by Kate Chopin
“I’ll have it ready in little or no time,” he said, bustling and packing away his tools. “You may go to my room to brush up and rest yourself. Mariequita will show you.”
“Thank you,” said Edna. “But, do you know, I have a notion to go down to the beach and take a good wash and even a little swim, before dinner?”
“The water is too cold!” they both exclaimed. “Don’t think of it.”
“Well, I might go down and try — dip my toes in. Why, it seems to me the sun is hot enough to have warmed the very depths of the ocean. Could you get me a couple of towels? I’d better go right away, so as to be back in time. It would be a little too chilly if I waited till this afternoon.”
Mariequita ran over to Victor’s room, and returned with some towels, which she gave to Edna.
“I hope you have fish for dinner,” said Edna, as she started to walk away; “but don’t do anything extra if you haven’t.”
“Run and find Philomel’s mother,” Victor instructed the girl. “I’ll go to the kitchen and see what I can do. By Gimminy! Women have no consideration! She might have sent me word.”
Edna walked on down to the beach rather mechanically, not noticing anything special except that the sun was hot. She was not dwelling upon any particular train of thought. She had done all the thinking which was necessary after Robert went away, when she lay awake upon the sofa till morning.
She had said over and over to herself: “To-day it is Arobin; to-morrow it will be some one else. It makes no difference to me, it doesn’t matter about Leonce Pontellier — but Raoul and Etienne!” She understood now clearly what she had meant long ago when she said to Adele Ratignolle that she would give up the unessential, but she would never sacrifice herself for her children.
Despondency had come upon her there in the wakeful night, and had never lifted. There was no one thing in the world that she desired. There was no human being whom she wanted near her except Robert; and she even realized that the day would come when he, too, and the thought of him would melt out of her existence, leaving her alone. The children appeared before her like antagonists who had overcome her; who had overpowered and sought to drag her into the soul’s slavery for the rest of her days. But she knew a way to elude them. She was not thinking of these things when she walked down to the beach.
The water of the Gulf stretched out before her, gleaming with the million lights of the sun. The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude. All along the white beach, up and down, there was no living thing in sight. A bird with a broken wing was beating the air above, reeling, fluttering, circling disabled down, down to the water.
Edna had found her old bathing suit still hanging, faded, upon its accustomed peg.
She put it on, leaving her clothing in the bath-house. But when she was there beside the sea, absolutely alone, she cast the unpleasant, pricking garments from her, and for the first time in her life she stood naked in the open air, at the mercy of the sun, the breeze that beat upon her, and the waves that invited her.
How strange and awful it seemed to stand naked under the sky! how delicious! She felt like some new-born creature, opening its eyes in a familiar world that it had never known.
The foamy wavelets curled up to her white feet, and coiled like serpents about her ankles. She walked out. The water was chill, but she walked on. The water was deep, but she lifted her white body and reached out with a long, sweeping stroke. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
She went on and on. She remembered the night she swam far out, and recalled the terror that seized her at the fear of being unable to regain the shore. She did not look back now, but went on and on, thinking of the blue-grass meadow that she had traversed when a little child, believing that it had no beginning and no end.
Her arms and legs were growing tired.
She thought of Leonce and the children. They were a part of her life. But they need not have thought that they could possess her, body and soul. How Mademoiselle Reisz would have laughed, perhaps sneered, if she knew! “And you call yourself an artist! What pretensions, Madame! The artist must possess the courageous soul that dares and defies.”
Exhaustion was pressing upon and overpowering her.
“Good-by — because I love you.” He did not know; he did not understand. He would never understand. Perhaps Doctor Mandelet would have understood if she had seen him — but it was too late; the shore was far behind her, and her strength was gone.
She looked into the distance, and the old terror flamed up for an instant, then sank again. Edna heard her father’s voice and her sister Margaret’s. She heard the barking of an old dog that was chained to the sycamore tree. The spurs of the cavalry officer clanged as he walked across the porch. There was the hum of bees, and the musky odor of pinks filled the air.
The Short Story Collections
Kate Chopin House, State Highway 495, Cloutierville, Natchitoches Parish, Louisiana.
BAYOU FOLK
Houghton Mifflin published Kate Chopin’s first short story collection, Bayou Folk, in 1894. She had published all but four of the stories in newspapers and literary magazines. The collection proved popular with critics and readers and served as the foundation for Kate Chopin’s early reputation as a superior local colorist. Many of the stories take place in the Cane River area of Louisiana, where Chopin lived on a plantation for several years, and feature characters rebelling against poverty or conventional society. “Desiree’s Baby,” first published in Vogue, deals with racial identity and miscegenation and is one of Chopin’s most famous short stories, often compared to the naturalistic work of Guy De Maupassant. Kate Chopin’s lover, Albert Sampite inspired the character of Alcée Laballiere in her well known story, “At the ‘Cadian Ball.”
First edition published in 1894
The original title page
Kate Chopin and her first four sons, Fred, George, Jean and Oscar
CONTENTS
A NO-ACCOUNT CREOLE
IN AND OUT OF OLD NATCHITOCHES
IN SABINE
A VERY FINE FIDDLE
BEYOND THE BAYOU
OLD AUNT PEGGY
THE RETURN OF ALCIBIADE
A RUDE AWAKENING
THE BÊNITOUS’ SLAVE
DÉSIRÉE’S BABY
A TURKEY HUNT
MADAME CÉLESTIN’S DIVORCE
LOVE ON THE BON-DIEU
LOKA
BOULÔT AND BOULOTTE
FOR MARSE CHOUCHOUTE
A VISIT TO AVOYELLES
A WIZARD FROM GETTYSBURG
MA’AME PÉLAGIE
AT THE ‘CADIAN BALL
LA BELLE ZORAÏDE
A GENTLEMAN OF BAYOU TÊCHE
A LADY OF BAYOU ST. JOHN
Kate Chopin in St. Louis, 1876
A NO-ACCOUNT CREOLE
I
One agreeable afternoon in late autumn two young men stood together on Canal Street, closing a conversation that had evidently begun within the club-house which they had just quitted.
“There’s big money in it, Offdean,” said the elder of the two. “I would n’t have you touch it if there was n’t. Why, they tell me Patchly’s pulled a hundred thousand out of the concern a’ready.”
“That may be,” replied Offdean, who had been politely attentive to the words addressed to him, but whose face bore a look indicating that he was closed to conviction. He leaned back upon the clumsy stick which he carried, and continued: “It’s all true, I dare say, Fitch; but a decision of that sort would mean more to me than you’d believe if I were to tell you. The beggarly twenty-five thousand’s all I have, and I want to sleep with it under my pillow a couple of months at least before I drop it into a slot.”
“You’ll drop it into Harding & Offdean’s mill to grind out the pitiful two and a half per cent commission racket; that’s what you ‘ll do in the end, old fellow — see if
you don’t.”
“Perhaps I shall; but it’s more than likely I shan’t. We’ll talk about it when I get back. You know I ‘m off to north Louisiana in the morning” —
“No! What the deuce” —
“Oh, business of the firm.”
“Write me from Shreveport, then; or wherever it is.”
“Not so far as that. But don’t expect to hear from me till you see me. I can’t say when that will be.”
Then they shook hands and parted. The rather portly Fitch boarded a Prytania Street car, and Mr. Wallace Offdean hurried to the bank in order to replenish his portemonnaie, which had been materially lightened at the club through the medium of unpropitious jack-pots and bobtail flushes.
He was a sure-footed fellow, this young Offdean, despite an occasional fall in slippery places. What he wanted, now that he had reached his twenty-sixth year and his inheritance, was to get his feet well planted on solid ground, and to keep his head cool and clear.
With his early youth he had had certain shadowy intentions of shaping his life on intellectual lines. That is, he wanted to; and he meant to use his faculties intelligently, which means more than is at once apparent. Above all, he would keep clear of the maelstroms of sordid work and senseless pleasure in which the average American business man may be said alternately to exist, and which reduce him, naturally, to a rather ragged condition of soul.
Offdean had done, in a temperate way, the usual things which young men do who happen to belong to good society, and are possessed of moderate means and healthy instincts. He had gone to college, had traveled a little at home and abroad, had frequented society and the clubs, and had worked in his uncle’s commission-house; in all of which employments he had expended much time and a modicum of energy.
But he felt all through that he was simply in a preliminary stage of being, one that would develop later into something tangible and intelligent, as he liked to tell himself. With his patrimony of twenty-five thousand dollars came what he felt to be the turning-point in his life, — the time when it behooved him to choose a course, and to get himself into proper trim to follow it manfully and consistently.
When Messrs. Harding & Offdean determined to have some one look after what they called “a troublesome piece of land on Red River,” Wallace Offdean requested to be intrusted with that special commission of land-inspector.
A shadowy, ill-defined piece of land in an unfamiliar part of his native State, might, he hoped, prove a sort of closet into which he could retire and take counsel with his inner and better self.
II
What Harding & Offdean had called a piece of land on Red River was better known to the people of Natchitoches parish as “the old Santien place.”
In the days of Lucien Santien and his hundred slaves, it had been very splendid in the wealth of its thousand acres. But the war did its work, of course. Then Jules Santien was not the man to mend such damage as the war had left. His three sons were even less able than he had been to bear the weighty inheritance of debt that came to them with the dismantled plantation; so it was a deliverance to all when Harding & Offdean, the New Orleans creditors, relieved them of the place with the responsibility and indebtedness which its ownership had entailed.
Hector, the eldest, and Grégoire, the youngest of these Santien boys, had gone each his way. Placide alone tried to keep a desultory foothold upon the land which had been his and his forefathers’. But he too was given to wandering — within a radius, however, which rarely took him so far that he could not reach the old place in an afternoon of travel, when he felt so inclined.
There were acres of open land cultivated in a slovenly fashion, but so rich that cotton and corn and weed and “cocoa-grass” grew rampant if they had only the semblance of a chance. The negro quarters were at the far end of this open stretch, and consisted of a long row of old and very crippled cabins. Directly back of these a dense wood grew, and held much mystery, and witchery of sound and shadow, and strange lights when the sun shone. Of a gin-house there was left scarcely a trace ; only so much as could serve as inadequate shelter to the miserable dozen cattle that huddled within it in winter-time.
A dozen rods or more from the Red River bank stood the dwelling-house, and nowhere upon the plantation had time touched so sadly as here. The steep, black, moss-covered roof sat like an extinguisher above the eight large rooms that it covered, and had come to do its office so poorly that not more than half of these were habitable when the rain fell. Perhaps the live-oaks made too thick and close a shelter about it. The verandas were long and broad and inviting; but it was well to know that the brick pillar was crumbling away under one corner, that the railing was insecure at another, and that still another had long ago been condemned as unsafe. But that, of course, was not the corner in which Wallace Offdean sat the day following his arrival at the Santien place. This one was comparatively secure. A gloire-de-Dijon, thick-leaved and charged with huge creamy blossoms, grew and spread here like a hardy vine upon the wires that stretched from post to post. The scent of the blossoms was delicious; and the stillness that surrounded Offdean agreeably fitted his humor that asked for rest. His old host, Pierre Manton, the manager of the place, sat talking to him in a soft, rhythmic monotone; but his speech was hardly more of an interruption than the hum of the bees among the roses. He was saying: —
“If it would been me myse’f, I would nevair grumb’. W’en a chimbly breck, I take one, two de boys; we patch ‘im up bes’ we know how. We keep on men’ de fence’, firs’ one place, anudder; an’ if it would n’ be fer dem mule’ of Lacroix — tonnerre! I don’ wan’ to talk ‘bout dem mule’. But me, I would n’ grumb’. It’s Euphrasie, hair. She say dat’s all fool nonsense fer rich man lack Hardin’-Offde’n to let a piece o’ lan’ goin’ lack dat.”
“Euphrasie?” questioned Offdean, in some surprise; for he had not yet heard of any such person.
“Euphrasie, my li’le chile. Escuse me one minute,” Pierre added, remembering that he was in his shirt-sleeves, and rising to reach for his coat, which hung upon a peg near by. He was a small, square man, with mild, kindly face, brown and roughened from healthy exposure. His hair hung gray and long beneath the soft felt hat that he wore. When he had seated himself, Offdean asked: —
“Where is your little child? I have n’t seen her,” inwardly marveling that a little child should have uttered such words of wisdom as those recorded of her.
“She yonder to Mme. Duplan on Cane River. I been kine espectin’ hair sence yistiday — hair an’ Placide,” casting an unconscious glance down the long plantation road. “But Mme. Duplan she nevair want to let Euphrasie go. You know it’s hair raise’ Euphrasie sence hair po’ ma die’, Mr. Offde’n. She teck dat li’le chile, an’ raise it, sem lack she raisin’ Ninette. But it’s mo’ ‘an a year now Euphrasie say dat’s all fool nonsense to leave me livin’ ‘lone lack dat, wid nuttin’ ‘cep’ dem nigger’ — an’ Placide once a w’ile. An’ she came yair bossin’! My goodness!” The old man chuckled, “Dat ‘s hair been writin’ all dem letter’ to Hardin’-Offde’n. If it would been me myse’f” —
III
Placide seemed to have had a foreboding of ill from the start when he found that Euphrasie began to interest herself in the condition of the plantation. This ill feeling voiced itself partly when he told her it was none of her lookout if the place went to the dogs. “It’s good enough for Joe Duplan to run things en grand seigneur, Euphrasie; that ‘s w’at ‘s spoiled you.”
Placide might have done much single-handed to keep the old place in better trim, if he had wished. For there was no one more clever than he to do a hand’s turn at any and every thing. He could mend a saddle or bridle while he stood whistling a tune. If a wagon required a brace or a bolt, it was nothing for him to step into a shop and turn out one as deftly as the most skilled blacksmith. Any one seeing him at work with plane and rule and chisel would have declared him a born carpenter. And as for mixing paints, and giving a fine and lasting co
at to the side of a house or barn, he had not his equal in the country.
This last talent he exercised little in his native parish. It was in a neighboring one, where he spent the greater part of his time, that his fame as a painter was established. There, in the village of Orville, he owned a little shell of a house, and during odd times it was Placide’s great delight to tinker at this small home, inventing daily new beauties and conveniences to add to it. Lately it had become a precious possession to him, for in the spring he was to bring Euphrasie there as his wife.
Maybe it was because of his talent, and his indifference in turning it to good, that he was often called “a no-account creole” by thriftier souls than himself. But no-account creole or not, painter, carpenter, blacksmith, and whatever else he might be at times, he was a Santien always, with the best blood in the country running in his veins. And many thought his choice had fallen in very low places when he engaged himself to marry little Euphrasie, the daughter of old Pierre Manton and a problematic mother a good deal less than nobody.
Placide might have married almost any one, too; for it was the easiest thing in the world for a girl to fall in love with him, — sometimes the hardest thing in the world not to, he was such a splendid fellow, such a careless, happy, handsome fellow. And he did not seem to mind in the least that young men who had grown up with him were lawyers now, and planters, and members of Shakespeare clubs in town. No one ever expected anything quite so humdrum as that of the Santien boys. As youngsters, all three had been the despair of the country schoolmaster; then of the private tutor who had come to shackle them, and had failed in his design. And the state of mutiny and revolt that they had brought about at the college of Grand Coteau when their father, in a moment of weak concession to prejudice, had sent them there, is a thing yet remembered in Natchitoches.