The COMPLEAT Collected SFF Works 1911-1987

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The COMPLEAT Collected SFF Works 1911-1987 Page 155

by C. L. Moore


  They stood watch in turn over the fire that night, she insisting on her share of it with a grave certainty that brooked no opposition. What the dangers were which made it impossible for both to sleep at once he did not know. On those times when he dropped off into slumber the last thing his closing eyes saw was the girl Maia's figure, slim and round in her torn leather tunic, warm in the firelight, serene in her determination upon her life's ordered plan. Nothing could swerve her. She was so fine—An ache came up in his throat as he closed his eyes.

  When he awoke in the morning she had brought in a brace of small, fat birds like quail and was preparing them at the edge of the spring. She smiled gravely as he sat up, but she said nothing, and she did not look at him any more than she could help. She was taking no chances with that traitor within.

  In silence, they shared the birds she cooked over the embers. Afterward he tried to make her understand that he would take her as far as the gates of her city. At first she demurred. She knew this country well. She was strong and young, wise in the lore of the hills. She needed no escort. But Eric could not bring himself to leave her until he must. That moment of crystal understanding, the warm, sweet unity they had shared even for so short a breath had forged a bond between them that he could not bear to break.

  And at last she consented. They spoke very little after that. They put out the fire and set off again over the rolling hills toward the bright patch on the sky where the sun was rising. All day they traveled. In her mysterious, secret way she found another rabbit when hunger came on them around noontide, and they paused to eat. In the afternoon the pack on his back that held that time machine began to irk Eric's Viking strength. She eyed it curiously as he hitched his load forward to ease its burden, but she said nothing.

  Twilight was darkening over the hills when Maia paused on the crest of a little rise and pointed ahead. Eric saw a pattern of white houses ringed by a broken wall a little way distant upon the crown of a higher hill than the rest. And here she made it clear that she must leave him. He was not to accompany her within sight of the city walls.

  He stood on the hilltop, watching her go. She did not look back. She walked lightly, surely, the long grass breaking like green surf about her knees, her head high and resolute. He watched her until she passed, a little far-off figure, under the broken wall, and its gateway swallowed her up out of his sight forever. And in his heart was a mingling of pain and loss and high anticipation. For he was growing increasingly sure now that there was much more than chance behind these brief and seemingly so futile meetings with the one deathless, blue-eyed girl.

  He laid his hands on the switches at his belt confidently as that proudly moving young figure vanished under the gate. He had lost her—but not for long. Somewhere in the veiled, remote future, somewhere in the unexplored past she waited him. His fingers closed over the switch.

  -

  DARKLY the rush of centuries swept over him, blotting away the hills and the green meadows between, and the nameless white city that was crumbling into decay. He would never see Maia again, but there were other Maias, waiting. Oblivion swallowed him up and his impatience and his dawning conviction of a vast purpose behind his journeyings, in the great grayness of its peace.

  Out of that blankness a blue day dawned, bright over a moated castle's battlements. From a hilltop perhaps a quarter of a mile away he saw the surge of armored men under the walls, heard shouts and the clang of metal on metal drifting to him on the gentleness of a little breeze. And it occurred to him how often it was upon scenes of strife and sudden death that he chanced in his haphazard journeying. He wondered if they had been so thick in the past that the odds were against his coming into peaceful places, or if his own life of danger and adventuring had any influence upon the points in time which he visited so briefly.

  But it mattered little. He looked around searchingly, wondering if another blue-eyed Maia dwelt near him in this medieval world. But there was nothing here. Green forest closed in at the hill's foot. Save for the castle there was no sign of civilization, no sign of men but for the shouting besiegers. Perhaps she lived somewhere in this blue, primitive world, but he could not risk a search for her. She was elsewhere, too.

  Suddenly he was awed by the certainty of that—the incomprehensible vastness of his certainty and of her presence. She was everywhere. From time's beginning to time's close—she was. No era had not known her; no spot on the world's surface had not felt the press of her feet. And though the infinite future and the infinite past held her, and the earth's farthest corners, yet in reality every incarnation of her was here and now, available to him with no greater interval between her countless daughters than the instant flash of the centuries that poured over him when the switches closed. She was omnipresent, eternal. He knew her presences in the oblivion that swallowed him as his hands gripped the switches again and the beleaguered castle melted into the past.

  -

  IV.

  TWO CHILDREN were playing by a shallow river. Eric walked slowly toward them through the warm sand. A little girl, a little boy in brief tunics of soiled white. Perhaps ten years old they were, and absorbed in their play at the water's edge. Not until his shadow fell across their castle of rocks and sand did they look up. And the girl child's eyes were blue as smoke in her small, tanned face.

  Those familiar eyes met his. For a long moment she stared. Then she smiled hesitantly, very sweetly, and rose to her bare feet, shaking the sand from her tunic and looking up at him still with that grave, sweet smile illuminating her small face and a queer hesitation checking her speech.

  At last she said, "Ou e'voo?" in the softest, gentlest voice imaginable. It was remotely recognizable as a tongue that might one day be—or once had been—French. "Who are you?"

  "Je suis Eric," be told gravely.

  She shook her head a little. "Zh n'compren—." she began doubtfully, in that strange, garbled tongue so like French. But she broke off in her denial, for though the name was strange to her yet he was sure he saw recognition begin to dawn in the smoke-blue eyes he knew so well. "Zh voo z'ai vu?"

  "Have you?" he asked her very gently, trying to distort his French into the queer sounds of hers. "Have you really seen me before?"

  "I thought so," she murmured shyly, bewilderment muting her speech until it sounded scarcely above a childish whisper. "I have seen your face before—somewhere, once—long ago. Have I? Have I—Eric? I do not know your name. I never heard it before. But your face—you—O, Eric dear—I do love you!"

  Halfway through that speech she had changed her "voo" to the "tu" of intimacy, and the last of it came out on a little rush of childish affection, "Eric, cher-zh t'aime!"

  Somewhere back among the willows that lined the shallow stream a woman's voice called sharply. The sound of feet among dead leaves approached. The little boy jumped to his feet, but the girl seemed not to hear. She was looking up at Eric with wide blue eyes, her small face rapt with a child's swift adoration. Ten years older and she might have questioned the possibility of that instant recognition, perhaps unconsciously checked the instant warmth that rose within her, but the child's mind accepted it without question.

  The woman was very near now. He knew he must not frighten her. He stooped and kissed the little girl's cheek gently. Then he took her by the shoulders and turned her toward the woods into which the boy had already vanished.

  "Go to your mother," he told her softly. And he laid his hands again on the switches. She was beginning to know him, he thought, as the river bank swirled sidewise into nothingness. Each time they met the recognition grew stronger. And though there was no continuity in their meetings, so that he seemed to be jumping back and forth through time and this child might be the remote ancestress or the far descendant of his resolute Maia, yet somehow—by no racial memory surely, for it was not down a direct line of women that he progressed, but haphazardly to and fro through their ranks—somehow they were beginning to know him. Oblivion blotted out his puzzling.

/>   -

  OUT of the rushing dark a steel-walled city blazed into sudden, harsh life. He stood on one tower of its many heights, looking out and down over a dizzy vista of distances that swam with the reflections of sunlight on steel. He stood still for a moment, shading his eyes and staring. But he was impatient. Something instinctive in him, growing stronger now and surer of itself as this strange chain of circumstance and meeting drew on to its conclusion, told him that what he sought lay nowhere in this section out of time. Without a glance around the stupendous steel marvel of the city he gripped the switches once more, and in a shimmer and a dazzle the shining metropolis melted into oblivion.

  A burst of wild yelling like the voices of wolves baying from savage human throats smote through the darkness at him even before the sight of what was coming. Then a plank flooring was under his feet and he looked out over a tossing surface of tousled heads and brandished fists and weapons, toward another platform, this of stone, the height of his across the thunderous sea of the mob. The crackle of flames was mounting even above that roaring. On the other platform, bound to a tall, charred stake, ringed with fagots and rising flames, the blue-eyed girl stood proudly. She was very straight against the pillar, chin high, looking out in disdain over the tumult below.

  For the breath of a second Eric glanced round him, snatching at straws in a frantic effort to find some way of saving her. On the platform behind him speechless amazement had stricken dumb a little party of men and women in brightly colored garments of 16th Century cut. They must have been nobles, viewing the burning from this favored seat. Eric wasted only one glance at their stupefied surprise. He swung round again, his desperate eyes raking the mob. No hope there. It clamored for the tall girl's life in one tremendous, wolf-savage baying that ripped from every throat there in a single blending roar.

  "Witch!" they yelled. "Death to the witch!" in an archaic English that he understood without too much difficulty, a blood-hungry baying that brooked no denial. They had not seen him yet. But the girl had.

  Over their heads, through the little shimmering heat waves that were rising about her already in veils of scorching breath, her smoke-blue eyes met his. It was a meeting as tangible almost as the meeting of hands. And like the grip of hands so that gaze held, steady and unswerving for a long moment—burning witch of old England and tall young adventurer of modern America gazing with sure recognition in the eyes of each. Eric's heart jumped into a quickened beating as he saw the sureness in those smoke-blue eyes he had gazed into so often. She knew him—without any question or doubt she recognized him.

  Over the wolf-baying of the mob he heard her voice in one high, clear scream.

  "You've come! I knew you'd come!"

  At the sound of it silence dropped over the crowd. Almost in one motion they swung round to follow her ecstatic stare. And in the instant of their stricken surprise at the man they saw there, tall and golden against the sky, a figure out of no experience they had ever had before—the witch's voice rang clear.

  "You've come! O, I knew you would, in the end. They always said you would. They knew! And I must die for the knowledge I got from Them—but by that knowledge I know this is not the end. Somewhere, some day, we will meet again. Good-by—good-by, my dearest!"

  Her voice had not faltered, though the flames were licking up about her, and now, in a great burst of crimson, they caught in the fagots and blazed up in a gush that enveloped her in raving inferno. Choked with horror, Eric swung up his gun hand. The bark of the report sent half the crowd to its knees in terror, and he saw through the flames the girl's tall figure slump suddenly against her bonds. This much at least he could do.

  Then, in the midst of a silence so deep that the creak of the planks under his feet was loud as he moved, he sheathed the gun and closed his hands over the switches. Impatience boiled up in him as the prostrate crowd and the flame-wrapped witch and the whole ugly scene before him reeled into nothingness.

  He was coming near the goal now. Each successive step found recognition surer in her eyes. She knew him in this incarnation, and he was full of confidence now that the end and the solution was near. For though in all their meetings there had been barriers, so that they two could never wholly know one another or come into the unity of love and comprehension which each meeting promised, yet he knew very surely that in the end they must. All this had not been in vain.

  In the oblivion that washed over him was so sure a consciousness of her omnipresence—in all the centuries that were sweeping past, in all the lands those centuries washed over, throughout time and space and life itself, her ever-present loveliness—that he welcomed the darkness as if he embraced the girl herself. It was full of her, one with her. He could not lose her or be far from her or even miss her now. She was everywhere, always. And the end was coming. Very soon—very soon he would know—

  -

  HE WOKE out of the oblivion, blindly into darkness. Like the fold of wings it engulfed him. If he was standing on solid earth, he did not know it. He was straining every faculty to pierce that blinding dark, and he could not. It was a living darkness, pulsing with anticipation. He waited in silence.

  Presently she spoke.

  "I have waited so long," she said out of the blackness in her sweet, clear voice that he knew so well he did not need the evidence of his eyes to tell him who spoke.

  "Is this the end?" he asked her breathlessly. "Is this the goal we've been traveling toward so long?"

  "The end?" she murmured with a little catch of mirth in her voice. "Or the beginning, perhaps. Where in a circle is end or beginning? It is enough that we are together at last."

  "But what—why—"

  "Something went wrong, somewhere," she told him softly. "It doesn't matter now. We have expiated the forgotten sins that kept us apart to the very end. Our troubled reflections upon the river of time sought each other and never wholly met. And we, who should have been time's masters, struggled in the changing currents and knew only that everything was wrong with us, who did not know each other.

  "But all that is ended now. Our lives are lived out and we can escape time and space into our own place at last. Our love has been so great a thing that though it never fulfilled itself, yet it brimmed time and the void to overflowing, so that everywhere you adventured the knowledge of my present tormented you—and I waited for you in vain. Forget it now. It's over. We have found ourselves at last."

  "If I could only see you," he said fretfully, reaching out into the blackness. "It's so dark here. Where are we?"

  "Dark?" the gentle voice laughed softly. "Dark? My dearest—this is not darkness! Wait a moment—here!"

  Out of the night a hand clasped his. "Come with me."

  Together they stepped forward.

  The End

  MIRACLE IN THREE DIMENSIONS

  Strange Stories - April 1939

  Photography and Sound Recording Are Bound by a Man-made Limit—and Beyond that Lies Madness!

  -

  "I'VE got it, Abe! It's as near to life itself as the movies will ever come. I've done it!" Blair O'Byrne's haunted black eyes were bright with triumph.

  Abe Silvers, gaunt and dark and weary-eyed, shifted the cigar to the other side of his mouth and stepped in under the doorway that made sharp division between the glare of California sunlight outside and the lofty shadows of O'Byrne's long, dim studio.

  "I hope you're right," he said around the cigar. "I've waited a long time for it. And God knows you've spent more years than you ought, and more money than even you could afford. Why have you done it, Blair? A man with your money, your background, shutting yourself up here in the dark, sweating over shadows?"

  "I haven't been shut up away from life—I've been shut in with it!" O'Byrne's smile spread across the pallor of his delicate face. "It's life itself I've been groping after all these years, and I've found it, Abe. I've got it!"

  "Got the illusion of it, maybe. A little better than Metro-Cosmic has been filming for the last few year
s. And if it's as good as you say we'll buy it—and so what?"

  O'Byrne turned to him fiercely, his dream-haunted eyes suddenly blazing.

  "I tell you this is life! As near as shadows can come—too near, perhaps. 'Moving pictures'! They'll have to find a new name for what I've got. It isn't pictures—it's breathing, living reality. I've worked over it until nothing else seemed to matter, nothing else seemed real. I've got it, Abe. It's—life."

  -

  ABE SILVERS shifted the cigar back across his mouth, and if his eyes were understanding, his voice was only patient. He had heard such words before, from many fiercely sincere inventors. That he had known O'Byrne for many years did not alter his accustomed attitude toward such things.

  "All right," he murmured. "Show me. Where's the projection room, Blair?"

  "Here." O'Byrne waved a thin, unsteady hand toward the center of the big studio where under a battery of high-hung lights a U-shaped bar of dull silver rose from a low platform to the height of a man's waist. Beyond it against the wall bulked a big rectangular arrangement of chromium and glass, behind whose face bulbs were dimly visible. Silvers snorted.

  "There? That thing looks like a radio—that doubled-over pipe? But the screen, man—the seats—the—"

  "I'm telling you this is utterly new, Abe. You'll have to clear your mind of all your preconceived ideas of what a moving picture should be. All that is obsolete, from this minute on. The 'moving picture' is as dead as the magic lantern. This is the new thing. These batteries of lights, that 'radio' as you call it, the platform and bar, one for each individual spectator—"

 

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