal a square wooden plank, he slipped below it into the portico.
As the golden image of the enchantress loomed out of the black-walled chance! to greet him, the great reptilian wings unfurling around her, he stood behind one of the columns in the nave, fascinated by her strange deathless beauty. At times her luminous face seemed almost repellent, but he had nonetheless seized on the faint possibility of her resurrection.
Each night he came, stealing into the tomb where she had lain for ten thousand years, unable to bring himself to interrupt her. The long copper hair streamed behind her like an entrained time-wind, her angled body in flight between two infinitely distant universes, where archetypal beings of superhuman stature glimmered fitfully in their own self-generated light.
Two days later Bridges discovered the remainder of the drums.
'Traxel! Traxel!' he bellowed, racing across the inner courtyard from the entrance to one of the disused bunkers. He bounded into the ballroom and slammed the metal cans on to the computer which Traxel was programming. 'Take a look at these - more Tenths! The whole place is crawling with them!'
Traxel weighed the cans idly in his hands, glancing across at Shepley and the Old Man, on lookout duty by the window. 'Interesting. Where did you find them?'
Shepley jumped down from the window trestle. 'They're mine. The Doctor will confirm it. They run in sequence after the first I gave you a week ago. I was storing them.'
Bridges cut back with an oath. 'Whaddya mean, storing them? Is that your personal bunker out there? Since when?' He shoved Shepley away with a broad hand and swung round on Traxel. 'Listen, Traxel, those tapes were a fair find. I don't see any tags on them. Every time I bring something in I'm going to have this kid claim it?'
Traxel stood up, adjusting his height so that he overreached Bridges. 'Of course, you're right - technically. But we have to work together, don't we? Shepley made a mistake, we'll forgive him this time.' He handed the drums to Shepley, Bridges seething with barely controlled indignation. 'If I were you, Shepley, I'd get those cashed. Don't worry about flooding the market.' As Shepley turned away, sidestepping Bridges, he called him back. 'And there are advantages in working together, you know.'
He watched Shepley disappear to his room, then turned to survey the huge peeling map of the sand-sea that covered the facing wall.
'You'll have to strip the tombs now,' the Old Man told Shepley later. 'It's obvious you've stumbled on something, and it won't take Traxel five minutes to discover where.'
'Perhaps a little longer,' Shepley replied evenly. They stepped out of the shadow of the palace and moved away among the dunes; Bridges and Traxel were watching them from the dining-room table, their figures motionless in the light. 'The roofs are almost covered now. The next sandstorm should bury them for good.'
'Have you entered any of the other tombs?'
Shepley shook his head vigorously. 'Believe me, Doctor, I know now why the time-wardens are here. As long as there's a chance of their coming to life we're committing murder every time we rob a tomb. Even if it's only one chance in a million it may be all they bargained on. After all, we don't commit suicide because the chances of life existing anywhere are virtually nil.'
Already he had come to believe that the enchantress might suddenly resurrect herself, step down from the catafalque before his eyes. While a slender possibility existed of her returning to life he felt that he too had a valid foothold in existence, that there was a small element of certainty in what had previously seemed a random and utterly meaningless universe.
Four
As the first dawn light probed through the casements, Shepley turned reluctantly from the nave. He looked back briefly at the glowing persona, suppressing the slight pang of disappointment that the expected metamorphosis had not yet occurred, but relieved to have spent as much time awaiting it as possible.
He made his way down to the old cantonment, steering carefully through the shadows. As he reached the mono-rail he now made the journey on foot, to prevent Traxel guessing that the cache lay along the route of the rail - he heard the track hum faintly in the cool air. He jumped back behind a low mound, tracing its winding pathway through the dunes.
Suddenly an engine throbbed out behind him, and Traxel's camouflaged half-track appeared over the edge of the ridge. Its front four wheels raced and spun, and the huge vehicle tipped forward and plunged down the incline among the buried tombs, its surging tracks dislodging tons of the fine sand Shepley had so laboriously pushed by hand up the slope. Immediately several of the pavilions appeared to view, the white dust cascading off their cupolas.
Half-buried in the avalanche they had set off, Traxel and Bridges leapt from the driving cab, pointing to the pavilions and shouting at each other. Shepley darted forward, and put his foot up on the mono-rail just as it began to vibrate loudly.
In the distance the gyro-car slowly approached, the Old Man punting it along, hatless and dishevelled.
He reached the tomb as Bridges was kicking the door in with a heavy boot, Traxel behind him with a bag full of wrenches.
'Hello, Shepley!' Traxel greeted him gaily. 'So this is your treasure trove.'
Shepley staggered splay-legged through the sliding sand, and brushed past Traxel as glass spattered from the window. He flung himself on Bridges and pulled the big man backwards.
'Bridges, this one's mine! Try any of the others; you can have them all!'
Bridges jerked himself to his feet, staring down angrily at Shepley. Traxel peered suspiciously at the other tombs, their porticos still flooded with sand. 'What's so interesting about this one, Shepley?' he asked sardonically. Bridges roared and slammed a boot into the casement, knocking out one of the panels. Shepley dived on to his shoulders, and Bridges snarled and flung him against the wall. Before Shepley could duck he swung a heavy left cross to Shepley's mouth, knocking him back on to the sand with a bloody face.
Traxel roared with amusement as Shepley lay there stunned, then knelt down, sympathetically examining Shepley's face in the light thrown by the expanding persona within the tomb. Bridges whooped with surprise, gaping like a startled ape at the sumptuous golden mirage of the enchantress.
'How did you find me?' Shepley muttered thickly. 'I double-tracked a dozen times.'
Traxel smiled. 'We didn't follow you, chum. We followed the rail.' He pointed down at the silver thread of the metal strip, plainly visible in the dawn light almost ten miles away. 'The gyro-car cleaned the rail. It led us straight here. Ah, hello, Doctor,' he greeted the Old Man as he climbed the slope and slumped down wearily beside Shepley. 'I take it we have you to thank for all this. Don't worry, Doctor, I shan't forget you.'
'Many thanks,' the' Old Man said flatly. He helped Shepley to sit up, frowning at his split lips. 'Aren't you taking everything too seriously, Traxel? You're becoming crazed with greed. Let the boy have this tomb. There are plenty more.'
The patterns of light across the sand dimmed and broke as Bridges plunged through the persona towards the rear of the chancel. Weakly Shepley tried to stand up, but the Old Man held him back. Traxel shrugged. 'Too late, Doctor.' He looked over his shoulder at the persona, ruefully shaking his head in acknowledgment of its magnificence. 'These 10th Dynasty graves are stupendous. But there's something curious about this one.'
He was still staring at it reflectively a minute later when Bridges emerged. 'Boy, that was a crazy one, Traxel! For a second I thought it was a dud.' He handed the three canisters to Traxel, who weighed two of them in one hand against the other. Bridges added 'Kinda light, aren't they?'
Traxel began to prise them open with a wrench. 'Are you certain there are no more in there?'
'Hundred per cent. Have a look yourself.'
Two of the cans were empty, the tape spools missing. The third was only half full, a mere three-inch width of tape in its centre. Bridges bellowed in pain
: 'The kid robbed us. I can't believe it!' Traxel waved him away and went over to the Old Man, who was staring in at the now flickering persona. The two men exchanged glances, then nodded slowly in confirmation. With a short laugh Traxel kicked at the can containing the half reel of tape, jerking the spool out on to the sand, where it began to unravel in the quietly moving air. Bridges protested but Traxel shook his head.
'It is a dud. Go and have a close look at the image.' When Bridges peered at it blankly he explained 'The woman there was dead when the matrices were recorded. She's beautiful all right - as poor Shepley here discovered - but it's all too literally skin deep. That's why there's only half a can of data. No nervous system, no musculature or internal organs just a beautiful golden husk. This is a mortuary tomb. If you resurrected her you'd have an ice-cold corpse on your hands.'
'But why?' Bridges rasped. 'What's the point?'
Traxel gestured expansively. 'It's immortality of a kind. Perhaps she died suddenly, and this was the next best thing. When the Doctor first came here there were a lot of mortuary tombs of young children being found. If I remember he had something of a reputation for always leaving them intact. A typical piece of highbrow sentimentality - giving immortality only to the dead. Agree, Doctor?'
Before the Old Man could reply a voice shouted from below, there was a nearby roaring hiss of an ascending signal rocket and a vivid red star-shell burst over the lake below, spitting incandescent fragments over them. Traxel and Bridges leapt forwards, saw two men in a sand-car pointing up at them, and three more vehicles converging across the lake half a mile away.
'The time-wardens!' Traxel shouted. Bridges picked up the tool bag and the two men raced across the slope towards the half-track, the Old Man hobbling after them. He turned back to wait for Shepley, who was still sitting on the ground where he had fallen, watching the image inside the pavilion.
The Complete Short Stories: Volume 1 Page 67