Gillian McAllister
* * *
THE EVIDENCE AGAINST YOU
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Epilogue
Six months later
Acknowledgements
About the Author
Gillian McAllister has been writing for as long as she can remember. She graduated with an English degree before working as a lawyer. She lives in Birmingham where she now writes full-time. She is the Sunday Times bestselling author of Everything but the Truth, Anything You Do Say and No Further Questions.
By the same author
Everything but the Truth
Anything You Do Say
No Further Questions
For Clare, my agent, confidante, life coach and friend. Without you, not only would this have been much harder, it would never have happened at all
1
It was a wicked and depraved act, Izzy is thinking as she closes her curtains. That’s what the judge said. She remembers his exact words from eighteen years ago. It was a wicked and depraved act. You wanted Alexandra English to die, and you made sure that she did.
Her father was standing in the dock, staring impassively at the judge, his gaze not faltering, his body completely still. He wouldn’t even look across at her. Not as the guilty verdict was read out. Not as he was sentenced to life in prison. And not as he was taken away, either. Her final view of him was of his swarthy face in profile, hooked nose, dark hair covering his ears, eyes staring straight ahead.
It’s the first week of May and the weather has warmed up so fast it is as though a switch has been flicked. Moths tumble around the lamp in Izzy’s bedroom. She reaches to close the window, even though it’s still stuffy.
Downstairs, she can hear Nick moving around. She draws the curtains and listens to him opening the dishwasher. He will have gathered up their plates and glasses from the living room and carried them all into the kitchen together in one towering pile. He likes to do things with – according to him – maximum efficiency.
A tree seems to shift in the darkness outside their bedroom window. Izzy is used to the palm trees, but Nick – somebody who likes to follow rules – couldn’t believe it when he first moved across to join her on the Isle of Wight where she grew up. ‘It’s not like it’s the Caribbean,’ he kept saying. ‘They’re everywhere.’
‘It’s tomorrow,’ she says now to Nick, still standing by the window, as he arrives in the bedroom. There is no point, Izzy reasons, not saying anything, though both she and Nick are good at pretending.
A strange expression crosses Nick’s face. Something between a smile and a grimace. He runs a hand through his black hair. She has always loved how much hair he has; how thick and dark it is. He has two crowns at the back; a satisfying double whorl.
He’s carrying a box of crackers and a plate. He’s laid out four cheeses of exactly equal sizes. They’ve been doing this lately. Sharing a fourth, unnamed meal most nights in bed. Guilty pleasures, consumed after hours. We ought to stop, they keep saying to each other, but they don’t, laughingly spreading another cracker for each other. Just one more. Izzy has gained four pounds. Everybody will think she is pregnant. Thirty-six, married and so of course pregnant.
Imagine if she was.
Nick goes back down to make a cup of tea. He always makes it the same way: brewed for a timed three minutes, and then the milk.
She wonders if she will miss this phase of their relationship, the crackers and cheese phase, when it’s over. It will be replaced with another, she guesses: the long terrain of a marriage.
‘Yeah,’ Nick says quietly, walking back into the room and continuing their conversation. Izzy looks at him as he shrugs. He opens the box of crackers and passes her a knife, then she sits on the bed next to him. ‘He might come looking for you,’ he says, raising his eyes to hers. He’s a police analyst, so his bluntness never surprises her.
‘I doubt it,’ she says. This is how she deals with it. A glimpsed news story – closed down. A friend asking a probing question – ignored. At least once a week, in the restaurant, in the bank, in the doctor’s surgery, somebody asks her if she is the Isabelle English … she can never deny it. She is the image of her mother.
She reaches for a Hovis cracker and smothers it in butter. Nick smiles as she does it. She runs a gourmet restaurant, yet spends her time eating what Nick calls ‘lovely crap’. Hovis biscuits spread with synthetic cheap margarine. Angel Delight. Chocolate coins. McDonald’s on the way home. Hot dogs from a tin with a ring pull and an expiry date of four years’ time. By day, she assembles artful salads with smears of balsamic vinegar across the plates. By night, she eats bite-sized chicken Kievs and wonders why on earth she owns a restaurant.
Nick avoids her gaze as he carves a slice of Wensleydale. ‘It’ll be what it’ll be,’ he says. It’s one of his phrases. He puts topics to bed with these phrases. She used to think it was helpful, but she’s less sure these days.
He sits back against the headboard. She had always said she wanted a bedroom like a hotel room and, after a weekend away for her birthday, she arrived home to a different room, as though she had walked into the wrong house. A high bed with a dark suede headboard, six duck-feather pillows piled up. Aubergine-coloured walls, a deep carpet. Everything. He’d done it all for her. He’d bought copper lamps from HomeSense and scented pillow spray and a leather ottoman that he placed at the bottom of the bed. And finally, she thought, looking at the hotel bed in her marital home, she felt safe. After everything that had happened, she had a home, had made herself a new family with Nick, who showed her, in his own understated, indirect way, that he understood. He would not kiss her passionately after dates or confide in her late at night. But he would give her a beautiful bedroom.
And so for the first time in years she had felt happy, just for that moment. Happy and normal. Knowing that happiness was
possible at all had helped her to nurture it, like a tiny germinating seed.
A spray of crumbs lands on the bed and Nick brushes them carefully into his hand and into the bin.
He pushes a triangle of Dairylea towards her and she opens it and eats it, neat, the soft cheese coating her teeth like plastic.
‘But you’ll tell me, if you hear anything,’ she says to him, lifting her eyes to meet his. They ought to be practical, at least, and Nick will hear before she does. If her father does anything. If he causes any … trouble.
‘Yep,’ he replies softly, reaching and interlacing his fingers with hers. ‘I’m not supposed to,’ he adds. He knows the rules. Izzy isn’t surprised: Nick is the sort of person who would buy a parking ticket on a Sunday just to be sure.
She gets up off the bed as she hears one of her neighbours outside. ‘I’ll just pop out,’ she says to him.
Something akin to shame bubbles up through her as she descends the stairs. When she is running the restaurant, when she is laughing at Nick, when she is booking appointments and meeting suppliers, she is fully formed. Capable. Adult. But there are certain situations, like this one, where she regresses, where she tumbles back into something long forgotten. She can feel it happening. Nick doesn’t know. Nick thinks she is relaxed. That she is whole. People at work don’t know. Only she knows.
She unlocks the front door and drags the bin across the back alleyway. It’s Wednesday, bin night. They live on the end of a set of four houses, isolated in Luccombe, only three miles from where Izzy grew up. The row of seventeenth-century cottages is set back from the road, and they share a flagstone access way. Bin night went from friendly nods to protracted chats to something more sociable, for Izzy’s neighbours. A way to welcome the week, William said, when he rang her doorbell to ask her to join in their barbecue one night. Nick once told her that people don’t do these things on the mainland. It makes sense, Izzy supposes. There are so many things the Isle of Wight is cut off from: specialist hospitals, universities, Category A prisons … they are marooned over here, trapped with the natives, and so they engage in their own traditions.
Nick was working, so she went alone to meet the neighbours. God knows what they thought of her. Nothing, probably. But she thinks about them too much.
She hears them now as she reaches her bin. They’re laughing about something, a burst of noise in the warm night. She nods to them as she wheels it past, trying not to look. Thea, Izzy’s direct neighbour, is in a lightweight cardigan, flip-flops, her face showing the beginnings of a tan already.
‘Busy day?’ she says to Izzy. Her grey-streaked hair is held back by a single clip just by her temple.
‘Yes. And you?’ Izzy says with a smile. She hovers next to her, holding the warm handle of the bin. Middle-aged women are Izzy’s favourite. The kind who wear sensible shoes and tunics and draped summer scarves. Who wear nice perfume and statement necklaces and arrange birthday lunches at Zizzi’s with their grown-up children. These are the people that Izzy finds herself seeking out, over and over again, trying to catch hold of a memory. Something – anything. Yes, that’s right, she will sometimes think as she talks to Thea, as she is given that most precious thing: a new, as yet unearthed, memory of her mother. A look she had once given Izzy. The way she instinctively reached down to stop her crossing the road. She is obsessed with the mothers of the world, taking perpetual care of people.
‘Did you decide on the paint?’ Thea asks.
‘No,’ Izzy says. ‘Not yet. But I’m leaning towards the grey.’
‘Good choice.’
Izzy nods. She wants to ask Thea to come help. They’ll spend the weekend together, painting her kitchen and drinking pots of tea. But – for now – she continues to wheel the bin by them quietly and leaves it at the end of the path with theirs. She pauses again, listening to them.
‘May, end of May, she’ll be home, just as soon as her exams are over,’ Thea is saying now, the conversation having shifted topic. ‘She went to some Californian music festival instead of revising over Easter and is now stressed out of her mind. It’s too hot to study, she says.’
It was warm the May Izzy’s father was convicted, too. The air had the same heavy quality. ‘It’s a sweat box already,’ she heard one of the prison van drivers say outside the courtroom as they led him away wearing a suit and handcuffs. She didn’t try to speak to him.
When Izzy walks back to her house, Thea has turned to William. He is holding a cup of tea and the vapour steams up his glasses as he sips.
‘But then, after, she’ll be back here, I expect, at least for a few years. She doesn’t know what she wants to do.’ Thea’s smiling, her eyes crinkling, looking upwards at the sky as she thinks of her daughter coming home. ‘I never knew what I wanted to do, either,’ she adds. ‘We can work it out. And in the meantime, she’s the best company. We’re both stupid at going to bed. We stay up together, buying rubbish on the internet.’
Izzy averts her eyes as she walks past. When she reaches her back door, her hand lingers on the doorknob.
She closes her eyes just briefly and stands, feeling the air on her skin. And then she allows the fantasy into her mind, as she always does at this time during the evening. Thea is her mother. She’s visiting her for a short break. They’ve been out for pizza, shopping, the cinema. Wherever. She finds the feeling she likes, that safe, content feeling; the feeling of a cup of hot chocolate passed to her by a mother, the feeling of a log burner on a winter’s day, a worn novel pressed into her hands – you’ll love this – and enjoys it for a few minutes.
And then, of course, the guilt comes, as she thinks of her own mother, with her brilliant red hair and her huge, wide smile. Irreplaceable.
Her mother.
Murdered by Izzy’s father, when Izzy was just seventeen.
After a few seconds, she goes inside. She locks the door, then checks it, just to be sure.
2
The third of May has passed as any other day would.
It is eleven thirty at night, and Izzy is hanging glasses above the bar which are hot from the dishwasher. They leave her palms pink and burning as she handles them, but she wants it done quickly so she can leave. The less time she spends at the restaurant, the better.
She never intended to end up here, running a restaurant, stuck on the Isle of Wight. But the ranks seemed to close around her after her mother’s trial. The sea a moat, cutting her off from the rest of England. And the restaurant a memorial to her mother. At first it was nice to run it just as her mother had. Izzy would talk to her as she tidied up at night. Pretend her mother was helping her, sometimes – just out of sight, just out of earshot. ‘Let’s stick the stereo on and turn it up,’ she imagined her mother saying, and Izzy would do just that.
But after a few months, it lost its shine. Her mother was gone, and Izzy was making food she didn’t care about. Serving customers meals she didn’t want to eat herself. Sweeping up, putting the chairs on top of the tables, putting the plates in the dishwasher. Listening to music but standing rigidly, alone. The same every night, no matter what. Even now, she manages it and cooks, just for some variety.
What does she want to do instead? The things she used to do, she supposes. Before her life derailed.
She checks her phone, which is lying on the wooden bar. Nothing from Nick. He’s on a late shift tonight, so she’ll pick him up on her way home. She wants chips and a battered sausage for £2.90 from the place near his work. Delicious curry sauce. The newspaper offcuts they come wrapped in. The white steaming bag that will sit on Nick’s lap in the car. She looks guiltily at the sea bass leftovers she has instead. ‘Not the sea bass,’ Nick will say, gently mocking her. ‘Not the nice, nutritious, home-made food!’
Izzy refitted the restaurant a few years after she reluctantly took it over, and changed the layout completely. The reception desk moved to the left, the cloakroom was gutted and changed into a booth. It didn’t make sense this way around, but she had to do it. It couldn�
��t have remained the same as when her mother ran it. She couldn’t navigate the same route between the kitchen and the tables and the bar. Walking just like her mother. Looking just like her mother. It would have been too much, and not just for her. She ripped it all out, even though her cousin, the head chef, protested. Even though everybody asked her if it was the right thing to do.
But she has – secretly – kept so many things the same. The internal, private things. She would deny them if asked. But they are the same, deliberately so. The order in which she keeps the cutlery in the drawer: knives, forks, spoons (the only correct way). The print of the tea towels: gingham. It took her so long to find the right ones on eBay. Her mother used to keep a gingham tea towel tucked into her apron. Sometimes, Izzy catches sight of her own reflection in the windows and has to stop herself from calling out to her. Those touches that nobody else would recognize: they’re just the same. She changed the layout of the restaurant to stop the gossip about the murder. But she kept the internal things for herself; to honour her mother.
Sometimes, as she reaches for a saucepan, she wonders if her mother was doing the same thing on 3rd May, nearly twenty years ago. Was she, too, sautéing onions in a pan, standing with one hand on her hip, on this exact spot, in 1999? Izzy doesn’t know, can hardly remember the details before the murder, but she remembers the summer right before it. It is a memory that she has taken out and looked at so much that it has become crystalline and artificial. They were at the beach in Yarmouth for the day. One of those rare bluebird summer days when everything was dropped in search of sunshine. The beach was crowded with rainbow-coloured windbreakers and ancient-looking picnic blankets brought hastily out of airing cupboards for their annual outing. Izzy’s mother had raced to the water’s edge almost as soon as they got there. Izzy was seventeen and watched her, half fascinated, half embarrassed, curling in on herself. Her mother had taken her shoes and socks off and turned a cartwheel, leaving splayed impressions of her hands and feet in the sand. People were staring, but her mother didn’t care. That was how she was. And she modelled it, for Izzy to be that way, too.
The Evidence Against You Page 1