Abby climbed from her car. She started to lock it, then stopped, seeing Deanna stumbling up the drive-way, her clothes torn and bloodstained. From this distance Gregory couldn't see his wife's expression, but he could imagine it. Eyes wide, mouth dropping open, a whispered 'oh'.
Abby jogged down the driveway towards Deanna. Smatterings of their conversation drifted to him.
'—accident – help—'
Abby gestured at the house. '—911 –?' She didn't have a cellphone, hated them.
Deanna grabbed Abby's arm, her voice shrill with panic. '—son – trapped – please—'
Then Abby did what Gregory knew she'd do. She followed Deanna. When Deanna stumbled, Abby grabbed her arm and draped it around her shoulders, supporting the injured woman. Very heroic. Also very stupid, because, when she reached the shadows of the cedar hedge, all Deanna had to do was trip Abby then throw her weight on top of her, and Abby went down. Deanna shoved a chloroform-soaked cloth over Abby's mouth and nose, and she stayed down.
Deanna turned towards Gregory's hiding spot, but he didn't step out. Not yet. First, he was making damned sure Abby was out cold. If anything went wrong, Deanna's face would be the only one she remembered seeing. He motioned for Deanna to slap Abby. She did. When Abby didn't move, Deanna slapped her again, the sound cracking through the silence.
'I think that's enough, my dear,' Gregory said, stepping from the bushes.
He tossed Deanna the rope and watched her tie Abby up. Then he took over.
Deanna slapped Abby again, the sound echoing the rhythmic smack of the waves against the boat hull. Gregory shifted, fighting the growing worm of pique in his gut. She wasn't waking up. What if she didn't? He'd have to go through with it, of course, killing her, but he'd really hoped she'd be awake. He wanted her to see who wielded the knife, to regain the power she'd sucked from him over the years.
Gregory grabbed the knife.
'I'll wake her—'
Deanna snatched it from his hand. 'No, let me.'
Deanna lowered the knife tip to Abby's cheek and pressed it against her pale skin. A single drop of blood welled up. Abby's eyes flew open. Gregory reached for the knife, but Abby bucked suddenly, startling them both, and the knife clattered to the deck. Abby jerked against her bonds, wriggling wildly. Deanna dived to hold her down. In the struggle, Deanna's foot knocked the knife across the deck.
'Don't!' Gregory said. 'She's tied. She's not going anywhere.'
Deanna nodded and pulled back from Abby. She looked around, gaze going to the knife by the cabin door.
'I'll get that,' Deanna said.
As she pushed to her feet, Gregory took her place, and loomed over his terrified wife.
'Ah, now she's afraid,' he said, smiling down at her. 'Smart girl. Don't worry. This won't hurt a bit.' He grinned. 'It'll hurt a lot.'
'Gregory?' Deanna said behind him.
His lips tightened at the interruption. He turned to her. 'What?'
'Yesterday you asked if I was looking forward to this. I said I wasn't.' She bit her lip, looking sheepish. 'Well, I just wanted to let you know, I lied. We are looking forward to this.'
'Good. Now—' He stopped. 'We –?'
Deanna smiled. Her gaze moved over his shoulder.
'Yes,' she said. 'We.'
He turned, following her gaze. Behind him, Abby sat up, tugging the rope from her wrists.
'Wha—?' he began.
Something cracked against the side of his head. He stumbled and managed to turn just enough to see Deanna raise the fire extinguisher again. She swung it.
Abby and Deanna stood at the side of the boat, watching Gregory's body sink into the inky water. A late-night fog was rolling in, a dense grey blanket barely pierced by the distant lighthouse beam.
'You're sure he won't wash up on shore?' Deanna asked, nibbling her thumbnail.
'Which way is the tide going, hon?' Abby asked gently.
'Out. Right. You said that. I forgot. Sorry.'
'That's OK. You did a good job.'
Good, but not perfect, Abby thought as she bent to wipe a smear of blood from the deck. She'd have to treat that later. If the first blow had succeeded, there wouldn't be any blood. It took a second hit to the head to induce bleeding. But Deanna hadn't known that and Abby hadn't thought to mention it and, really, it wasn't as if Abby would have changed her mind when the first blow failed.
She stood to see Deanna frowning as she squinted overboard, trying to see Gregory's body through the fog.
'It's OK, hon,' Abby said. 'He's definitely heading out to sea and will be for a few hours yet. Even if he does eventually wash up on shore, it won't be near here.'
'But they'll identify him, won't they?'
'Yes. But then what? He wasn't shot. He wasn't stabbed. He hit his head and drowned. Happens all the time. Even if they suspect something, it can't be linked to us. We were careful.'
'You're right,' Deanna said, forcing a small smile. 'You're always right.'
Abby walked to Deanna, smiling. 'Not always. I married that bastard, didn't I?'
She put her arms around Deanna's neck and leaned in. Their lips met. Deanna's parted, hesitant at first, as always, as if unsure, maybe still a little shocked at herself. A minister's daughter in spite of everything, Abby thought. She kept the kiss gentle and tentative, their lips barely touching. After a moment, Deanna tried to pull Abby closer, but she held back, teasing Deanna with modest kisses.
Abby reached down to the bottom of Deanna's blouse and began to unbutton it, her hands moving as slow as her lips. Deanna gave a soft growl of impatience, but Abby only chuckled. Only when the blouse was fully unbuttoned did Abby let her hands touch Deanna's skin. She pressed her fingertips against Deanna's stomach, then traced twin lines up her ribcage. She cupped Deanna's bare breasts, and slid her thumbs over her hard nipples. Deanna groaned, grabbed the back of Abby's head and kissed her, all shyness gone. As Abby returned the kiss, heat throbbed through her. Perhaps just once more . . . But no. She couldn't.
She wrapped her hands in Deanna's hair and eased her back a step. Deanna's balance faltered. She tore her lips from Abby's to shout a warning that she was too close to the edge of the boat. But Abby already knew that.
She put her hands around Deanna's wrist and thrust her away. Deanna started to fall. She grabbed blindly and caught Abby's charm bracelet, but the clasp came apart. Deanna's arms windmilled as she fell over the edge.
Abby walked to the back of the boat and pulled up the anchor. In the water below Deanna thrashed and screamed. As Abby headed to the cabin, she looked down to see Deanna frantically trying to get a hold on the smooth side of the boat.
'I can't swim!' Deanna shouted.
'Yes,' Abby said. 'I know.'
She walked into the cabin and started the engine. She moved the boat out of Deanna's reach, then waited and watched as Deanna's blond head bobbed like a beacon through the fog. When Deanna finally sank and didn't resurface, Abby pushed the throttle forward and headed for shore.
Thursday, August 20
Abby parked at the top of the driveway and she rubbed her hands over her face. God, she was so sick of playing the distraught wife. How much longer did she have to do this? The last week had seemed endless. Pretending to look up expectantly each time the bells chimed over the gallery door. Murmuring 'I'm sure he will' whenever someone reassured her that her missing husband would come home soon. Enduring Zack's constant, mooning 'I'm here for you' glances.
It hadn't taken long for the police to discover that her missing husband had been renting a cottage outside town for his mistress, who was, conveniently, also missing. A quick check of their shared bank accounts showed that Gregory had slowly drained out nearly ten thousand dollars over the last month. That had been Abby's idea, passed through Deanna to Gregory's ear. As Deanna had warned Gregory, he couldn't be seen dipping into the money right after his wife's murder. Better to siphon some out early so they'd have celebration cash during the mourning period. Now,
with a missing husband, a missing mistress and missing money, it didn't take a genius to realize Gregory had cut his losses and left. Too bad all their assets were jointly held, meaning his abandoned wife could now use them as she wished. She even had the ten grand in cash Deanna had squirrelled away for them.
Abby grabbed the pile of mail from the passenger seat and climbed out. As she circled around the front of the car, she leafed through the bills, flyers and notes of sympathy. An unfamiliar postage stamp caught her attention. France? Who did she know in France? When she looked at the handwriting on the front she froze. It wasn't possible. It wasn't.
Hands trembling, Abby tore open the envelope. In her haste, she ripped it too fast and the contents flew out. A postcard sailed to the ground.
'No,' Abby said. 'No!'
Deanna stood by the water's edge, her arms wrapped around her, shivering as a cool night breeze blew off the Mediterranean. Behind her the lights of the French Riviera flickered in the darkness, a scene that nearly matched the one on her postcard . . . the postcard Abby now had.
Deanna felt the sharp edges of the charms biting into her palm. She looked down at the bracelet in her hand. When she'd dived into the ocean, leaving Abby to think she'd drowned, Deanna had still clutched the bracelet. She'd kept it, thinking maybe she'd send it back to Abby as proof that she was alive. But then she'd decided the postcard would be enough . . . the postcard they'd picked out together, when they'd first hatched their plan, when Deanna had still thought – hoped – that Abby and her promises had been real.
Deanna fingered the charms on the bracelet, stopping at the lighthouse. She remembered her last evening with Abby, sitting behind the cover of the lighthouse, dipping their feet in the surf, their clothing strewn over the rocks and bushes. Abby had asked, oh so casually, how well Deanna could swim. And, as accustomed as she was to lies and deceit from her lovers, Deanna still almost fell for it. The truth had been on her lips, ready to tell Abby that she'd been captain of the swim team before she'd dropped out of school. Instead, when she opened her mouth, she heard herself say, 'Me? Can't swim a stroke. Never learned how.'
Deanna had tried to look past it, told herself she was too suspicious. And yet . . . Well, it never hurts to have a plan B.
She let the lighthouse charm fall from her fingers. That had been her lucky charm that night, when the unexpected fog rolled in. She'd followed its beam back to shore. Then, before she'd left town, she'd returned to the lighthouse one last time, to leave something for Abby. On the postcard, she written only one line, instructing Abby to look for further 'correspondence' at the 'charmed' place. There, in the very spot where she'd deceived her lover, Abby would find detailed instructions on how to make her penance, on the exact penalty she must pay. The demand was fair. Not enough to send Abby into bankruptcy, just enough to hurt. For every action, there is a price to be paid. Deanna knew that, and, now, so would Abby.
Deanna drew back her arm and pitched the bracelet into the water. Then she turned and headed back to the hotel.
THE INKPOT MONKEY
John Connolly
Mr Edgerton was suffering from writer's block; it was, he quickly grew to realize, a most distressing complaint. A touch of influenza might lay a man up for a day or two, yet still his mind could continue its ruminations. Gout might leave him racked with pain, yet still his fingers could grasp a pen and turn pain to pennies. But this blockage, this barrier to all progress, had left Mr Edgerton a virtual cripple. His mind would not function, his hands would not write, and his bills would not be paid. In a career spanning the best part of two decades he had never before encountered such an obstacle to his vocation. He had, in that time, produced five moderately successful, if rather indifferent, novels; a book of memoirs that, in truth, owed more to invention than experience; and a collection of poetry that could most charitably be described as having stretched the capacities of free verse to the limits of their acceptability.
Mr Edgerton made his modest living from writing by the yard, based on the unstated belief that if he produced a sufficient quantity of material then something of quality was bound to creep in, if only in accordance with the law of averages. Journalism, ghostwriting, versifying, editorializing; nothing was beneath his limited capabilities.
Yet, for the past three months the closest he had come to a writing project was the construction of his weekly grocery list. A veritable tundra of empty white pages stretched before him, the gleaming nib of his pen poised above them like a reluctant explorer. His mind was a blank, the creative juices sapped from it, leaving behind only a dried husk of frustration and bewilderment. He began to fear his writing desk, once his beloved companion but now reduced to the status of a faithless lover, and it pained him to look upon it. Paper, ink, desk, imagination, all had betrayed him, leaving him lost and alone.
To further complicate matters, Mr Edgerton's wallet had begun to feel decidedly lightweight of late, and nothing will dampen a man's ardour for life more than an empty pocket. Like a rodent gripped in the coils of a great constricting snake, he found that the more he struggled against his situation, the tighter the pressure upon him grew. Necessity, wrote Ovid, is the mother of invention. For Mr Edgerton, desperation was proving to be the father of despair.
And so, once again, Mr Edgerton found himself wandering the streets of the city, vainly hunting for inspiration like a hungry leech seeking blood. In time, he came to Charing Cross Road, but the miles of shelved books only depressed him further, especially since he could find none of his own among their number. Head down, he cut through Cecil Court and made his way into Covent Garden in the faint hope that the vibrancy of the markets might spur his sluggish subconscious into action. He was almost at the Magistrates' Court when something caught his eye in the window of a small antique shop. There, partially hidden behind a framed portrait of General Gordon and a stuffed magpie, was a most remarkable inkpot.
It was silver, and about four inches tall, with a lacquered base adorned by Chinese characters. But what was most striking about it was the small, mummified monkey that perched upon its lid, its clawed toes clasped upon the rim and its dark eyes gleaming in the summer sunlight. It was obviously an infant of its species, perhaps even a foetus of some kind, for it was no more than three inches in height, and predominantly grey in colour, except for its face, which was blackened round the mouth as if the monkey had been sipping from its own inkpot. It really was a most ghastly creature, but Mr Edgerton had acquired the civilized man's taste for the grotesque and he quickly made his way into the darkened shop to enquire about the nature of the item in question.
The owner of the business proved to be almost as distasteful in appearance as the creature that had attracted Mr Edgerton's attention, as though the man were somehow father to the monkey. His teeth were too numerous for his mouth, his mouth too large for his face, and his head too great for his body. Combined with a pronounced stoop to his back, his aspect was that of one constantly on the verge of toppling over. He also smelled decidedly odd, and Mr Edgerton quickly concluded that he was probably in the habit of sleeping in his clothes, a deduction that briefly led the afflicted writer to an unwelcome speculation upon the nature of the body that lay concealed beneath the layers of unwashed clothing.
Nevertheless, the proprietor proved to be a veritable font of knowledge about the items in his possession, including the article that had brought Mr Edgerton into his presence. The mummified primate was, he informed the writer, an inkpot monkey, a creature of Chinese mythology. According to the myth, the monkey provided artistic inspiration in return for the residues of ink left in the bottom of the inkwell.
Mr Edgerton was a somewhat superstitious (and, it must be said, sentimental) man: he still wore, much to the amusement of his peers, his mother's old charm bracelet, a rag-tag bauble of dubious taste that she found one day while walking upon the seashore and had subsequently bequeathed to him upon her death, along with a set of antique combs, now pawned, and a small sum of money, now spent.
Among the items dangling from its links was a small gold monkey. It had always fascinated him as a child, and the discovery of a similar relic in the window of the antique store seemed to him nothing less than a sign from the Divine. As a man who was profoundly in need of inspiration from any source, and who had recently been considering opium or cheap gin as possible catalysts, he required no further convincing. He paid over money he could ill afford for the faint hope of redemption offered by the curiosity, and made his way back to his small apartments with the inkpot and its monkey tucked beneath his arm in a cloak of brown paper.
Mr Edgerton occupied a set of rooms above a tobacconist's shop on Marylebone High Street, a recent development forced upon him by his straitened circumstances. Although Mr Edgerton did not himself partake of the noble weed, his walls were yellowed by the fumes that regularly wended their way between the cracks in the floorboards, and his clothing and furnishings reeked of assorted cigars, cigarettes, pipe tobaccos, and even the more eyewatering forms of snuff. His dwelling was, therefore, more than a little depressing, and would almost certainly have provided Mr Edgerton with the impetus necessary to improve his finances were he not so troubled by the absence of his muse. Indeed, he had few distractions, for most of his writer friends had deserted him. They had silently, if reluctantly, tolerated his modest success. Now, with the taint of failure upon him, they relished his discomfort from a suitably discreet distance.
That evening, Mr Edgerton sat at his desk once again and stared at the paper before him. And stared. And stared. Before him, the inkpot monkey squatted impassively, its eyes reflecting the lamplight and lending its mummified form an intimation of life that was both distracting and unsettling. Mr Edgerton poked at it tentatively with his pen, leaving a small black mark on its chest. Like most writers, he had a shallow knowledge of a great many largely useless matters. Among these was anthropology, a consequence of one of his earlier works, an evolutionary fantasy entitled The Monkey's Uncle. (The Times had described it as 'largely adequate, if inconsequential'. Mr Edgerton, grateful to be reviewed at all, was rather pleased.) Yet, despite searching through three reference volumes, Mr Edgerton had been unable to identify the origins of the inkpot monkey and had begun to take this as a bad omen.
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