Sydney Noir

by John Dale

  Table of Contents

  ___________________

  Introduction

  PART I: FAMILY MATTERS

  The Passenger

  Kirsten Tranter

  Balmain

  The Birthday Present

  Mandy Sayer

  Kings Cross

  Good Boy, Bad Girl

  John Dale

  Newtown

  In the Dunes

  Eleanor Limprecht

  Maroubra

  In the Court of the Lion King

  Mark Dapin

  La Perouse

  PART II: SEX AND THE CITY

  The Transmutation of Sex

  Leigh Redhead

  Parramatta

  The Patternmaker

  Julie Koh

  Ashfield

  Toxic Nostalgia

  Peter Polites

  Bankstown

  The Razor

  Robert Drewe

  Lavender Bay

  PART III: CRIMINAL JUSTICE

  Rip-Off

  Tom Gilling

  Sydney Harbour

  Slow Burn

  Gabrielle Lord

  Clovelly

  Black Cul-De-Sac

  Philip McLaren

  Redfern

  Chinaman’s Beach

  P.M. Newton

  Mosman

  Good Bloke

  Peter Doyle

  Edgecliff

  About the Contributors

  Bonus Materials

  Excerpt from USA NOIR edited by Johnny Temple

  Also in Akashic Noir Series

  Akashic Noir Series Awards & Recognition

  About Akashic Books

  Copyrights & Credits

  INTRODUCTION

  CITY OF CHANGE

  Sydney has a long and distinguished criminal history. From the arrival of 756 convicts in 1788 through to the postwar waves of ethnic crime gangs, this city of five million people has more unsolved murders than any other Australian city, as well as more drive-by shootings and more jailed politicians. Noir is as much a part of Sydney’s character as frangipanis and cockroaches, rusted iron lace and sandstone terraces, torrential rain and potholed roads.

  A subgenre of crime fiction, noir is the most democratic of genres in that it includes people from all walks of life and in all kinds of trouble. The protagonists are not private eyes and implausible police detectives from central casting, but ordinary people caught up in crime and violence, the kind of people you pass in the street or sit next to on overcrowded buses and trains.

  In the early 1980s, I was working in a rundown bar in Darlinghurst that was a popular watering hole for the notorious 21 Division, a flying squad of the city’s hardest detectives. On Friday and Saturday nights, a couple of middle-aged women from the western suburbs would sit out on kitchen chairs on Riley Street soliciting for customers. On the other side of the street was a flea-ridden hostel for alcoholic men, and farther down the road was a tow truck business with criminal connections, while upstairs, the publican, a capable older woman, had shacked up with a Maori biker.

  The bar was unlike any I had been to in Hobart, where I grew up. On busy nights cops, bikers, would-be actors, rock-and-rollers, trannies, small-time celebrities, and general riffraff turned up in that Darlinghurst pub to drink to excess and hatch their plans while complying with the unspoken rule that no actual drug exchanges were to be undertaken on the premises.

  The 21 Division detectives, chosen specifically for their size, congregated in the doorways so that everyone had to squeeze past them to get served. The old diggers from the hostel drank at the front bar perched on their stools like babies in high chairs. The sex workers were a friendly lot and ordered a sherry or gin and tonic after their shift, waiting in the lounge bar for their partners to pick them up for the long drive home. Sex and drugs and money and booze all came together in this seedy pub situated in the hollow between the central business district and the Cross. That old, rough-neck, Anglo-aboriginal inner Sydney is mostly gone now, modernized and corporatized, but the pub still stands and its clientele park their Audis and BMWs outside while they dine at the rooftop restaurant.

  Nothing lasts in Sydney, especially good fortune: lives are upturned, shops are sold, roads dug up, trees and houses knocked down, premiers discarded, and entire communities relocated in the name of that economic mantra—growth and progress. Just when you think the traffic can’t get any worse and the screech of the 747s descending over your roof can’t get any louder and the pavements can’t get any dirtier, along comes a wild electrical storm that batters the buildings and shakes the power lines and washes the garbage off the streets and you stand, sheltered under your broken brolly in the center of Sydney, admiring this big beautiful city.

  What never changes, though, is the hustle on the street. My father was a detective in the vice squad shortly after the Second World War, and he told stories of busting SP bookies in Paddington and Surry Hills, collaring cockatoos stationed in the laneways of South Sydney, and arresting sly-groggers. Policing back then was hands-on for the poor and hands-off for the rich. Crime and Sydney have always been inseparable: a deep vein of corruption runs beneath the surface of even its most respectable suburbs.

  * * *

  These brand-new stories from some of Australia’s best writers deal with men and women who work in finance or serve in Liquorland, drive cabs or beat-up utes; they might be architects or struggling students, athletes or aboriginal liaison officers, retired coppers or contract laborers, patternmakers or photographers, philosophy lecturers or drug dealers. Some are desperate for revenge or money and fame; others are simply caught up in circumstances beyond their control or in a sexual relationship gone wrong. These fourteen stories take us from Kings Cross to La Perouse, from Balmain to Parramatta, Redfern to Maroubra, Clovelly to Bankstown, Sydney Harbour to Edgecliff, Newtown to Ashfield, and Lavender Bay to Mosman. There are no safe spaces in this collection. What Sydney Noir does best is to provide a window onto the street.

  So sit back and enjoy the view.

  John Dale

  Sydney, Australia

  November 2018

  PART I

  FAMILY MATTERS

  THE PASSENGER

  by Kirsten Tranter

  Balmain

  Skye kept one hand on the front door, looked me over, and gave a sort of laugh. I wasn’t sure if she would even remember me, but right away she said, “Rob,” in a low drawl, “you used to seem so tall.” She stood with one bare foot on top of the other. Her toenails were painted glittery pink. A teenager now.

  “Hello, Skye,” I said.

  “Oh, hello yourself.” She opened the door wide enough to let me in. “Virginia’s here somewhere,” she said, and gestured with a sloppy wave.

  The back of the house was crowded with people; it was Fred’s sixtieth. I’d been invited to the party but had come really for Virginia, Skye’s older sister. Afternoon sun spilled in through the open doors leading out to the deck. The house—an enormous 1970s monstrosity—was perched at the east end of the Balmain peninsula. Ugly from the street, but you forgot about that ugliness as soon as you stepped inside. It was all redeemed by the view through the wall of glass that looked over the harbor toward the bridge. There was a mooring for the family’s aging sailboat below.

  Houses around them had been renovated or torn down and replaced with designer mansions since the last time I had visited, but nothing had changed at the Dawson house. The Berber carpet was worn through practically to the boards and the wood paneling was scratched; the durable Scandinavian modernist furniture had been recuperated by fashion and was cool again. I caught sight of Fred out on the deck, a bottle in his hand, his white linen shirt open at the neck by one button too many. I looked for Virginia. E
veryone else at the party was about Fred’s age: women with hair dyed orangey henna red and spectacles with brightly colored frames, men wearing Hawaiian shirts and smoking cigarettes. I recognized the local member of parliament in his shorts and Blundstone boots, beer in hand, arguing with a woman drinking from a can. It was old Balmain, aging bohemians, the generation who had bought workers’ cottages down the street from the housing commission flats and derelict Victorian terraces by the water in the seventies and eighties when it was cheap, and were now sitting on millions of dollars of real estate. Writers and teachers and social workers and artists, and some of them, like Fred, men who dealt in money. I never knew exactly what his work entailed: he just said “finance,” and grimaced. He was the money and his wife, Maureen, was the artist, a playwright. At university, one of her plays had been on the list of readings for an English course I’d taken, although I never actually read it. Virginia would change the subject if it ever came up.

  Maureen waved at me from across the room and made her way over, voluptuous and perfumed and wearing a dress that seemed to be made of a hundred silk scarves sewn haphazardly together. She kissed me and I could feel the trace of lipstick on my cheek, the corner of my mouth. Her eyes were sharp and dark. She winked. “Robert,” she said, “we’ve missed you.” She squeezed my hand, her rings pressing uncomfortably against my fingers.

  Virginia sidled up to us. “Here you are,” she said. She was wearing a man’s mirrored sunglasses, metal rimmed, oversized, and narrow trousers that showed how thin she had become. Maureen let me go and drifted away. “Why don’t you have a drink?” Virginia said, in an accusing way, as though she were scolding me for being so empty-handed.

  I had been sober for several days after the kind of hangover that makes you think about giving up drinking, but I wasn’t that committed to the idea. She led me to the kitchen and elbowed people aside to get to the fridge, and pulled out a bottle of Riesling. “The wine out there is terrible,” she said, nodding toward the deck. “Someone brought a cask.” She pushed the fridge door closed. “Dad told me he’d run into you.”

  I had gone to Circular Quay the day after I flew in to Sydney with the idea of riding a ferry to Manly, wanting to get out of the city as soon as I arrived, but the ferry to Birchgrove had been about to leave, and I gave in to the idea, knowing it would take me by her house. Fred was on his way home; he had seen me just a minute before his stop, and shook my hand for too long. He’d invited me to this party. “It will be really good to see you,” he’d said, beguilingly sincere, in that way he had of making you believe every commonplace he uttered.

  I had thought about calling Virginia or sending her a message letting her know I would be there, but didn’t. The last e-mail had been two years earlier, and she hadn’t written back. It had been one of those e-mails I read the day after with another one of those hangovers and found it hard to remember actually writing, and regretted sending. I had written things that I probably shouldn’t have, and I gave myself a hard time about it for a while, and wrote an apology and then deleted it. I heard that she went through with it, got married, and I wrote another message congratulating her and deleted that too. There had been others composed and trashed since then, most recently in the weeks before I decided to come back.

  She pushed the wine bottle into my hand and I followed her upstairs to her old bedroom. The smell in the hallway was the same: the piney scent of Radox bath salts, a note of mildew from the water, the dusty smell of the carpet. Her room had a small balcony and we sat there on wooden boards hot from the day’s sun. She had collected a couple of glasses on the way and held one out for me to fill. I hadn’t seen Julian. I felt sure that he wasn’t here, although I knew that this was just me projecting what I wanted to be true. But then she swallowed a big mouthful of her drink and gestured loosely toward the balcony doors, to the room inside. “I’m back here for the moment,” she said, and I looked back inside and saw what I hadn’t noticed, the thing she was explaining. The bed half made, the clothes draped on the armchair, and things strewn on the dresser, a lipstick, a book. “Julian’s away for work. I hate being at the flat on my own.”

  Someone at the party on the deck below shrieked with laughter, probably Maureen, and there was the sound of glass breaking. Virginia pushed the sunglasses up the bridge of her nose.

  “So, tell me about London. What the fuck are you doing back home?”

  I started to tell her a bit about it, leaving out the reasons for returning.

  “Virginia?” Skye was standing in the doorway of the bedroom. “Mum asked me to get you. Speech time.”

  “Are you making a speech?” I asked.

  “No,” Virginia said. “Maureen.”

  Maureen was tapping a champagne flute with a fork when we arrived downstairs. It seemed rude to leave, so I stayed, standing at the back of the crowd. There was singing and toasts, a cake, a huge pavlova. I looked for Virginia, wanting to say goodbye. Fred pulled me aside and handed me a bottle of beer and a paper plate with a slice of pavlova on it. Strawberries drowned in clots of meringue and cream.

  “There you go,” he said. “Pavlova and beer in hand, water view, you’re back in Sydney alright.” He smelled of beer and expensive aftershave, a perfumer’s idea of the beach. “You found Virginia?”

  I said that I had.

  “She’s moved back in for a while,” Fred told me. “Doing some renovations on that flat of theirs.”

  I nodded at what was obviously a lie.

  “You were friends with Julian, right?” He used the past tense, and I thought it was probably because the friendship was in the past, but it made it sound as though Julian himself was in the past, as though he were dead. The idea didn’t bother me as much as it should have. “Heard any news of him?” he asked, and took a long swig of his beer, looking away from me.

  “No, I haven’t been back that long.” The idea of a conversation with Fred about Virginia’s relationship was about as appealing as the thought of a swim in the polluted waters of the harbor below. But I felt sorry for Fred, who seemed to be on the verge of saying something more, a worried expression on his face. “What’s the story?” I asked.

  “It’s been five weeks,” he said. “No word from him. He and Virginia were having some trouble I think, but nothing serious. And then.” He lifted his hands as though describing an explosion. “Nothing.”

  “He took off?”

  “No phone call, nothing. Not answering his phone or e-mail, Facebook, whatever. No offense, I know the two of you had your falling out. I just thought you might have heard something. If you’re still, ah, in touch with that old crowd. Virginia’s just, she’s been wrecked by it.” I thought of the cool way she had adjusted her glasses, the way she drank her wine. She didn’t seem wrecked. But she was good at hiding things.

  “Was he still working for you?” I asked.

  “Yes. Left me in the lurch a bit with a couple of things.” He waved as though brushing away a mosquito. “But that’s neither here nor there.”

  “I’m not in touch with that old crowd, not that much,” I said, using his words. The crowd of dealers and users that had been a big reason to leave Sydney before I found myself arrested or worse. Julian had been part of it, but it always seemed like a part-time interest for him, a hobby. His uncle was a judge. His father was a solicitor, with a house in Cremorne that made Fred’s look like a boat shed. Julian was just passing time before entering that kind of life; they would have bailed him out if any kind of serious trouble had loomed, or spirited him away to dry out if his habit got out of control. Which it never seemed to do. When he started working for Fred, I thought he had taken that step into the world of money and privilege. That happened just after he started seeing Virginia. Or just after he started seeing her publicly. I found out later that before she broke up with me, she had been sleeping with him for months. It was hard to muster any concern for Julian.

  It had been me who had introduced him to Virginia, when I brought him along
to a party at the Dawsons’ one weekend. He was the new kid at school in our final year, arriving with rumors that he had been expelled from two others. Parents loved him, with his easy, disarming smile, his apparent lack of teenage angst, his guileless charm, his storybook name. I fell for it myself, but I was disappointed in Virginia when she fell for it too.

  “Was he in any trouble?” I asked. Maybe he hadn’t left the old crowd after all.

  I expected Fred to say no and I think he was about to. But he said, “I’ve started to wonder.”

  I hadn’t tasted my beer and it was impossible to eat the pavlova while holding it. I looked for a place to put both of them down before I left.

  “His parents have been to the police.” Fred shook his head. “It’s not like him to disappear like that.” He seemed to be wounded on his own behalf as much as Virginia’s. Julian was easy to love, and Fred was someone who loved people easily. “I’m used to seeing you with your camera in hand,” he said, changing the subject. “You know Derek, don’t you? Derek March? He’s here somewhere.”

  “I think I met him once or twice.” Derek March had been a frequent visitor to the house when I was there, often around for drinks or dinner. Decades ago he had made a name overseas with his photographs of musicians and their groupies. Now he attracted controversy with portraits of young girls and boys, posed in situations from basements to darkened playgrounds. Virginia and Skye had appeared in some of his photographs.

  “What’s your situation, work wise?” Fred asked me. “I know Derek’s looking for a studio assistant.” He led me through to the big living room, where Derek March was seated in a corner talking to a young woman in black, a glass of red wine in his hand and a bottle on the coffee table in front of him. He still had that slightly emaciated Keith Richards look, his face more lined than I remembered, his deep-set eyes an unsettling pale slatey blue.

  “The man of the hour!” he said when he saw Fred, raising his glass.

  Fred introduced me as an old friend of the family, a great talent, just returned from overseas. March was used to young artists seeking favor. The woman sitting with him was probably one of them. His gaze grew more sober as he examined me.