Streets of Laredo

by Larry McMurtry

  He explained the function of the little spyglass, and showed Joey how to attach it. Joey pretended to be amazed, when he looked through the little glass.

  Later in the morning, the old German walked up and asked Joey if he would like to shoot with him.

  He suggested a little contest.

  "If we shoot I will beat you," Joey said.

  He had nothing against the old man until he saw him looking at his mother when she was bending over, getting a tick off her old dog's ear. His mother loved the old brown dog for some reason, though the dog was mangy and had a broken tail, and a sore that had never really healed, from where a javelina had gored him.

  Joey considered his mother a whore, and if Roberto Sanchez died he had no doubt she would take another man. Only a whore would seek four husbands, Joey thought, but that didn't lessen his hatred of the men who helped his mother whore. The minute he saw old Lichtenberg looking at his mother's bosom he decided to kill him someday. For now, he would be content with a shooting lesson.

  Joey took some melons far down the river and lined them up on rocks.

  "But they are too far," Lichtenberg complained, when Joey came walking back. There was something about the light-skinned Mexican boy that was a little disturbing. He had a coldness in his face like some of the Indians had, particularly the Indians in the mountains. His mother was a desirable woman, though.

  Lichtenberg had meant to leave that morning, but he thought he might stay a few days. Perhaps for a coin or two the woman would go with him. In his travels in Mexico he had paid for many brown women. He could afford to pay for one more.

  First, though, he would show the cold blond boy, the g@uero, how to shoot.

  "You first," Lichtenberg said. "When you miss, I will shoot." Joey had lined up eight melons on the rocks. He took the beautiful rifle with the heavy barrel and caused the eight melons to explode, one by one.

  Lichtenberg was startled. The boy could never have shot such a gun before, yet he hadn't missed.

  One of his own beliefs was that Indians had better eyesight than white men. In the Madre the Indians would sometimes see things he could not see at all.

  Often they would mention landmarks that to them were obvious but that he could not see until he had walked several hours. This boy must have some Indian in him, Lichtenberg thought.

  Joey set up eight more melons.

  Lichtenberg, on his mettle, burst them all.

  "A draw," Lichtenberg said, relieved. His hand was shaky that day. It would have been embarrassing to be beaten with his own gun, by a boy who had never shot a German rifle before.

  "Can we shoot again?" Joey asked, politely. "I will find something smaller." Lichtenberg was not eager. He would have been happy with a draw. But the boy had a challenge in his tone that he, as a German, could not simply ignore.

  This time, Joey chose prickly pear apples, handling them carefully, so as not to get the tiny, fuzzy stickers in his fingers.

  "Would you like to shoot first?" he asked the old man politely.

  "No--you first," Lichtenberg said. He was sorry he had been polite to the boy. Better to have stayed in the hut and waited for the woman's husband to leave. Then he could have tried his money.

  He had a bad feeling about the shooting. It was as if the boy was the teacher, the one with confidence. He had young eyes, eyes that were accustomed to the distances of Chihuahua, to the space that the great eagles looked across. Lichtenberg didn't know if he could hit a prickly pear apple at such a distance, even with his scope.

  Joey hit ten apples. He balanced the gun beautifully and aimed only for an instant, before firing. When he finished he politely gave the gun to Lichtenberg, who took it and missed five times. Twice he hit the rock beneath the little red apples, the bullets whining off down the valley. The rest of the time he shot high. After the fifth miss, he quit. He did not feel it would be a good day. The Mexican woman wouldn't accept his coin; his horse might go lame; a snake might bite him; he might be robbed; he would not find any gold, or even a stream in which to pan for it. A sense of the melancholy of life began to crush him. Why had he come to this stinking village, in a stinking country, where neither the water nor the food agreed with him?

  Why had he left Prussia? He had known Bismarck once--if he had stayed in Prussia he might have been a minister, or a rich man; not a tired, wandering prospector, going from village to village, trying to scrape up a few flecks of gold. Any day he might be killed, by a bandit, an Indian, anyone he happened to meet. Now he had been defeated by a boy who could shoot his own rifle better than he could. He walked slowly back to Maria's hut and put the rifle back in its case. For a moment, looking across the hot plain, he considered shooting himself with it. One bullet and he would not have to go on with such an uncomfortable existence, traveling on a horse that was narrow-backed and surly.

  But he put the gun back in its case. In a few minutes he began to feel a little better.

  The sun shone beautifully, and the coffee that Maria brewed had a fine aroma. Lichtenberg loved coffee. He had thought of going south, far south, where they grew coffee in the mountains. He decided not to kill himself, because of the coffee smells and the comely woman. Her husband was a brute, that was clear. The brute had made it known that he did not like Lichtenberg sleeping in his house. The husband smelled of drink. But the woman was very comely. The husband might go away, and even if he didn't go away, Lichtenberg could always look.

  For her part, Maria wished the old German would go. She saw him looking at her. There were many men who showed their lust in their eyes; she could not keep them all from looking at her.

  Roberto, her husband, had a harelip. He had once worked across the river, for a big ranch, shoeing horses--the cowboys teased him about his harelip, so much that he hated all whites, and the old German was very white. In the wrong mood, if he intercepted one of the old man's lu/l looks, Roberto might take a knife to him, or an axe, or a gun.

  A more likely problem, though, was that Joey would rob him of something valuable. Joey was a quick and gifted thief. Although the old man's clothes were ragged, from neglect and hard wear, many of the things he owned were nice. There was the fine rifle, and, in another leather case, a set of mining instruments.

  His belt had a silver buckle, and he wore a ring with a green stone in it. Maria had not touched his bags, but he had produced the gold coin from one of them and might have other gold coins in his valise.

  Joey might steal any of it, Maria knew that. He might steal it out of curiosity. Joey liked to look at interesting things, particularly weapons. There was no telling what the old German might have that Joey would like to steal, but if he did steal something, trouble would come from across the river. The hard sheriff, Doniphan, liked nothing better than to beat Mexicans who stole things. The river meant nothing to Doniphan. The notion that Mexico was a nation with rights, like other nations, andwitha border that needed to be respected, made Joey laugh. Mexico was a nation of whores, lazy men, Indians, and bandits, in Doniphan's view. He crossed the border when it suited him, taking any prisoners he wanted to take. In Ojinaga there was no one to stand up to him.

  If Joey stole from the old German, he would steal and go. When Doniphan arrived, with his rough deputies and their quirts, it would not be Joey who would suffer their vengeance. It would be Roberto Sanchez, or some man on the street that they just happened to notice--the shoemaker, perhaps.

  They were not coming to do justice; they were coming to hurt Mexicans.

  There would be less danger if the old German would just go, before Roberto lost his temper or Joey stole from him. But if Maria hoped for something, it seemed that that fact alone, the fact of her hope, made the something not occur. The old German didn't go. He drank tequila all day, smoked cigars, made water frequently, and wiped the sweat off his face with a fine silk handkerchief.

  When he was not drinking or wiping sweat off his forehead, he looked at Maria, or talked to Joey.

  "Are there many rif
les like this in your country?" Joey asked him.

  "Oh yes, many," Lichtenberg replied.

  "Would I find some in the City of Mexico, if I went there?" Joey asked.

  "You would find beautiful guns, but what would you buy them with? You are just a poor boy!" Lichtenberg said, startled that this youth, living in a filthy village, would aspire to travel to the City of Mexico, in search of a rifle.

  "I would buy them with money," Joey said.

  There was something a little frightening about the boy, Lichtenberg thought. A chill in his look, or in his tone. He reminded Lichtenberg of someone he had once known, long ago, an Austrian named Blier, a young count and assassin whose task it was to murder Hungarian rebels. There were many Hungarian rebels, and the Emperor wanted to avoid the expense of many trials. Young Blier killed forty rebels before they caught him and impaled him on a pole. Count Blier died hard, but he had done his job, saving the Emperor the expense of forty trials.

  Lichtenberg had not known Count Blier well, but he had been with him a few times and remembered the look in his eyes. This boy, Joey, had the same eyes. Such eyes could look on a hundred deaths, or a thousand, without pity.

  Lichtenberg had seen men executed, both in Mexico and in Europe. He had seen them shaking in front of firing squads, or crying and begging as the noose was put around their necks. Some lost their water, as they awaited death; some emptied their bowels as well. He could not, without pity, look upon men staining themselves as their deaths came near.

  But Count Blier could see it without pity; and so, probably, could this boy Joey, a boy who could outshoot him with his own gun. Joey was very good-looking. He was a g@uero, as they said in Mexico; g@uero, almost white. In certain moods, Lichtenberg might have offered him a coin.

  Boys were usually easier than women, but not this boy, this g@uero with eyes like the famous Count Blier's.

  Maria saw Joey looking at the old German's things. His eyes turned again and again to the rifle case. She also saw that the old German looked at Joey as he looked at her. She wished the man would go; too much trouble would come, of his visit. But when you wished men to go they never did, and the old German was no exception. He stayed for four nights. Four times she had to persuade Roberto to sleep on the ground. He didn't like it. He cursed her and he cursed the German, but he only hit her once, and he didn't bother the German.

  On the fifth morning, as Lichtenberg was leaving, Joey stole six coins from his valise.

  Lichtenberg was drunk when he left, and didn't notice. Joey went down the river and bought a horse, a black gelding, three years old.

  When he rode home with it, Maria knew he had robbed the German. Her best hope was that the old German wouldn't notice. Otherwise, Doniphan and his deputies would come.

  "I didn't know you owned a horse," Maria said to Joey. "Yesterday you didn't own a horse." "I only stole six coins, Mother," Joey said. "If the old man comes back, I'll just kill him." "What if Doniphan comes?" Maria asked.

  "Tell him to find me in the City of Mexico," Joey said.

  That night, he left. After four or five days, Maria relaxed a little. Lichtenberg was many miles away. Even if he missed the coins, he wouldn't come back. A year later, she learned that the old man had drowned in Sonora.

  He had attempted to cross a wash, when the wash was running, and the water had swept him away. The vaquero who found his body took some silver ore from his saddlebags, but Lichtenberg was dead and could not tell where he had found the silver.

  The news of his death made Maria feel light. That night, she danced in the cantina, and several vaqueros fell in love with her. When she danced, she often became happy, became welcoming, and men fell in love with her. It was the death of the German that allowed her to feel light.

  If he was dead, she was safe from his vengeance.

  Only when men were dead could she feel really safe from their vengeance. If he were alive, old Lichtenberg might ride in someday, with Doniphan to back him up, and beat her half to death, because Joey had stolen those coins.

  In the City of Mexico, Joey Garza felt at home for the first time. He felt that he had come to the place where he belonged. All night there were people in the streets. The air was soft, the ringing of the church bells beautiful. Young priests went barefoot in the street, particularly around the great cathedral. Joey was not a worshiper, but he loved the great cathedral. Several times he came back to stand inside, happy just to look at the high ceiling and the great space it contained. In Ojinaga all the ceilings were low. As he walked in the night, whores followed him, because of his horse.

  They thought he was rich, for in the City of Mexico not many boys his age had fine black geldings.

  Joey ignored the whores, and didn't frequent the cantinas. He had come for a gun-- if possible, one with a little spyglass on it. It took him three days to find the gun he wanted.

  An old trader had it, a Frenchman, a man with a vast belly and empty eyes. Joey had the urge to stick a knife in the man's belly, to see if he could cause the emptiness to leave his eyes. Perhaps as he died, the man would look alive for a few moments. When Joey showed him the five coins--he had spent one on the gelding--the man didn't say a word. He just put the rifle away and nodded for Joey to get out of his shop.

  That night, Joey walked the cantinas, looking for card players who were winning. In a cantina not far from the great cathedral, he saw a small man with quick hands who had many gold coins.

  When the man had enough of the card game, he put the coins in a little sack and had a whore carry it.

  When a second whore wanted to go with him, he shoved her away. Joey followed the man for a while, as he lurched along. He kept sticking his hand under the dress of the young whore. It reminded Joey of the way Benito had behaved with his mother; of how all men behaved with his mother. All her husbands put their hands on her, in the house.

  They didn't care who saw them.

  Joey followed the man and the whore until they were well away from the cantina. As he was walking along a cobbled street, he saw a cobblestone that had come loose. Joey believed in omens. The loose cobblestone meant that it was time for him to act.

  He picked up the cobblestone, came quickly up behind the small man, and smashed his head with it. He grabbed the whore and took the sack of money from her. The whore became frightened, and fled.

  Joey did not check to see whether the small man was dead. He took the sack of coins, got his horse, and rode to the edge of the City of Mexico, where he slept. The next day, he walked into the fat Frenchman's shop, jingling the coins. The fat man didn't change expressions, but he sold Joey the rifle.

  Later, Joey bought some bullets, two pistols, and a fine saddle. He went to stand in the great cathedral once more, and then rode north, out of Mexico.

  Ten days later, on the Texas border west of Laredo, Joey robbed his first train. The robbery was an accident, in a sense. The train was stopped at a water tank. It was a train carrying sheep. Two sheepherders and the four men who ran the train were standing around the water tank, smoking. Joey was three hundred yards away.

  The heat was so great that it cast a haze. No one from the train crew had seen him. Joey decided it was an excellent chance to practice with his new rifle, so he tied his horse and crept a little closer to the men. He shot the two sheepherders first; it was easy to tell they were sheepherders because they wore huge sombreros and looked shaggy, like the animals they cared for. Joey then shot two of the railroad men, the two fat ones. He didn't like fat people, there were too many of them in the world. Juan Castro and Roberto Sanchez, two of the husbands his mother whored with, had been fat.

  As a child, he had often wakened to see a fat body on his mother's. Her husbands grunted like pigs, when they were on her. Shooting the fat railroad men was only a small revenge, for the pain his whoring mother had caused him.

  The two other railroad men began to run, not into the train, but down the river, toward Laredo. Joey watched them run. He was trying to judge wha
t would be a fair distance to shoot, a distance that would allow his rifle to perform at its best.

  When the man in the lead was about four hundred yards away, Joey looked through the spyglass and shot. He aimed for the neck, but the man was running downhill and his aim was a little high. The bullet blew the man's face off. Joey rode over later to inspect the body, and most of the man's face was gone.

  The sixth man ran for his life. He sped along the river so fast that it annoyed Joey.

  Joey loped away, on the black gelding, letting the man see him, letting him think that he had abandoned the hunt. The man slowed to a trot, and then to a walk. Joey loped down the river, until he was well in front of the man. He was satisfied with his rifle; now he wanted to try his new pistols, and at close range.

  The man from the train finally stumbled out of a gully, not thirty yards from where Joey sat on the black horse. The man was terrified. He began to plead, and name the saints.

  Hearing the saints named only angered Joey.

  A priest in the village had the habit of twisting his ear cruelly, while talking to him about the saints. Joey began to shoot at the weeping, pleading man, but, to his annoyance, shooting a pistol proved far more difficult than shooting his fine rifle. He emptied the two pistols, twelve shots, and did no more than nick the man's arm. Joey threw the pistols away, disgusted. They were poor weapons. He was not ready to admit that his aim was bad.

  Joey rode to a little rise, overlooking the river. When the man was about seventy yards away, Joey took out the great rifle and shot the man twice, aiming for his knees. He did not mean to cut the man's arms and legs off, as he had Benito's, but he did mean to cripple him. The man's knees were shattered, and he writhed on the ground, screaming. When he passed out, Joey rode close to look at him. His legs were leaking a pool of blood. Probably the man would bleed to death, as Benito had. Benito had made his mother whore like a beast, on all fours. Joey had seen them in the bed, many times, in the early morning. Benito would be behind his mother, prodding her as bulls prodded, or dogs. That was why Joey followed him, roped him, and cut off his hands and feet with the machete, so that he would not prod his mother on all fours again.