the Spy (2010)

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the Spy (2010) Page 19

by Cussler, Clive


  Forward momentum slowed so quickly, he had to brace against the wall. The whistle gave three short blasts. The screws rumbled anew, shaking the deck. And to Yamamoto's horror and disbelief, the giant ferry backed out of the river and into the terminal slip from which it had just emerged.

  THE LOUDEST OF THE HUNDREDS of the Pennsylvania Railroad ferry passengers inconvenienced was a United States senator. He roared like an angry lion at the ferry captain, What in blue blazes is going on here? I've been traveling all day from Washington and I'm late for a meeting in New York.

  No one dared asked a senator traveling without his wife whom he was meeting at midnight. Even the ferry captain, a veteran North River waterman, was not brave enough to explain that a Van Dorn detective dressed like a deckhand had barged into his wheelhouse and drawn from his wallet a railroad pass unlike any he had ever seen. The document required all employees to accord him privileges of the line that exceeded even that of a senator who voted religiously in favor of legislation the railroads approved. Handwritten and signed and sealed by the president of the line, and witnessed by a federal judge, it superseded all dispatchers. Its only limits were common sense and the rules of safety.

  What did you do to get that pass? the captain had asked as he hurriedly signaled the engine room Stop Engines.

  The president returned a favor, had said the detective. And I always tell the president how kindly I am treated by his employees.

  So the captain told the legislator, A mechanical breakdown, Senator.

  How the devil long are we going to wait here?

  Everyone is disembarking for the next boat, sir. Let me carry your bag. The captain seized the senator's valise and led him to the main deck and down the gangway, where cold-faced detectives observed every passenger trooping off.

  Isaac Bell stood behind the other Van Dorns, watching over their heads each and every face. The manner that Yamamoto had chosen to get away-jumping aboard at the last instant-made it clear that the shadows had slipped up, and the Japanese spy knew he was being followed. Now it was a chase.

  Three hundred eighty passengers, men, women, and sleepy children, shuffled past. Thank the Lord, thought Bell, it was the middle of the night. The boats carried thousands at rush hour.

  That's the last of them.

  O.K. Now we check every nook and cranny on the boat. He's hiding somewhere.

  A SMALL, elderly woman in a long black dress, a warm shawl, and a straw bonnet tied to her head with a dark scarf boarded a streetcar outside the Jersey City Exchange Place Terminal. It was a slow, stop-and-start ride to the city of Hoboken. The trolley looped around the square at Ferry and River streets, and now her journey moved swiftly as she descended to the first completed of the McAdoo tubes. For a nickel, she boarded an eight-car electric train so new it smelled of paint.

  It whisked her under the Hudson River. Ten minutes after boarding, she left the tube train at the first station in New York. The conductors operating the air-powered doors exchanged a glance. The neighborhood at Christopher and Greenwich streets above the beautifully lighted vaulted ceilings of the tube line was nowhere near as pleasant as the subterranean station, particularly at such a late hour. Before they could call a warning, the woman hurried past a pretty florist's shop at the foot of the stairs-closed, with lights still shining on the flowers-and disappeared.

  At street level she found a dark square of grimy cobblestones. Warehouses loomed over formerly genteel residences long since partitioned into rooming houses. She drew the attention of a thug who followed her, drawing close as she neared an alley. She whirled suddenly, pressed a small pistol to his forehead, and said in a soft male voice with a slight accent the thug had never heard before, I can pay you handsomely to guide me to a clean room where I can spend the night. Or I can pull the trigger. I will let you choose.

  Chapter 29

  I HAVE A JOB FOR HARRY WING AND LOUIS LOH, SAID Eyes O'Shay.

  Who? asked Tommy Thompson, who was beginning to think that he was seeing more of Eyes than he wanted to.

  Your Hip Sing highbinders, Eyes said impatiently. The high-class tong Chinamen you made a hookup with the same day I came back from the dead. Stop playing stupid with me. We've discussed this before.

  They ain't mine, I told you. I just made a deal with 'em to open some joints.

  I have a job for them.

  What do you need me for?

  I do not want to meet them. I want you to deal with them for me. Do you understand?

  You don't want them to see your mug.

  Or hear about me. Not one word, Tommy. Unless you want to spend the rest of your life as a blind man.

  Tommy Thompson had had just about enough. He leaned back in his chair, tipping it up on the two back legs, and said coldly, I'm thinking it's time to pick up a gun and blow your brains out, O'Shay.

  Brian O'Shay was on his feet in a flash. He kicked one of the chair legs, splintering it. The gang boss crashed to the floor. At the sounds, which shook the building, Tommy's bouncers charged into the room. They pulled up short. O'Shay had the boss in a headlock, down on one knee, pointing Tommy's face toward the ceiling, with his gouge scraping his left eye.

  Deal with your floor managers.

  Get out of here, Tommy said in a strangled voice.

  The bouncers backed out of the room. O'Shay let him go abruptly, dropping the bigger man on his back and rising to brush sawdust from his trousers. Here's what I want, he said conversationally. I want you to send Harry Wing and Louis Loh to San Francisco.

  What's in San Francisco? Tommy asked sullenly, climbing to his feet and pulling a bottle from his desk.

  The Mare Island Naval Shipyard.

  What the hell is that?

  It's a navy yard. Like the Brooklyn Navy Yard. It's where the Great White Fleet ships will re-provision and get their bottoms painted before they sail for Honolulu and Auckland and Japan.

  Eyes, what the hell are you into now?

  There's an ammunition magazine in the Mare Island Naval Shipyard. I want Harry Wing and Louis Loh to blow it up.

  Blow up a navy yard? Thompson dropped his bottle and jumped to his feet. Are you crazy?

  No.

  Tommy looked around frantically as if cops suddenly had ears pressed to his well-guarded walls. What are you telling me this for?

  Because when the Mare Island magazine blows up, you stand to make more dough than you ever saw in your life.

  How much?

  Eyes told him, and Commodore Tommy sat down, smiling.

  VAN DORN DETECTIVE JOHN SCULLY continued scouting Chinatown in a variety of disguises. He was a street peddler one day, a ragpicker the next, a drunk sleeping outdoors as a soldier in the army of the park benches, and an official of the city health department, which raised sufficient bribes to keep down expenses. He kept picking up hints about the Gopher Gang moving downtown. Streetwalkers talked wistfully about a high-class gambling hall and opium den that was really choosy about the girls they hired. But a Hip Sing boss's girlfriend personally ran the joint, and she treated you on the level.

  Chinese girls? asked a wide-eyed Scully, provoking laughter from the women he was standing to drinks on Canal Street.

  There's no China girls in Chinatown.

  No China girls?

  They're not allowed to bring them into the country.

  Where do they get the girls?

  Irish girls. Whaddaya think?

  The Chinaman's girlfriend is Irish? Scully asked as if such a combination were beyond his imagination.

  One of the women lowered her voice and looked around before she whispered furtively, I hear she's a Gopher.

  At that, Scully did not have to pretend a bumpkin's amazement. It was so unusual as to be either impossible or evidence of a strange and dangerous new alliance between Hell's Kitchen and Chinatown.

  Scully knew he should report even the hint of a tong-Gopher coalition to headquarters. Or at least confide in Isaac Bell. But his gut and his years of experience
told him that he was on the edge of a breakthrough that would solve the Hull 44 case. He felt so close to learning the whole story that he decided to let reporting in ride for another day or so.

  Had the Gophers offered the girl as a prize to seal the deal? Or had she initiated it? According to Harry Warren, the Gopher women were often worse criminals then the men-smarter by a long shot and more devious. Whatever the connection was, Detective John Scully regarded it as a personal point of honor to stroll into the Knickerbocker with the whole story instead of a measly piece of a rumor.

  A few days later he struck pay dirt.

  He was back in blue jay costume. A clumsily tailored sack suit hung loosely on his ample frame. His trouser cuffs barely covered the tops of his unfashionable boots. But the expensive new straw boater purchased from Brooks Brothers on Broadway shading his round face and the gold watch chain glistening on the bulge of his vest sent a clear signal that he was a prosperous candidate to be buncoed.

  He went inside a Chinese opera house on Doyers Street, which the newspapers had recently dubbed the Bloody Angle due to the short, crooked street's reputation as a battleground for the warring Hip Sing and On Leong tongs. Somewhere on Doyers, he had heard, was the Hip Sing joint that offered beautiful girls, the purest opium, and a roulette wheel spun by a croupier who knew his business.

  The detective had seen enough of opium and roulette to steer clear of the roulette. He had nothing against beautiful girls, and for some reason he could never figure out why they often took a shine to him. And when that happened, the opium only made a good thing better.

  When he stepped back out on the street after watching the show for a while, a genuine blue jay was gazing up at an American flag on a pole thrust from a third-story dormer of the opera house. Chinese opera? he asked Scully. What's that like?

  No opera I ever heard, answered Scully. Screeching like they needed their axles oiled. But the costumes and greasepaint are something else. They'll knock your eyes out.

  Any girls?

  Hard to tell.

  The blue jay stuck out his hand. Tim Holian. Waterbury Brass Works.

  Jasper Smith. Schenectady Dry Goods, replied Scully, and then he heard every detective's nightmare.

  Schenectady? Then you sure as heck know my cousin Ed Kelleher. He's president of the Rotary in Schenectady.

  Not since he ran off with my wife's niece.

  What? No, there must be some mistake. Ed's a married man.

  Just thinking about it makes my blood boil. The poor girl is barely fifteen.

  Holian retreated dazedly toward Mott Street. Scully continued loitering between the opera house entrance and a bow window shielded with wire mesh. It didn't take long for a roper to discover him.

  Say, brother, looking for a good time?

  Scully looked him over. Middle-aged, with very few teeth and ragged clothes, former Bowery Boy, no longer the violent sort but perfectly willing to deliver him to those who were if the gaze fixed on his watch chain was any clue. What did you have in mind?

  Want to meet girls?

  Scully pointed toward Mott Street. Fellow that was just standing here in a straw hat. He's looking for girls.

  What about you? Want to see deranged addicts in an opium den?

  Shove off.

  The roper took his expression as fair warning and headed after the man from Waterbury. Scully continued to loiter.

  But so far, no go. He had not learned a damned thing more since he'd parked himself in front of the opera house. Not a sign of customers coming and going. Maybe it was too early. But these places tended to keep the drapes drawn and the game going round the clock. He hung around for another hour but got no sense that he was getting close. Ropers like the one he'd sent packing would never steer him to such a high-class joint. So he kept giving the ropers the shove while he watched to see arriving customers point the way.

  An unusual sight caught his eye. Walking quickly, darting anxious glances behind her at a cop who seemed to be following, was a fair-skinned Irish girl carrying a Chinese baby. She was built as solidly as a bricklayer and had the kind of about-to-wink smile in her eye that Scully appreciated. He tipped his hat and made room on the narrow sidewalk as she hurried past toward Mott. Up close, the baby looked not entirely Chinese, not with that tuft of yellow hair crowning its head.

  The cop brushed past Scully and caught up with the woman at the angle in Doyers. He peered suspiciously into her blanket. Scully ambled over, suspecting what would happen.

  I'm going have to take you in, said the cop.

  What the bloody hell for? asked the mother.

  It's for your own protection. Every white woman married to a Chinese has got to show she was not kidnapped and held captive.

  Kidnapped? I'm not kidnapped. I'm going shopping to bring supper home for my husband.

  You'll have to show me your marriage license before I'll believe that.

  I don't carry it around with me, for God's sake. You know I'm married. You're just giving me a hard time. Expect me to put money in your hand.

  The cop flushed angrily. You're coming in, he said, and took her by the arm.

  John Scully shouldered up to him. Officer, if we could speak in private?

  Who are you? Get out of here.

  Where I come from, money talks, said Scully, passing the cop the bills he had palmed. The cop turned on his heel and lumbered back toward the Bowery.

  What did you do that for? She had angry tears in her eyes.

  It seemed like a good idea at the time, said Scully. They bother you much?

  They do it to all of us who marry Chinamen. As if a girl had no say in who she wanted to marry. They hate that a white woman would marry a Chinese, so they say we did it because we're addicted to opium. What's wrong with marrying a Chinaman? Mine works hard. Comes home at night. He don't drink. He don't beat me. Of course, I'd floor him if he tried. He's a little fellow.

  Doesn't drink? asked Scully. Does he smoke opium?

  He comes home for supper, she smiled. I'm his opium. Scully took a deep breath, looked around guiltily, and whispered, What if a fellow wanted to try to smoke some just to see what it was like?

  I'd say he's playing with fire.

  Well, let's say he wanted to take the chance. I'm not from around here. Is there a safe place for a fellow to try it?

  The woman put her hands on her hips and stared him in the face. I saw you give that cop much too much. Do you have a lot of money?

  Yes, ma'am. I've done very well by myself, but it's time I cut loose. I really want to try something new.

  It's your funeral.

  Yes, ma'am. That's how I see it. But I'd pay the extra to go to a place where they won't knock me on the head.

  You're standing right in front of it. She indicated with a toss of her head the opera house. Scully looked up at the tall windows on the second story.

  In there? I was just in there hearing the opera.

  There's a place for high rollers upstairs. You can try your opium. And other things.

  Right here? Scully scratched his head and pretended to gawk. His detective work had brought him pretty close. But without her, he'd have been looking all week. Just went to show that good deeds were rewarded.

  You go up to the balcony like you was intending to hear the opera. Climb all the way to the back and you'll see a little door. You knock on that, and they'll let you in.

  Just like that?

  For Chinese there are only two kinds of people. Strangers outside, family and friends inside.

  But I'm a stranger.

  You tell them Sadie sent you and you won't be a stranger.

  Scully smiled. So you played with fire?

  No, she laughed, and slapped him on the shoulder. Go on with you. But I know some of the girls.

  Scully bought another ticket, climbed to the balcony, turned his back on the screeches coming from the stage, climbed to the top, and knocked on the door she'd told him about. He heard a peephole slide open and
grinned the unsure grin of a man way off his own territory. The door opened a crack, secured by a strong chain.

  What do you want? asked a thickset Chinese.

  Scully glimpsed a hatchet handle protruding from his tunic. Sadie sent me.

  Ah. The guard loosed the chain, opened the door, and said solemnly, Enter. He pointed the way up carpeted stairs, and John Scully climbed into air that was dense with sweet-smelling smoke.

  At first sight, the Van Dorn detective did not have to feign a country bumpkin's astonishment at the very large space bathed in golden light. It had a canopy ceiling of red cloth, and every inch of the walls was covered in curtains, hanging carpets, and painted silk panels depicting dragons, mountains, and dancing girls. Furnished with elaborate carved wooden furniture and illuminated by colored lanterns, it looked, Scully thought, like his idea of the throne room of a Peking palace, minus the eunuch guards.

  Deadly-looking Hip Sing hatchet men dressed in dark business suits stood watch over the faro wheel, the fan-tan tables, and the pretty girls carrying opium pipes to customers lounging on sofas. The girls, who wore clinging skirts slit high as their knees, were white, though those with dark hair were made up with greasepaint to look Chinese. Like the streetwalkers had told him, genuine Chinese women were scarcer than hens' teeth in Chinatown.

  The customers lolling half conscious in the smoke were a mix of yellow and white men. He saw prosperous-looking Chinese merchants, some in traditional Mandarin jackets, others in sack suits and derbies or boaters. The whites included Fifth Avenue swells and wealthy college boys, the sort who relied on their father's checkbooks to clear up their gambling debts. Most interesting of all were a couple of pug-ugly gangsters in tight suits and loud ties that Scully would bet a month's pay were Hell's Kitchen Gophers.

  How long had they all been here? He'd stood outside for hours and hadn't seen a single one of them enter. Obviously the joint had another entrance from some street other than Doyers. He'd been waiting outside the back door while they went in the front.

 

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