by Walker Percy
At dawn I dress and slip out so quietly that the dogs do not stir. I walk toward the lake. It is almost a summer night. Heavy warm air has pushed up from the Gulf, but the earth has memories of winter and lies cold and sopping wet from dew.
It is good to walk in the suburbs at this hour. No one ever uses the sidewalks anyhow and now there are not even children on tricycles and miniature tractors. The concrete is virginal, as grainy as the day it was poured; weeds sprout in the cracks.
The closer you get to the lake, the more expensive the houses are. Already the bungalows and duplexes and tiny ranch houses are behind me. Here are the fifty and sixty thousand dollar homes, fairly big moderns with dagger plants and Australian pines planted in brick boxes, and reproductions of French provincial and Louisiana colonials. The swimming pools steam like sleeping geysers. These houses look handsome in the sunlight; they please me with their pretty colors, their perfect lawns and their clean airy garages. But I have noticed that at this hour of dawn they are forlorn. A sadness settles over them like a fog from the lake.
My father used to suffer from insomnia. One of my few recollections of him is his nighttime prowling. In those days it was thought that sleeping porches were healthful, so my father stuck one onto the house, a screen box with canvas blinds that pulled up from below. Here Scott and I slept on even the coldest nights. My father had trouble sleeping and moved out with us. He tossed like a wounded animal, or slept fitfully, his breath whistling musically through the stiff hairs of his nose—and went back inside before morning, leaving his bed tortured and sour, a smell which I believed to be caused by a nasal ailment known then as “catarrh.” The porch did not work for him and he bought a Saskatchewan sleeping bag from Abercrombie and Fitch and moved out into the rose garden. Just at this hour of dawn I would be awakened by a terrible sound: my father crashing through the screen door, sleeping bag under his arm, his eyes crisscrossed by fatigue and by the sadness of these glimmering dawns. My mother, without meaning to, put a quietus on his hopes of sleep even more effectively than this forlorn hour. She had a way of summing up his doings in a phrase that took the heart out of him. He dreamed, I know, of a place of quiet breathing and a deep sleep under the stars and next to the sweet earth. She agreed. “Honey, I’m all for it. I think we all ought to get back to nature and I’d be right with you, Honey, if it wasn’t for the chiggers. I’m chigger bait.” She made him out to be another Edgar Kennedy (who was making shorts then) thrashing around in the bushes with his newfangled camping equipment. To her it was better to make a joke of it than be defeated by these chilly dawns. But after that nothing more was said about getting back to nature.
He made a mistake. He was trying to sleep. He thought he had to sleep a certain number of hours every night, breathe fresh air, eat a certain number of calories, evacuate his bowels regularly and have a stimulating hobby (it was the nineteen thirties and everybody believed in science and talked about “ductless glands”). I do not try to sleep. And I could not tell you the last time my bowels moved; sometimes they do not move for a week but I have no interest in such matters. As for hobbies, people with stimulating hobbies suffer from the most noxious of despairs since they are tranquillized in their despair. I muse along as quietly as a ghost. Instead of trying to sleep I try to fathom the mystery of this suburb at dawn. Why do these splendid houses look so defeated at this hour of the day? Other houses, say a ’dobe house in New Mexico or an old frame house in Feliciana, look much the same day or night. But these new houses look haunted. Even the churches out here look haunted. What spirit takes possession of them? My poor father. I can see him, blundering through the patio furniture, the Junior Jets and the Lone Ranger pup tents, dragging his Saskatchewan sleeping bag like the corpse of his dead hope.
When I return, the sun is warm on my back. I stretch out in a snug little cul de sac between the garage and the house, under the insolent eye of Rosebud, and doze till nine o’clock when the market opens.
5
AWAKENED BY ROSEBUD’S growling. It is the postman. Rosebud feels my eye on him, cocks an eyebrow around to see me and is discomfited to meet my eye; he looks away, pretends to settle his mouth, but his lip is dry and snags high on a tooth. Now he is actively embarrassed.
School children across the street line up in ragged platoons before the storklike nuns, the girls in little blue bell-shaped skirts and suspenders, the boys a bit dreary in their khaki. In they march, under the schematic dove. The morning sunlight winks on the polished metal of ocean wave and the jungle gym. How shiny and strong and well-set are the steel pipes, polished to silver by thousands of little blue-skirted and khaki-clad butts.
The postman has a letter from Harold Graebner in Chicago. It is a note and a birth announcement. Harold asks me to be godfather to his new baby. The enclosed card announces the birth in the following way:
1 C.O.D. PACKAGE
SHIPPING WEIGHT: 7 LB. 4 oz.
HANDLE WITH TENDER LOVING CARE, ETC.
Harold Graebner probably saved my life in the Orient and for this reason he loves me. When I get a letter, it is almost certain to be from Harold Graebner. I no longer write or receive letters, except Harold’s. When I was in the army I wrote long, sensitive and articulate letters to my aunt, giving my impressions of countries and peoples. I wrote such things as
Japan is lovely this time of year. How strange to think of going into combat! Not so much fear—since my chances are very good—as wonder, wonder that everything should be so full of expectancy, every tick of the watch, every rhododendron blossom. Tolstoy and St Exupery were right about war, etc.
A regular young Rupert Brooke was I, “—full of expectancy.” Oh the crap that lies lurking in the English soul. Somewhere it, the English soul, received an injection of romanticism which nearly killed it. That’s what killed my father, English romanticism, that and 1930 science. A line for my notebook:
Explore connection between romanticism and scientific objectivity. Does a scientifically minded person become a romantic because he is a left-over from his own science?
I must reply to Harold, but it is almost more than I can do to write two sentences in a row. The words are without grace.
Dear Harold: Thank you for asking me to be godfather to your baby. Since, however, I am not a practical Catholic, I doubt if I could. But I certainly appreciate—
Certainly appreciate. Tear it up.
6
AN ODD THING. Ever since Wednesday I have become acutely aware of Jews. There is a clue here, but of what I cannot say. How do I know? Because whenever I approach a Jew, the Geiger counter in my head starts rattling away like a machine gun; and as I go past with the utmost circumspection and with every sense alert—the Geiger counter subsides.
There is nothing new in my Jewish vibrations. During the years when I had friends my Aunt Edna, who is a theosophist, noticed that all my friends were Jews. She knew why moreover: I had been a Jew in a previous incarnation. Perhaps that is it. Anyhow it is true that I am Jewish by instinct. We share the same exile. The fact is, however, I am more Jewish than the Jews I know. They are more at home than I am. I accept my exile.
Another evidence of my Jewishness: the other day a sociologist reported that a significantly large percentage of solitary moviegoers are Jews.
Jews are my first real clue.
When a man is in despair and does not in his heart of hearts allow that a search is possible and when such a man passes a Jew in the street, he notices nothing.
When a man becomes a scientist or an artist, he is open to a different kind of despair. When such a man passes a Jew in the street, he may notice something but it is not a remarkable encounter. To him the Jew can only appear as a scientist or artist like himself or as a specimen to be studied.
But when a man awakes to the possibility of a search and when such a man passes a Jew in the street for the first time, he is like Robinson Crusoe seeing the footprint on the beach.
7
A BEAUTIFUL FRIDAY mornin
g and a successful excursion into St Bernard Parish with Sharon.
Sharon eyes my MG narrowly. After she has gotten in, she makes it plain that MG or no MG there is to be no monkey business. How does she make such a thing plain and in an MG sitting thigh to thigh and knee to knee? By her Southern female trick of politeness. “This is the cutest little car!” she sings and goes trailing off in a fit of absent-mindedness, hands to the nape of her neck and tilting her head forward so that she surveys the street though her eyebrows and with a cold woman’s eye; then seeming to rouse herself apologetically: “This sure beats typing. Mhm-M!”—as singsongy and shut off to herself as her mammy in Eufala. Southern girls learn a lot from their nurses.
We meet Mr Sartalamaccia and a queer thing happens.
First, some kind of reversal takes place and it becomes natural for Mr Sartalamaccia to show me the place he wants to buy. He becomes the guide to my property and even points out the good features. A far cry from a duck club now, my patrimony is hemmed in on one side by a housing development and on the other by a police pistol range. In fact, my estate puts me in mind of the pictures in detective magazines of the scene where a crime was committed: a bushy back lot it is, tunnelled through by hog trails and a suspicious car track or two. Every inch of open ground sprouts new green shoots and from the black earth there seems to arise a green darkness. It is already like summer here. Cicadas drone in the weeds and the day seems long.
We leave the MG in a glade (a good hard-used creature of red metal and fragrant worn leather; I run a hand over its flank of stout British steel as if it were a mare) and stand on a hummock with Mr Sartalamaccia between us; Mr Sartalamaccia: wagging a limp panama behind him and giving off a bitter cotton smell. He is less an Italian than a Southern country man, haggard and clean as an Alabama farmer come to church.
“The lodge was here, Roaring Camp they called it,” I tell Sharon. She stands blinking and inviolate, a little rared back and entrenched within herself. Not for her the thronging spirit-presence of the place and the green darkness of summer come back again and the sadness of it. She went to Eufala High School and it is all the same to her where she is (so she might have stood in the Rotunda during her school trip to Washington) and she is right, for she is herself sweet life and where is the sadness of that? “I came here once with my father and great uncle. They wouldn’t have beds, so we slept on the floor. I slept between them and I had a new Ingersoll watch and when I went to bed, I took it out and put it on the floor beside my head. During the night my uncle rolled over on it and broke it. It became a famous story and somehow funny, the way he rolled over on my watch, and they would all laugh—haw haw haw—like a bunch of Germans. Then at Christmas he gave me another watch which turned out to be a gold Hamilton.” Sharon stands astraddle, as heavy of leg as a Wac. “I remember when my father built the lodge. Before that he had read the works of Fabre and he got the idea of taking up a fascinating scientific hobby. He bought a telescope and one night he called us outside and showed us the horsehead nebula in Orion. That was the end of the telescope. After that he began to read Browning and saw himself in need of a world of men. That was when he started the duck club.”
“Grow old along with me.
The best is yet to be,” says Sharon.
“That’s right.”
Mr Sartalamaccia has become restless; he works his hat behind him. His fingernails are large and almost filled with white moons. “Your father didn’t build it. Judge Anse was the one that built it.”
“Is that right? You knew them? I didn’t know you—”
Mr Sartalamaccia tells it forlornly, without looking up—knowing no more than the facts pure and simple and hardly believing that we don’t know. Everybody knows. “I built it for him.”
“How did you know him?”
“I didn’t. One morning before Christmas I was just about finished with my store over there and Judge Anse come in and started talking to me. He said—uh—” Mr Sartalamaccia smiles a secret little smile and his head sinks even lower as he makes bold to recall the very words. “—what’s your name? Yes: what’s your name? I told him. He said—uh: you built this store? I said, yessir. We talked. So he looked at me and he said—uh: I’m going tell you what I want you to do. He writes this check. He said—uh: Here’s a check for a thousand dollars. I want you to build me a lodge and come on, I’ll show you where. So I said, all right. So he said—uh—” Mr Sartalamaccia waits until the words, the very words, speak themselves—”Let’s go, Vince, like him and me, we were going to have us a big time. He never saw me before in his life and he walks in my store and writes me a check on the Canal Bank for a thousand dollars. And he didn’t come back for six weeks.”
“Did he like the lodge?”
“I mean he liked it.”
“I see.” I see. There was such a time and there were such men (and Mr Sartalamaccia smiles to remember it), men who could say to other men, here do this, and have it done and done with pleasure and remembered with pleasure. “Have you always been here?”
“Me?” Mr Sartalamaccia looks up for the first time. “I had only been here three weeks! Since November.”
“Where are you from?”
“I was raised in Ensley, near Birmingham, but in nineteen thirty-two times was so hard I started moving around. I visited forty-six states, all but Washington and Oregon, just looking around and I never went hungry. In nineteen thirty four I come to stay with my brother in Violet and started trapping.”
It turns out that Mr Sartalamaccia is a contractor and owns the housing development next door. He has done well and he wants my duck club for an addition. I ask about the houses.
“You want to see one?”
We follow him along a hog trail to a raw field full of pretty little flat-topped houses. He must show us one abuilding. I take pleasure in watching him run a thumb over the sawn edges of the sheathing. Sharon does not mind. She stands foursquare, eyes rolled back a little, showing white. She is sleepy-eyed and frumpy; she looks like snapshots of Ava Gardner when she was a high school girl in North Carolina.
“You know what’s in this slab?” The concrete is smooth as silk.
“No.”
“Chance number six copper pipe. Nobody will ever know it’s there but it will be there a long time.” I see that with him it is not purely and simply honesty; it is his own pleasure at thinking of good pipe in a good slab.
Back at the hummock, Mr Sartalamaccia takes me aside and holds his hat away to the east. “You see that ditcher and doozer?”
“Yes.”
“You know what that’s going to be?”
“No.”
“That’s the tidewater canal to the Gulf. You know how much our land is going to be worth?”
“How much?”
“Fifty dollars a foot.” Mr Sartalmaccia draws me close. Again he tells it as the veriest piece of news. Deal or no deal, this is a piece of news that bears telling.
Later Sharon tells me I was smart to trick him into revealing the true value of my duck club. But she is mistaken. It came about from the moment I met him that thenceforward it pleased him to speak of the past, of his strange odyssey in 1932 when he gazed at Old Faithful in Yellowstone Park and worked on the causeway to Key West and did not go hungry—it pleased him to speak with me of the past and to connive with me against the future. He speaks from his loneliness and together we marvel at the news of the canal and enjoy the consolation of making money. For money is a great joy.
Mr Sartalamaccia has become possessed by a secret hilarity. He gives me a poke in the ribs. “I’ll tell you what we can do, Mr Bolling. You keep your land! I’ll develop it for you. You make the offsite improvements. I’ll build the houses. We’ll make us some money.” He shrinks away in some kind of burlesque.
“How much do you think we can make?”
“Well I don’t know. But I can tell you this.” Mr Sartalamaccia is hopping in a sort of goat dance and Sharon stands dreaming in the green darkness of the gla
de. “I’ll give you fifteen thousand for it right now!”
Our name is Increase.
Sharon and I spin along the River Road. The river is high and the booms and stacks of ships ride up and down the levee like great earth engines.
In the Shell station and in a drift of honeysuckle sprouting through the oil cans and standing above Sharon with a Coke balanced on her golden knee, I think of flattening my hummock with bulldozers and it comes back to me how the old Gable used to work at such jobs: he knew how to seem to work and how to seem to forget about women: stand asweat with his hands in his back pockets.
It is a great joy to be with Sharon and to make money at it and to seem to pay no attention to her. As for Sharon: she finds nothing amiss in sitting in the little bucket seat with her knees doubled up in the sunshine, dress tucked under. An amber droplet of Coca-Cola meanders along her thigh, touches a blond hair, distributes itself around the tiny fossa.
“Aaauugh,” I groan aloud.
“What’s the matter?”
“It is a stitch in the side.” It is a sword in the heart.
Sharon holds a hand against the sun to see me. “Mr Bolling?”
“Yes.”
“Do you remember the price Mr Sartalamaccia first mentioned?”
“Eight thousand dollars.”
“He was really gon mess you up.”
“No he wasn’t. But if it hadn’t been for you, I’d have taken the eight thousand.”
“Me?”
“You got me to come down here.”
She assents doubtfully, casting back in her mind with one eye screwed up.
“Do you know how much you saved me, or rather made for me? At least seven thousand dollars and probably a great deal more. I’m obliged to give you ten percent.”
“You’re not giving me any money, son.”