by Mark Dawson
THE RAIN fell. Cascades. Torrents. A deluge. The water poured from roofs and ran in full spate along gutters and into already overflowing drains. It gushed out of drainpipes, slicked the roads with wide pools of standing water, and saturated beds of hibiscus, banana and palm trees. It swamped hydrangeas, falling heavier and heavier until it surely couldn’t fall any harder. And yet it did.
John Milton slid the mud-slicked rental against the curb. He killed the engine and listened to the thrum of the wind, faster and stronger minute upon minute. A flowerpot was picked up and tossed off the second floor balcony of the apartment block opposite him, bursting into fragments that scattered across the flooded road. The wooden panels of the fence that demarked the border between the apartment block rattled and clattered against their posts, nails slowly prying loose, ready to fly.
And then, as if at the flick of a switch, the rain stopped.
He opened the car door, stepped outside, and cast an assessing glance up at the sky. The storm was churning its way across the Gulf of Mexico. They said the leading edge would be here in another couple of hours. The air felt damp and humid, and it smelled full of brine and sodden vegetation, as if the ocean had been dragged closer to the limit of the city. It was a Saturday evening, and streets that would normally have been busy, thronged with life, were empty. The indigo dome of the twilight was torn through with veins of yellow and blood red. It was as though the sun had not yet left, that it was planning a spectacular sunset to cow the anger of the storm. Milton paused there for a moment, staring to the south, to the deeper darkness that was gathering over the Gulf, and felt the electricity crackling through the air like a premonition. The storm wasn’t done. It hadn’t started, not yet. This was merely a drawing of breath.
He had taken a room in the Intercontinental. He stopped in the reception area. The clerk was standing behind the desk. He was watching a TV tuned to the local news. A radar image of the hurricane was playing as the anchor told people that they needed to get away from the coast. The storm looked like a huge vicious pinwheel.
“Any messages?”
The man looked up at him and saw the mud on his clothes.
“I know,” Milton said, shaking his hand. “I slipped. I’m going to go and get changed. Any messages?”
“No, sir.”
The clerk was older, his lines bearing witness to his age, and to the other storms that he must have seen. “Wind blow you over?”
He nodded. “Can’t believe how powerful it is.”
“It’s not done,” he said. “That wasn’t nothing.”
They shared the moment, the sense of foreboding. “No,” Milton said.
“You should stay inside, sir. You’ll be fine, I was speaking to the guys down in the kitchen, got plenty of food and water, and there’s a big old generator in the basement if the power gets knocked out.”
“That’s good to know.”
“You want a drink? They’re on the house in the bar.”
“Thanks,” Milton said. “I might do that.”
#
MILTON HAD taken a suite on the top floor. He took off the holstered pistol and hooked it carefully over the back of the chair. He took off his sodden leather jacket, taking a bottle of beer from the minibar and standing by the wide picture window. He was ten floors up, elevated higher than the surrounding buildings, and was treated to a panoramic view over the rooftops. Milton had a sense of foreboding. It wasn’t the hurricane, although that was part of it. It was what he had been sent here to do.
It was the man Control had sent him here to kill.
Milton had a way of dealing with it: he did not consider the men and women who were assigned to him for liquidation. He didn’t want to know their backgrounds, save the information he needed to ensure that he could hasten their departures from this world. He didn’t want to know about families, about histories, about the people who would miss them when they were gone. He didn’t want to know about any of that, but it invariably littered their files, and he was too much of a professional not to absorb every last detail. Standing there, high above the city with Mother Nature ready to unleash a hurricane, Milton felt very alone. There were some thoughts and experiences that he would never be able to share with anyone, burdens that he would always have to bear alone.
But that was his own fault.
It was the result of his own choices.
He had accepted his fate so blindly and for so long that there were no choices, not any more.
His mouth was suddenly bone dry, his desiccated tongue sticking to his palate, and he necked a good mouthful of the beer until the sensation was gone.
Milton stripped, went to the bathroom, and stood under the shower for ten minutes until the room was humid with steam. He got out, went to the mirror and swiped his hand to clear away the condensation. His blue eyes stared back at him, cold and unempathetic. He filled the sink with water and plunged his face into it, the cold shocking him around.
He went to the wardrobe and took out the clothes that he had brought for the occasion. He had a loud Hawaiian shirt, a pair of stonewashed Levis and a pair of oxblood loafers. He stepped into his trousers, arranged the shirt so that it fell loose around his waist, and then looked at his reflection in the full-length mirror. There you go. He looked like a tourist, the kind of rube who might easily wander into the French Quarter, even on a night like this, the sort who might be impressed by an ersatz Irish bar.
There was a knock at the door.
Milton went to the chair, withdrew the P226 and hid the holster in the drawer. He pushed the gun into the back of his trousers, the metal icy cold against skin that was still warm from the hot shower, and pulled the shirt so that it fell over it.
He went to the door.
“Yes?”
“It’s me.”
He unhooked the latch and opened up. Ziggy Penn was standing in the corridor, glancing left and right. He looked shifty and suspicious.
“Get inside,” Milton said curtly, standing aside.
Ziggy did as he was told. He was small and wiry, a succession of sharp points, all elbows, shoulders, and knees. He had a thatch of thick and unruly ginger hair, as stiff as wire wool, and his eyes seemed to bulge from their sockets. His skin was pallid, thanks to a life spent in front of a computer screen, and his cheeks and the hollow channels on either side of his nose were pitted with old acne scars. He was wearing a pair of cargo pants and a black Depeche Mode T-shirt.
“I told you,” Milton said, his voice tight and compressed with anger. “We don’t meet. You don’t speak to me. I’m here on my own.”
“I know that.”
“So?”
“The weather,” Ziggy said.
“What about it?”
“What about it? Have you looked outside?” He gestured at the wide window and the huge banks of pitch clouds that were rolling over the city.
Milton nodded. “It’s going to be rough.”
“It’s going to be a category five hurricane.”
Milton took the P226 and laid it on the bureau. “There’s no need for it to change anything.”
Ziggy stared at the gun. “Are we going ahead?”
“He’s here. McCluskey is here. I’m here. It’s taken long enough to engineer that. And look at it another way, where’s he going to go?”
Ziggy frowned, still anxious. “I suppose so.”
“No change. We’ll go ahead as planned.”
Chapter Two
ZIGGY PENN went down into the basement and made his way across the parking lot to his rental car. He unlocked the door, opened it, and got inside.
He was not particularly reassured. Milton was right, of course, the operation had taken a lot of planning. The target was a transplanted Irishman who was presently going by the name of Jimmy Maguire. His real name was Gerry McGovern, and he had been a bagman for the Irish Republican Army throughout the worst years of The Troubles. He was here tonight to meet Peter McCluskey, a businessman who had emigrated to th
e United States in his twenties after a successful career as a Provo sniper in the bandit country around County Antrim. Since then, McCluskey had reinvented himself as a successful businessman with a string of Irish theme pubs all around the American south and southwest. By all accounts, he had foresworn his violent past and had crafted a new identity for himself. He had, it would have appeared to the casual observer, taken advantage of the particularly American facility for reinventing oneself.
Unfortunately for Peter McCluskey, the security services had discovered proof that corroborated the suspicion that he had not eschewed his old comrades-in-arms at all. Indeed, he had become even more virulent in his hatred of the British, had turned his back on Sinn Féin, and cast in his lot with the Real IRA, the off-shoot organisation that denounced the Good Friday Agreement and vowed to continue the war. McCluskey had continued to raise money so that they could buy their bullets and their bombs, and Maguire was here to collect that bounty. The decision had been made that those channels of funding must be stopped. The files of Maguire and McCluskey had been passed to Group Fifteen, and Control had assigned John Milton—Number Six—the responsibility for seeing that both men were liquidated.
Maguire was to be the first to go.
Ziggy was a field analyst for the Group, and he had been appointed to assist.
He turned the ignition and backed the Chevy out of the bay. He flicked on the lights and headed for the exit.
#
LIFE WENT on just as always in the heart of the French Quarter. The bars might have been quieter than they would normally have been on a Saturday evening, but they were far from deserted. McCluskey’s was doing a reasonable trade. It was the same kind of Irish pub that could be found all over the world. The interior was dark and inviting, the walls smothered by images of the Irish countryside, well-toned horses in mid-gallop, revolutionaries at play, a hurling team. The wide space was divided into a warren of tongue-and-groove snugs and seating areas, thanks to wooden partitions and stand-alone walls that were seemingly crafted from old biscuit tin lids and dismantled clocks. The bar was lit by lamps that hung from a ceiling held up by metal beams. Shelves bore dusty hardbacks, jars of sweets, an old slicing machine, Boyne Valley cornflakes, and scales for weighing out tea. There were framed pages from ledger books, the Chronicle and the Sligo Champion. Rattan stools were placed along a counter of solid oak that ran the entire length of the rear wall, broken by an arch that led through to a snug. It would have been evocative to the naive, perhaps even persuasive that the drinkers could have been in Dublin or Cork, but Milton had been in a similar establishment in London, and he knew the décor and the atmosphere were just the same there. It was all studied and fake.
He had no time for places like this, but he wasn’t here to enjoy himself. He had a job to do.
Milton took a beer from the bar and positioned himself at a window where he could look out onto the street. He took off the porkpie hat that he had bought at the airport to complete his look, and laid it on the table, twisting the felt brim between his thumb and forefinger. The rain had started again, just as hard and heavy as before, and the wind was picking up. A telephone wire thrummed high above the street, and rubbish from an overturned bin tumbled down the middle of the road as if fleeing the gale itself. Milton saw a working girl in a tight leather skirt, struggling to light a cigarette in the inadequate shelter of a doorway, and in the car parked alongside her, her pimp nodded his head to the beat of the music that was playing in his double-parked sedan.
He finished his first beer and went up for another. The alcohol hadn’t helped with the way that he was feeling. There was a cold lump of ice in his gut and his head throbbed with the start of a migraine, as if a rubber band had been looped across his temple and then slowly tightened.
His attention was disturbed by a group of musicians who were tuning up on a small stage area. There were six of them bearing fiddles, a bodhrán, a flute and a mandolin, and as he watched, they started to sing an old folk song that Milton thought he recognised.
And then he heard the voice in the tiny Danish-made receiver that was nestled, perfectly invisible, inside his ear.
“Six, Watcher. Come in.”
Milton wore a microphone, as unobtrusive as the receiver, beneath the tip of his collar.
“Watcher, Six. Go ahead.”
“He’s coming.”
Milton turned back to the window and saw the lights of a taxi as it turned around the corner of Ursulines and rolled up to the door of the bar. The rain was smeared across the glass, so it was difficult to identify the passenger, but Milton could see money exchanged. The door of the cab opened, and Peter McCluskey hurried across the sidewalk and into the bar that bore his name.
“You got him?”
“Affirmative.”
McCluskey was in his late seventies, but you would never have guessed. He was tall and well built, and he moved with an easy gait that belied his years. His hair had retreated to the back of his head, wisps of white that had been flattened down against his scalp by the rain. He had a large nose and cautious, suspicious eyes. He came inside, took off his jacket and hung it on a hook behind the bar. Then, complaining loudly that the room was stuffy, he opened the door and stubbed a wedge beneath it. The atmosphere was disturbed by a gust of damp wind, and, once again, Milton could smell the briny sea.
Milton watched as McCluskey turned to scout the room. His eyes flicked over him, but didn’t stop. There was no reason why they would; he had never seen Milton before.
He went to the bar and rapped his knuckles against it. The musicians stopped playing and the conversation petered out.
“Good to see you all tonight,” he called out in a strong voice. “A little bit of weather isn’t going to stop the craíc now, is it?” There was loud agreement. “Now then, because I’m grateful you’ve made your way through this filthy storm to my little bar, what do you say we all raise a glass to this fine city and tell Katrina that she’s not gonna go and disturb our fun? On the house.”
He raised his hand to the manager behind the bar and went over to an empty table.
“Six, Watcher.”
“Affirmative.”
“Get ready to party. Here comes Maguire.”
Get ready to party? Milton sighed. Ziggy was taking this too flippantly, as if they had been caught up in a Fleming novel.
He turned back to the window. A man was running down the sidewalk with a leather briefcase held above his head as an utterly ineffective umbrella. He passed beneath a street lamp that was swaying in the wind and hurried into the bar. Milton turned to the door and clocked him: early forties, big and strong. A nasty, brutal face. He had two large earrings in his right ear and a scar across his cheek. Jimmy Maguire had been a professional wrestler in his younger years, but now he was the liaison between the Provos and their American boosters.
He had led them to McCluskey.
And now he had been marked for death.
Maguire took a seat at an empty table, and McCluskey went over to him. He had collected a satchel from the bar and, as he sat at the table, he dropped it at his feet.
“The meet is on,” Milton said quietly.
Milton sat, watching them as discreetly as he could. He finished his beer and went over to the bar for another, waiting there and sipping it so that he could change his vantage point.
The two men were close together, conversing with concentrated, serious looks upon their faces. A combination of the background noise, the music and the howls of the wind outside meant that it was impossible for him to hear anything they said, but that wasn’t necessary. The cellphones of both men had been tapped for the last month, and Milton had read the transcripts. McCluskey had decided to sell three of his establishments, including this one, and he was intent upon donating the million dollars that he stood to make to the Cause. Maguire had been dispatched to thank him, and to sketch out the best way to transmit the money without arousing the suspicion of the authorities.
As M
ilton watched, he noticed McCluskey nudge the satchel across the floor to Maguire. That was one way, he concluded. Provide Maguire with hard currency and let him worry about laundering it.
Milton returned to his table.
Maguire raised his hand a moment, stalling the conversation, his other hand taking his cellphone from his pocket and pressing it to his ear.
“Are you getting this?”
“Hold on,” Ziggy said.
Milton’s fingers fretted with the coaster on the table, his eyes on Maguire’s face.
“Shit, Six. They’ve made you.”
Milton turned his head back to the window. “Say again.”
“The call. It’s from McGinn. He said he’s just heard from Dublin, there’s a British agent after him. They know.”
“Dammit. How?”
The Irishman looked up, turned to the room, and before Milton could look away, he found and held his gaze. Maguire turned to McCluskey, said something, and nodded in Milton’s direction.
Ziggy’s voice was fraught with anxiety. “What do we do?”
Milton bit the inside of his lip as he thought about that. There was no point in trying to continue. If Maguire had made him, there was nothing more to be done. He turned his head away and said, low and fast, “We abort.”
“After all this preparation?”
“No choice. Stand down.”
Maguire collected the satchel and set off for the door. McCluskey stood and started over in Milton’s direction. He glanced over at the bar and gestured with his finger that the barman should follow him.
“Number Six?”
Milton didn’t respond. He took a sip of his beer.
McCluskey reached the table. The barman was close behind.
“Excuse me, sir.”
“Number Six?”
Milton ignored Ziggy and turned to McCluskey. “Yes?”
“I wonder, you mind if I have a quick word with you?”
McCluskey had a solidity about him, a presence. Milton could smell the drink on his breath, the smell of stale cigarette smoke, and the rotten food that had clustered between his crooked teeth. He decided to play stupid and drunk. “What about?”