“He could not help”: PS, quoted in Newhall, p. 131.
“All good art”: PS, Rebecca, unpaginated.
“really very good”: GOK, quoted in Tomkins GOK notes, MOMA.
“He gave a flight”: GOK, in Alfred Stieglitz, Georgia O’Keeffe: A Portrait, unpaginated.
“His eye was in him”: ibid.
Selected Bibliography
SELECTED CORRESPONDENCE
Greenough, Sarah, ed. My Faraway One: Selected Letters of Georgia O’Keeffe and Alfred Stieglitz, Volume 1, 1915–1933. New Haven: Yale University Press, 2011.
ALFRED STIEGLITZ
PUBLICATIONS BY STIEGLITZ
Stieglitz, Alfred. Camera Work: A Pictorial Guide. Edited by Marianne Fulton Margolis. New York: Dover Publications, 1978.
———. Georgia O’Keeffe: A Portrait. New York: Metropolitan Museum of Art, 1978.
———. Camera Work: The Complete Illustrations, 1903–1917. Köln: Taschen, 1997.
———. Stieglitz on Photography: His Selected Essays and Notes. Edited by Richard Whelan, with contributions by Sarah Greenough. New York: Aperture, 2000.
———. Alfred Stieglitz: The Key Set, the Alfred Stieglitz Collection of Photographs. 2 vols. Edited by Sarah Greenough. Washington, D.C.: National Gallery of Art; New York: Abrams, 2002.
ABOUT STIEGLITZ
Bry, Doris. Alfred Stieglitz: Photographer. Boston: Museum of Fine Arts, 1965.
Frank, Waldo David, et al., eds. America & Alfred Stieglitz: A Collective Portrait. New York: Literary Guild, 1934.
Greenough, Sarah, ed. Modern Art and America: Alfred Stieglitz and His New York Galleries. Washington, D.C.: National Gallery of Art, 2000.
Greenough, Sarah, and Juan Hamilton. Alfred Stieglitz: Photographs & Writings. Washington, D.C.: National Gallery of Art; New York: Calloway Editions, 1983.
Hoffman, Katherine. Stieglitz: A Beginning Light. New Haven: Yale University Press, 2004.
———. Alfred Stieglitz: A Legacy of Light. New Haven: Yale University Press, 2011.
Homer, William Innes. Alfred Stieglitz and the American Avant-Garde. Boston: New York Graphic Society, 1977.
Lowe, Sue Davidson. Stieglitz: A Memoir/Biography. New York: Farrar, Straus and Giroux, 1983.
Naef, Weston. The Art of Seeing: Photographs from the Alfred Stieglitz Collection. New York: Metropolitan Museum of Art, 1978.
———. The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: Viking Press, 1978.
———, ed. Alfred Stieglitz. In Focus Series. Los Angeles: J. Paul Getty Museum, 1995.
Norman, Dorothy. Alfred Stieglitz: An American Seer. Millerton, NY: Aperture, 1973.
———, ed. Stieglitz Memorial Portfolio, 1864–1946. New York: Twice a Year Press, 1947.
Seligmann, Herbert. Alfred Stieglitz Talking: Notes on Some of His Conversations, 1925–1931. New Haven: Yale University Library, 1966.
Szarkowski, John. Alfred Stieglitz at Lake George. New York: Museum of Modern Art, 1995.
Whelan, Richard. Alfred Stieglitz: A Biography. New York: Little, Brown, 1995.
Yochelson, Bonnie. Alfred Stieglitz, New York. New York: Skira Rizzoli, 2010.
PAUL STRAND
PUBLICATIONS BY STRAND
Strand, Paul. “Photography.” Seven Arts, vol. 2 (August 1917): 524–25. Reprinted in Photographers on Photography: A Critical Anthology. Edited by Nathan Lyons. Englewood Cliffs, NJ: Prentice-Hall, 1966.
———. “What was ‘291’?” Unpublished Manuscript, October 1917. Alfred Stieglitz/Georgia O’Keeffe Archive, Beinecke Rare Books and Manuscript Library, Yale University, New Haven, Connecticut.
———. “Alfred Stieglitz and a Machine.” New York: privately printed, February 1921. ASA/YCAL. Revised for America and Alfred Stieglitz, Waldo Frank, ed., pp. 281–85.
———. “Photography and the New God.” Broom 3, no. 4 (November 1922): 138–44. Reprinted in Photographers on Photography: A Critical Anthology. Edited by Nathan Lyons. Englewood Cliffs, NJ: Prentice-Hall, 1966.
———. “Georgia O’Keeffe.” Playboy: A Portfolio of Art and Satire, no. 9 (July 1924): 16–20.
———. “Lachaise Sculpture.” In The Second American Caravan: A Yearbook of American Literature, edited by Alfred Kreymborg, Lewis Mumford, and Paul Rosenfeld. New York: Macaulay, 1928.
———. “Marin Not an Escapist.” The New Republic, July 1928, pp. 254–55.
———. “The Art Motive in Photography.” British Journal of Photography 70 (October 1932): 129–32. Reprinted in Photographers on Photography: A Critical Anthology. Edited by Nathan Lyons. Englewood Cliffs, NJ: Prentice-Hall, 1966.
———. Photographs of Mexico. New York: Virgina Stevens, 1940, second edition: The Mexican Portfolio. New York: Da Capo Press, 1967.
———. “Alfred Stieglitz: 1864–1946.” New Masses, August 1946, pp. 6–7.
———. “Stieglitz: An Appraisal.” Popular Photography 21 (July 1947): 62, 88–98.
———. Time in New England. Edited by Nancy Newhall. New York: Oxford University Press, 1950.
———. La France de Profil. Edited by Claude Roy. Lausanne: Guilde du livre, 1952.
———. Un Paese: Portrait of an Italian Village. Turin: Guilio Einaudi, 1955.
———. Tir a’Mhurain: Outer Hebrides. London: MacGibbon and Kee, 1962.
———. Living Egypt. Text by James Aldridge. New York: Horizon Press, 1969.
———. Paul Strand: A Retrospective Monograph. 2 vols. New York: Aperture, 1971.
———. Ghana: An African Portrait. Text by Basil Davidson. Millerton, NY: Aperture, 1976.
———. On My Doorstep: A Portfolio of Eleven Photographs, 1914–1973. New York: Michael E. Hoffman, 1976.
———. The Garden: A Portfolio of Six Original Photographs. New York: Michael E. Hoffman, 1976.
———. Rebecca. New York: Robert Miller Gallery, 1996.
ABOUT STRAND
Barberie, Peter, ed., with Amanda N. Block. Paul Strand: Master of Modern Photography. Philadelphia: Philadelphia Museum of Art, 2014.
Brown, Milton. “Interview with Paul Strand, 1971.” In Photography in Print: Writings from 1816 to the Present. Edited by Vicki Goldberg. New York: Simon & Schuster, 1971.
Busselle, Rebecca, and Trudy Wilner Stack. Paul Strand Southwest. New York: Aperture, 2004.
Duncan, Catherine, and Ute Eskildsen. Paul Strand: The World on My Doorstep: An Intimate Portrait. New York: Aperture, 2005.
Fleischmann, Kapar, ed. Paul Strand. Zurich: Gallerie Zur Stockeregg, 1987.
Greenough, Sarah. Paul Strand: An American Vision. Washington, D.C.: National Gallery of Art, 1990.
Hambourg, Maria Morris. Paul Strand, Circa 1916. New York: Metropolitan Museum of Art, 1998.
Haworth-Booth, Mark. Paul Strand. New York: Aperture, 1987.
Hemingway, Andrew. “Paul Strand and Twentieth-Century Americanism: Varieties of Romantic Anti-Capitalism.” Oxford Art Journal 38, no. 1 (2015): 37–53.
Hill, Paul, and Thomas Cooper, eds. “Interview with Paul Strand.” In Dialogue with Photography. New York: Farrar, Straus and Giroux, 1979, pp. 1–8.
Homer, William. “Paul Strand Interviews” (1971, 1974). William Innes Homer Papers, Georgia O’Keeffe Museum Research Center, Santa Fe, New Mexico.
Krippner, James, et al. Paul Strand in Mexico. New York: Aperture, 2010.
Lyden, Anne M., ed. Paul Strand: Photographs from the J. Paul Getty Museum. In Focus Series. Los Angeles: J. Paul Getty Museum, 2005.
Rathbone, Belinda. “Portrait of a Marriage: Paul Strand’s Photographs of Rebecca.” The J. Paul Getty Museum Journal 176 (1989): 83–98.
Rosenblum, Naomi. “Paul Strand: The Early Year
s, 1910–1932.” Ph.D. diss., City University of New York, 1978.
Stange, Maren, ed. Paul Strand: Essays on His Life and Work. New York: Aperture, 1990.
Tomkins, Calvin. “Profiles: Look to the Things Around You.” The New Yorker, September 16, 1974, pp. 44–94.
———. Paul Strand: Sixty Years of Photographs. Millerton, NY: Aperture, 1976.
Walker, John. Strand: Under the Dark Cloth (documentary film). John Walker Productions, 1989.
Weaver, Mike, and Anne Hammond. “Paul Strand and Ansel Adams: Native Land and Natural Scene.” The Archive 27 (1990). Tucson: Center for Creative Photography.
GEORGIA O’KEEFFE
PUBLICATIONS BY O’KEEFFE
O’Keeffe, Georgia. Some Memories of Drawings. Edited by Doris Bay. Albuquerque: University of New Mexico Press, 1974.
———. Georgia O’Keeffe: A Portrait by Alfred Stieglitz. New York: Viking Press, 1978.
ABOUT O’KEEFFE
Coe, Erin B., Gwendolyn Owens, and Bruce Robertson. Modern Nature: Georgia O’Keeffe and Lake George. New York: Thames & Hudson, 2013.
Corn, Wanda M. Georgia O’Keeffe: Living Modern. Brooklyn, NY: Brooklyn Museum; DelMonico Books/Prestel, 2017.
Cowart, Jack, and Juan Hamilton, with contributions by Sarah Greenough. Georgia O’Keeffe: Art and Letters. Washington: National Gallery of Art; Boston: New York Graphic Society Books, 1987.
Danly, Susan. Georgia O’Keeffe and the Camera: The Art of Identity. New Haven: Yale University Press, in association with the Portland Museum of Art, 2008.
Drohojowska-Philp, Hunter. Full Bloom: The Art and Life of Georgia O’Keeffe. New York; London: W. W. Norton, 2004.
Eldredge, Charles C. Georgia O’Keeffe. New York: Abrams, in association with the National Museum of American Art, Smithsonian Institution, 1991.
———. Georgia O’Keeffe: American Modern. New Haven: Yale University Press, 1993.
Giboire, Clive, ed. Lovingly, Georgia: The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer. New York: Simon & Schuster, 1990.
Haskell, Barbara, ed., with contributions by Sasha Nicholas. Georgia O’Keeffe: Abstraction. New Haven: Yale University Press, 2009.
Lisle, Laurie. Portrait of an Artist: A Biography of Georgia O’Keeffe. New York: Pocket Books, 1986.
Lynes, Barbara Buhler. Georgia O’Keeffe: Catalogue Raisonné. 2 vols. New Haven: Yale University Press; Washington: National Gallery of Art; Abiquiu, NM: Georgia O’Keeffe Foundation, 1999.
Merrill, Christopher, and Ellen Bradbury, eds. From the Faraway Nearby: Georgia O’Keeffe as Icon. Reading, MA: Addison-Wesley, 1992.
Peters, Sarah Whitaker. Becoming O’Keeffe: The Early Years. New York: Abbeville Press, 1991.
Pollitzer, Anita. A Woman on Paper: Georgia O’Keeffe. New York: Simon & Schuster, 1988.
Robinson, Roxana. Georgia O’Keeffe: A Life. New York: Harper & Row, 1989.
Seiberling, Dorothy. “Horizons of a Pioneer.” Life, March 1, 1968.
Tomkins, Calvin. “The Rose in the Eye Looked Pretty Fine,” The New Yorker, March 4, 1974, pp. 40–44, 47–48, 50, 53–54, 56, 60–62, 64, 66.
Turner, Elizabeth Hutton, with contributions by Marjorie P. Balge-Crozier. Georgia O’Keeffe: The Poetry of Things. Washington D.C.: Philips Collection; New Haven: Yale University Press, 1999.
Udall, Sharyn R. O’Keeffe and Texas. San Antonio, TX: Marion Koogler McNay Art Museum; New York: Abrams, 1998.
REBECCA SALSBURY (STRAND) JAMES
PUBLICATIONS BY SALSBURY JAMES
Salsbury, Rebecca, and Nate Salsbury. A Book of Children’s Songs. New York: H. W. Gray, 1917.
Salsbury, Rebecca. At the World Peace Table (play). New York: Institute for Public Service, 1919.
———. Liberty the Giant Killer. Text by William Allen. New York: Institute for Public Service, 1919.
James, Rebecca. Days Gone By in Taos (translation of Samuel M. Lavadie, Los Dias de Cuanto Hay). Published as a series of articles in El Crepúsculo (Taos, N.M.), November 10, 1949–March 16, 1950.
———. Allow Me to Present 18 Ladies and Gentlemen and Taos, N.M., 1885–1939. Taos, N.M.: El Crepúsculo, 1953.
———. Camposantos (text), with photographs by Dorothy Benrimo. Fort Worth: Amon Carter Museum of Western Art, 1966.
ABOUT SALSBURY JAMES
Campbell, Suzan. “In the Shadow of the Sun: The Life and Art of Rebecca Salsbury James.” Ph.D. diss., University of New Mexico, 2002.
GENERAL
Abrahams, Edward. The Lyrical Left: Randolph Bourne, Alfred Stieglitz, and the Origins of Cultural Radicalism in America. Charlottesville, VA: University Press of Virginia, 1986.
Allen, Frederick Lewis. Only Yesterday: An Informal History of the Nineteen-Twenties. New York: Harper & Brothers, 1931.
———. Since Yesterday: The Nineteen-Thirties in America. New York: Harper & Brothers, 1940.
Baca, Elmo. Mabel’s Santa Fe and Taos: Bohemian Legends, 1900–1950. Salt Lake City: Gibbs-Smith Publishers, 2000.
Barr, Alfred H. Matisse. New York: Museum of Modern Art, 1951.
Brennan, Marcia. Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics. Cambridge: MIT Press, 2001.
Bulliet, C.J. Apples and Madonnas. New York: Covici, Friede, 1930.
Burns, Cherie. Searching for Beauty: The Life of Millicent Rogers. New York: St. Martin’s Press, 2011.
Caffin, Charles H. Photography as a Fine Art. New York: Doubleday, Page & Co., 1901.
Cline, Lynn. Literary Pilgrims: The Santa Fe and Taos Writers’ Colonies, 1917–1950. Albuquerque: University of New Mexico Press, 2007.
Clurman, Harold. All People Are Famous. New York: Harcourt Brace Jovanovich, 1974.
Coke, Van Deren. Taos and Santa Fe: The Artist’s Environment, 1882–1942. Albuquerque: University of New Mexico Press, 1963.
Corn, Wanda M. The Great American Thing: Modern Art and National Identity, 1915–1935. Berkeley: University of California Press, 1999.
Daniel, Malcom. Stieglitz, Steichen, Strand: Masterworks from the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2010.
DeWitt, Miriam Hapgood. Taos: A Memory. Albuquerque: University of New Mexico Press, 1992.
Dyer, Geoff. The Ongoing Moment. New York: Pantheon, 2005.
Eisler, Benita. O’Keeffe and Stieglitz: An American Romance. New York: Doubleday, 1991.
Frank, Waldo David. Our America. New York: Boni and Liveright, 1919.
———. Memoirs of Waldo Frank. Amherst: University of Massachusetts Press, 1973.
Fryd, Vivien Green. Art and the Crisis of Marriage: Edward Hopper and Georgia O’Keeffe. Chicago: University of Chicago Press, 2003.
Gray, Andrea. Ansel Adams: An American Place, 1936. Tucson: Center for Creative Photography, University of Arizona, 1982.
Green, Jonathan, ed. Camera Work: A Critical Anthology. Millerton, NY: Aperture, 1973.
Hapgood, Hutchins. A Victorian in the Modern World. New York: Harcourt, Brace, 1939.
Hartley, Marsden. Adventures in the Arts. New York: Boni and Liveright, 1921.
———. Somehow a Past: The Autobiography of Marsden Hartley. Edited by Susan Elizabeth Ryan. Cambridge: MIT Press, 1997.
Hill, Paul, and Thomas Cooper, eds. Dialogue with Photography. New York: Farrar, Straus and Giroux, 1979.
Hughes, Robert. American Visions: The Epic History of Art in America. New York: Alfred A. Knopf, 1997.
Kerman, Cynthia Earl, and Richard Eldridge. The Lives of Jean Toomer: A Hunger for Wholeness. Baton Rouge: Louisiana State University Press, 1987.
Kreymborg, Alfred. Troubadour. New York: Sagamore Press, 1957.
Kuh, Katherine. The Artist’s Voice: Talks with S
eventeen Artists. New York: Harper & Row, 1962.
Kuhl, Nancy. Intimate Circles: American Women in the Arts. New Haven: Beinecke Rare Books and Manuscript Library, Yale University, 2003.
Kushner, Marilyn Satin, and Kimberly Orcutt, The Armory Show at 100: Modernism and Revolution. New York: New York Historical Society, 2013.
Levy, Julien. Memoirs of an Art Gallery. New York: G. P. Putnam’s Sons, 1977.
Lorenz, Richard. Imogen Cunningham: Portraiture. Boston: Bulfinch Press, 1997.
Luhan, Mabel Dodge. Winter in Taos. New York: Harcourt, Brace, 1935.
———. Intimate Memories. Vol. 4, Edge of Taos Desert: An Escape to Reality. New York: Harcourt, Brace, 1937. Reprint, Albuquerque: University of New Mexico Press, 1987.
———. Taos and Its Artists. New York: Duell, Sloan and Pearce, 1947.
Lynes, Barbara Buhler, Sandra S. Philips, and Richard B. Woodward. Georgia O’Keeffe and Ansel Adams: Natural Affinities. New York: Little, Brown, 2008.
Lynes, Barbara Buhler. O’Keeffe, Stieglitz, and the Critics, 1916–1929. Ann Arbor: University of Michigan Press, 1989.
Lyons, Nathan, ed. Photographers on Photography: A Critical Anthology. Englewood Cliffs, N.J.: Prentice-Hall, 1966.
Malcolm, Janet. Diana & Nikon: Essays on Photography. New York: Aperture, 1997.
McBride, Henry. An Eye on the Twentieth Century: Selected Letters of Henry McBride. Edited by Steven Watson and Catherine J. Morris. New Haven: Yale University Press, 2000.
———. The Flow of Art: Essays and Criticisms of Henry McBride. Edited by Daniel Catton Rich. New York: Atheneum, 1975.
Morrill, Claire. A Taos Mosaic: Portrait of a New Mexico Village. Albuquerque: University of New Mexico Press, 1982.
Newhall, Nancy. From Adams to Stieglitz: Pioneers of Modern Photography. New York: Aperture, 1989.
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