by Albert Camus
By the same token, if we deny that there are reasons for suicide, we cannot claim that there are grounds for murder. There are no half-measures about nihilism. Absurdist reasoning cannot defend the continued existence of its spokesman and, simultaneously, accept the sacrifice of others' lives. The moment that we recognize the impossibility of absolute negation—and merely to be alive
is to recognize this—the very first thing that cannot be denied is the right of others to live. Thus the same idea which allowed us to believe that murder was a matter of indifference now proceeds to deprive it of any justification; and we return to the untenable position from which we were trying to escape. In actual fact, this form of reasoning assures us at the same time that we can kill and that we cannot kill. It abandons us in this contradiction with no grounds either for preventing or for justifying murder, menacing and menaced, swept along with a whole generation intoxicated by nihilism, and yet lost in loneliness, with weapons in our hands and a lump in our throats.
This basic contradiction, however, cannot fail to be accompanied by a host of others from the moment that we claim to remain firmly in the absurdist position and ignore the real nature of the absurd, which is that it is an experience to be lived through, a point of departure, the equivalent, in existence, of Descartes's methodical doubt. The absurd is, in itself, contradiction.
It is contradictory in its content because, in wanting to uphold life, it excludes all value judgments, when to live is, in itself, a value judgment. To breathe is to judge. Perhaps it is untrue to say that life is a perpetual choice. But it is true that it is impossible to imagine a life deprived of all choice. From this simplified point of view, the absurdist position, translated into action, is inconceivable. It is equally inconceivable when translated into expression. Simply by being expressed, it gives a minimum of coherence to incoherence, and introduces consequence where, according to its own tenets, there is none. Speaking itself is restorative. The only coherent attitude based on non-signification would be silence—if silence, in its turn, were not significant. The absurd, in its purest form, attempts to remain dumb. If it finds its voice, it is because it has become complacent or, as we shall see, because it considers itself provisional. This complacency is an excellent indication of the profound ambiguity of the absurdist position. In a certain way, the absurd, which claims to express man in his solitude, really makes him live in front of a mirror. And then the initial anguish runs the risk of turning to
comfort. The wound that is scratched with such solicitude ends by giving pleasure.
Great explorers in the realm of absurdity have not been lacking. But, in the last analysis, their greatness is measured by the extent to which they have rejected the complacencies of absurdism in order to accept its exigencies. They destroy as much, not as little, as they can. "My enemies," says Nietzsche, "are those who want to destroy without creating their own selves." He himself destroys, but in order to try to create. He extols integrity and castigates the "hog-faced" pleasure-seekers. To escape complacency, absurdist reasoning then discovers renunciation. It refuses to be sidetracked and emerges into a position of arbitrary barrenness—a determination to be silent—which is expressed in the strange asceticism of rebellion. Rimbaud, who extols "crime puling prettily in the mud of the streets," runs away to Harrar only to complain about having to live there without his family. Life for him was "a farce for the whole world to perform." But on the day of his death, he cries out to his sister: "I shall lie beneath the ground but you, you will walk in sun!"
The absurd, considered as a rule of life, is therefore contradictory. What is astonishing about the fact that it does not provide us with values which will enable us to decide whether murder is legitimate or not? Moreover, it is obviously impossible to formulate an attitude on the basis of a specially selected emotion. The perception of the absurd is one perception among many. That it has colored so many thoughts and actions between the two wars only proves its power and its validity. But the intensity of a perception does not necessarily mean that it is universal. The error of a whole period of history has been to enunciate—or to suppose already enunciated—general rules of action founded on emotions of despair whose inevitable course, in that they are emotions, is continually to exceed themselves. Great suffering and great happiness may be found at the beginning of any process of reasoning. They are intermediaries. But it is impossible to rediscover or sustain them throughout the entire process. Therefore, if it was legitimate to take absurdist sensibility
into account, to make a diagnosis of a malady to be found in ourselves and in others, it is nevertheless impossible to see in this sensibility, and in the nihilism it presupposes, anything but a point of departure, a criticism brought to life—the equivalent, in the plane of existence, of systematic doubt. After this, the minor, with its fixed stare, must be broken and we are, perforce, caught up in the irresistible movement by which the absurd exceeds itself.
Once the mirror is broken, nothing remains which can help us to answer the questions of our time. Absurd-ism, like methodical doubt, has wiped the slate clean. It leaves us in a blind alley. But, like methodical doubt, it can, by returning upon itself, open up a new field of investigation, and the process of reasoning then pursues the same course. I proclaim that I believe in nothing and that everything is absurd, but I cannot doubt the validity of my proclamation and I must at least believe in my protest. The first and only evidence that is supplied me, within the terms of the absurdist experience, is rebellion. Deprived of all knowledge, incited to murder or to consent to murder, all I have at my disposal is this single piece of evidence, which is only reaffirmed by the anguish I suffer. Rebellion is born of the spectacle of irrationality, confronted with an unjust and incomprehensible condition. But its blind impulse is to demand order in the midst of chaos, and unity in the very heart of the ephemeral. It protests, it demands, it insists that the outrage be brought to an end, and that what has up to now been built upon shifting sands should henceforth be founded on rock. Its preoccupation is to transform. But to transform is to act, and to act will be, tomorrow, to kill, and it still does not know whether murder is legitimate. Rebellion engenders exactly the actions it is asked to legitimate. Therefore it is absolutely necessary that rebellion find its reasons within itself, since it cannot find them elsewhere. It must consent to examine itself in order to learn how to act.
Two centuries of rebellion, either metaphysical or historical, present themselves for our consideration. Only a historian could undertake to set forth in detail the doctrines and movements that have followed one another during this period. But at least it should be possible to find a guiding principle. The pages that follow only attempt to
present certain historical data and a working hypothesis. This hypothesis is not the only one possible; moreover, it is far from explaining everything. But it partly explains the direction in which our times are heading and almost entirely explains the excesses of the age. The astonishing history evoked here is the history of European pride.
In any event, the reasons for rebellion cannot be explained except in terms of an inquiry into its attitudes, pretensions, and conquests. Perhaps we may discover in its achievements the rule of action that the absurd has not been able to give us; an indication, at least, about the right or the duty to kill and, finally, hope for a new creation. Man is the only creature who refuses to be what he is. The problem is to know whether this refusal can only lead to the destruction of himself and of others, whether all rebellion must end in the justification of universal murder, or whether, on the contrary, without laying claim to an innocence that is impossible, it can discover the principle of reasonable culpability.
Part One The Rebel
What is a rebel? A man who says no, but whose refusal does not imply a renunciation. He is also a man who says yes, from the moment he makes his first gesture of rebellion. A slave who has taken orders all his life suddenly decides that he cannot obey some new command. What does he mean by saying "no"?
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He means, for example, that "this has been going on too long," "up to this point yes, beyond it no," "you are going too far," or, again, "there is a limit beyond which you shall not go." In other words, his no affirms the existence of a borderline. The same concept is to be found in the rebel's feeling that the other person "is exaggerating," that he is exerting his authority beyond a limit where he begins to infringe on the rights of others. Thus the movement of rebellion is founded simultaneously on the categorical rejection of an intrusion that is considered intolerable and on the confused conviction of an absolute right which, in the rebel's mind, is more precisely the impression that he "has the right to . . ." Rebellion cannot exist without the feeling that, somewhere and somehow, one is right. It is in this way that the rebel slave says yes and no simultaneously. He affirms that there are limits and also that he suspects—and wishes to preserve—the existence of certain things on this side of the borderline. He demonstrates, with obstinacy, that there is something in him which "is worth while . . ." and which must be taken into consideration. In a certain way, he confronts an order of things which oppresses him with the insistence on a kind of right not to be oppressed beyond the limit that he can tolerate.
In every act of rebellion, the rebel simultaneously ex-
periences a feeling of revulsion at the infringment of his rights and a complete and spontaneous loyalty to certain aspects of himself. Thus he implicitly brings into play a standard of values so far from being gratuitous that he is prepared to support it no matter what the risks. Up to this point he has at least remained silent and has abandoned himself to the form of despair in which a condition is accepted even though it is considered unjust. To remain silent is to give the impression that one has no opinions, that one wants nothing, and in certain cases it really amounts to wanting nothing. Despair, like the absurd, has opinions and desires about everything in general and nothing in particular. Silence expresses this attitude very well. But from the moment that the rebel finds his voice—even though he says nothing but "no"—he begins to desire and to judge. The rebel, in the etymological sense, does a complete turnabout. He acted under the lash of his master's whip. Suddenly he turns and faces him. He opposes what is preferable to what is not. Not every value entails rebellion, but every act of rebellion tacitly invokes a value. Or is it really a question of values?
Awareness, no matter how confused it may be, develops from every act of rebellion: the sudden, dazzling perception that there is something in man with which he can identify himself, even if only for a moment. Up to now this identification was never really experienced. Before he rebelled, the slave accepted all the demands made upon him. Very often he even took orders, without reacting against them, which were far more conducive to insurrection than the one at which he balks. He accepted them patiently, though he may have protested inwardly, but in that he remained silent he was more concerned with his own immediate interests than as yet aware of his own rights. But with loss of patience—with impatience—a reaction begins which can extend to everything that he previously accepted, and which is almost always retroactive. The very moment the slave refuses to obey the humiliating orders of his master, he simultaneously rejects the condition of slavery. The act of rebellion carries him far beyond the point he had reached by simply refusing. He exceeds the bounds that he fixed for his antagonist, and now demands to be treated as an equal. What was at first
the man's obstinate resistance now becomes the whole man, who is identified with and summed up in this resistance. The part of himself that he wanted to be respected he proceeds to place above everything else and proclaims it preferable to everything, even to life itself. It becomes for him the supreme good. Having up to now been willing to compromise, the slave suddenly adopts ("because this is how it must be . . .") an attitude of All or Nothing. With rebellion, awareness is born.
But we can see that the knowledge gained is, at the same time, of an "all" that is still rather obscure and of a "nothing" that proclaims the possibility of sacrificing the rebel to this "All." The rebel himself wants to be "all"— to identify himself completely with this good of which he has suddenly become aware and by which he wants to be personally recognized and acknowledged—or "nothing"; in other words, to be completely destroyed by the force that dominates him. As a last resort, he is willing to accept the final defeat, which is death, rather than be deprived of the personal sacrament that he would call, for example, freedom. Better to die on one's feet than to live on one's knees.
Values, according to good authorities, "most often represent a transition from facts to rights, from what is desired to what is desirable (usually through the intermediary of what is generally considered desirable)."1 The transition from facts to rights is manifest, as we have seen, in rebellion. So is the transition from "this must be" to "this is how I should like things to be," and even more so, perhaps, the idea of the sublimation of the individual in a henceforth universal good. The sudden appearance of the concept of "All or Nothing" demonstrates that rebellion, contrary to current opinion, and though it springs from everything that is most strictly individualistic in man, questions the very idea of the individual. If the individual, in fact, accepts death and happens to die as a consequence of his act of rebellion, he demonstrates by doing so that he is willing to sacrifice himself for the sake of a common good which he considers more important than his own destiny. If he prefers the risk of death to the negation of the rights that he defends, it is because he considers these
1Lalande: Vocabulaire philosophique.
rights more important than himself. Therefore he is acting in the name of certain values which are still indeterminate but which he feels are common to himself and to all men. We see that the affirmation implicit in every act of rebellion is extended to something that transcends the individual in so far as it withdraws him from his supposed solitude and provides him with a reason to act. But it is already worth noting that this concept of values as pre-existant to any kind of action contradicts the purely historical philosophies, in which values are acquired (if they are ever acquired) after the action has been completed. Analysis of rebellion leads at least to the suspicion that, contrary to the postulates of contemporary thought, a human nature does exist, as the Greeks believed. Why rebel if there is nothing permanent in oneself worth preserving? It is for the sake of everyone in the world that the slave asserts himself when he comes to the conclusion that a command has infringed on something in him which does not belong to him alone, but which is common ground where all men—even the man who insults and oppresses him—have a natural community.2
Two observations will support this argument. First, we can see that an act of rebellion is not, essentially, an egoistic act. Of course, it can have egoistic motives. But one can rebel equally well against lies as against oppression. Moreover, the rebel—once he has accepted the motives and at the moment of his greatest impetus—preserves nothing in that he risks everything. He demands respect for himself, of course, but only in so far as he identifies himself with a natural community.
Then we note that rebellion does not arise only, and necessarily, among the oppressed, but that it can also be caused by the mere spectacle of oppression of which someone else is the victim. In such cases there is a feeling of identification with another individual. And it must be pointed out that this is not a question of psychological identification—a mere subterfuge by which the individual imagines that it is he himself who has been offended. On the contrary, it can often happen that we cannot bear to
2 The community of victims is the same as that which unites victim and executioner. But the executioner does not know this.
see offenses done to others which we ourselves have accepted without rebelling. The suicides of the Russian terrorists in Siberia as a protest against their comrades' being whipped is a case in point. Nor is it a question of the feeling of a community of interests. Injustices done to men whom we consider enemies can, actually, be profoundly repugnant to us. There is only i
dentification of one's destiny with that of others and a choice of sides. Therefore the individual is not, in himself alone, the embodiment of the values he wishes to defend. It needs all humanity, at least, to comprise them. When he rebels, a man identifies himself with other men and so surpasses himself, and from this point of view human solidarity is metaphysical. But for the moment we are only talking of the kind of solidarity that is born in chains.
It would be possible for us to define the positive aspect of the values implicit in every act of rebellion by comparing them with a completely negative concept like that of resentment as defined by Scheler. Rebellion is, in fact, much more than pursuit of a claim, in the strongest sense of the word. Resentment is very well defined by Scheler as an autointoxication—the evil secretion, in a sealed vessel, of prolonged impotence. Rebellion, on the contrary, breaks the seal and allows the whole being to come into play. It liberates stagnant waters and turns them into a raging torrent. Scheler himself emphasizes the passive aspect of resentment and remarks on the prominent place it occupies in the psychology of women who are dedicated to desire and possession. The fountain-head of rebellion, on the contrary, is the principle of superabundant activity and energy. Scheler is also right in saying that resentment is always highly colored by envy. But one envies what one does not have, while the rebel's aim is to defend what he is. He does not merely claim some good that he does not possess or of which he was deprived. His aim is to claim recognition for something which he has and which has already been recognized by him, in almost every case, as more important than anything of which he could be envious. Rebellion is not realistic. According to Scheler, resentment always turns into either unscrupulous ambition or bitterness, de-