Love and Other Poisons

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by Silvia Moreno-Garcia


  That night the portera was nowhere to be seen and Esperanza did not have to stomach her angry glares. She walked down a narrow corridor, past the altar to the Virgin of Guadalupe, and went into the room that was her home. She only had one small window, and the wallpaper decorating the walls was rotting with mould in several spots, but she covered these with diagrams of mechanical animals, a large calendar with flower drawings and pretty postcards.

  There, piled around her bed were all the magazines and books about automata she collected. Mr. Morales, with his tired eyes and slightly shaky hands, did not read much anymore and he gave her many things he did not find useful or interesting.

  She read frequently, but it was a slow and tedious process. Many of the publications were in English or French, and although Mr. Morales taught her how to read both languages — he said the very best automata came from Paris and London — she preferred working with her hands rather than sitting still and learning about the clockwork mechanism that simulated the purr of a mechanical cat.

  Esperanza dug beneath a pile of papers until she found a slim, red little volume. There was a section in it about homunculi and she wanted to read it again.

  Abel returned on Tuesday. He’d gone to visit his fiancée, and Esperanza expected him to arrive happy and content. He barged in to the shop in his usual foul mood, stopping at the table where she was sitting. Theodore was helping her sort gears into the appropriate boxes.

  “We’ve got a new apprentice?” he asked, frowning.

  “Your uncle bought a homunculus,” she said.

  “And he didn’t tell me?” Abel asked as he walked up to Theodore, sizing him.

  Abel muttered something and rushed up the stairs, no doubt to wake up the old man with a round of screaming.

  “That’s Mr. Morales’ nephew. He hates it when the old man spends any money. He expects to own the shop and he doesn’t appreciate his inheritance being squandered,” Esperanza explained. “Stay out of his way. He’s a regular bastard.”

  “He mistreats you?”

  Esperanza traced the teeth of a gear with her fingers. She thought about the times Abel tried to paw her breasts and how he infuriated her with his criticism about her work. But neither of these mattered much. She moved away when he tried to touch her and ignored his comments.

  “He’s not any worse than others. I came to Mexico City when I was thirteen and spent a whole year doing some sewing and it wasn’t any better than here. I get paid more with Mr. Morales and I get to do the things I like.”

  “You like to work on automata.”

  “I do.”

  “But you’re not allowed to do it. Women are not members of the guilds. Women are not supposed to fix mechanical animals.”

  She’d been fixing things since she was a child, starting with her mother’s sewing machine: a black and yellow Ward Arm & Platform. In Mexico City, the master artisans in the guilds did well and the automaton makers sold pricey collector objects to the people that went in their carriages down Plateros and bought fancy hats at the Iron Palace.

  So she’d obtained a job giving new paint coats to Mr. Morales’ animals. He allowed her to learn some of the mechanical aspects of the trade, piling more and more work onto her shoulders while he went to the cantina. As a woman, as someone who was not a member of the guild, she was not supposed to acquire that knowledge. But the old man didn’t care because he did not pay Esperanza what he ought to have paid a man and she fussed less than the apprentices.

  “I don’t give a rat’s ass about the guild,” she said, upset that something which was not even really human — the church said a homunculus was a sin of nature without a soul — was judging her.

  “I meant no disrespect,” Theodore said with his slow and measured voice. “It was merely an observation. I find it interesting that you perform these functions.”

  “It’s not like I’m doing something bad,” she pointed out. “It’s just sometimes you can’t do everything clean and open, you get it? Except in Baja California. It’s different there.”

  His blue eyes had no depth to them. He blinked and tilted his head to the left.

  “I don’t understand.”

  “You know what Baja California is? It’s a state, up north. There’s nothing there. Only the desert. But that’s why it’s great. If there’s nothing then you can build anything. Anything at all. The laws are, I mean, there’s no laws. Everything’s starting there. That’s where my sister Lupe lives. She went there and it’s completely different from anywhere else.”

  Esperanza had never seen Baja California, she knew it only by the smudged map tacked to her wall, and she had not heard from Lupe in nearly three years, but she had saved her meagre earnings. One day she would have enough to set up a shop there. But that would be after she went to Paris to train in automata making.

  That’s where Abel had trained. He loved to rub it in her face. Esperanza had not finished primary school.

  “Can you read poetry in Baja California?” Theodore asked.

  Esperanza frowned. “That’s a dumb question. I guess you can read anything.”

  “In London they did not allow poetry but John gave me his book.”

  She was going to ask who John was but Abel came down and tossed a bunch of clothes on the floor in front of Theodore.

  “There. My uncle says he got another outfit for this thing.”

  “Thank you,” Theodore said with a perfectly polite voice.

  He did not look offended. It seemed like Theodore was barely there with his neutral expression and his head tilted to the side. And yet his eyes acquired a shine to them, a flickering light similar to a jaguar’s.

  His eyes, unlike the rest of him, were suddenly not placid or neutral. They fixed on Abel, just for a second, and Esperanza noticed Abel’s discomfort. He was a deer, surprised in a clearing.

  She smiled. Not wishing to attract Abel’s attention, Esperanza glanced down quickly and focused on her work.

  Abel said Theodore was another of the old man’s silly purchases, like the mechanical unicorn they restored only to sell it at a loss when nobody wanted it. Mr. Morales often spent money on trinkets they didn’t need, toys and automata that caught his fancy without much thought of how they would dispose of them later.

  “I’ll talk to some of our old clients tomorrow and tell them about Theodore,” Mr. Morales said, but then he went out for a few drinks and napped the afternoon away and he never went to call upon their clients.

  Abel told Esperanza he feared they’d be stuck with Theodore and panicked, muttering at her ear every morning.

  “Good for nothing piece of trash,” Abel said. “They don’t let us make them in Mexico because they’re the devil’s work and that’s good and sound policy.”

  But Esperanza only shrugged. She didn’t mind if Theodore stayed a little longer with them. With him around Abel kept his hands in his pockets. Abel was intimidated by the homunculus and it only made her like Theodore better.

  “There. What do you think?”

  Theodore did not answer. He touched the cheap calendar she’d gotten from the local grocer as reverently as if it were a fine painting. He ran his fingers over the sheep frolicking in a meadow and nodded.

  “I thought you might as well have a little something to lighten up the room.”

  “Why did you think it made the tiger and the lamb?”

  “What tiger?” she asked.

  He was quiet, and she figured it was one of those occasions in which he would halt mid-sentence and walk away, as though she were not there. Instead, Theodore pulled his knapsack from beneath the bed and took out a book.

  “The tiger in Blake’s poem,” he said, handing her the book. “Why is the symmetry fearful? And why would someone make a tiger if it’ll eat the lamb?”

  “I don’t read poems,” Esperanza said turning the pages. “Is this the book you were talking about?”

  “It’s John’s book.”

  “Who’s that?”

&
nbsp; “John trained me and my brothers,” Theodore said.

  “You mean the other copies? Other homunculi?”

  “There were twelve.”

  She tried to picture a dozen Theodores standing side by side with their shallow blue eyes and their tall cheekbones. She also tried to imagine the original Theodore, the human after which all the copies were patented. She wondered if they’d modified his copies much or if they were exact duplicates, and then she thought maybe Theodore had pieces of metal in him because she’d read there were homunculi who possessed hands of steel, though it didn’t look like he was anything but flesh and bone.

  “It was not in our authorized reading materials but John gave it to me before they shipped me off to Paris.”

  “Paris is the capital of automata development,” she said very proudly, repeating Mr. Morales’ words. “It’s the most modern city in the world.”

  “In Paris we worked in an accommodation house.”

  Esperanza had seen plenty of prostitutes, some young and some old, some men and some women, but she’d never thought he’d be one of them with his fine, aristocratic face and shallow eyes that sometimes glinted mysteriously.

  “I thought you were an actor,” she said.

  “My last owner had me perform in a magician’s act but I’ve had other chores. I provide entertainment.”

  Esperanza, who fixed and made mechanical animals for this same purpose, nodded her understanding.

  They sat on the cot, both staring at the lambs running under a bright orange sun.

  “I’ll read your poem if you want but I don’t know if I’ll make any sense of it.”

  She couldn’t talk to Theodore until two days later. Abel hovered around her, and if he saw her chatting with Theodore, he’d say she was lazing around and ask his uncle to cut her week’s pay. There was always a good excuse to cut her wages.

  Esperanza looked down and ignored Abel. She’d been doing this since Abel arrived a year before from his fancy mechanical studies in France. He was only a minor annoyance, just like the apprentices who tried to boss her around, or the rude customers who swooped into the shop, tossing the carcasses of their clockwork pets for her to fix without a look in her direction.

  So she waited until both Abel and Mr. Morales left the store. Theodore sat polishing a tiny butterfly, long, spidery fingers in motion.

  “I read your poem,” she said.

  It seemed he did not hear her. He continued his polishing without the smallest bob of his head.

  “I didn’t understand it. But maybe it’s fearful because it’s so pretty.”

  “Why?” he asked.

  “I don’t know. I’m not a poet, right? I just fix the animals. But have you ever seen how there are some animals that are really ugly? But even then they’re sometimes beautiful. Because beauty can be horrible. And you can never quite duplicate it, even when we make these fancy automata, there’s this awe and this fear in certain things you can’t copy with wire and metal.”

  Theodore stared at her with his eyes like milk glass and she thought maybe the tiger was frightening because it was like the homunculi: so perfect, raw and empty. They hadn’t stuffed a soul in Theodore’s body and beneath the skin there lay the sharp edge of something inhuman and wild.

  She was moving some boxes in the back area when Abel slipped next to her, his hand brushing her back.

  “I’ve got work,” she muttered, pushing him away.

  “You are an uppity bitch, you know that?”

  Esperanza kept her head down, kept rummaging through a crate. He’d get tired of standing there after a couple of minutes and go out to find some food and drink and women.

  “One day I’m going to be the owner of this place and you’ll have to do whatever I want or you’ll be out on the street with a snap of my fingers. You get that?”

  He grabbed her arm and twisted it. It hurt, but the thought that flashed foremost through her mind was that if he injured it she’d be unable to do her work.

  “Abel, don’t.”

  His fingers dug harder into her.

  “What are you looking at?”

  Theodore stood in front of them. His face was blank but his eyes were open wide, as though he was analyzing every little movement they made.

  “Nothing,” Theodore said. He smiled, a cat’s grin. It was frightening. It was not quite a smile but some bizarre approximation of it.

  It must have unsettled Abel because he let her go and walked away.

  “Fuck both of you,” he said.

  He slammed the front door shut and the bell at the entrance jingled merrily. Esperanza rubbed her arm. She shook her head.

  “He’s an idiot. But it’s not forever. Not forever at all. I’ve been here seven years and I’ll be damned if I’ll spend seven more. Not with him. One day I’ll go to Baja California and join my sister there. Do you know in Baja California everything’s different?”

  But when Esperanza said this she felt she might weep and it was shameful because she was no little girl who would snap like a twig, especially in front of Theodore. She blinked the tears away.

  “Give me a hand with this,” she said.

  “Highest quality, of course. Direct from London,” Abel said.

  The man smoked a cigar while the woman sitting next to him held a chain with her gloved hand. A Doberman lay at her feet, eyeing Theodore. Esperanza set a tray before them and poured some brandy.

  “Our neighbours bought one the other day. But I’m not convinced it is a wise purchase,” said the man.

  “There’s very few like this in the city. Even less at this price,” Abel said.

  “What amazing eyes he has,” said the woman. “May I touch him?”

  “Of course.”

  The woman approached Theodore, a hand falling on his face. Her dog, sniffing the homunculus, growled softly.

  “Does he talk?” the woman asked.

  “Six languages,” Esperanza said.

  “Say something,” the woman demanded.

  The dog’s growling intensified but Theodore seemed oblivious to it and to the woman’s presence. His face was stiff, the eyes fixed on some faraway point. He wasn’t even blinking.

  Esperanza wondered if he was used to this process. She wondered if it had been like this in Paris. Perhaps clients came to him, took a look, touched him here and there, before deciding if they ought to pay for his time.

  “Oh, come on, say something.”

  Theodore was staring at the dog and the dog bared its teeth at him.

  “I don’t think your pet likes Theodore,” Esperanza muttered.

  “Oh, please we should buy him. He’s adorable,” the woman said, ignoring Esperanza and turning towards the man.

  The woman’s companion fretted and rubbed a handkerchief against his forehead. “I’m not sure it would look very proper. If it was a girl, well, it wouldn’t matter. But a man …”

  “Except he isn’t a man,” Abel reminded him.

  The woman continued to touch Theodore’s face, petting him as though he were a cat. Esperanza was sure Theodore didn’t like it but he did not move a muscle.

  “He certainly looks like a man,” the companion said.

  Esperanza felt like slapping the woman’s hand away.

  “But he’s got the most darling eyes. Oh, please,” the woman pleaded.

  The dog barked and the woman tugged at its chain. She wasn’t strong enough. The chain slipped from her hands. The animal rushed forward, furious, mouth open wide. But before it could sink its teeth into Theodore’s leg he kicked it, one swift, brutal movement.

  The dog flew across the room. It crashed against the wall shelves. Gears and cranks spilled over the dog and the floor.

  The woman started screaming. She ran towards her dog and screamed and screamed. The man was also yelling and Abel babbled something that did not sound like real words.

  Theodore turned his back towards them.

  He was locked away. Abel wouldn’t have Theodore
around the shop anymore. He said it was for their safety. Esperanza knew it was because he had hated Theodore from the very beginning.

  It didn’t seem fair to wall someone in like that. Even dogs and cats were allowed to venture outside.

  But perhaps he was used to this. She couldn’t imagine he’d had much freedom in Paris or anywhere else he’d lived before arriving in Mexico City. It could be perfectly normal for Theodore, just like it was normal for Esperanza to dodge Abel’s advances during the daytime, walk home every afternoon and read her publications on automata at night.

  There was no reason to worry about him and there was no space for worrying in Esperanza’s life, wound up tight as the clocks that ticked on the wall behind her worktable.

  Her days, like a train of wheels, balanced themselves perfectly. Yet she thought about tigers in cages, lives spent in metal boxes.

  He sat on his bed in the tiny room with one of his books of poems between his hands.

  “I’m sorry. But you should have thought about what you were doing before hurting that dog,” she said, because she had to say something and he was not speaking.

  “I always think about what I do.”

  “I suppose you don’t regret it.”

  “I do not.”

  His fingers lay splayed upon a page but he was staring at the lonely calendar. It was drowning in a sea of yellow wallpaper.

  “Why do you like poetry?”

  “Because I don’t understand it. Words are complicated. They are not always what they appear to be. I want to understand.”

  Esperanza sat next to him. He did not look at her, apparently fascinated with the frolicking sheep plastered on the wall.

  “In Mexico we also have accommodation houses,” she said and paused to see if he might react. He did not. “They are selling you. Next week you’ll go live in another place.”

  “I thought as much.”

  Esperanza glanced down at her closed hands resting on her lap, stained with the paint she had been applying to a clockwork owl that morning.

  “It’s not a tiger,” she said and slipped a metal dragonfly with onyx eyes onto his book. “It’ll have to do.”

 

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