For instance, when he called death 'the great bankruptcy which would make the worldly man, in a moment, the only person in his house not worth a shilling,' the preacher glanced unconsciously at a secret fear in the caverns of Sturk’s mind, that echoed back the sonorous tones and grisly theme of the rector with a hollow thunder.
There was a time when Sturk, like other shrewd, bustling fellows, had no objection to hear who had an execution in his house, who was bankrupt, and who laid by the heels; but now he shrunk from such phrases. He hated to think that a clever fellow was ever absolutely beggared in the world’s great game. He turned his eye quickly from the Gazette, as it lay with other papers on the club table; for its grim pages seemed to look in his face with a sort of significance, as if they might some day or other have a small official duty to perform by him; and when an unexpected bankruptcy was announced by Cluffe or Toole in the club–room, it made his ear ring like a slap, and he felt sickish for half an hour after.
One of that ugly brood of dreams which haunted his nights, borrowed, perhaps, a hint from Dr. Walsingham’s sermon. Sturk thought he heard Toole’s well–known, brisk voice, under his windows, exclaim, 'What is the dirty beggar doing there? faugh!—he smells all over like carrion—ha, ha ha!' and looking out, in his dream, from his drawing–room window, he saw a squalid mendicant begging alms at his hall–door. 'Hollo, you, Sir; what do want there?' cried the surgeon, with a sort of unaccountable antipathy and fear. 'He lost his last shilling in the great bankruptcy, in October,' answered Dunstan’s voice behind his ear; and in the earth–coloured face which the beggar turned up towards him, Sturk recognised his own features—''Tis I'—he gasped out with an oath, and awoke in a horror, not knowing where he was. 'I—I’m dying.'
'October,' thought Sturk—'bankruptcy. 'Tis just because I’m always thinking of that infernal bill, and old Dyle’s renewal, and the rent.'
Indeed, the surgeon had a stormy look forward, and the navigation of October was so threatening, awful, and almost desperate, as he stood alone through the dreadful watches at the helm, with hot cheek and unsteady hand, trusting stoically to luck and hoping against hope, that rocks would melt, and the sea cease from drowning, that it was almost a wonder he did not leap overboard, only for the certainty of a cold head and a quiet heart, and one deep sleep.
And, then, he used to tot up his liabilities for that accursed month, near whose yawning verge he already stood; and then, think of every penny coming to him, and what might be rescued and wrung from runaways and bankrupts whose bills he held, and whom he used to curse in his bed, with his fists and his teeth clenched, when poor little Mrs. Sturk, knowing naught of this danger, and having said her prayers, lay sound asleep by his side. Then he used to think, if he could only get the agency in time it would set him up—he could borrow £200 the day after his appointment; and he must make a push and extend his practice. It was ridiculous, that blackguard little Toole carrying off the best families in the neighbourhood, and standing in the way of a man like him; and Nutter, too—why, Lord Castlemallard knew as well as he did, that Nutter was not fit to manage the property, and that he was—and Nutter without a child or anyone, and he with seven! and he counted them over mentally with a groan. 'What was to become of them?' Then Nutter would be down upon him, without mercy, for the rent; and Dangerfield, if, indeed, he cared to do it [curse it, he trusted nobody], could not control him; and Lord Castlemallard, the selfish profligate, was away in Paris, leaving his business in the hands of that bitter old botch, who’d go any length to be the ruin of him.
Then he turned over the chances of borrowing a hundred pounds from the general—as he did fifty times every day and night, but always with the same result—'No; curse him, he’s as weak as water—petticoat government—he’ll do nothing without his sister’s leave, and she hates me like poison;' and then he thought—'it would not be much to ask Lord Castlemallard—there’s still time—to give me a month or two for the rent, but if the old sneak thought I owed twopence, I might whistle for the agency, and besides, faith!—I don’t think he’d interfere.'
Then the clock down stairs would strike 'three,' and he felt thankful, with a great sigh, that so much of the night was over, and yet dreaded the morning.
And then he would con over his chances again, and think which was most likely to give him a month or two. Old Dyle—'Bah! he’s a stone, he would not give me an hour. Or Carny, curse him, unless Lucas would move him. And, no, Lucas is a rogue, selfish beast: he owes me his place; and I don’t think he’d stir his finger to snatch me from perdition. Or Nutter—Nutter, indeed!—why that fiend has been waiting half the year round to put in his distress the first hour he can.'
And then Sturk writhed round on his back, as we may suppose might St. Anthony on his gridiron, and rolled his eye–balls up toward the dark bed; and uttered a dismal groan, and thought of the three inexorable fates, Carny, Nutter, and Dyle, who at that moment held among them the measure, and the thread, and the shears of his destiny: and standing desperately in the dark at the verge of the abyss, he mentally hurled the three ugly spirits together into his bag, and flung them whirling through the mirk into the lake that burns with fire and brimstone.
CHAPTER XXXIX.
TELLING HOW LILIAS WALSINGHAM FOUND TWO LADIES AWAITING HER ARRIVAL AT THE ELMS.
When Lilias Walsingham, being set down in the hall at the Elms, got out and threw back her hood, she saw two females sitting there, who rose, as she emerged, and bobbed a courtesy each. The elder was a slight thin woman of fifty or upwards, dark of feature, but with large eyes, the relics of early beauty. The other a youthful figure, an inch or two taller, slim and round, and showing only a pair of eyes, large and dark as the others, looking from under her red hood, earnestly and sadly as it seemed, upon Miss Walsingham.
'Good–evening, good neighbours,' said Miss Lily in her friendly way; 'the master is in town, and won’t return till to–morrow; but may be you wish to speak to me?'
''Tis no place for the like of yous,' said old John Tracy, gruffly, for he knew them, with the privilege of an old servant. 'If you want to see his raverence, you must come in the morning.'
'But it may be something, John, that can’t wait, and that I can do,' said Lily.
'And, true for you, so it is, my lady,' said the elder woman, with another bob; 'an' I won’t delay you, Ma’am, five minutes, if you plaze, an' it’s the likes of you,' she said, in a shrewish aside, with a flash of her large eyes upon John Tracy, 'that stands betune them that’s willin' to be good and the poor—so yez do, saucepans and bone–polishers, bad luck to yez.'
The younger woman plucked the elder by the skirt; but Lily did not hear. She was already in the parlour.
'Ay, there it is,' grinned old John, with a wag of his head.
And so old Sally came forth and asked the women to step in, and set chairs for them, while Lily was taking off her gloves and hood by the table.
'You’ll tell me first who you are,' said Lily, 'my good woman—for I don’t think we’ve met before—and then you will say what I can do for you.'
'I’m the Widdy Glynn, Ma’am, at your sarvice, that lives beyant Palmerstown, down by the ferry, af its playsin' to you; and this is my little girl, Ma’am, av you plaze. Nan, look up at the lady, you slut.'
She did not need the exhortation, for she was, indeed, looking at the lady, with a curious and most melancholy gaze.
'An' what I’m goin' to say, my lady, if you plase, id best be said alone;' and the matron glanced at old Sally, and bobbed another courtesy.
'Very well,' said Miss Walsingham. 'Sally, dear, the good woman wants to speak with me alone: so you may as well go and wait for me in my room.'
And so the young lady stood alone in presence of her two visitors, whereupon, with a good many courtesies, and with great volubility, the elder dame commenced—
''Tis what we heerd, Ma’am, that Captain Devereux, of the Artillery here, in Chapelizod, Ma’am, that’s gone to England, was coortin' you my l
ady; and I came here with this little girl, Ma’am, if you plaze, to tell you, if so be it’s thrue, Ma’am, that there isn’t this minute a bigger villian out iv gaol—who brought my poor little girl there to disgrace and ruin, Ma’am?'
Here Nan Glynn began to sob into her apron.
''Twas you, Richard Devereux, that promised her marriage—with his hand on the Bible, on his bended knee. 'Twas you, Richard Devereux, you hardened villian—yes, Ma’am, that parjured scoundrel—(don’t be cryin', you fool)—put that ring there, you see, on her finger, Miss, an' a priest in the room, an' if ever man was woman’s husband in the sight of God, Richard Devereux is married to Nan Glynn, poor an' simple as she stands there.'
'Stop, mother,' sobbed Nan, drawing her back by the arm; 'don’t you see the lady’s sick.'
'No—no—not anything; only—only shocked,' said poor Lilias, as white as marble, and speaking almost in a whisper; 'but I can’t say Captain Devereux ever spoke to me in the way you suppose, that’s all. I’ve no more to say.'
Nan Glynn, sobbing and with her apron still to her eyes, was gliding to the door, but her mother looked, with a coarse sort of cunning in her eye, steadily at the poor young lady, in some sort her victim, and added more sternly—
'Well, my lady, 'tis proud I am to hear it, an' there’s no harm done, at any rate; an' I thought 'twas only right I should tell you the thruth, and give you this warnin', my lady; an' here’s the atturney’s writin', Ma’am—if you’ll plaze to read it—Mr. Bagshot, iv Thomas Street—sayin', if you’ll be plazed to look at it—that 'tis a good marriage, an' that if he marries any other woman, gentle or simple, he’ll take the law iv him in my daughter’s cause, the black, parjured villian, an' transport him, with a burnt hand, for bigamany; an' 'twas only right, my lady, as the townspeople was talking, as if it was as how he was thryin' to invagle you, Miss, the desaver, for he’d charrum the birds off the trees, the parjurer; and I’ll tell his raverence all about it when I see him, in the morning—for 'tis only right he should know. Wish the lady good–night, Nan, you slut—an the same from myself, Ma’am.'
And, with another courtesy, the Glynns of Palmerstown withdrew.
CHAPTER XL.
OF A MESSENGER FROM CHAPELIZOD VAULT WHO WAITED IN THE TYLED HOUSE FOR MR. MERVYN.
Mervyn was just about this time walking up the steep Ballyfermot Road. It was then a lonely track, with great bushes and hedgerows overhanging it; and as other emotions subsided, something of the chill and excitement of solitude stole over him. The moon was wading through flecked masses of cloud. The breath of night rustled lightly through the bushes, and seemed to follow her steps with a strange sort of sigh and a titter. He stopped and looked back under the branches of an old thorn, and traced against the dark horizon the still darker outline of the ivied church tower of Chapelizod, and thought of the dead that lay there, and of all that those sealed lips might tell, and old tales of strange meetings on moors and desolate places with departed spirits, flitted across his brain; and the melancholy rush of the night air swept close about his ears, and he turned and walked more briskly toward his own gloomy quarters, passing the churchyard of Ballyfermot on his right. There were plenty of head–stones among the docks and nettles: some short and some tall, some straight and some slanting back, and some with a shoulder up, and a lonely old ash–tree still and dewy in the midst, glimmering cold among the moveless shadows; and then at last he sighted the heavy masses of old elm, and the pale, peeping front of the 'Tyled House,' through the close and dismal avenue of elm, he reached the front of the mansion. There was no glimmer of light from the lower windows, not even the noiseless flitting of a bat over the dark little court–yard. His key let him in. He knew that his servants were in bed. There was something cynical in his ree–raw independence. It was unlike what he had been used to, and its savagery suited with his bitter and unsociable mood of late.
But his step sounding through the hall, and the stories about the place of which he was conscious. He battled with his disturbed foolish sensations, however, and though he knew there was a candle burning in his bed–room, he turned aside at the foot of the great stair, and stumbled and groped his way into the old wainscoted back–parlour, that looked out, through its great bow window, upon the haunted orchard, and sat down in its dismal solitude.
He ruminated upon his own hard fate—the meanness of man–kind—the burning wrongs, as he felt confident, of other times, Fortune’s inexorable persecution of his family, and the stygian gulf that deepened between him and the object of his love; and his soul darkened with a fierce despair, and with unshaped but evil thoughts that invited the tempter.
The darkness and associations of the place were unwholesome, and he was about to leave it for the companionship of his candle, but that, on a sudden, he thought he heard a sound nearer than the breeze among the old orchard trees.
This was the measured breathing of some one in the room. He held his own breath while he listened—'One of the dogs,' he thought, and he called them quietly; but no dog came. 'The wind, then, in the chimney;' and he got up resolutely, designing to open the half–closed shutter. He fancied as he did so that he heard the respiration near him, and passed close to some one in the dark.
With an unpleasant expectation he threw back the shutters, and unquestionably he did see, very unmistakably, a dark figure in a chair; so dark, indeed, that he could not discern more of it than the rude but undoubted outline of a human shape; and he stood for some seconds, holding the open shutter in his hand, and looking at it with more of the reality of fear than he had, perhaps, ever experienced before. Pale Hecate now, in the conspiracy, as it seemed, withdrew on a sudden the pall from before her face, and threw her beams full upon the figure. A slim, tall shape, in dark clothing, and, as it seemed, a countenance he had never beheld before—black hair, pale features, with a sinister–smiling character, and a very blue chin, and closed eyes.
Fixed with a strange horror, and almost expecting to see it undergo some frightful metamorphosis, Mervyn stood gazing on the cadaverous intruder.
'Hollo! who’s that?' cried Mervyn sternly.
The figure opened his eyes, with a wild stare, as if he had not opened them for a hundred years before, and rose up with an uncertain motion, returning Mervyn’s gaze, as if he did not know where he was.
'Who are you?' repeated Mervyn.
The phantom seemed to recover himself slowly, and only said: 'Mr. Mervyn?'
'Who are you, Sir?' cried Mervyn, again.
'Zekiel Irons,' he answered.
'Irons? what are you, and what business have you here, Sir?' demanded Mervyn.
'The Clerk of Chapelizod,' he continued, quietly and remarkably sternly, but a little thickly, like a man who had been drinking.
Mervyn now grew angry.
'The Clerk of Chapelizod—here—sleeping in my parlour! What the devil, Sir, do you mean?'
'Sleep—Sir—sleep! There’s them that sleeps with their eyes open. Sir—you know who they may be; there’s some sleeps sound enough, like me and you; and some that’s sleep–walkers,' answered Irons; and his enigmatical talk somehow subdued Mervyn, for he said more quietly—
'Well, what of all this, Sirrah?'
'A message,' answered Irons. The man’s manner, though quiet, was dogged, and somewhat savage.
'Give it me, then,' said Mervyn, expecting a note, and extending his hand.
'I’ve nothing for your hand, Sir, 'tis for your ear,' said he.
'From whom, then, and what?' said Mervyn, growing impatient again.
'I ask your pardon, Mr. Mervyn; I have a good deal to do, back and forward, sometimes early, sometimes late, in the church—Chapelizod Church—all alone, Sir; and I often think of you, when I walk over the south–side vault.'
'What’s your message, I say, Sir, and who sends it,' insisted Mervyn.
'Your father,' answered Irons.
Mervyn looked with a black and wild sort of enquiry on the clerk—was he insane or what?—and seemed
to swallow down a sort of horror, before his anger rose again.
'You’re mistaken—my father’s dead,' he said, in a fierce but agitated undertone.
'He’s dead, Sir—yes,' said his saturnine visitor, with the same faint smile and cynical quietude.
'Speak out, Sirrah; whom do you come from?'
'The late Right Honourable the Lord Viscount Dunoran.' He spoke, as I have said, a little thickly, like a man who had drunk his modicum of liquor.
'You’ve been drinking, and you dare to mix my—my father’s name with your drunken dreams and babble—you wretched sot!'
A cloud passed over the moon just then, and Irons darkened, as if about to vanish, like an offended apparition. But it was only for a minute, and he emerged in the returning light, and spoke—
'A naggin of whiskey, at the Salmon House, to raise my heart before I came here. I’m not drunk—that’s sure.' He answered, quite unmoved, like one speaking to himself.
'And—why—what can you mean by speaking of him?' repeated Mervyn, unaccountably agitated.
'I speak for him, Sir, by your leave. Suppose he greets you with a message—and you don’t care to hear it?'
'You’re mad,' said Mervyn, with an icy stare, to whom the whole colloquy began to shape itself into a dream.
'Belike you’re mad, Sir,' answered Irons, in a grim, ugly tone, but with face unmoved. ''Twas not a light matter brought me here—a message—there—well!—your right honourable father, that lies in lead and oak, without a name on his coffin–lid, would have you to know that what he said was—as it should be—and I can prove it—'
'What?—he said what?—what is it?—what can you prove? Speak out, Sirrah!' and his eyes shone white in the moonlight, and his hand was advanced towards Irons’s throat, and he looked half beside himself, and trembling all over.
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