THIS IS A BORZOI BOOK
   Published by Alfred A. Knopf
   Copyright © 2011 by Maxine Hong Kingston
   All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House, Inc., New York, and in Canada by Random House of Canada Limited, Toronto.
   www.aaknopf.com
   Knopf, Borzoi Books, and the colophon are registered trademarks of Random House, Inc.
   Grateful acknowledgment is made to the following for permission to reprint previously published material:
   Coleman Barks: Excerpt from “Song of the Reed” from The Essential Rumi, translated by Coleman Barks. Reprinted by permission of Coleman Barks.
   Irving Berlin Music Company: Excerpt from “Sittin’ in the Sun (Countin’ My Money)” by Irving Berlin, copyright © 1953 by Irving Berlin. Copyright renewed. International copyright secured. All rights reserved. Reprinted by permission of Irving Berlin Music Company.
   Library of Congress Cataloging-in-Publication Data
   Kingston, Maxine Hong.
   I love a broad margin to my life / by Maxine Hong Kingston. — 1st ed.
   p. cm.
   eISBN: 978-0-307-59533-1
   1. Kingston, Maxine Hong. 2. Authors, American—20th century—Biography. 3. Chinese American authors—Biography. 4. Chinese American women—Biography. I. Title.
   PS3561.152Z46 2011
   818′.54—dc22
   [B] 2010028819
   v3.1
   To the Ancestors and
   my contemporaries and
   our children
   Contents
   Cover
   Title Page
   Copyright
   Dedication
   Home
   Leaving Home
   Rice Village
   Bad Village
   Art Village
   Spirit Village
   Viet Nam Village
   Father’s Village
   Mother’s Village
   City
   Home Again
   Glossary
   Notes
   A Note About the Author
   Other Books by This Author
   HOME
   I am turning 65 years of age.
   In 2 weeks I will be 65 years old.
   I can accumulate time and lose
   time? I sit here writing in the dark—
   can’t see to change these penciled words—
   just like my mother, alone, bent over her writing,
   just like my father bent over his writing, alone
   but for me watching. She got out of bed,
   wrapped herself in a blanket, and wrote down
   the strange sounds Father, who was dead,
   was intoning to her. He was reading aloud
   calligraphy that he’d written—carved with inkbrush—
   on his tombstone. She wasn’t writing in answer.
   She wasn’t writing a letter. Who was she writing to?
   Nobody.
   This well-deep outpouring is not for
   anything. Yet we have to put into exact words
   what we are given to see, hear, know.
   Mother’s eyesight blurred; she saw trash
   as flowers. “Oh. How very beautiful.”
   She was lucky, seeing beauty, living
   in beauty, whether or not it was there.
   I am often looking in mirrors, and singling
   out my face in group photographs.
   Am I pretty at 65?
   What does old look like?
   Sometimes I am wrinkled, sometimes not.
   So much depends upon lighting.
   A camera crew shot pictures of me—one of
   “5 most influential people over 60
   in the East Bay.” I am homely; I am old.
   I look like a tortoise in a curly white wig.
   I am stretching head and neck toward
   the light, such effort to lift the head, to open
   the eyes. Black, shiny, lashless eyes.
   Talking mouth. I must utter you
   something. My wrists are crossed in my lap;
   wrinkles run up the left forearm.
   (It’s my right shoulder that hurts—Rollerblading
   accident—does the pain show, does my hiding it?)
   I should’ve spoken up, Don’t take
   my picture, not in that glare. One side
   of my neck and one cheek are gone in black
   shadow. Nobody looks good in hard focus,
   high contrast—black sweater and skirt,
   white hair, white sofa, white
   curtains. My colors and my home, but rearranged.
   The crew had pushed the reds and blues and greens aside.
   The photographer, a young woman, said, “Great. Great.”
   From within my body, I can’t sense that crease
   on my left cheek. I have to get—win—
   compliments. “You are beautiful.” “So cute.”
   “Such a kind face.” “You are simple.”
   “You move fast.” “Chocolate Chip.”
   A student I taught long ago
   called me Chocolate Chip. And only yesterday
   a lifelong friend told Earll, my husband,
   he’s lucky, he’s got me—the Chocolate Chip.
   They mean, I think, my round face
   and brown-bead eyes. I keep
   count. I mind that I be good-looking.
   I don’t want to look like Grandmother,
   Ah Po. Her likeness is the mask of tragedy.
   “An ape weeps when another ape weeps.”
   She is Ancestress; she is prayed to. She
   sits, the queen, center of the family in China,
   center of the family portrait (my mother in it too,
   generations of in-laws around her)—all
   is black and white but for a dot of jade-green
   at Po’s ears, and a curve of jade-green
   at her wrist. Lotus lily feet show
   from the hem of her gown. She wanted to be
   a beauty. She lived to be 100.
   My mother lived to be 100. “One
   hundred and three,” she said. Chinese
   lie about their age, making themselves older.
   Or maybe she was 97 when the lady official
   from Social Security visited her, as the government visits
   everyone who claims a 100th birthday.
   MaMa showed off; she pedaled her exercise
   bike, hammer-curled hot pink barbells.
   Suddenly stopped—what if So-so Security
   won’t believe she’s a century old?
   Here’s a way for calculating age: Subtract
   from her age of death my age now.
   100 − 65 = 35
   I am 35 years-to-go.
   Lately, I’ve been
   writing a book a decade; I have time
   to write 3 more books. Jane Austen
   wrote 6 books. I’ve written 6 books.
   Hers are 6 big ones, mine
   4 big ones and 2 small ones.
   I take refuge in numbers. I
   waste my time with sudoku.
   Day dawns, I am greedy, helpless
   to begin 6-star difficulty
   sudoku. Sun goes
   down; I’m still stuck for that square
   that will let the numbers fly into place.
   What good am I getting out
   of this? I’m not stopping time. Nothing
   to show for my expenditures. Pure nothing.
   8 days before my birthday, I went
   to John Mulligan’s funeral. He was 10
   years younger than me. He died without
   finishing his book, MIAmeric
a.
   (I have a superstition that as long as I,
   any writer, have things to write, I keep living.)
   I joined in singing again and again
   a refrain, “Send thou his soul to God.” Earll,
   though, did not sing, did not
   say any of the Latin, any of the prayers.
   He muttered that the Catholic Church divides you
   against yourself, against your sexy body.
   “The Church is a gyp.” John Mulligan should’ve
   been given a pagan ceremony; Woman Warrior,
   Robert Louis Stevenson, and Cuchulain
   had come to him in Viet Nam. John
   carried them, tied to him by silver cords,
   to the U.S. The priest, who came from the Philippines,
   kept reminding one and all that the benefits
   he was offering were for “Christians” only. But
   he did memorialize John being born and raised
   in Scotland, and coming to America at 17.
   Summarily drafted to Viet Nam. You
   didn’t have to be a citizen to be drafted.
   The war count, as of today:
   Almost 2,000 killed in Iraq. G.I.s.
   Not counting Afghanis,
   Iraqis,
   civilians,
   mercenaries,
   children, babies,
   journalists.
   7 days before my birthday, I had breakfast with
   Mary Gordon, who’s always saying things
   I never thought before: “It’s capitalistic
   of us to expect any good from peace demonstrations,
   as if ritual has to have use, gain, profit.”
   I agreed, “Yes, it’s Buddhist to go parading
   for the sake of parading.” “Can you think of a writer
   (besides Chekhov) who is holy and an artist?”
   “Grace Paley.” She smiled. “Well, yes.”
   Obviously. “Thoreau.” “Oh, no. Thoreau’s
   too Protestant, tidy, nonsexual. He goes
   home to Mom for hot chocolate. No
   sex, no tragedy, no humor.”
   Come to think of it, Thoreau doesn’t make
   me laugh. A line from Walden hangs over one
   of my desks:
   I love a broad margin to my life.
   Sitting here at this sidewalk café with Mary,
   deliberately taking time off from writing
   and teaching duties, I am making a broad margin
   to my life. The margin will be broader when we part,
   and I am alone. Thoreau swam, then sat in the doorway
   of his “Shelter,” “large box,” “dwelling-house,”
   alone all the summer morning, rapt
   in the sunlight and the trees and the stillness.
   Birds flitted through the house. “… Until
   by the sun falling in at my west window,
   or the noise of some traveller’s wagon on the distant
   highway, I was reminded of the lapse of time.”
   I have a casita of my own, built instead of
   a garage after the Big Fire. Its width
   is the same as Thoreau’s (10 feet), its length
   a yard longer. He had a loft; I have
   a skylight. I want to be a painter.
   Sometimes, I hear the freeway, now and again
   the train, and the campanile. Thoreau heard
   the band playing military music; his neighbors
   were going to war against Mexico. He made up his mind
   not to pay taxes.
   Trying broad-
   margin meditation, I sit in
   the sunny doorway of my casita, amidst the yucca
   and loquats and purple rain birches. Some I
   planted, some volunteered. Birds—
   chickadees, finches, sparrows, pairs of doves,
   a pair of towhees, and their enemy, the jay. Hawk
   overhead. Barn swallows at twilight.
   I know: Thoreau sat with notebook
   and pencil in hand. Days full of writing.
   Days full of wanting.
   Let them go by without worrying
   that they do. Stay where you are
   inside such a pure hollow note.
   —RUMI
   Evening, at an Oxfam Relief benefit
   for Hurricane Katrina refugees, I read aloud
   what Gilgamesh of Uruk (Iraq!) heard about a flood.
   The Euphrates flattened a city “… bringing calamity
   down on those whom now the sea engulfs
   and overwhelms, my children who are now the children
   of fishes.” Earll auctioned away a 100th
   anniversary Mardi Gras doubloon handed down
   from his family. A bakery donated an immense cake
   with candles, and people sang Happy Birthday to me.
   6 days ahead of birthday: A small
   white man sat abandoned at the stairs
   to our garden. Summer sportcoat. It’s autumn.
   He carried a heavy suitcase.
   Two bigger suitcases, trunk-size,
   sat on the sidewalk. “Here B
   and B?” he asked, and handed me papers.
   Lists of bed-and-breakfasts, the top one
   with our cross-street but no address number.
   A neighbor must be running a secret B & B.
   “Widow B and B.” A widow used to
   live next door, but her house burned
   down, and we bought her vacant lot.
   And there’s a Viet Nam widow down the street,
   and a faculty-wife widow 2 doors up.
   “I got reservation. My name is Fred.
   I came to see about my Social Security.”
   Where are you from? You can go to your local
   Social Security office. “I came from
   airport. I paid shuttle thirty-one
   dollars.” But it doesn’t cost nearly that
   to be driven here from OAK or
   SFO. “Shuttle van brought
   me here, to B and B.” Earll phoned some
   home-inns in the Yellow Pages, and drove Fred to
   a B & B, which cost $125
   a night. “One hundred and
   twenty-five dollars a week,” Fred
   corrected. No, no, a day. He
   looked ready to cry. “Get me
   a taxi.” The innkeeper called motels, and found
   Days Inn at $90 per night,
   and a hotel at $60 per night.
   Fred told us of his life: He had been educated
   at San Jose State. He lived in a basement,
   and studied engineering. He’d made $900
   a month, then in San Francisco $1,200
   a month. Housing was $30 a night.
   “There’s no work for engineers in San Francisco
   anymore.” Social Security will give
   him $600 every month.
   Earll also—$600 per month.
   “In Iran, I live for a long time
   on six hundred dollars.” We took
   Fred to BART. Go to San Francisco.
   At a big hotel, ask for a “youth hostel.”
   Earll gave him a hug goodbye.
   We picture the little lost man, from Iran,
   getting his bags stuck in the turnstile,
   leaving 1 or 2 behind as the train
   doors shut. Should’ve warned him, he has to
   compete with the Katrina refugees’ $2,000
   housing allowance. Should’ve offered him water.
   In Fred’s reality: Widows rent out rooms.
   At B & B on the computer, hit
   Print—voilà—room reserved,
   room confirmed. Taxi drivers know
   the place for you, and will take you to it.
   Everywhere wander people who have not
   the ability to handle this world.
   Late the next day, we went to the City
   for me to talk on the radio about v
eterans of war,
   veterans of peace. In a waiting room, women
   in scarves—Muslims—were serving food to one
   another. Each one seemed to have come from
   a different land and race, her headdress
   and style and skin color unlike any sister’s.
   Silks. Velvet. Poly jacquard. Coral,
   red and black, henna, aqua. Peacock.
   Crystals, rhinestones. Gold thread. Impossibly
   diverse cultures, yet Islam brings them together.
   This corridor is an oasis on the Silk Road,
   as if that thoroughfare continues through Africa,
   and across oceans. An Egyptian-looking woman
   held up to me, then to Earll,
   a tray of fruits and vegetables. “Eid,”
   she said. “Celebrate the Eid.”
   I chose a cherry tomato and a medjool date.
   I willed my Thank you to embrace her, go through
   and around her, and enfold the other Muslims, the ones
   here, and the many far away. Thank you,
   Muslims, for giving food to whoever happens
   among you. I’m lucky, my timing in sync with their time,
   the sun setting, and a new moon coming up.
   Last day of Ramadan, women ending their fast.
   If not for years of practicing Buddhist silence
   and Quaker silence, I would’ve chattered away,
   and missed the quiet, the peace, the lovingkindness.
   Happy birthday to me.
   Sunday, my friend Claude
   brought a tea grown by old Greek ladies.
   “It cures everything.” I drink, though nothing
   needs curing. “Cured!” we said in unison.
   Monday ere birthday, I resolve, I shall rest
   from worry and pursuit. (In childhood chasedreams,
   monsters chased me. Now, I do the chasing.)
   Joseph, our son, calls. In a marathon read,
   he’s finished all the books I’ve ever published.
   I’m the only writer I know whose offspring
   reads her. “How was it?” “Good.” (“Accurate,”
   said my mother.) Joseph cares for accuracy too.
   He’s mailing me pages of errata: I got
   the Hawaiian wrong; I got the pidgin
   wrong. He’s a musician; he has the ear. I love
   hearing his voice wishing me happy birthday.
   “I must be getting old too; I
   really like my power tools.” He’d
   read again and again the instructions on how
   to use a chainsaw, then cut up the pine
   trees without mishap. Borders in Honolulu
   sold all his CDs, and wants more.
   My time in Hawai‘i, I never learned the hula,
   
 
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