We could still leave, start up one of the abandoned cars and reach the border at Jacksonville before the last minutes run out. I have to keep reminding myself why we came here in the first place. Running north will solve nothing. If there's a solution it's here, somewhere between Hinton's obsessions and Shepley's orbiting coffin, between the space centre and those bright, eerie transits that are all too visible at night. I hope I don't go out just as it arrives, spend the rest of eternity looking at the vaporising corpse of the man I helped to die in space. I keep thinking of that tiger. Somehow I can calm it.
TAPE 26: 25 August.
3.30 p.m. The first uninterrupted hour of conscious time I've had in days. When I woke fifteen minutes ago Hinton had just finished strafing the hotel - the palms were shaking dust and insects all over the balcony. Clearly Hinton is trying to keep us awake, postponing the end until he's ready to play his last card, or perhaps until I'm out of the way and he's free to be with Anne.
I'm still thinking about his motives. He seems to have embraced the destruction of time, as if this whole malaise were an opportunity that we ought to seize, the next evolutionary step forward. He was steering me to the edge of the assembly deck, urging me to fly; if Gale Shepley hadn't appeared in her glider I would have dived over the rail. In a strange way he was helping me, guiding me into that new world without time. When he turned Shepley loose from the Shuttle he didn't think he was killing him, but setting him free.
The ever more primitive aircraft - Hinton's quest for a pure form of flight, which he will embark upon at the last moment. A Santos-Dumont flew over yesterday, an ungainly box-kite, he's given up his World War I machines. He's deliberately flying badly designed aircraft, all part of his attempt to escape from winged aviation into absolute flight, poetical rather than aeronautical structures.
The roots of shamanism and levitation, and the erotic cathexis of flight - can one see them as an attempt to escape from time? The shaman's supposed ability to leave his physical form and fly with his spiritual body, the psychopomp guiding the souls of the deceased and able to achieve a mastery of fire, together seem to be linked with those defects of the vestibular apparatus brought on by prolonged exposure to zero gravity during the space flights. We should have welcomed them.
That tiger - I'm becoming obsessed with the notion that it's on fire.
TAPE 27: 28 August.
An immense silence today, not a murmur over the soft green deck of Florida. Hinton may have killed himself. Perhaps all this flying is some kind of expiatory ritual, when he dies the shaman's curse will be lifted. But do I want to go back into time? By contrast, that static world of brilliant light pulls at the heart like a vision of Eden. If time is a primitive mental structure we're right to reject it. There's a sense in which not only the shaman's but all mystical and religious beliefs are an attempt to devise a world without time. Why did primitive man, who needed a brain only slightly larger than the tiger in Gale's zoo, in fact have a mind almost equal to those of Freud and Leonardo? Perhaps all that surplus neural capacity was there to release him from time, and it has taken the space age, and the sacrifice of the first astronaut, to achieve that single goal.
Kill Hinton... How, though?
TAPE 28: 3 September.
Missing days. I'm barely aware of the flux of time any longer. Anne lies on the bed, wakes for a few minutes and makes a futile attempt to reach the roof, as if the sky offers some kind of escape. I've just brought her down from the staircase. It's too much of an effort to forage for food, on my way to the supermarket this morning the light was so bright that I had to close my eyes, hand-holding my way around the streets like a blind beggar. I seemed to be standing on the floor of an immense furnace.
Anne is increasingly restless, murmuring to herself in some novel language, as if preparing for a journey. I recorded one of her drawn-out monologues, like some Gaelic love-poem, then speeded it up to normal time. An agonised 'Hinton... Hinton...'
It's taken her twenty years to learn.
TAPE 29: 6 September.
There can't be more than a few days left. The dream-time comes on a dozen stretches each day, everything slows to a halt. From the balcony I've just watched a flock of orioles cross the street. They seemed to take hours, their unmoving wings supporting them as they hung above the trees.
At last the birds have learned to fly.
Anne is awake (Anne): Who's learned to fly? (EM): It's all right - the birds.
(Anne): Did you teach them? What am I talking about? How long have I been away? (EM): Since dawn. Tell me what you were dreaming.
(Anne): Is this a dream? Help me up. God, it's dark in the street. There's no time left here. Edward, find Hinton. Do whatever he says.
Seven
Kill Hinton
As the engine of the Yamaha clacked into life, Mallory straddled the seat and looked back at the hotel. At any moment, as if seizing the last few minutes left to her, Anne would leave the bedroom and try to make her way to the roof. The stationary clocks in Titusville were about to tell the real time for her, eternity for this lost woman would be a flight of steps around an empty elevator shaft.
Kill Hinton... he had no idea how. He set off through the streets to the east of Titusville, shakily weaving in and out of the abandoned cars. With its stiff gearbox and unsteady throttle the Yamaha was exhausting to control. He was driving through an unfamiliar suburb of the town, a terrain of tract houses, shopping malls and car parks laid out for the NASA employees in the building boom of the 1960s. He passed an overturned truck that had spilled its cargo of television sets across the road, and a laundry van that had careened through the window of a liquor store.
Three miles to the east were the gantries of the space centre. An aircraft hung in the air above them, a primitive helicopter with an overhead propeller. The tapering blades were stationary, as if Hinton had at last managed to dispense with wings.
Mallory pressed on towards the Cape, the engine of the motorcycle at full throttle. The tracts of suburban housing unravelled before him, endlessly repeating themselves, the same shopping malls, bars and motels, the same stores and used-car lots that he and Anne had seen in their journey across the continent. He could almost believe that he was driving through Florida again, through the hundreds of small towns that merged together, a suburban universe in which these identical liquor stores, car parks and shopping malls formed the building blocks of a strand of urban DNA generated by the nucleus of the space centre. He had driven down this road, across these silent intersections, not for minutes or hours but for years and decades. The unravelling strand covered the entire surface of the globe, and then swept out into space to pave the walls of the universe before it curved back on itself to land here at its departure point at the space centre. Again he passed the overturned truck beside its scattered television sets, again the laundry van in the liquor store window. He would forever pass them, forever cross the same intersection, see the same rusty sign above the same motel cabin 'Doctor...!'
The smell of burning flesh quickened in Mallory's nose. His right calf was pressed against the 'exhaust manifold of the idling Yamaha. Charred fragments of his cotton trouser clung to the raw wound. As the young woman in the black flying suit ran across the street Mallory pushed himself away from the clumsy machine, stumbled over its spinning wheels and knelt in the road.
He had stopped at an intersection half a mile from the centre of Titusville. The vast planetary plain of parking lots had withdrawn, swirled down some cosmic funnel and then contracted to this small suburban enclave of a single derelict motel, two tract houses and a bar. Twenty feet away the blank screens of the television sets stared at him from the road beside the overturned truck. A few steps further along the sidewalk the laundry van lay in its liquor store window, dusty bottles of vodka and bourbon shaded by the wing-tip of the glider which Gale Shepley had landed in the street.
'Dr Mallory! Can you hear me? Dear man...' She pushed back Mallory's head and peered into his eyes
, then switched off the still-clacking engine of the Yamaha. 'I saw you sitting here, there was something... My God, your leg! Did Hinton...?'
'No... I set fire to myself.' Mallory climbed to his feet, an arm around the girl's shoulder. He was still trying to clear his head, there was something curiously beguiling about that vast suburban world I was a fool trying to ride it. I must see Hinton.'
Doctor, listen to me...' The girl shook his hands, her eyes wide with fever. Her mascara and hair were even more bizarre than he remembered. You're dying! A day or two more, an hour maybe, you'll be gone. We'll find a car and I'll drive you north.' With an effort she took her eyes from the sky. 'I don't like to leave Dad, but you've got to get away from here, it's inside your head now.'
Mallory tried to lift the heavy Yamaha. 'Hinton - it's all that's left now. For Anne, too. Somehow I have to... kill him.'
'He knows that, doctor-' She broke off at the sound of an approaching aero-engine. An aircraft was hovering over the nearby streets, its shadowy bulk visible through the palm leaves, the flicker of a rotor blade across the sun. As they crouched among the television sets it passed above their heads. An antique autogyro, it lumbered through the air like an aerial harvester, its free-spinning rotor apparently powered by the sunlight. Sitting in the open cockpit, the pilot was too busy with his controls to search the streets below.
Besides, as Mallory knew, Hinton had already found his quarry. Standing on the roof of the hotel, a dressing gown around her shoulders, was Anne Mallory. At last she had managed to climb the stairs, driven on by her dream of the sky. She stared sightlessly at the autogyro, stepping back a single pace only when it circled the hotel and came in to land through a storm of leaves and dust. When it touched down on the roof the draught from its propellers stripped the gown from her shoulders. Naked, she turned to face the autogyro, lover of this strange machine come to save her from a time-reft world.
Eight
As they reached the NASA causeway huge columns of smoke were rising from the space centre. From the pillion seat of the motorcycle Mallory looked up at the billows boiling into the stained air. The forest was flushed with heat, the foliage glowing like furnace coals.
Had Hinton refuelled the Shuttle's engines and prepared the craft for lift-off? He would take Anne with him, and cast them both loose into space as he had done with Shepley, joining the dead astronaut in his orbital bier.
Smoke moved through the trees ahead of them, driven by the explosions coming from the launch site of the Shuttle. Gale throttled back the Yamaha and pointed to a break in the clouds. The Shuttle still sat on its platform, motors silent, the white hull reflecting the flash of explosions from the concrete runways.
Hinton had set fire to his antique planes. Thick with oily smoke, the flames lifted from the glowing shells slumped on their undercarts. The Curtiss biplane was burning briskly. A frantic blaze devoured the engine compartment of the Fokker, detonated the fuel tank and set off the machine-gun ammunition. The exploding cartridges kicked through the wings as they folded like a house of cards.
Gale steadied the Yamaha with her feet, and skirted the glowing trees 200 yards from the line of incandescent machines. The explosions flashed in her goggles, blanching her vivid make-up and giving her blonde hair an ash-like whiteness. The heat flared against Mallory's sallow face as he searched the aircraft for any sign of Hinton. Fanned by the flames that roared from its fuselage, the autogyro's propeller rotated swiftly, caught fire and spun in a last blazing carnival. Beside it, flames raced along the wings of the Wright Flyer; in a shower of sparks the burning craft lifted into the air and fell back upon the Sopwith Camel. Ignited by the intense heat, the primed engine of the Flying Flea roared into life, propelled the tiny aircraft in a scurrying arc among the burning wrecks, setting off the Spad and Blriot before it overturned in a furnace of rolling flame.
'Doctor - on the assembly deck!'
Mallory followed the girl's raised hand. A hundred feet above them, Anne and Hinton stood side by side on the metal landing of the stairway. The flames from the burning aircraft wavered against their faces, as if they were already moving through the air together. Although Hinton's hand was around Anne's waist, they seemed unaware of each other when they stepped forward into the light.
Nine
As always during his last afternoons at Cocoa Beach, Mallory rested by the swimming pool of the abandoned hotel, watching the pale glider float patiently across the undisturbed skies of Cape Kennedy. In this peaceful arbour, surrounded by the drowsing inmates of the zoo, he listened to the fountain cast its crystal gems onto the grass beside his chair. The spray of water was now almost stationary, like the glider and the wind and the watching cheetahs, elements of an emblematic and glowing world.
As time slipped away from him, Mallory stood under the fountain, happy to see it transform itself into a glass tree that shed an opalescent fruit onto his shoulders and hands. Dolphins flew through the air over the nearby sea. Once he immersed himself in the pool, delighted to be embedded in this huge block of condensed time.
Fortunately, Gale Shepley had rescued him before he drowned. Mallory knew that she was becoming bored with him. She was intent now only on the search for her father, confident that he would soon be returning from the tideways of space. At night the trajectories were ever lower, tracks of charged particles that soared across the forest. She had almost ceased to eat, and Mallory was glad that once her father arrived she would at last give up her flying. Then the two of them would leave together.
Mallory had made his own preparations for departure. The key to the tiger cage he held always in his hand. There was little time left to him now, the light-filled world had transformed itself into a series of tableaux from a pageant that celebrated the founding days of creation. In the finale every element in the universe, however humble, would take its place on the stage in front of him.
He watched the tiger waiting for him at the bars of its cage. The great cats, like the reptiles before them, had always stood partly out of time. The flames that marked its pelt reminded him of the fire that had consumed the aircraft at the space centre, the fire through which Anne and Hinton still flew forever.
He left the pool and walked towards the tiger cage. He would unlock the door soon, embrace these flames, lie down with this beast in a world beyond time.
1982
Myths of the Near Future
At dusk Sheppard was still sitting in the cockpit of the stranded aircraft, unconcerned by the evening tide that advanced towards him across the beach. Already the first waves had reached the wheels of the Cessna, kicking spurs of spray against the fuselage. Tirelessly, the dark night-water sluiced its luminous foam at the Florida shoreline, as if trying to rouse the spectral tenants of the abandoned bars and motels.
But Sheppard sat calmly at the controls, thinking of his dead wife and all the drained swimming pools of Cocoa Beach, and of the strange nightclub he had glimpsed that afternoon through the forest canopy now covering the old Space Centre. Part Las Vegas casino with its flamboyant neon faade, and part Petit Trianon - a graceful classical pediment carried the chromium roof - ithad suddenly materialized among the palms and tropical oaks, more unreal than any film set. As Sheppard soared past, only fifty feet above its mirrored roof, he had almost expected to see Marie Antoinette herself, in a Golden Nugget get-up, playing the milkmaid to an audience of uneasy alligators.
Before their divorce, oddly enough, Elaine had always enjoyed their weekend expeditions from Toronto to Algonquin Park, proudly roughing the wilderness in the high-chrome luxury of their Airstream trailer, as incongruous among the pine cones and silver birch as this latter-day fragment of a neon Versailles. All the same, the sight of the bizarre nightclub hidden deep in the Cape Kennedy forests, and the curious behaviour of its tenants, convinced Sheppard that Elaine was still alive, and very probably held prisoner by Philip Martinsen. The chromium nightclub, presumably built thirty years earlier by some classically minded Disneyland executiv
e, would appeal to the young neurosurgeon's sense of the absurd, a suitably garish climax to the unhappy events that had brought them together in the sombre forests of the Florida peninsula.
However, Martinsen was devious enough to have picked the nightclub deliberately, part of his elaborate attempt to lure Sheppard into the open air. For weeks now he had been hanging around the deserted motels in Cocoa Beach, flying his kites and gliders, eager to talk to Sheppard but nervous of approaching the older man. From the safety of his darkened bedroom at the Starlight Motel - a huddle of dusty cabins on the coast road - Sheppard watched him through a crack in the double blinds. Every day Martinsen waited for Sheppard to appear, but was always careful to keep a drained swimming pool between them.
At first the young doctor's obsession with birds had irritated Sheppard - everything from the papier-m‰ch condorkites hanging like corpses above the motel to endless Picasso doves chalked on the cabin doors while Sheppard slept. Even now, as he sat on the beach in the wave-washed Cessna, he could see the snake-headed profile cut in the wet sand, part of an enormous Aztec bird across which he had landed an hour earlier.
The birds... Elaine had referred to them in the last of her Florida letters, but those were creatures who soared inside her own head, far more exotic than anything a neurourgeon could devise, feathered and jewelled chimeras from the paradises of Gustave Moreau. None the less, Sheppard had finally taken the bait, accepting that Martinsen wanted to talk to him, and on his own terms. He forced himself from the motel, hiding behind the largest sunglasses he could find among the hundreds that littered the floor of the swimming pool, and drove to the light airfield at Titusville. For an hour he flew the rented Cessna across the forest canopy, searching the whole of Cape Kennedy for any sign of Martinsen and his kites.
The Complete Short Stories: Volume 1 Page 152