The Tanzania Conspiracy

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The Tanzania Conspiracy Page 1

by Mario Bolduc




  Max O’Brien Mysteries

  The Kashmir Trap

  The Roma Plot

  The Tanzania Conspiracy

  Copyright © Dundurn Press, 2018

  Originally published in French under the title La nuit des albinos. Copyright © 2012 Mario Bolduc

  © 2012 Éditions Libre Expression

  Published under arrangement with Groupe Librex, Inc., doing business under the name Éditions Libre Expression, Montréal. QC, Canada.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise (except for brief passages for purpose of review) without the prior permission of Dundurn Press. Permission to photocopy should be requested from Access Copyright.

  All characters in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The publisher is not responsible for websites or their content unless they are owned by the publisher.

  Printer: Webcom

  Library and Archives Canada Cataloguing in Publication

  Bolduc, Mario, 1953-

  [Nuit des albinos. English]

  The Tanzania conspiracy / Mario Bolduc ; translated by Jacob Homel.

  (A Max O’Brien mystery)

  Translation of: La nuit des albinos.

  Issued in print and electronic formats.

  ISBN 978-1-4597-3609-2 (softcover).--ISBN 978-1-4597-3610-8

  (PDF).--ISBN 978-1-4597-3611-5 (EPUB)

  I. Homel, Jacob, 1987-, translator II. Title. III. Title: Nuit

  des albinos. English IV. Series: Bolduc, Mario, 1953- . Max O’Brien mystery

  PS8553.O475N8413 2019 C843’.54 C2018-903982-5

  C2018-903983-3

  1 2 3 4 5 22 21 20 19 18

  We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country, and the Ontario Arts Council for our publishing program. We also acknowledge the financial support of the Government of Ontario, through the Ontario Book Publishing Tax Credit and the Ontario Media Development Corporation, and the Government of Canada.

  Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.

  We acknowledge the financial support of the Government of Canada through the National Translation Program for Book Publishing, an initiative of the Roadmap for Canada’s Official Languages 2013–2018: Education, Immigration, Communities, for our translation activities.

  Care has been taken to trace the ownership of copyright material used in this book. The author and the publisher welcome any information enabling them to rectify any references or credits in subsequent editions.

  — J. Kirk Howard, President

  Printed and bound in Canada.

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  AUTHOR’S NOTE

  Although based on reality, this novel relates a completely imaginary adventure. Many fictional characters mingle with people who exist or have existed. The chronology of certain events has been changed for the needs of the story.

  For Nicole Landry,

  with all my affection

  And God said, Take now thy son, thine only son Isaac, whom thou lovest, and get thee into the land of Moriah; and offer him there for a burnt offering upon one of the mountains which I will tell thee of.

  — Genesis 22:2

  TABLE OF CONTENTS

  PART ONE: The Kandoya Method

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  PART TWO: The Arrest

  15

  16

  17

  18

  19

  20

  21

  22

  23

  24

  25

  26

  27

  PART THREE: The Execution

  28

  29

  30

  31

  32

  33

  34

  35

  ACKNOWLEDGEMENTS

  MYSTERY AND CRIME FICTION FROM DUNDURN PRESS

  BOOK CREDITS

  PART ONE

  The Kandoya Method

  1

  On the small-screen television jammed beneath the instrument panel between a toolbox and a bottle of whisky, Barack Obama’s visit to Tanzania was being cele­brated with the racket of marching bands and the usual overblown speeches. The flickering, ghosted, washed-out images spoke of a major historical event according to Rashid, the boat’s captain, who was manoeuvring his craft with one eye on TVZ and the other on the exit of the Malindi harbour in Zanzibar. It was early April 2009, and the new American president was coming in from Ghana, stopping over in Dar es Salaam, and then touching ground a few days later in Kenya, his father’s country. “Obama is Africa in the White House,” Rashid had declared as he’d greeted Max O’Brien on the dock a few minutes earlier, encouraging his passenger to participate in the celebrations.

  But Max had other things on his mind. He hated improvisation but had to depend on Jayesh Srinivasan’s decisions. Jayesh had told Max more than once over the phone, “Rashid has received and understood my instructions and will obey you blindly.”

  However, Jayesh hadn’t informed Max that this former fisherman who’d become a boat captain was a political junkie, and he had woven a web of talk around Max ever since the two met the evening before. In the smoky little café in Stone Town where they finalized the operation, Rashid prattled on and on about international politics and their consequences — dire, it went without saying — for the African continent.

  Once they moved out of the harbour, Rashid pointed out a scruffy-looking dhow at anchor in the middle of the bay where more than a hundred refugees in rags were huddled. A makeshift tarp offered poor shelter from the sun and oppressive heat. Children crying. Babies bawling. Worse, the empty eyes of emaciated people, starving, fresh in from the belly of human misery.

  “They escaped from Burgavo,” Rashid explained above the rattling of the engine.

  Burgavo, in Somalia, near the border with Kenya.

  They must have tried to land in Mombasa, farther south, but the authorities would have kept them out of the port, the result, most likely, of the tensions between Kenya and Somalia. They kept on going and entered Tanzanian waters, coming to a halt outside the port, praying for pity.

  “They picked the wrong day,” Rashid remarked. “The Zanzibar port authority is closed on Saturdays. Sundays, too.”

  The unfortunate travellers wouldn’t see the immigration agents until the offices opened on Monday. More than thirty-six hours of being baked alive in the port with no food and limited water. It was forty degrees Celsius, and the humidity stuck to the skin like a coating of filth.

  A hundred metres from the dhow, a glittering floating monster, all whiteness on blue water: Jonathan Harris’s yacht, freshly minted at the German shipyards of Blohm & Voss. Heading for the Mediterranean where its home port was — Nice, to be exact — the Sunflower was coming from Cape Town and was expecting to stop at Mombasa and Suez after sailing past Djibouti. The Gulf of Aden was in
fested with pirates. Harris’s advisers had tried to dissuade the billionaire from attempting the passage, and even the captain, normally so obsequious, had added his voice to the chorus, but Harris wasn’t the type to be frightened off by “primitives with machetes,” as he called them. Having done good business in South Africa, he decided to purchase the services of a private militia armed to the teeth that would travel with the crew and passengers. The shock troops would board in Mombasa and remain on duty until Suez.

  And with all the security, Harris still had no idea that the Mr. Robert Flanagan who’d offered him his expertise and would be joining him on the yacht today was actually Max O’Brien, a notorious con artist who had Interpol at his heels.

  Usually, Max chose his victims carefully; he studied, scrutinized, and plotted. Each scam was carried out according to a modus operandi that was more or less identical. After a long period of observation, after setting out appetizing bait, his accomplices having warmed up the future victim, Max stepped in. The work sometimes took only a few days, or stretched out over several months. Each victim was unique, and adjustments were always necessary. Most of all, total control from beginning to end of the operation was essential.

  But when it came to Harris, Max had to trust someone else’s plans and preparations, something he despised. Even if the other was Jayesh Srinivasan, his friend he’d worked with in India.

  The great age of fraud was over for Max, and he’d sworn those days were past. When he returned from Europe after the business with the Roma, he slowly abandoned his activities and settled in the village of Shela, just outside Lamu, in northern Kenya.

  Two weeks ago, Jayesh called Max from Mumbai. Pure gold, according to him. An easy mark, and he’d prepared the perfect trap for the billionaire Jonathan Harris. All Jayesh needed was the master con artist who would put the finishing touches on the operation. Jayesh had thought of Max, since he lived in the region now.

  “I’m out of the game, Jayesh. I’m through. I’m not leaving paradise.”

  Jayesh had insisted, saying he’d give Max a bigger cut — half the take — but Max didn’t bite. He wouldn’t sacrifice his retirement for all the gold the world had to offer.

  Not long after Jayesh’s call, Sophie Stroner, Valéria Michieka’s daughter, announced she was coming to visit. The news had been a bit of a surprise, though a happy one, indeed. He hadn’t heard from Valéria in such a long time, but Max couldn’t blame her. Things had ended badly between them. It had taken him months to purge himself of the shape of her next to him, and all that time he could only dream of her calling him out of the blue, or sending him a simple email. Max was a proud man; he wanted her to take the first step toward reconciliation. Perhaps Sophie’s visit was a sign.

  Max had rented a villa from an Italian industrialist, a dazzling white building looking out over the Indian Ocean. He spent his days strolling along the beach, heading south, into isolation, or north, until he reached Lamu with its handful of hotels, three or four decent restaurants, and the busy life of a small Swahili town with its port and mule trains carrying spices and other goods.

  That was where Max went to meet Sophie. Her plane was coming from Bukoba in Tanzania, via Nairobi, and had landed an hour earlier on the other side of the strait where the tiny Lamu airport lay. He spotted her among the tourists, standing in the shuttle, working to keep her balance as the captain brought the boat to a stop at the pier. She was twenty-five and girlish and would prob­ably always look that way, like her mother.

  He offered her his hand, and she stepped onto dry land. Slung over her shoulder, her small travel bag showed that she wasn’t staying long. To reach Shela, they could go on foot along the beach, the way Max usually did, or they could take a dhow that would drop them off in front of the Peponi Hotel. Sophie was tired, she had set out early from Nairobi, and she was thirsty. Max took her to the bar in the little hotel facing the port, one of the few authorized to sell alcohol, since Lamu was in Muslim territory.

  “Happy to see you again,” Sophie said, once they were sitting in the dim room.

  Max suspected her visit wasn’t a simple social call.

  “You came back to Africa,” she continued.

  Max smiled. After his breakup with Valéria, he’d lost his attachment to the continent, yet decided to stay on temporarily. He liked Lamu. It felt as if it belonged to another world, with its sandy streets and sticky humidity.

  “How’s your mother?”

  “Fine. Very good, actually.”

  A number of years earlier, when she graduated from Makerere University, law degree in hand, Valéria had opened a practice in Bukoba in northwest Tanzania, near the Ugandan border, right on the shores of Lake Victoria. In the Kagera region, to be exact. A place cut off from the rest of Tanzania, closer to Kampala or Nairobi than to Dar es Salaam, the former capital and the country’s biggest city. The area inhabited by the Haya people had once been a prosperous kingdom, highly developed economically, but all that had disappeared when the Germans, then the British, colonized the country at the beginning of the twentieth century. Things went slowly downward from then on. The region developed at a painfully slow pace. Today, as far as roads went, there was only one paved section south of Bukoba, the administrative centre, and the rest of the network was made up of rough dirt tracks, or barely passable trails used by farmers and fishermen from the surrounding villages.

  The area around Lake Victoria had witnessed the bloodiest conflicts of recent years, the legacy of the colonization that bled the region dry, thanks to the work of Western predators. Refugees from Rwanda and Burundi to the west found relatively safe haven in Kagera during the 1994 genocide. Two decades earlier, people escaping Idi Amin Dada’s regime to the north crossed the Ugandan border in search of something close to peace. Not to mention AIDS, which devoured the sur­vivors and decimated families and whole villages. In the Kagera region at one point, according to Valéria, nearly a quarter of the population was infected, the highest rate in East Africa.

  In other words, Bukoba and the surrounding area summed up what was most beautiful and most terrifying about Africa. In that part of Tanzania, history seemed to have revisited the tragedies and cataclysms of past centur­ies and given them an exotic colouring. Evil, surely, but in a luxuriant environment. Living hell in a magnificent setting designed by a vengeful, cruel, ironic god.

  That was where Valéria offered her legal services to a population that couldn’t pay for them. In Dar es Salaam, things would have been easier. But she chose Bukoba for one particular reason: the terrible hunting down of albinos, a wound in the social fabric that decimated families and spread destruction.

  For genetic reasons, Tanzania counted more albinos — a total of two hundred thousand according to some estimates — than any other African country. And Africa’s albino population was already that much higher than in Europe or in the Americas.

  Since the beginning of time, people have attributed magical powers to these “white Africans.” This superstition pushed gangs of criminals in search of profit to scour the countryside for albinos of any age, kidnapping, killing, and cutting them up, then selling pieces of their bodies to medicine men and healers who flogged them to their customers. An albino would disappear, never to be seen again, the only trace of his or her existence now contained in some trinket or lucky charm.

  Trafficking in albinos had changed over time. When Valéria launched her campaign against it in the 1990s, the trade in albinos was a booming business. In past days, people were interested in albinos and their supposed powers in the hope of curing sickness, ending epidemics, eliminating drought. An albino burned during the rainy season guaranteed abundant harvests the following year. Albino limbs attached to fishing nets held out the promise of excellent catches.

  But needs were changing. As Tanzania emerged from underdevelopment, a new clientele appeared. Albino internal organs were being sold to ambitious men in search of promotions, employees who dreamed of raises in pay, or as a way to urge L
ady Luck to smile after the purchase of lottery tickets.

  In her office, Valéria received parents in mourning who had come to seek reparations for the arms or legs that had been amputated from their sons or daughters. She defended these families with limitless energy, and with the support of the Tanzanian government that had decided to declare war on the traffickers. Before Valéria’s involvement, such offenders had gotten off with laughable sentences for lack of witnesses. People were too frightened by the climate of terror created by healers and medicine men. The police had little enthusiasm for tracking down go-betweens. Sure, they’d arrest the most colourful bush healers, and some had even ended up in prison, but they were more often quickly released, their sentences never commensurate with their crimes. But now, with the clientele expanding, new sanctions had to be applied to discourage albino hunters. Witnesses were no longer afraid to speak up and denounce the criminals.

  Over time, Valéria convinced witnesses to emerge from silence and denounce the guilty parties, eventually leading these courageous men and women to testify in court against the perpetrators so that their campaign of death might be stopped. From her residence in Bukoba, she created The Colour of Respect Foundation to provide support to albinos and their families. She travelled across Africa in search of help and funding and didn’t neglect Europe and America, while Sophie, also a lawyer, held the fort back in Bukoba.

  How could anyone remain unmoved by the continuing massacre? In 2008 alone, twenty-seven albinos were murdered, bringing back echoes of Africa’s troubled past, making people think that, despite all efforts, the continent was as primitive and bloody as ever.

  Every leg of the journey had been a trial for Sophie, and she refused to get into one more public conveyance when Max suggested they take the boat after they came out of the bar. He grabbed her travel bag and steered her down the beach path for Shela. Night was falling, but it was still very hot. As they walked, Sophie talked at length about her mother and the practice that was growing ever larger, as concerned with albinos as ever but trying to diversify. Business and real estate law, family law, as well, serving a new sort of client. Valéria was still part of the Women’s Legal Aid Centre and had opened a branch in Bukoba. Sometimes she was paid, other times not; as she’d always done, she never refused a client. Sophie now helped her mother at the practice. She’d begun a law degree at McGill University in Montreal before coming home to finish it. Valéria was proud that her daughter had chosen the same profession.

 

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